Bizet, Georges [Composer]Biblio.com
716 résultats
1996Q-1884822819Black Dog & Leventhal Publishers 1996-01-12. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Black Dog & Leventhal Publishers hardcover
1998Q-0486400670Dover Publications 1998-02-20. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1986Q-0793526205G. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
2000x-3795750466Schott 2000. Paperback. New. 490 pages. 11.75x8.50x1.00 inches. Schott paperback
ANAIS-1847495524Oneworld Classics. paperback. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Oneworld Classics paperback
2013SONG1847495524Bloomsbury 2013-08-01. paperback. Used: Good. 5.02x1.12x7.77. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury paperback
RO50034084CHOUDENS. Non daté. In-8. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 363 pages de partitions, pièce de tittre et d'auteur avec roulettes et empruntes à froid dorés.. . . . Classification Dewey : 780.26-Partitions
RO50035799CHOUDENS. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 171 pages de partitions, dos manquant, nombreuses gravures hors textes qui illustrent le texte. . . . Classification Dewey : 780.26-Partitions
187539457Paris: Choudens Père & Fils PN A.C. 3082 1875. Large octavo. Quarter dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto named cast list and index verso blank 351 i blank pp. <br /> <br /> Cast includes Lhérie as Don José Bouhy as Escamillo Potel as Dancaïre Barnolt as Remendado Dufriche as Zuniga Duvernoy as Moralès Nathan as Lillas Pastia Teste as a Guide Galli-Marié as Carmen Chapuy as Micaëla Ducasse as Frasquita and Chevalier as Mercédès with set designs by Charles Ponchard. <br /> <br /> A presentation copy with an autograph inscription signed by the composer to the French critic and writer Henri Blaze de Bury 1813-1888 to title: "A Monsieur Blaze de Bury Son bien reconnaissant et dévoué Georges Bizet" possibly following Blaze de Bury's favorable article about Carmen in the "Revue des Deux Mondes" after hearing the opera.<br /> <br /> With occasional performance markings in pencil.<br /> <br /> Binding worn and rubbed. Slightly browned; moderate foxing throughout more pronounced to first and last leaves; numerous tears some quite significant in 3 cases with the loss of several measures of music; old repairs to blank margins of many leaves occasionally obscuring printed area and several additional old repairs; a number of leaves partially detached; inscription slightly trimmed by the binder just touching two letters of the dedicatee's name but not Bizet's signature. First Edition first issue with the error in the index listing the Finale of Act II on p. 175 no note to p. 20 and a footnote to p. 49 pre-dating the publication of the full score published posthumously. Rare. Crawford p. 53. Fuld pp. 585-586. Hugh Macdonald: The Bizet Catalogue Online.<br /> <br /> Bizet's masterpiece composed in 1873-1874 to a libretto by H. Meilhac and L. Halévy after Mérimée was first performed in Paris at the Opéra-Comique on 3 March 1875 under the baton of Adolphe Deloffre 1817-1876. <br /> <br /> "Bizet might have surpassed all the many composers active in France in the last third of the 19th century had it not been for his untimely death at the age of 36. Carmen first performed three months before his death has become one of the most popular operas of any age. .<br /> <br /> Carmen was orchestrated at Bougival in the summer of 1874 and rehearsals began in September. Bizet arranged the piano score himself and played the piano for rehearsals. . It is recognized as one of the greatest of 19th-century operas and certainly the most popular. Its tunes are familiar to millions and its evocation of Spain where Bizet never set foot has done as much to propagate the elements of the style as Spanish music itself. . In Carmen the combination in abundance of striking melody deft harmony and perfectly judged orchestration ensures the opera's immortality. It magnificently transcends both the genre of opéra comique and the norms of 19th-century French music. . <br /> <br /> Carmen has remained one of the most frequently performed operas in the entire repertory. Many great singers have been associated with its leading roles. The orchestral suite drawn from the opera is often played and in 1954 it extended its currency in a film version Carmen Jones. For three-quarters of a century it was regularly played not as an opéra comique with dialogue as Bizet wrote it but with the Guiraud recitatives. It is now played almost everywhere in opéra comique format although the edition on which modern performances rely that of Fritz Oeser published in 1964 has aroused bitter controversy since it includes a quantity of music that Bizet himself rejected in his own edition of the vocal score published in 1875. That first edition published by Choudens is exceedingly rare for it was replaced at an early stage by the first of many corrupt editions from the same house." Hugh Macdonald in Grove Music Online. Choudens Père & Fils [PN A.C. 3082] unknown
