Haydn, Franz JosephBiblio.com
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1818376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown
180441316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. <br /> <br /> 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved.<br /> <br /> Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts.<br /> <br /> In very good condition overall. <br /> <br /> Provenance<br /> Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. <br /> <br /> The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown
180740146Leipzig: Breitkopf & Härtel PN 390 1807. Folio. Sewn. Plain dark ivory contemporary wrappers with titling in contemporary manuscript to upper. i title with two-bar incipit 21 i blank pp. <br /> <br /> Occasional annotations in faint pink pencil including dynamics.<br /> <br /> Handstamp "J Hill No. 7 Grove Place Brompton" and with "Frank E. Bastick from F. J. Salwey 5/1/16" in contemporary manuscript to head of upper wrapper.<br /> <br /> Wrappers quite worn soiled and with edge tears and chips; detached. Some internal wear browning soiling and small stains. Second edition. Coll.Sy.7a. Hoboken Collection Vol. 6 342. RISM H3265 and HH3265 no copies in the U.S. Robbins Landon: The Symphonies of Joseph Haydn p. 776 13. OCLC 17713865 2 copies both at Yale. <br /> <br /> The last of Haydn's "London" symphonies. <br /> <br /> "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online. Breitkopf & Härtel [PN 390] unknown
180540142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. <br /> <br /> Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns."<br /> <br /> Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint.<br /> <br /> Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737.<br /> <br /> Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown
180241312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn.<br /> Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803<br /> Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802<br /> Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802<br /> <br /> Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials.<br /> <br /> First Edition. Rare. Hopkinson and Oldman p. 23.<br /> <br /> Together with:<br /> Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23.<br /> <br /> Together with:<br /> Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37<br /> <br /> A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown
179074584bound music collection with handwritten contents to front pastedown including: Six Sonatas for Piano Forte by D. Steibelt; Bouquet de Flore No.7 by J.Woelfl; Haydn's Surprise arranged as a duet with accompaniment for a flute or violin by R. Plati; Six Sonatas for the Piano Forte by Dussek; La Petite Surprise a Divertimento for the Piano Forte by A. Moralt; Grand Duetto for two performers on the Piano Forte or Harp & Piano Forte by Theodore Smith; The Soldier Tired a duet for two performers on one Piano Forte by L. Jansen; Three Waltzes by Lanza; The Red Red Rose by Thompson; Little Mary on the Dee by John Parry; Fly Not Yet by J. White; Life Let us Cherish by Mozart; The Favorite Guitar Dance with variations for the Piano Forte by T. Latour; The Feast of Erin by P. Antony Corri; A Thema no. 49 Air and Variations by Mozart; The Heavens are Telling Haydn's Grand Chorus from the Creation as a duet; For Unto us a Child is Born from the Messiah by Handel duet for Piano Forte; A Selection of Handel's Choruses adapted as Duets for Piano Forte; Overture to Henry IV for two performers by M. Martini; Three Duetts for Piano Forte from the Works of Mozart; Ball's Occasional Collection of Duetts for two performers on one Piano Forte by eminent composers; A Grand Duet for two performers …by J. Gildon; Sweet Robin Stay by R. Bishop and others Published by Birchall; Clementi, Banger Collard Davis and Collard; J. Balls; L. Lavenu; Chappell & Co; Goulding, Phipps and D'A hardcover
4908475like new. unknown
2007SONG0444517014Elsevier 2007-02-21. 1. hardcover. Used: Good. 6.14x0.50x9.21. Buy with confidence. Excellent Customer Service & Return policy. Elsevier hardcover
2012x-041568837XRoutledge 2012. Hardcover. New. 1st edition. 208 pages. 9.88x7.17x0.59 inches. Routledge hardcover
118261London Universal Edition & Rockliff 1955-61. 8vo. XVII 3 863 pp. 24 music pp. in pocket plates; 63 1 pp. plates. Publ. cloth. Two volumes. hardcover
