132 résultats
194933707Paris: Rouart Lerolle & Cie PN 12356 1949. Folio. Original publisher's light blue printed wrappers with publisher's advertisement to verso of lower. 1f. recto title verso notes on performance 49 pp.<br/><br/>Ex libris noted musicologist Stanley Boorman with his signature to corner of upper wrapper; annotations in pencil throughout.<br/><br/>Wrappers worn and chipped with several small tears; detached. Publisher's handstamps to lower margin of upper wrapper and title. Light uniform browning; corners slightly creased. First Edition. Simeone I/31.<br/><br/>Cinq Rechants premiered in Paris at the Salle Erard in 1949 by Chorale Marcel Couraud.<br/><br/>"The Tristan trilogy of 1945-8 including Turangalîla Harawi and Cinq rechants- is a mirror of divine love. The three compositions are quite separate in most respects but that of subject and there is no narrative continuity in any of them: Messiaen's style effectively precludes such continuity lending itself instead to sectional forms and thereby to fragmented stories. .Cinq rechants more compact than the other two is a succession of verse-refrain forms in which meaningful phrases are delivered in a forest of onomatopoeic noises and freshly imagined choral textures. Neither here nor in Harawi both works have words by the composer is there any explicit mention of God but the love that both celebrate is seen on a cosmic scale. It can be represented in the symphony by gentle caressing gestures and by virtual stasis 'Jardin du sommeil d'amour' but it can be represented too by the energy of strongly pulsed fast rhythm the energy that the work's great central dance 'Joie du sang des étoiles' projects as streaming through the universe." Paul Griffiths in Grove Music Online. Rouart, Lerolle & Cie [PN 12356] unknown books
195033708Paris: Durand & Cie PN 12060 1950. Small octavo. Original publisher's light green printed wrappers. 2ff. 30 i advertisement pp. Text in French.<br/><br/>Wrappers detached and slightly chipped faded and browned; bookseller's handstamp to blank corner of upper. Slightly browned.<br/><br/>Ex libris the noted musicologist Stanley Boorman with his signature to corner of upper wrapper. First Edition in this format later issue. Simeone I/5a.<br/><br/>Les Offrandes oubliées premiered in Paris at the Théâtre des Champs-Élysées on 19 February 1931 by the Orchestre Straram conducted by Walther Straram. <br/><br/>"The sources of Messaien's music may be traced on the one hand to the French organ tradition and on the other to the innovations of Debussy Stravinsky and Bartók but right at the start of his career he found a modal system that has a completely individual sound and to this he remained true even when he vastly extended the possibilities of his style after World War II. He was alone too among major 20th-century composers in his joyously held Catholic faith which again was unswerving however much he came to value non-European cultures especially Indian and Japanese. As a teacher he instructed many of the most prominent composers of the next two generations." Paul Griffiths in Grove Music Online. Durand & Cie [PN 12060] unknown books
195733735Paris: Durand & Cie PN 13.494 1957. Loose folio. Original publisher's ivory printed wrappers. 1f. recto title verso notes 3-11 i publisher's advertisement pp.<br/><br/>Wrappers slightly worn torn and creased; small rectangular bookseller's sticker to lower margin of upper. Uniformly browned; publisher's handstamp to title. First Edition later issue. Simeone I/32.<br/><br/>The Mode de valeurs et d'intensités premiered in Tunis with the composer at the piano in 1950.<br/><br/>"Teacher and pupils stimulated one another and for a short time it seemed that Messiaen was about to join his younger colleagues on the road to and through total serialism. His piano piece Mode de valeurs et d'intensités which he wrote while teaching at the Darmstadt summer course in 1949 allots a particular duration and a particular dynamic level to each of the just 36 notes in play; it had a crucial impact on both Boulez and Stockhausen." Paul Griffiths in Grove Music Online. Durand & Cie [PN 13.494] unknown books
