814 résultats
187829225Paris: Choudens Père et Fils PN A.C. 3862 1878. Large octavo. Full modern dark grey cloth. 1f. recto decorative title verso blank 1f. recto notes on first performance named cast list and contents verso blank 3-187 i blank pp.<br/><br/>Named cast includes Peschard Paola Marié Girard Humberta Fanny Robert Descot Blot Blanche Daubray Jolly Troy Scipion Peschieux Maxnère Dubois Jannin Chambéry Sassard and Montaubry.<br/><br/>Slightly browned and foxed; trimmed affecting text at foot of title but not affecting music; tear to outer edges of pp. 67-70. First Edition.<br/><br/>Maître Peronilla to a libretto by Nuittier and Ferrier was first performed in Paris at the Théâtre des Bouffes-Parisiens on March 13 1878.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens Père et Fils [PN A.C. 3862] unknown books
1902QZI-11Paris, Calmann-Lévy, 1902. Édition originale des œuvres complètes (théâtre, opérettes, opéra-bouffe) d'Henri Meilhac et Ludovic Halévy. Huit volumes in-12 de 12,5 x 18,5 cm pour 383 + 386 + 402 + 404 + 412 + 493 + 474 + 468 pp. Relié demi-chagrin chocolat, dos à 5 nerfs, nom d'auteur et titre en caractères d'imprimerie dorés séparés d'un trait doré, tomaison en doré. Tranches supérieures dorées. Plats marbrés à motifs foncés tournoyants, gardes colorées marbrées d'un motif camaïeu clair. Couvertures conservées. Tranchefile. "Avec Ludovic Halévy, rencontré en 1860, Henri Meilhac entame une collaboration de près de vingt ans et donne les livrets des plus célèbres opérettes de Jacques Offenbach dont La Belle Hélène (1864), La Vie parisienne (1866), La Grande-duchesse de Gérolstein (1867) et La Périchole (1868) ainsi que le Carmen de Georges Bizet (1875). Le duo compose aussi des vaudevilles et des comédies : Les Brebis de Panurge (1863), Fanny Lear (1868), Frou-Frou (1869), Tricoche et Cacolet (1872), Le Prince (1876), La Cigale (1877), Le Mari de la débutante (1879). Des deux duettistes, Henri Meilhac apporte en propre sa fantaisie, confinant parfois à la loufoquerie. Gagnant beaucoup d'argent, il en dépense également beaucoup, cherchant l'inspiration dans les grands restaurants, les cigares et le champagne. Meilhac et Halévy fréquentent le salon littéraire de Geneviève Halévy ou se rencontrent aussi Lucien Guitry, Paul Bourget ou Joseph Reinach, entre autres."
BN96961Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen <br/><br/>Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Magistrat der Stadt Offenbach am Main unknown
BN212686Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik <br/><br/>Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Herausgeber: Magistrat der Stadt Offenbach am Main Magistrat der Stadt Offenbach am Main unknown
2014BN243306DOVER PUBN INC 2014. 2014. Softcover. Les Contes d'Hoffmann in Full Score <br/><br/>Les Contes d'Hoffmann in Full Score Jacques Offenbach DOVER PUBN INC paperback
015241[Offenbach] Mélanie Waldor (1796-1871), poétesse, femme de lettres, maîtresse d'Alexandre Dumas. Lettre imprimée avec note A.S., sd [avril 1853], 1p in-8. A Monsieur Mathon de Fougères [ortographié de Forère]. Lettre imprimée invitant à une « assemblée de charité » en faveur des familles pauvres visitées et secourues par la conférence Saint-Vincent-de-Paul » de la paroisse d'Arcueil. On remarquera que Jacques Offenbach accompagnera la cérémonie. La liste des quêteuses est donnée, évidement que des dames de la sociétés, parmi lesquelles se trouve Mélanie Waldor. Au pied de la lettre, Waldor a ajouté deux lignes : « Monsieur, Votre aumône quelque légère qu'elle soit me trouverait bien reconnaissante. Mélanie Waldor de Villenave ». Belle pièce mentionnant Offenbach. [375]
A9780367209544Hardback. New. hardcover
185628871Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9659 1856. Large octavo. Quarter dark blue calf with marbled boardsspine with gilt-ruled compartments and titling gilt. 1f. recto title within decorative borders verso blank 1f. recto contents verso blank 0 pp. Engraved.<br/><br/>Binding slightly worn rubbed and bumped; armorial bookplate to front pastedown. Minor foxing; small oval bookseller's and publisher's facsimile signature handstamp to lower margin of title. First Edition first issue.<br/><br/>Trombalcazar ou Les criminels dramatiques to a libretto by Dupeuty and Bourget was first performed in Paris at the Bouffes-Parisien on April 3 1856.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus, Dufour et Cie. [PN B. et Cie. 9659] unknown books
201323601Frankfurt, Leipzig und Berlin, 1990 bis 2013. Stets in kleiner Auflage erschienen. Mit Abbildungen, Bibliographien, Beiträgen zu den Sammlertreffen usw.. OPappbände im IB-Format.
6j1860Ohne Vrelag und Ort um 1990. CD in original Kunststoffhülle. - neuwertig/original verlagsfrisch verschweißt/gespielt vom Chor und Sinfonieorchester des Bayerischen Rundfunks unter der Leitung von Rudolf Moralt - unknown
18741174261Paris, Heugel et Cie., 1874. 4to. 2 Bl., 301, (1) S. Noten. Hldrbd d. Zeit m. eingeb. OVorderumschl. (nach Barbizet) (Vordergelenk gelockert, gering braunfl.).
