75 résultats
190029220Paris: Ménestrel Heugel et Cie. PN H. 2447 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 74 pp.<br/><br/>Named cast includes Guyot Geoffroy Tautin and Geoffroy. Annotations to cast list in pencil.<br/><br/>Wrappers worn soiled and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. <br/><br/>Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on June 22 1859.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ménestrel, Heugel et Cie. [PN H. 2447] unknown books
19859007145New York: Belwin-Mills 1985. paperback. Fine Condition. Bound in publisher's original wrappers. Text is in French. <br/><br/> Belwin-Mills paperback books
198028776n.p.: Orion Music Reprints 1980. Large octavo. Original publisher's light green wrappers with title within decorative border. 1f. recto title within decorative border verso named cast list and contents 5-64 pp.<br/><br/>Named cast includes Judic Grivot Suzanne and Ed. Georges. Bagatelle to a libretto by Crémieux and Blum was first performed in Paris at the Bouffes-Parisiens on May 21 1874.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Orion Music Reprints unknown books
198028483Berlin - Wiesbaden: Bote & Bock PN B & B 22813 1374 1980. Folio. Original publisher's light gray llustrated wrappers. 1 illustrated title 2 cast list and contents 3-86 i publisher's catalogue i blank pp.<br/><br/>Wrappers slightly worn. Revised version.<br/><br/>Le financier et le savetier to a libretto by Crémieux and About was first performed in Paris at the Bouffes-Parisiens on September 23 1856.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PN B & B 22813 (1374)] unknown books
196129205Berlin - Wiesbaden: Bote & Bock PNs B & B 4801-4807 1961. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title verso copyright 1f. recto cast list contents and notes on first performance verso blank 3-77 i blank pp. Text in German and French dialogue in German.<br/><br/>Titling to spine in black. Small label to title with "Léon Morand" as librettist. Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on June 22 1859.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PNs B & B 4801-4807] unknown books
198528768n.p.: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers. 1f. recto title verso copyright iii note in French and English iv-v synopsis in French vi-vii synopsis in English viii biography of composer in English 1 secondary title 2 named cast list 3 contents 4-220 pp. Wth publisher's catalogue to verso of upper wrapper.<br/><br/>Two superficial horizontal cuts to upper wrapper. La boîte au lait to a libretto by Grangé and Noriac was first performed in Paris at the Bouffes-Parisiens on November 3 1876.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Onl. Belwin-Mills [PN A544] unknown books
194728484Paris: Choudens PN A.C. 4740 1947. Large octavo. Original publisher's gray wrappers with title within decorative border. 1f. recto title within decorative border by Buval verso blank 1 notes on first performance named cast list and contents 2-232 1f. blank pp.<br/><br/>Named cast includes Simon-Girard Girard Vernon Lestrade Reval Luco Lepers Simon-Max Maugé Bartel and Henriot.<br/><br/>Wrappers partially detached; spine reinforced with tape. Some signatures split; minor chipping to upper margins. Reprint from first edition plates.<br/><br/>La fille du tambour-major to a libretto by Chivot and Duru was first performed in Paris at the Folies-Dramatiques on December 13 1879.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 4740] unknown books
194729206Paris: Choudens PN A. C. 2692 1947. Large octavo. Original publisher's decorative gray wrappers. 1f. recto title within decorative border verso blank i recto named cast list and contents 2-79 i blank pp.<br/><br/>Named cast includes Théo Dartaux and Daubray.<br/><br/>Short splits to wrappers at joints. Printed from first edition plates. <br/><br/>Pomme d'api to a libretto by Halévy and Busnach was first performed in Paris at the Renaissance on September 4 1873.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2692] unknown books
195129217New York: G. Schirmer PN 42367 1951. Large octavo. Original publisher's decorative turquoise wrappers. 1f. recto title verso copyright statement 1f. recto cast list verso contents 88 pp.<br/><br/>Wrappers slightly worn. M. Choufleuri restera chez lui to a libretto by Saint-Rémy Duc de Morny L'Epine Crémieux and Halévy was first performed at the Présidence du Corps Législatif on May 31 1861 and at the Bouffes-Parisien on September 14 1861.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Schirmer [PN 42367] unknown books
191528807London: J. B. Cramer PN J. B. C. & Co. 11657 1915. Quarto. Red cloth0-backed gray stiff printed wrappers. 1f. recto title verso cast list 1f. recto argument verso contents 315 i publisher's catalogue pp. Text in English and French. Publisher's advertisement to verso of lower wrapper.<br/><br/>Occasional performance markings in pencil.<br/><br/>Titling to spine in black ink; handstamp to upper margin of upper board. Some signatures split; handstamp to upper margin of title. Fifth version.<br/><br/>Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. J. B. Cramer [PN J. B. C. & Co. 11657] unknown books
19719007144New York: Schirmer 1971. paperback. Fine Condition. Bound in publisher's original wrappers. Text is in French and English. <br/><br/> Schirmer paperback books
196928800Paris. Berlin: Heugel & Cie Au Menestrel. Bote und Bock PN H. 31834 1969. Folio. Original publisher's gray printed wrappers. 1f. recto title verso cast list and instrumentation 1f. recto note verso contents 109 i blank pp. Text in French and German.<br/><br/>Wrappers slightly worn. Croquefer ou Le dernier des paladins to a libretto by Jaime and Tréfeu was first performed on February 12 1857.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Heugel & Cie, Au Menestrel... Bote und Bock [PN H. 31834] unknown books