196333738Paris: Durand & Cie PN 11843 1963. Folio. Original publisher's light pink printed wrappers. 1f. recto title verso blank 1f. recto dedication to Henriette Roget verso blank 1 contents 2-55 i advertisement pp. Text in French.<br/><br/>Wrappers slightly soiled creased and chipped; detached. Annotations in pencil throughout.<br/><br/>Ex libris musicologist Stanley Boorman with his signature to corner of upper wrapper. First Edition later issue. Simeone I/2.<br/><br/>The Préludes premiered in Paris at the Concerts Durand by the composer on 28 January 1930.<br/><br/>"The sources of Messiaen's music may be traced on the one hand to the French organ tradition and on the other to the innovations of Debussy Stravinsky and Bartók but right at the start of his career he found a modal system that has a completely individual sound and to this he remained true even when he vastly extended the possibilities of his style after World War II. He was alone too among major 20th-century composers in his joyously held Catholic faith which again was unswerving however much he came to value non-European cultures especially Indian and Japanese. As a teacher he instructed many of the most prominent composers of the next two generations." Paul Griffiths in Grove Music Online. Durand & Cie [PN 11843] unknown books
195233732Paris: Durand & Cie PN 13602 1952. Octavo. Original publisher's light blue printed wrappers titling in manuscript to spine. 1f. recto title verso blank 1f. recto instrumentation verso orchestral plan 1f. notes including on first performance 216 pp. <br/><br/>Wrappers somewhat worn and faded; partially detached; publisher's handstamp to title "United Music Publishers Ltd." Uniformly browned; annotations in pencil throughout. <br/><br/>Ex libris the noted musicologist Stanley Boorman with his signature to corner of upper wrapper. First Edition in this format. Simeone I/26. <br/><br/>The Trois Petites Liturgies premiered in Paris at the Salle de l'Ancien Conservatoire Concerts de la Pléiade conducted by Roger Désormière with the Orchestre de la Societé des Concerts du Conservatoire on 21 April 1945.<br/><br/>"The sources of Messaien's music may be traced on the one hand to the French organ tradition and on the other to the innovations of Debussy Stravinsky and Bartók but right at the start of his career he found a modal system that has a completely individual sound and to this he remained true even when he vastly extended the possibilities of his style after World War II. He was alone too among major 20th-century composers in his joyously held Catholic faith which again was unswerving however much he came to value non-European cultures especially Indian and Japanese. As a teacher he instructed many of the most prominent composers of the next two generations." Paul Griffiths in Grove Music Online. Durand & Cie [PN 13,602] unknown books
196533739Paris: Durand & Cie. PN 13258 1965. Folio. Original publisher's ivory printed wrappers. i recto title verso blank i dedication to Yvonne Loriod ii author's notes i blank 99 i publisher's advertisement pp.<br/><br/>Ex libris noted musicologist Stanley Boorman with his signature to corner of upper wrapper.<br/><br/>Wrappers slightly worn with small edge tears; detached. Uniformly browned; several annotations in pencil. First edition; later issue; ©1950. Simeone I/25.<br/><br/>Visions premiered in Paris at the Galerie Charpentier Concerts de la Pléiade by Yvonne Loriod and the composer on 10 May 1943.<br/><br/>"The sources of Messiaen's music may be traced on the one hand to the French organ tradition and on the other to the innovations of Debussy Stravinsky and Bartók but right at the start of his career he found a modal system that has a completely individual sound and to this he remained true even when he vastly extended the possibilities of his style after World War II. He was alone too among major 20th-century composers in his joyously held Catholic faith which again was unswerving however much he came to value non-European cultures especially Indian and Japanese. As a teacher he instructed many of the most prominent composers of the next two generations." Paul Griffiths in Grove Music Online. Durand & Cie. [PN 13,258] unknown books
198713891Paris: Libraire Séguier / Archimbaud / Birr 1987. Used; Like New/Used; Like New. The complete program notes written by Messiaen for a series of performances of Mozart piano concertos by his wife pianist Yvonne Loriod in 1964 which were collected and published more than twenty years later. Signed and inscribed on the half-title verso to Jean-Victor Hocquard French musicologist and the author of the volume's foreword: "à Jean-Victor Hocquard le grand philosoph-musicien qui a écrit sur Mozart les pages les plus belles les plus touchantes et les plus profondes.en souvenir de ces merveilleux concerts d'Yvonne Loriod. et avec toute mon admiration et mes grands amitiés!" "To Jean-Victor Hocquard the great philosopher-musician who has written the most beautiful touching and profound words about Mozart. as a souvenir of these marvelous concerts of Yvonne Loriod. and with all my admiration and best wishes!" 121 pp. 12mo. Softcover. Slight stain to the lower edge of the front cover and the inside front cover and front end paper; otherwise in very good condition. <br>Together with a small newspaper clipping dated September 17 1989 reviewing a broadcast of Mozart piano concertos and mentioning Hocquard and Messiaen's view of the concertos as "instrumental dramas." Libraire Séguier / Archimbaud / Birr paperback books