189029437Paris: Choudens PN A. C. 3554 1890. Large octavo. Full green cloth with black titlelabel gilt to spine. 1f. recto title within decorative border by E. Buval verso blank 1f. recto cast list and contents verso blank 375 i blank pp.<br /> <br /> Binding slightly worn and faded. Minor browning to outer edges; title trimmed slightly affecting text; occasional annotations in red crayon. Second edition later issue. <br /> <br /> Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on 3 March 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens [PN A. C. 3554] unknown
189029437Paris: Choudens PN A. C. 3554 1890. Large octavo. Full green cloth with black titlelabel gilt to spine. 1f. recto title within decorative border by E. Buval verso blank 1f. recto cast list and contents verso blank 375 i blank pp.<br/><br/>Binding slightly worn and faded. Minor browning to outer edges; title trimmed slightly affecting text; occasional annotations in red crayon. Second edition later issue. <br/><br/>Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on March 3 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens [PN A. C. 3554] unknown books
187529439Paris: Choudens Père & Fils PN A. C. 3082 1875. Large octavo. Quarter dark red morocco with textured dark red paper boards "T. C." gilt to upper spine in decorativbe gilt-ruled compartments titling gilt marbled endpapers. 1f. title within decorative border by L. Denis verso copyright notice 1f. recto named cast list and contents verso blank 363 i blank pp.<br/><br/>Named cast includes Lhérie Bouhy Potel Barnold Dufriche Duvernoy Nathan Teste Galli-Marié Chapuy Ducasse and Chevalier. <br/><br/>Binding slightly worn rubbed and bumped; head and tail of spine chipped; small tear to outer edge of free front endpaper. Slightly browned and creased; some signatures split; signed inscription to verso of cast list "Souvenir de Maman a l'occasion de mes 18 ans - Jeanne H. Thierry 20 Juilliet 1886"; lower corner of pp. 137-138 torn with no loss; tape repair to upper corner of pp. 255-256. Second edition.<br/><br/>Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874 it was first performed in Paris at the Opéra-Comique on March 3 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre 1817-1876. Choudens Père & Fils [PN A. C. 3082] unknown books
RO50038773CHOUDENS. non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 363 pages. Partition pour Piano et chant + paroles. Titre, auteur, filet et fleurons en dorés sutr le dos. Tampons sur la page titre, et la page de garde n'altérant pas la lecture de la partition. Tranche marbrée.. . . . Classification Dewey : 780.26-Partitions
RO50037662EDITIONS CHOUDENS. non daté. In-4. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 192 pages. Partition pour piano seul. Titre et auteur en dorés sur le dos cuir rouge. Tampons sur la deuxième et troisième page n'altérant pas la lecture de la partition. Quelques rousseurs sur les premières pages n'altérant pas la lecture de la partition. Tranche mouchetée.. . . . Classification Dewey : 780.26-Partitions
RO50038698CHOUDENS. non daté. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages. Partiton pour Piano et chant + paroles. Tampon sur la première page n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50038819CHOUDENS. non daté. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. 15 pages. Partition pour Piano et chant + paroles. Scotch marron sur le dos , les plats et les pages, tampon sur le premier plat n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO80080444CHOUDENS. Non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 5 pages. Partitions, pour Piano, accompagnées des paroles. Quelques marques au crayon à papier.. . . . Classification Dewey : 780.26-Partitions
RO50038702CHOUDENS. non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages. Partiton pour Piano et chant + paroles. Tampon sur la première page n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50049775CHOUDENS. NON DATE. In-8. En feuillets. A relier, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 2 pages de partitions non paginées. Premier plat illustré en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50038697CHOUDENS. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages. Partition pour Piano et chant + paroles. Tampon sur la première page n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50039380MARCEL LABBE. non daté. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 4 pages. Partition pour chant seul + paroles. Tampon sur le premier plat n'altérant pas la lecture de la partition. Portrait de l'auteur sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50037108CHOUDENS. MARCEL LABBE. NON DATE. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages. Partition pour chant seul + paroles. Phto en noir et blanc de Geoge BIZET sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50040450CHOUDENS. non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Déchirures. Partition piano et chant de 5 pages. Tamponnée. Traces de scotch et quelques notes au crayon à papier et crayon couleur.. . . . Classification Dewey : 780.26-Partitions
RO50038955MARCEL LABBE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 4 pages. Partition pour chant seul + paroles. Tampons sur les plats n'altérant pas la lecture de la partition. Portrait en noir et blanc de l'auteur sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50038956MARCEL LABBE. non daté. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 4 pages. Partition pour chant seul + paroles. Tampons sur le premier plat n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
