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2022Adhya-9780367183363T&F/ROUTLEDGE 2022. Paperback. New. T&F/ROUTLEDGE paperback
2022Adhya-9780367183363T&F/ROUTLEDGE 2022. Paperback. New. T&F/ROUTLEDGE paperback
SONG0415869811Routledge 2014-10-20. 4. paperback. Used: Good. 6.85x0.82x9.69. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
0367183366.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9780367183363_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In some hands history can be an inspirational and rewarding subject yet in others it can seem dry and of little relevance. Learning to Teach History in the Secondary School now in its fifth edition and established as one of the leadi paperback
MA 9781138385177USA Edition . New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
ria9780367183356_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Learning to Teach History in the Secondary School now in its fifth edition and established as one of the leading texts for all history student teachers enables you to learn to teach history in a way that pupils will find interesting hardcover
2018Manohar-9781138385177Routledge Manohar 2018. Paperback. New. Routledge (Manohar) paperback
A9780367183356Hardback. New. hardcover
2018Manohar-9781138385177Routledge Manohar 2018. Paperback. New. Routledge (Manohar) paperback
1396039848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3563209197.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3563230188.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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139026162X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396280758.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-4137Paris : Ballard 1806. 8vo. 20 x 11 cm. 24 pp. Bound in qtr. Sakora goat with marbled boards by the artisan binder Sasha Mosalov. This edition not in OCLC . Paris : Ballard, 1806 hardcover
181239523Milano: Candido Buccinelli . contrada di s. Margherita num. 1118 1812. Octavo. Dark blue calf-backed marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title verso publisher's note v-viii 298 i errata ii "Contorni delle Medaglie" i blank pp. <br /> <br /> First Edition of one of the first biographical accounts of Haydn preceded only by the far less important biographical pieces by Framery and Le Breton. Wolffheim II 523. The present work was translated into English in 1839 as The Life of Haydn in Letters. <br /> <br /> Carpani was an Italian librettist critic and poet. "Among various writings two books are particularly important: Le Haydine . and Le Rossininane ossia lettere musico-teatrali. . The former was plagiarized by Stendhal and this created a lively controversy. These books show that Carpani was very knowledgeable about all contemporary music and an astute judge of the renewal movement in the early 19th century. He was in touch with all the major composers of his period and accompanied Rossini on his celebrated visit to Beethoven in 1822." TNG Vol. 3 p. 818.<br /> <br /> Bound with:<br /> Majer Andrea 1765-1837. Discorse sulla Origine Progressi e Stato Attuale della Musica Italiana. Padova: Minerva 1821. 1f. recto title verso quotation from Quintil 3-173 i "Avvertimento" 1f. recto "Indice" verso colophon "Della Nuova Società Tipografica in Ditta N.Z. Bettoni e Compagni 1821". First Edition. OCLC copies in France and Italy only. With the fine engraved half-length frontispiece portrait of Haydn by J. Neidl after Zitterer often lacking.<br /> <br /> Binding slightly worn rubbed and bumped. Some minor wear and foxing but in very good condition overall. Candido Buccinelli ... contrada di s. Margherita num. 1118 unknown
0332882292.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1331569699.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0530229870.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
196870213Henle Verlag 1968. softcover. good. Full score of Haydn's 1780 opera in two volumes. Part of a complete works collection published by Henle Verlag. Some staining and fraying to covers otherwise in good condition. Da Capo PAS 2/7/2019 kept behind desk Henle Verlag paperback
18354044Turin 1835. <p>Manuscript on paper. 4to binding size 264 x 197 mm. 26 pp. Contents: Fol. 1r title verso blank f. 2r-5v text La Creazione incipit: "Raffaele / Creò dapprima Iddio il ciel la terra; / Ma giaceva la terra informe e vuota" f. 6r half-title for Le quattro Stagioni 6v-13v text Le quattro Stagioni incipit: "Coro di Contadini e Contadine. / Vieni deh Flora vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper no visible watermarks. Three blank leaves at front and back the outermost being a wrapper of thicker paper second flyleaf at back adhered to the third the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqués of leaves blossoms and roundels on stems of couched silver-gilt thread a larger flowering branch at each corner at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqués with at top a closed crown at center of lower cover a large flowering plant of gilt appliqués couched thread sequins etc. turn-ins of upper cover unsewn dampstain within upper left quadrant of upper cover. <br /> <br /> A manuscript of excerpts from the librettos for Haydn's late oratorios the Creation Die Schöpfung first performed 1798 and the Seasons Die Jahreszeiten 1801 translated into Italian from the German of his librettist and patron Gottfried van Swieten 1733-1803. Bound in brightly gilt embroidered silk binding the manuscript was probably produced for a court or private musical event.<br /> <br /> Both librettos had an English origin. The Creation text based on Genesis and Milton's Paradise Lost was taken from a manuscript libretto by an unknown author originally intended for Handel given to Haydn by the English impresario Johann Peter Salomon and brought back by him from England in 1795. The Seasons was loosely based on extracts from James Thomson's poem of the same title 1730 but van Swieten had greater leeway in rearranging the text.<br /> <br /> It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810 using Giuseppe Carpani's verse translation of van Swieten's libretto first published in Vienna in 1801. The manuscript contains an abridged version of Carpani's text with some variants. The Quattro stagione is also abridged and seems to be based on portions of an anonymous translation first published in Dresden in 1802 and used for the oratorio's first performances in Italian in 1811 in Milan and Bologna cf. editions of Milan: Mussi 1811 and Bologna: Ramponi 1811.<br /> <br /> The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi Legature romantiche piemontese: legature del periodo romantico in raccolte private no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo datable to the third decade of the 19th century" but this cataloguer failed to see any watermarks.</p> unknown