814 résultats
0486494675.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20142-0486494675Dover Pubns 2014. Paperback. New. 395 pages. 12.00x9.00x1.00 inches. Dover Pubns paperback
190736787Paris: Choudens PN A.C. 5100 1907. Large octavo. Quarter mid-tan calf with marbled boards dark brown leather title label gilt to spine marbled endpapers. 1f. recto title verso blank 1f. recto cast list and contents verso blank 327 pp. <br /> <br /> Binding very slightly worn rubbed and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. <br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5100] unknown
1013969286.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016378785.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016181205.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101772072X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018772367.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190875025Boston: Oliver Ditson Company 1908. Vintage Copy. Softcover. Very Good- in wrappers. Small chips and tears to edges. ; 8vo 8" - 9" tall. Oliver Ditson Company unknown
1940031047New Y.: G. Schirmer 1940. The book by Jules Barbier. English version by Charles Henry Meltzer. Vocal score. viii 245p. music original green cloth with gilt lettering quarto format G. Schirmer's collection of operas. G. Schirmer unknown
190028863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates.<br /> <br /> Bound with:<br /> Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition.<br /> <br /> Bound with:<br /> Offenbach.<br /> Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858.<br /> <br /> Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. <br /> <br /> Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown
1019926481.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020023902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019927461.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017201501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br /> <br /> Named cast includes Zulma Bouffar and Désiré.<br /> <br /> Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br /> <br /> Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864.<br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown
3566095311.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
22498London:Strand Theatre: 19 June 1879 . Programme for the first London production of the opera comique in three acts.With Florence St. John as Justine Favart Mons.Mariusas Charles Favart and Henry Lewens as Major Cotignac. Together with dated ticket stub for two orchestra stalls. Good condition. London:Strand Theatre: 19 June 1879 unknown
1017302081.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br /> <br /> Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br /> <br /> Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. <br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br /> <br /> Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866.<br /> <br /> Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach.<br /> <br /> "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown
22495London:Strand Theatre: 6 November 1879 . Programme for the 209th night of the first London production of the cleberated opera comique in three acts. With Florence St John as Justin Favart Mons. Marius as Charles Favart and Henry Lewens as Major Cotignac. Good condition. London:Strand Theatre: 6 November 1879 unknown
22494London:Strand Theatre: 25 July 1879 . Programme for the 100th night of the first London production of the celebrated opera comique in three acts. With Florence St John as Justine Favart Mons. Marius as Charles Favart and Henry Lewens as Major Cotignac. Good condition. London:Strand Theatre: 25 July 1879 unknown
1020654066.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
22493London:Gaiety Theatre: 24 April 1873 . Programme for a New Operatic Experience Extravanganza in three scenes by R. Reece founded on Flotow's celebrated opera featuring a grand ballete entitles 'The Dancing Quakers'. With Constance Loseby as Lionel Rachel Sangen as Plunkett and Lionel Brough as the Beadle. Decorative pictorial cover. London:Gaiety Theatre: 24 April 1873 unknown