Paul BIZETBiblio.com
35 résultats
188558211Caen: Typographie F. Le Blanc-Hardel 1885. Fine. Typographie F. Le Blanc-Hardel Caen 1885 14 x 22.50 cm broché first edition printed in small number of the reprint of the bulletin of the Linnean Society of Normandy. Signed autograph of Paul Bizet head of the first flat Mr. Governor. Slight discoloration spots on boards rare and small inner minor foxing. Rare and nice brochure copy. Typographie F. Le Blanc-Hardel hardcover
188558211Typographie F. Le Blanc-Hardel | Caen 1885 | 14 x 22.50 cm | broché
1880137141880 percaline rouge éditeur, tr. dor. (plats un peu passés). in-8, 2 pl. lith., 101, 46, 75, 131pp., P. Fouquet ca. 1880
1899421839London : Metzler 1899. English edition. Hardcover. Good copy only in the original gilt-blocked decorated cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains reasonably well-preserved overall. Date is suggested. Physical description: 230 pages 1 vocal score; 28 cm. Subjects: Operas; Vocal scores with piano; Music. London : Metzler hardcover
187529439Paris: Choudens Père & Fils PN A. C. 3082 1875. Large octavo. Quarter dark red morocco with textured dark red paper boards "T. C." gilt to upper spine in decorativbe gilt-ruled compartments titling gilt marbled endpapers. 1f. title within decorative border by L. Denis verso copyright notice 1f. recto named cast list and contents verso blank 363 i blank pp.<br/><br/>Named cast includes Lhérie Bouhy Potel Barnold Dufriche Duvernoy Nathan Teste Galli-Marié Chapuy Ducasse and Chevalier. <br/><br/>Binding slightly worn rubbed and bumped; head and tail of spine chipped; small tear to outer edge of free front endpaper. Slightly browned and creased; some signatures split; signed inscription to verso of cast list "Souvenir de Maman a l'occasion de mes 18 ans - Jeanne H. Thierry 20 Juilliet 1886"; lower corner of pp. 137-138 torn with no loss; tape repair to upper corner of pp. 255-256. Second edition.<br/><br/>Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on March 3 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens Père & Fils [PN A. C. 3082] unknown books
189029437Paris: Choudens PN A. C. 3554 1890. Large octavo. Full green cloth with black titlelabel gilt to spine. 1f. recto title within decorative border by E. Buval verso blank 1f. recto cast list and contents verso blank 375 i blank pp.<br/><br/>Binding slightly worn and faded. Minor browning to outer edges; title trimmed slightly affecting text; occasional annotations in red crayon. Second edition later issue. <br/><br/>Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on March 3 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens [PN A. C. 3554] unknown books
187539457Paris: Choudens Père & Fils PN A.C. 3082 1875. Large octavo. Quarter dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto named cast list and index verso blank 351 i blank pp. <br /> <br /> Cast includes Lhérie as Don José Bouhy as Escamillo Potel as Dancaïre Barnolt as Remendado Dufriche as Zuniga Duvernoy as Moralès Nathan as Lillas Pastia Teste as a Guide Galli-Marié as Carmen Chapuy as Micaëla Ducasse as Frasquita and Chevalier as Mercédès with set designs by Charles Ponchard. <br /> <br /> A presentation copy with an autograph inscription signed by the composer to the French critic and writer Henri Blaze de Bury 1813-1888 to title: "A Monsieur Blaze de Bury Son bien reconnaissant et dévoué Georges Bizet" possibly following Blaze de Bury's favorable article about Carmen in the "Revue des Deux Mondes" after hearing the opera.<br /> <br /> With occasional performance markings in pencil.<br /> <br /> Binding worn and rubbed. Slightly browned; moderate foxing throughout more pronounced to first and last leaves; numerous tears some quite significant in 3 cases with the loss of several measures of music; old repairs to blank margins of many leaves occasionally obscuring printed area and several additional old repairs; a number of leaves partially detached; inscription slightly trimmed by the binder just touching two letters of the dedicatee's name but not Bizet's signature. First Edition first issue with the error in the index listing the Finale of Act II on p. 175 no note to p. 20 and a footnote to p. 49 pre-dating the publication of the full score published posthumously. Rare. Crawford p. 53. Fuld pp. 585-586. Hugh Macdonald: The Bizet Catalogue Online.