187728481Paris: Choudens Père & Fils PN A.C. 3632 1877. Large octavo. Quarter black calf with pebbled black paper boards. 1f. recto title within decorative border by J. Bourgeois verso blank 1 notes on first performance named cast list and contents 2-193 i blank pp.<br/><br/>Named cast includes Vanghel J. Gérard Geoffroy Delorme Maugé Milher Simon-Max Luco Haymé and Vavasseur. Occasional performance markings in pencil including some added notation. <br/><br/>Binding slightly worn and rubbed; spine slightly chipped at head and tail. Light to moderate foxing; several small tears; one leaf creased; minor loss to a few leaves. First Edition. <br/><br/>La Foire Saint-Laurent to a libretto by Crémieux and Saint-Albin was first performed in Paris at the Folies-Dramatiques on February 10 1877. Choudens Père & Fils [PN A.C. 3632] unknown books
2084aaum 1980. Motivmaße: ca. 28 x 327 cm unten links numeriert '69/100' unten mittig betitelt unten rechts signiert. unknown
RO50012469"Au ménestrel / Edmond Mayaud. XIXème. In-8. Relié demi-cuir. Bon état, Couv. légèrement passée, Dos à nerfs, Quelques rousseurs. 83 + 193 pages. Initiales dorées sur la couverture. Titres, auteurs et filets doréssur le dos. Gravure noire et blanche de Célestin Nanteuil en page titre de ""Norma"".. . . . Classification Dewey : 780.26-Partitions"
08-1243Die Galerie Offenbach am Main 1982.1984. . 4to. 30 x 21 cm. 17 pp. illus. chiefly in color. Catalogue to accompany the original graphic. Text in German. Very good in embossed wraps light scratches to cover. Edition of 10002 this being number 1157. Die Galerie Offenbach am Main, 1982.1984. paperback
4295Georg W. Dietrich Verlag, München. 30(2) S plus 8 Tafeln mit den Original-Lithographien von Enders, sämtlich hinter Pergamentblättern, 8°, OHalb-Leder mit Lederecken und Goldzierleisten, Doppelfilete (Leder etwas beschabt), Lesebändchen, Kopfgoldschnitt. Einige Lagen sind verschoben eingebunden, jedoch fest. Abklatschspuren auf den Vorsätzen. Eingelegter Zettel mit einer Druckfehler-Bereinigung. Gutes Exemplar. Reihe: Kleinodien der Weltliteratur, 19. Band. Selten in dieser Einbandvariante. Rare. Good copy.
187028867Paris: G. Brandus et S. Dufour PN B. et D. 11601 1870. Large octavo. Quarter red calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by A. Jannin verso blank 1f. recto notes on first performance named cast list and contents 56 73-80 65-72 57-64 81-255 i blank pp.<br/><br/>Named cast includes Berthelier Désiré Bonnet Ed. Georges Fonti Van-Ghell Chaumont and Thierret.<br/><br/>Binding slightly worn rubbed and bumped. Minor chips to lower margin of first three leaves of music not affecting music. First Edition later issue with supplement.<br/><br/>La princesse de Trébizonde to a libretto by Nuitter and Tréfeu was first performed in Baden-Baden on July 31 1869 and in Paris at the Bouffes-Parisiens on December 17 1869.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN B. et D. 11601] unknown books
19242141486Offenbach am Main: Wilhelm Gerstung Verlag 1924. 157, (1) Seiten. Frakturdruck auf Bütten. Gr. 8° (22,5-25 cm) Orig.-Pergamentband. [Hardcover / fest gebunden].
111972A Paris, Société d'Edition et de Publications, Librairie Félix Juven - In-4, cartonnage pleine percaline rouge avec décors en relief et dorures, tranches dorées - 316 p. - Illustrations en N&B, in et hors texte de Martin Van Maelle
0534<br/><br/>Offenbach Jacques 1819-1880; Cellarius; Jullien Louis Antoine 1812-1860. The Polka #1. The Celebrated Polka Dance; The Polka #2. Carlotta Grisi's Favorite Polka. Philadelphia: G. E. Blake n.d. Black and white lithographic cover with 2-3pp. music. Numbered in ink pps 61-64. Cover shows three vignettes of couple in Polish dress. With direction on cover below vignettes. Foxed. Pencil notes. Some closed tears upper right corner of cover missing not affecting lithograph. GLIMG #61. unknown books
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br /> <br /> Named cast includes Zulma Bouffar and Désiré.<br /> <br /> Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br /> <br /> Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864.<br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown
1997104281F/L, Insel-Verlag, 1997. EA, 110 Exemplare. J-829.
1R251um 1640. Maße: ca. 15 cm x 105 cm im Passepartout in schwarzer Holzleiste hinter Glas gerahmt leicht fleckig. - Eingedruckter Text: Pennarum timidé levipes fulpendia vitat. Subdola et incurrit retia sponte lepus. "Der haaß förchtet die federleyhn Und lauffet zu dem garn hinein. Wass nicht zu förchten förcht er sehr Wass zu förchten nit förchtet er" / Aus Thesaurus Philopoliticus der berühmten Serie von Stichen mit Stadtlandschaften; Co-Autor Daniel Meisner geb. 1585 in Komotau Böhmen; gest. 11. März 1625 in Frankfurt am Main - unknown