197029207Berlin - Wiesbaden: Bote & Bock PN B. & B. 4426 1970. Large octavo. Original publisher's gray printed wrappers. 1f. recto title verso cast list contents and orchestration 3-88 pp. Text in German and French. Pépito to a libretto by Moinaux and Battu was first performed in Paris at the Variétés on October 28 1853.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PN B. & B. 4426] unknown books
196028869Berlin-Wiesbaden: Bote & Bock PN B & B 22025 961 1960. Large octavo. Original publisher's dark ivory wrappers printed in dark blue. 1f. recto title verso blank 1f. recto cast list orchestration and notes on first performance verso contents 5-289 i blank pp. Text in German and French. First performed in Baden-Baden on the 31st July 1869.<br/><br/>La princesse de Trébizonde to a libretto by Nuitter and Tréfeu was first performed in Baden-Baden on July 31 1869 and in a revised version in Paris at the Bouffes-Parisien on December 7 1869.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PN B & B 22025 (961)] unknown books
188628480Paris: Choudens Fils PN A.C. 8431 1886. Large octavo. Original publisher's light pink illustrated wrappers. 1f. recto title verso blank 1 cast list and contents 2-75 i blank 14 publisher's catalogue pp. Unopened.<br/><br/>Wrappers slightly worn; minor damage to head of spine. Some signatures split and partially detached. Fleurette oder Näherin und Trompeter to a libretto by Hopp and Zell C. Walzel after Pittaud de Forges and Laurencin Chapelle was first performed in Vienna at the Carltheater on March 8 1872.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 8431] unknown books
194529228Paris: Choudens PN A. C. 2744 1945. Large octavo. Original publisher's decorative dark ivory wrappers. 1f. recto decorative title verso blank i named cast list and contents 4-223 i blank pp.<br/><br/>Named cast includes Théo Grivot Fonti Lyon Castello Jane Eyre Bonnet Daubray and Troy.<br/><br/>Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204 not affecting music. La jolie parfumeuse to a libretto by Crémieux and E. Blum was first performed in Paris at the Renaissance on November 29 1873.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2744] unknown books
196028868Paris: Éditions Salabert PN R. L. et Cie. 6742 1960. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title within decorative border verso blank i notes on first performance named cast list and contents 2-243 i blank pp.<br/><br/>Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Ledard Breton and Henry.<br/><br/>Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates.<br/><br/>La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Éditions Salabert [PN R. L. et Cie. 6742] unknown books
031060Boston: Elibron Classics. n.d. 300p. music stiff wrappers quarto format. Elibron Classics unknown books
031053Boston: Elibron Classics. n.d. 291p. music stiff wrappers quarto format. Elibron Classics unknown books
14425LONDON HAMILTON 1958. FIRST EDITION THUS VERY GOOD. F. LONDON, HAMILTON, 1958 unknown books
190728788Paris: Choudens PN A.C. 5301 1907. Large octavo. Quarter dark yellow cloth with green cloth boards spine with raised bands. 1f. recto title illustrated by E. Buval verso blank 1f. recto publisher's note in French and German verso blank 1f. recto notes on first performance cast list and contents verso blank 1f. recto contents verso blank 3-344 pp. Text in Italian and German.<br/><br/>Binding slightly worn rubbed bumped; lower stained. Some signatures split or partially split; occasional reinforcement to inner margins; minor soiling and creasing to corners of title; tape repair to lower margin of publisher's notes; small tear to blank outer edge of p. 15. Fifth version.<br/><br/>Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5301] unknown books
188629226Paris: Choudens Père & Fils PN A. C. 3017 1886. Large octavo. Quarter dark brown morocco with marbled boards raised bands on spine with titling gilt marbled endpapers. 1f. recto title within decorative border verso notes 1f. recto named cast list and contents verso blank 215 i blank pp.<br/><br/>Named cast includes Judic Grivot Perret Godin Desmonts Mannère Grivot Scipion Jean-Paul Daubray Habay Fugère Homerville Guyot Courcelles Durand Maxnère and Rivet.<br/><br/>Binding slightly worn rubbed and bumped. Browned; trimmed at inner margin and guarded; upper margin of title trimmed just affecting border; small handstamp to upper margin of first page of music. Printed from first edition plates.<br/><br/>Madame l'archiduc to a libretto by Halévy and Millaud was first performed in Paris at the Bouffes-Parisiens on October 31 1874.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A. C. 3017] unknown books
14424BLOOMINGTON IN UN 1957. FIRST EDITION VERY GOOD. F. BLOOMINGTON, IN UN, 1957 unknown books
1940031047New Y.: G. Schirmer 1940. The book by Jules Barbier. English version by Charles Henry Meltzer. Vocal score. viii 245p. music original green cloth with gilt lettering quarto format G. Schirmer's collection of operas. G. Schirmer unknown books
189028772Paris: Choudens Père & Fils PN A.C. 5024 1890. Large octavo. Full red cloth titling gilt to spine marbled endpapers. 1f. recto title within border by L. Denis verso notes 1f. recto notes on first performance named cast list and contents verso blank 3-254 pp.<br/><br/>Binding slightly worn. Some browning; former owner's signature to free front endpaper dated 1936; tape reinforcement to outer edge of verso of title. Printed from first edition plates.<br/><br/>Belle Lurette to a libretto by Blum Blau and Toché completed by Delibes was first performed in Paris at the Renaissance on October 30 1880.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 5024] unknown books