<br /> <br /> Bizet's masterpiece composed in 1873-1874 to a libretto by H. Meilhac and L. Halévy after Mérimée was first performed in Paris at the Opéra-Comique on 3 March 1875 under the baton of Adolphe Deloffre 1817-1876. <br /> <br /> "Bizet might have surpassed all the many composers active in France in the last third of the 19th century had it not been for his untimely death at the age of 36. Carmen first performed three months before his death has become one of the most popular operas of any age. .<br /> <br /> Carmen was orchestrated at Bougival in the summer of 1874 and rehearsals began in September. Bizet arranged the piano score himself and played the piano for rehearsals. . It is recognized as one of the greatest of 19th-century operas and certainly the most popular. Its tunes are familiar to millions and its evocation of Spain where Bizet never set foot has done as much to propagate the elements of the style as Spanish music itself. . In Carmen the combination in abundance of striking melody deft harmony and perfectly judged orchestration ensures the opera's immortality. It magnificently transcends both the genre of opéra comique and the norms of 19th-century French music. . <br /> <br /> Carmen has remained one of the most frequently performed operas in the entire repertory. Many great singers have been associated with its leading roles. The orchestral suite drawn from the opera is often played and in 1954 it extended its currency in a film version Carmen Jones. For three-quarters of a century it was regularly played not as an opéra comique with dialogue as Bizet wrote it but with the Guiraud recitatives. It is now played almost everywhere in opéra comique format although the edition on which modern performances rely that of Fritz Oeser published in 1964 has aroused bitter controversy since it includes a quantity of music that Bizet himself rejected in his own edition of the vocal score published in 1875. That first edition published by Choudens is exceedingly rare for it was replaced at an early stage by the first of many corrupt editions from the same house." Hugh Macdonald in Grove Music Online. Choudens Père & Fils [PN A.C. 3082] unknown
189029437Paris: Choudens PN A. C. 3554 1890. Large octavo. Full green cloth with black titlelabel gilt to spine. 1f. recto title within decorative border by E. Buval verso blank 1f. recto cast list and contents verso blank 375 i blank pp.<br /> <br /> Binding slightly worn and faded. Minor browning to outer edges; title trimmed slightly affecting text; occasional annotations in red crayon. Second edition later issue. <br /> <br /> Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on 3 March 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens [PN A. C. 3554] unknown
1898RO50023166"Imprimerie des Annales. 4 décembre 1898. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches ayant pour thèmes ""L'Opéra-Comique"" et ""Les figures légendaires de l'Opéra-Comique"".. . . . Classification Dewey : 780.26-Partitions"
188072015París: Choudens Pére et Fils s.a 1880. Holandesa. Folio menor. Choudens Pére et Fils, s.a hardcover
187229435Paris: Choudens PN A. C. 2380 1872. Large octavo. Half black cloth with black textured cloth boards titling gilt to spine decorative endpapers. 1f. recto decorative title by J. Bourgeois verso notes i named cast list and contents 4-129 i blank pp. <br /> <br /> Named cast includes Prelly Duchesne Potel and Julien. <br /> <br /> Boards detached and slightly worn rubbed and bumped; spine worn and damaged with portions lacking; endpapers chipped. Small annotation in black ink to upper outer corner of title. First Edition early issue with "Op. 24" added to title but still with the address 265 Rue St. Honoré. <br /> <br /> In one act to a libretto by Louis Gallet after Alfred de Musset's story Namouna Djamileh was first performed in Paris at the Opéra-Comique Salle Favart on 22 May 1872.<br /> <br /> "Bizet's score is full of inventive touches especially in its use of chromatic colour widely mistaken for Wagnerism in 1872. In the final duet the music takes on a more serious and passionate tone and Djamileh is characterized from the beginning by a darkly expressive melody. Her main solo the 'Ghazel' blends exotic colour chromatic side-slips suppressed passion and the key of D minor to give a strong foretaste of the Habanera in Carmen." Hugh Macdonald in Grove Music Online. Choudens [PN A. C. 2380] unknown