88522Leipzig C. F. Lehmann 1800. Oblong 4to. Engr. title blank engr. title blank 3-26 engr. pp. 2 blanks engr. title blank 3-10 engr. pp. 2 blank engr. title 4-39 engr. pp. Minor paper repair on the first part title. Together with separate parts; 2- 11 engr. pp; engr. title 2-7 engr. pp. Some spotting. Sewn as issued in slightly worn printed orange original wrapper. The separate parts uncut and sewn as issued. From the library of Eva Nordenfelt-Ã…berg with her bookplate. The separate violin part lacks the engraved title. Hoboken collection 1257-1260. The main title with a portrait of Haydn engraved by Heinrich Schmidt. C. F. Lehmann published four parts with together 11 works by Haydn. This first part contains with separate title leaves: â€Trois sonates pour le clavecin ou fortepiano no I†Hoboken XVI:40-42 â€Fantasie pour le clavecin ou piano-forte no 2†Hoboken XVII:4 â€Trois sonates pour le clavecin ou fortepiano avec accompagnement de violon et violoncelle no III†Hoboken XV:3-5. The lacking title leaf to the violin part has a blank verso side so no music is missing. unknown
180040468Bonn: N. Simrock PN 125 1800. Folio. Unbound as issued. Laid into early mid-blue stiff paper folder with dark blue ties decorative cut-paper manuscript title label to upper and additional label to spine.<br /> <br /> Flute: 1f. recto title verso blank i blank 6-9 pp.<br /> Violin I: i blank 8-14 pp.<br /> Violin II: i blank 8-15 i blank pp.<br /> Viola: i blank 8-13 i blank pp. <br /> Violoncello: i blank 8-13 i blank pp.<br /> Engraved throughout.<br /> <br /> With small oval handstamp of the "Musikalische Gesellschaft in Worms" to folder and each part; early signature in dark pink ink to blank upper outer corner of flute part; identification in early manuscript to blank upper outer corner of all parts; "42" in dark pink ink to all parts except flute part.<br /> <br /> Folder worn with small portion of spine lacking. Slightly worn soiled foxed and browned internally. Coll. Sy.17b-3. Hoboken Collection Vol. 6 443. RISM H4089.<br /> <br /> An arrangement of Symphony No. 104 in D major the last of the twelve London symphonies composed in 1795 and first performed in London at the King's Theatre on 4 May 1795 in a concert devoted exclusively to Haydn's works directed by the composer. N. Simrock [PN 125] unknown
2013Manohar-9780415632577Routledge 2013. Hardcover. New. Routledge hardcover
2013Manohar-9780415632577Routledge 2013. Hardcover. New. Routledge hardcover
180240453Leipzig: Breitkopf & Härtel 1802. Oblong quarto. Half green cloth with modern marbled boards decorative cut paper label with manuscript titling to upper. 174 pp. Typeset. Text in German and French. With first part of publisher's catalogue to foot of final page of music. <br /> <br /> With "Haydn's J.Z." printed to lower margin of some pages. <br /> <br /> Light uniform browning heavier to some leaves; some minor foxing and staining; very slightly trimmed at upper and lower margins not affecting text or notation but very occasionally just touching or cropping pagination. Somewhat tightly bound occasionally just slightly affecting ease of legibility at extreme inner margins. Lacking title leaf and one leaf containing continuation of publisher's catalogue at conclusion. HWV II p. 59. Hoboken Collection 9 1419. RISM H4691. <br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. [Breitkopf & Härtel] unknown
1601ovscd170Decca 2016-01-29. audioCD. New. 17x8x5. Brand New CD Set factory sealed in original shrink wrap. Decca unknown
114200Stockholm Johan Imnelius 1819. 8:o. 4 88 s. litogr. tvÃ¥sidig musikbilaga. C. Müller. Lagerfläckig och med fuktrand mot slutet. Oskuren och delvis ouppsprättad i modernt svart hfrbd med guldornerad rygg och marmorerade pärmpapper. Ur Rolf Mallanders bibliotek. Davidsson 3151. Det första sällsynta verket om Haydn pÃ¥ svenska i översättning av musikhandlaren och pionjären i Sverige pÃ¥ litografiskt musiktryck Ulric Emanuel Mannerhjerta 1775-1849. Mannerhjerta fick samma Ã¥r 1819 tillstÃ¥nd att inrätta ett litografiskt nottryckeri i Stockholm men musikbilagan här är dock i stentryck av Carl Müller. Georg August von Griesinger 1769-1845 var diplomat i Wien och känd för sin vänskap med Haydn och Beethoven. Hans berömda biografi om Haydn â€Biographische Notizen über Joseph Haydn†utkom i Leipzig 1810. unknown
19634640like new. unknown
19634640-nnew. unknown
179575760Beethoven's Trois Trios pour le Piano Forte Violin & Violoncelle Oeuvre 1r Paris: Pleyel circa 1800 3 62pp. engraved throughout bound with 26 contemporary engraved pieces of music including 7 pieces of music from Figaro Il Consiglio Imprudente Don Giovanni Cosi Fan Tutte by Mozart; Oh Magnify the Lord Angels Ever Bright & Fair Ye Sacred Priests by Handel; Music to A Midsummer Night's Dream and Two Gentlemen of Verona by Henry Bishop Published by Goulding D'Almaine, Potter & Co; Rt Birchall; G Shade; Pleyel hardcover
1971mon0000019999The United Chapters of Phi Beta 1971. Paperback. Good. in x in x in. The United Chapters of Phi Beta paperback