1972297234Éditions Musicales Alphonse Leduc Paris 1972. Softcover Großformat Nur A.L. 24.588. Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Éditions Musicales Alphonse Leduc, Paris, paperback
3067Paris: Editions Librairie Seguier 1988. First collected edition of Messiaen's detailed accounts of each of Mozart's piano concertos which had appeared individually in concert programs. Olivier Messiaen 1908-1992 was the pre-eminent French composer of the second half of the 20th century. From a total edition of 100 numbered copies this is ONE OF ONLY 50 COPIES WITH A LOOSE COLOR LITHOGRAPH BY BALTHUS. The lithograph in soft colors depicts a bay with a smoking volcano in the background. Balthus Balthazar Klossowski de Rola 1908-2001 was one of the great French artists of the 20th century. In theory the book is supposed to be signed by Messiaen and the lithograph by Balthus but in fact neither is signed. The publication of this book was carried out in the most chaotic possible way: Messiaen ended up signing only presentation copies and Balthus ended up signing only a few impressions of the lithograph. Large folio 56 x 38.5 cm. Loose as issued in printed wraps and publisher's cloth portfolio/clamshell box. FINE AND BRIGHT with no defects. <br/><br/> Paris: Editions Librairie Seguier, 1988 paperback
1452Paris: Editions Durande & Cie. . Wraps. Very Good. Quarto. Very good quarto. Piano score 52 pp. Preface: 1. Sujet de l'oeuvre et commentaire de chaque mouvement 2. Petite theorie de mon langage rhythmique 3. Conseils aux execuatants and 3 parts Violin Clarinet. Plate D.F. 13091. I. Liturgie de cristal; II. Vocalise pour l'ange qui annonce la fin du temps; III. Abîme des oiseaux; IV. Intermède; V. Louange à l'éternité de Jésus; VI. Danse de la fureur pour les sept trompettes; VII. Fouillis d'arcs-en-ciel pour l'ange qui annonce la fin du temps; VIII. Louange à l'immortalité de Jésus. "Je vis un ange plein de force descendant le ciel revêtu d'une nuée ayant un arc-en-ciel sur la tête. Son visage était comme le soleil ses pieds comme des colonnes de feu. Il posa son pied droit sur la mer son pied gauche sur la terre et se tenant debout sur la mer et la terre il leva la main vers le Ciel et jura par celui qui vit dans les siècles des siècles disant: 'il n'y aura plus de temps; mais au jour de la trompette du septième ange le mystère de Dieu se consommera.' " Apocalypse de Saint Jean. Written and first performed in Stalag VIII A January 15 1941 by Jean Boulaire violin Henri Akoka clarinet Etienne Pasquier violoncello and Messiaen piano. Editions Durande & Cie. paperback
2002771735Berlin.: Deutsche Oper. 2002. Orig.kartoniert. Gr. 8°. Gut erhalten. Deutsche Oper. unknown
20081-1423482859Editions Durand 2008. Paperback. New. bilingual edition. 57 pages. French language. 11.50x8.75x0.25 inches. Editions Durand paperback
9464002360.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008103506ABParis, Alphonse Leduc, 1999-2008. Neudruck. 7 Bde. (in 8 Bdn.). 29 x 20 cm. Mit zahlr. Notenbeispielen. Insgesamt 3455 Seiten. OKt. - Französischer Text. - Sehr gutes Ex. (2 untere Kapitale minimal bestossen).
198837196Disques Montaigne, 1988. XX 1111 1 CD CD
50432468like new. unknown
50432468-nnew. unknown
199291318Amati 1992-10-05. Audio CD. Like New. Shrink wrap away from new Please email for photos. Amati unknown
1955RO40232025Aubier - Montaigne. 1955. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 318 pages. Texte en anglais et en français en regard.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
19571021301957 N° 45, Décembre 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. - Sommaire en image
19581021331958 N° 48, Mars 1958 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. - Sommaire en image
R130005731PHILIPS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, partition de musique et un texte dérrière la pochette. Violo, clarinette, violoncelle et piano comme instruments.. . . . Classification : 410-33 Tours
R130006539ERATO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en coulerurs, biographie de OLIVIER MESSIAEN dérrière la pochette. Direction artistique: OLIVIER MESSIAEN.. . . . Classification : 410-33 Tours
19922-0048003808Salabert 1992. Paperback. New. German language. 11.73x8.90x0.31 inches. Salabert paperback
0953408701.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