187229435Paris: Choudens PN A. C. 2380 1872. Large octavo. Half black cloth with black textured cloth boards titling gilt to spine decorative endpapers. 1f. recto decorative title by J. Bourgeois verso notes i named cast list and contents 4-129 i blank pp. <br/><br/>Named cast includes Prelly Duchesne Potel and Julien. <br/><br/>Boards detached and slightly worn rubbed and bumped; spine worn and damaged with portions lacking; endpapers chipped. Small annotation in black ink to upper outer corner of title. First Edition.<br/><br/>In one act to a libretto by Louis Gallet after Alfred de Musset's story Namouna Djamileh was first performed in Paris at the Opéra-Comique Salle Favart on May 22 1872.<br/><br/>"Bizet's score is full of inventive touches especially in its use of chromatic colour widely mistaken for Wagnerism in 1872. In the final duet the music takes on a more serious and passionate tone and Djamileh is characterized from the beginning by a darkly expressive melody. Her main solo the 'Ghazel' blends exotic colour chromatic side-slips suppressed passion and the key of D minor to give a strong foretaste of the Habanera in Carmen." Hugh Macdonald in Grove Music Online. Choudens [PN A. C. 2380] unknown books
189429479Moskva: P. Jurgenson PNs 19620 19621 a-c 19622 a-b 19623 a-c 19624 a-b 19625 a-b 19626-19631 19632 a-c 19633-19636 1894. Large octavo. Original publisher's wrappers. 5-16 libretto in Cyrillic 17-222 pp. Text in Russian and French.<br/><br/>Occasional performance notations in black ink and red and blue pencil. Manuscript text overlay in Galician to first three numbers of Act I. <br/><br/>Disbound. Lacking upper wrapper; lower wrapper worn and soiled with small tears to edges and remnants of adhesive to inner margin. Lacking first few leaves including title; signatures detached; remnants of adhesive to inner margin of verso of first leaf; occasional tape reinforcements to inner margins; minor tear to lower margin of p. 11 with tape repair not affecting music; upper outer corners creased. Music complete. In three acts to a libretto by Eugène Cormon and Michel Carré Les Pêcheurs de Perles was first performed in Paris at the Théâtre Lyrique on September 30 1863 and at the Opéra-Comique on April 21 1893.<br/><br/>"Les pêcheurs de perles which Bizet composed very rapidly in the summer of 1863 when he was 24 was his second opera to be staged but probably the sixth he had composed. The three principal roles are some of the best in French opera of its time and the opera's success is now assured." Hugh Macdonald in Grove Music Online. [P. Jurgenson] [PNs 19620, 19621 a-c, 19622 a-b, 19623 a-c, 19624 a-b, 19625 a-b, 19626-19631, 19632 a-c, 19633-19636] unknown books
189028521Paris: Choudens Fils PN A.C. 2484 1890. Large octavo. Full dark green cloth titling gilt to spine. 1f. title 1 contents 2-77 i blank pp.<br/><br/>Some signatures split. Second version. Choudens Fils [PN A.C. 2484] unknown books