180040069Italy 1800. 4 volumes. Small folio 218 x 291 mm. Early flexible dark orange marbled boards with manuscript title label to uppers within decorative printed border. Notated in a professional hand on fine quality l12-stave rastrum-ruled laid paper.<br /> <br /> Contents in order of appearance: 41no. 5 38 no. 2 37 no. 1 39 no. 3 42 no. 6 and 40 no. 4. <br /> <br /> Violino primo: i title 40 pp. <br /> Violino secondo: i title 38 pp. <br /> Viola: i title 36 pp. <br /> Violoncello: i title 36 pp.<br /> With several additional leaves of blank rastrum-ruled paper.<br /> <br /> Boards worn faded and abraded with very small portions of spine lacking. Occasional showthrough. <br /> <br /> In very good internal condition overall. "A decade or so after the Op. 20 set came the fateful Op. 33 again comprising six quartets. It wasn't so much Haydn's fate of which these works proved full as a Mozart's: they prompted him to return to the string quartet and write his own first six masterpieces in the medium - the set that bear a more affectionate and admiring dedication to Haydn than does any great composer's dedicated to any other great composer ." Hans Keller: The Great Haydn Quartets p. 64. unknown
180240133Leipzig: Breitkopf & Haertel 1802. Folio. Contemporary full dark brown suede with tooling in black to outer edges of boards. <br /> <br /> 1f. recto title with elaborate vignette engraved by W. Böhm after G.V. Kiminger incorporating allegories of the seasons floating on a bed of clouds with lyre and six-pointed stars verso blank 1f. recto secondary title "Erste Abtheilung" verso "Personen" 251 i blank. Typeset throughout.<br /> <br /> With occasional indications of instrumentation in pencil.<br /> <br /> R. Cocks & Co. handstamp to foot of secondary title. <br /> <br /> Binding worn rubbed and bumped with minor loss to lower outer corner of upper board and spine; upper partially detached. Some wear soiling staining foxing and browning; occasional minor loss to blank lower margins; worming to blank inner margin of first five leaves. First Edition issue with parallel text in German and English. Hoboken Katalog Vol. 9 1411. Hirsch IV 796. RISM H2542.<br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online <br /> <br /> The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Breitkopf & Haertel unknown
88521Leipzig C. F. Lehmann c. 1800. Oblong 4to. Engr. title blank engr. title blank 3-29 engr. pp. blank engr. title blank 3-11 engr. pp. blank engr. title blank 3-35 engr. pp. Together with separate parts; engr. title 2-11 engr. pp; engr. title 2-7 pp. Sewn as issued in slightly worn printed orange original wrapper spine partly defective the violin and violin cello parts uncut and sewn as issued. From the library of Eva Nordenfelt-Ã…berg with her bookplate. Hoboken collection 1266-1268 Hoboken lacks both the main title to cahier III and the separate violin- and violincell parts. C. F. Lehmann published four parts with together 11 works by Haydn. This third part contains with separate title leaves: â€Trois sonates pour le clavecin ou fortepiano no VII †Hoboken XV:38 39 20 â€Menuet favori avec douse variations pour le clavecin ou fortepiano no VIII†Hoboken XVII:3 â€Trois sonates pour le clavecin ou fortepiano avec accompagnement de violon et violoncelle no IX†Hoboken XV:11-13. unknown
180940096London: Cianchettini & Sperati 1809. 4 volumes. Large octavo. Disbound. Engraved throughout. <br /> <br /> Contains 8 works each with identical title excepting work number.<br /> <br /> 1 Symphony in E-flat major. 1f. recto title No. I verso blank 42 pp. Hob. I:91. Robbins Landon p. 744.<br /> <br /> 2 Symphony in C major "Laudon." 1f. recto title No. II." verso blank 39 i blank pp. Hob. I:69. Robbins Landon p. 717.<br /> <br /> 3 Symphony in G minor "La Poule." 1f. recto title No. IV verso blank 36 pp. Hob. I:83. Robbins Landon p. 734.<br /> <br /> 4 Symphony in C major No. 41. 1f. recto title No. V verso blank 23 i blank pp. Hob. I:41. Robbins Landon p. 678.<br /> <br /> 5 Symphony in B-flat major "La Reine. 1f. recto title No. VI verso blank 37 i blank pp. Hob. I:85. Robbins Landon p. 736.<br /> <br /> 6 Symphony in D major "L'Impériale." 1f. recto title No. XXI verso blank 40 pp. First Edition. Hob. I:53. Robbins Landon p. 696.<br /> <br /> 7 Symphony in B-flat major. 1f. recto title No. XXIII verso blank 33 i blank pp. Hob. I:71. Robbins Landon p. 719<br /> <br /> 8 Symphony in D major. 1f. recto title No. XXIV verso blank 27 i blank pp. First Edition. Hob. I:75. Robbins Landon p. 724<br /> <br /> Foxing staining soiling and browning to numerous leaves; some small tears and losses to edges; several leaves detached including titles. "Although Haydn's sobriquet 'father of the symphony' is not literally true in a deeper sense it is apt: there is no other genre in Western music for which the output of a single composer is at once so vast in extent 107 works: hI:1-104 107-8 and one recently identified work K 18 not listed in Hoboken so historically important and of such high artistic quality." James Webster in Grove Music Online. Cianchettini & Sperati unknown
