Pierre CitronLivre Rare Book
328 résultats
196449982Microcosme, serie solfèges n°24, 1963. Format 12X18 cm. Couverture frottée. Bon état.
190840603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles.<br /> <br /> Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. <br /> <br /> "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown
6952Le courrier du livre, 2002. In-8 broché carré, 369 pages de paipier ivoire. Bel exemplaire.
lc_35920Courrier du livre (9 avril 2002)
1014262429.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
40 S. Kart.
A clean, unmarked book with a tight binding. Faded spine. 236 pages.
1496807731.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19133391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
1994Q-0793532221G. Schirmer Inc 1994-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
198181289Duisburg, Wilhelm-Lehmbruck-Museum 1981. 1981. gr.-8°, 178 S. mit sehr zahlreichen Abbildungen, Illustr. Orig.-Karton.
2018TXT1461PennWell Corp 2018. Hardcover. New. WE SHIP DAILY. Brand new in shrink wrap. PROMPT PROFESSIONAL SERVICE! PennWell Corp hardcover
1593704070.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
42633Koch Discover, (o.J.). DICD 920491 CD CD
200130899AB2001. Budapest Holnap Kiado 2001 kl.4° 68 S. mit zahlr. Farb-Abb. von Orten und Personen illustr. original Pappband sehr schönes sauberes Exemplar mk1 Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
19042018Budapest 1904. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “SzÃves emlékül†“As a pleasant memoryâ€. Folded once. In fine condition. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “SzÃves emlékül†“As a pleasant memoryâ€. Ca. 18.5 × 11.5 mm. <p><br /> A signed autograph score detail from Schumann’s Album für die Jugend Op. 68 No.12 Knecht Ruprecht by Béla Bartók.<br /> <p><p><br /> Around 1903–1904 Bartók gave numerous concerts sometimes at 3–4 different venues and countries per week where he often played Schumann’s compositions. Schumann’s work had a big influence on him in other ways as well: according to Suchoff Bartók found Schumann’s Album für die Jugend one of the few good material available for beginners. “From 1908 to 1909 he Bartók worked on a collection of eighty-five piano pieces titled For Children which were based on Hungarian and Slovakian folk music. In his lecture notes Bartók explains his purpose in composing this work: Already at the very beginning of my carrier as a composer I had the idea to write some easy works for piano students. This idea originated in my experience as a piano teacher; I had always the feeling that the available material especially for beginners has no real musical value with the exception of very few works—for instance Bach’s easiest pieces and Schumann’s Jugendalbum.†Suchoff 2004.<br /> <p><p><br /> Literature: Suchoff B. 2004: Bartók’s Mikrokosmos: Genesis Pedagogy and Style p. 13. Rowman & Littlefield.<br /> <p>. unknown
2202Undated signed thank-you card to unknown addressee. Undated signed thank-you card to unknown addressee. 90 × 56 mm. <p><br /> Béla Bartók’s signed thank-you card.<br /> <p><p><br /> With the handwritten text “SzerencsekÃvánatát sokszor köszöni†Many thanks for the good luck wishes on one side and Bartók’s signature on the other.<br /> <p>. unknown
19342245Budapest 1934. Bartok thanks to the recipient's earlier letter. He apologizes for the late reply but on the one hand he was very busy and on the other hand he wanted to wait for the publication of a study of folk music a copy of which he would send to Katzarova's boss Vasil Stoin with a German summary. He expresses his gratitude for the kind offering of an early work by Stoin. He mentions at the end of the letter that he also writes about Bulgarian rhythm in his latest essay. unknown
14186Used; Like New/Used; Like New. Neatly penned autograph letter one page 5 x 6.5 no date but postmarked April 6 1922. Addressed on the reverse in Dukas's own hand to Henri Prunières and signed "Paul Dukas." The letter apologizes for missing a visit from the addressee and from "Monsieur Béla Bartok whose acquaintance I would have been delighted to make. All the more so since I must respond to your kind invitation for Saturday. I have to be in Valenciennes on Sunday to help with the concert of the Societé du Conservatoire there. And if I don't take the train at 5:10 in the evening on Saturday I will have to get up at 6:30 to leave on Sunday morning! So in this case despite all my regrets I must excuse myself." A scarce and rather charming letter from the French composer critic scholar and teacher best known for his "L'apprenti sorcier "The Sorcerer's Apprentice and his opera "Ariane et Barbe-bleue."<br style="">Bartok's 1922 visit to Paris was part of a larger concert tour of Britain France and Germany ending with the premieres of Bluebeard's Castle and The Wooden Prince on 13 May in Frankfurt. In Paris he met important French composers including Francis Poulenc and Erik Satie. The Saturday soirée to which Dukas refers would have taken place just after an occasion recalled by Poulenc: "I remember a strange lunch on Saturday 8 April 1922 where Bartok and Satie met at my house for the first and last time. Like two birds who do not sing the same tune Bartok and Satie observed each other with suspicion and maintained an overwhelming silence that Auric and I tried in vain to break. For me it is an extraordinary and symbolic memory." Quoted in Entrancing Muse: A Documented Biography of Francis Poulenc p. 113.<br style="">Henri Prunières 1861-1942 was a French musicologist and international propagandist of contemporary art in various forms: music dance painting etc. He occupies especially in music an important place in the art world between the wars. His major contribution was La Revue musicale a monthly musical periodical which he founded in 1920 and left in 1939.<br style=""> unknown books
19688236Broché sous couverture illustrée à rabats. Bon Paris Boosey & Hawkes 1968 1 volume in-8°
1968ABE-1622678913059332 PAGES-14,2 CM X 20 CM-RICHE ICONOGRAPHIE-COUVERTURE REMPLIEE-(8A)
1991M95162New York, Norton 1991 xl + 238pp., with bl/w illustrations in text, 23cm., publisher's hardcover, illustrated dustwrapper (spine sunfaded), VG, M95162
1963MUS134M1963 / 189 pages. Petit Broché. Editions Seuil / Solfèges.
189 S. Kl. 8°. OPp.
200152289JVC, 2001. JMCXR-0012 CD Digipack