188640974Paris: Choudens Père & Fils PN A.C. 2484 1886. Large octavo. Contemporary half dark red cloth with marbled boards titling gilt to spine marbled endpapers. 1f. recto title verso blank i contents 2-77 i blank pp. Lithographed.<br /> <br /> Bordeaux musicseller's handstamp to lower outer corner of title. <br /> <br /> Binding soiled and slightly worn. Uniform light browning; occasional minor stains and soiling; two small tears to blank lower margin of p. 59 repaired with archival tape; title slightly trimmedat outer margin affecting several letters of musicseller's handstamp. First Edition later issue.<br /> <br /> L'Arlésienne was first performed on 1 October 1872. "The score . is a triumph almost without rival of its kind and cannot be fully appreciated apart from the play it was intended to illustrate. Of the 27 numbers many are mélodrames only a few bars long . and the longer movements of the suites although they never stale as concert music have a primary dramatic integrity." Winton Dean: TNG Vol. 2 pp. 758-759.<br /> <br /> French author and playwright Alphonse Daudet 1840-1897 wrote such noted works as Letters from My Windmill 1869 and Sidonie 1874. The Letters included the short story L'Arlésienne which was transformed into the play for which Bizet composed his incidental music. Choudens Père & Fils [PN A.C. 2484] unknown
188636801Paris: Choudens Père & Fils PN A.C. 2484 1886. Large octavo. Original publisher's gray wrappers. 1f. recto title verso publisher's notes 1 contents 2-77 i pp. <br /> <br /> Wrappers detached; spine lacking. First leaves detached; signatures separated; minor soiling and staining. First Edition later issue.<br /> <br /> French author and playwright Alphonse Daudet 1840-1897 wrote such noted works as Letters from My Windmill 1869 and Sidonie 1874. The Letters included the short story L'Arlésienne which was transformed into the play for which Bizet composed his incidental music.<br /> <br /> The music was first performed on October 1 1872. "The score . is a triumph almost without rival of its kind and cannot be fully appreciated apart from the play it was intended to illustrate. Of the 27 numbers many are mélodrames only a few bars long . and the longer movements of the suites although they never stale as concert music have a primary dramatic integrity." Winton Dean in The New Grove Vol. 2 pp. 758-59. Choudens Père & Fils [PN A.C. 2484] unknown
189028521Paris: Choudens Fils PN A.C. 2484 1890. Large octavo. Full dark green cloth titling gilt to spine. 1f. title 1 contents 2-77 i blank pp.<br /> <br /> Some signatures split. Second version. Choudens Fils [PN A.C. 2484] unknown
18956987Choudens fils, sans date (vers 1895). In-4, demi-chagrin rouge, plats de percaline, vignette de titre bleue, filets dorés, titre doré au dos, gardes marbrées. Dernier feuillet volant mais bien présent, cahiers un peu déboîtés mais solidaires. 77 pages de partitions.
1861RO30137653MICHEL LEVY FRERES. 1861. In-12. Broché. Etat d'usage, Tâchée, Dos abîmé, Intérieur frais. 32 +36 pages - coiffes abimées. . . . Classification Dewey : 792-Théâtre
1900131877Paris, A. Durand & fils, Choudens, au Ménestrel 1900 3 volumes en 1. In-folio 35,5 x 28,5 cm. Reliure demi-basane bordeaux, dos lisse, 77-73-23 pp. Exemplaire en bon état.
1889ABE-124939734564 PAGES FORMAT 38 CM X 55 CM-EN COUVERTURE 12 DESSINS COULEURS PAR BLASS,"LES INCARNATIONS DE BEAUREPAIRE AIR: A BATIGNOLLES",MAGISTRATURE,COMMENTAIRES EN P2 "JOURNAUX POURSUIVIS"-TRIPOTAGES ELECTORAUX,CHARENTON,DESSIN JULES FERRY-LE CENTENAIRE,DESSIN SADI CARNOT-THEATRE,"PECHEURS DE PERLES" DE BIZET-2 TROUS D'INSECTE
1893RO50022876"Imprimerie des Annales. 14 mai 1893. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant ""En forêt"" de Dagnan-Bourveret, ""La dinde de Noël"" de Jules Breton, ""Propos galants"" de F. Royet, ""Les aveux"" d'Artigues.. . . . Classification Dewey : 780.26-Partitions"
19001114936Paris; Ed. Choudens, (um 1900). 11 S.; Noten; 35 cm.
189151302Dressé, dessiné et gravé par MM. Desbuissons, Lorsignol, Lacoste, Fillatreau, Lecocq, Smith, Bizet, Fontaine, Barbier, Soudain, etc..., Texte par M. A. Martineau, 1 vol. in-folio reliure éditeur demi-chagrin rouge, Direction et Administration, Paris, 1891, 3 ff et 62 cartes en couleurs, et une grande carte dépliante rajoutée
189366574Dressé, dessiné et gravé par MM. Desbuissons, Lorsignol, Lacoste, Fillatreau, Lecocq, Smith, Bizet, Fontaine, Barbier, Soudain, etc..., Texte par M. A. Martineau, 1 vol. in-folio reliure éditeur demi-chagrin rouge, Direction et Administration, Paris, 1893, 3 ff et 66 cartes en couleurs (62 numéros et 4 numéros bis), et une grande carte dépliante (Carte dépliante des Chemins de Fer en Europe par Chartier)
