Haydn, Hiram Collins 1831-1913Biblio.com
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1360724168.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428833535.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
uocl08iaab-19601Editora Gustavo Gili. New. Editora Gustavo Gili unknown
9788584521135G.GILI EDITORA. new. Breve hist�ria da fotografia � uma introdu��o nova e criativa ao tema da fotografia. Inteligentemente elaborado e ricamente ilustrado o livro explora 50 fotografias-chave da hist�ria desde os primeiros experimentos no in�cio do s�culo XIX at� a fotografia digital contempor�nea. Pr�tico e conciso o livro explica como por que e quando certas fotografias realmente mudaram o mundo. Inclui muitas imagens ic�nicas e revela as diferentes t�cnicas usadas para cri�-las. Desmitificando o jarg�o t�cnico o autor demonstra seu profundo conhecimento da hist�ria da fotografia oferecendo aos leitores uma plena aprecia��o dos eventos e das obras mais marcantes. G.GILI EDITORA unknown
179074582bound music collection with handwritten contents to pastedown including: Haydn's Celebrated Symphonies composed for Mr Salomon's and The Opera Concerts no. 47 and 8; Three Sonatas for Piano Forte by Philip Knapton; Three Sonatas with Scotch and German Airs by Dussek; Eighteen Favorite Preludes for the Piano Forte by J. Jousse; The Celebrated Gavotte de Vestris with variations for the Piano Forte with an accompaniment for the Flute by T. Latour; Mrs Macdonald a Scotch Air with variations by Philip Knapton Published by Clementi, Banger, Collard, Davis & Collard; Goulding, D'Almaine, Potter & Co; Rt. Birchall; Preston hardcover
180074638Collection includes: Concerto No.3 for the Piano Forte and several Sonatas for Piano Forte by George Eugene Griffin; The Highland Laddie; Dramatic Airs from English Italian German and French Operas arranged as Rondos no 4; Sixth Concerto for Piano Forte by Cramer; Third Concerto by Dussek; Grand Concerto a la Chasse by Steibelt; Three Sonatas for Piano Forte by Haydn; A Favorite Air Nos.1-4 by Mozart Published by Regent's Harmonic Institution; Clementi, Banger, Collard, Davis and Collard; Goulding, D'Almaine, Potter & Co;Chapp hardcover
179074584bound music collection with handwritten contents to front pastedown including: Six Sonatas for Piano Forte by D. Steibelt; Bouquet de Flore No.7 by J.Woelfl; Haydn's Surprise arranged as a duet with accompaniment for a flute or violin by R. Plati; Six Sonatas for the Piano Forte by Dussek; La Petite Surprise a Divertimento for the Piano Forte by A. Moralt; Grand Duetto for two performers on the Piano Forte or Harp & Piano Forte by Theodore Smith; The Soldier Tired a duet for two performers on one Piano Forte by L. Jansen; Three Waltzes by Lanza; The Red Red Rose by Thompson; Little Mary on the Dee by John Parry; Fly Not Yet by J. White; Life Let us Cherish by Mozart; The Favorite Guitar Dance with variations for the Piano Forte by T. Latour; The Feast of Erin by P. Antony Corri; A Thema no. 49 Air and Variations by Mozart; The Heavens are Telling Haydn's Grand Chorus from the Creation as a duet; For Unto us a Child is Born from the Messiah by Handel duet for Piano Forte; A Selection of Handel's Choruses adapted as Duets for Piano Forte; Overture to Henry IV for two performers by M. Martini; Three Duetts for Piano Forte from the Works of Mozart; Ball's Occasional Collection of Duetts for two performers on one Piano Forte by eminent composers; A Grand Duet for two performers …by J. Gildon; Sweet Robin Stay by R. Bishop and others Published by Birchall; Clementi, Banger Collard Davis and Collard; J. Balls; L. Lavenu; Chappell & Co; Goulding, Phipps and D'A hardcover
45031c. 1931. Linocut in black and grey with additional hand colouring. 147mm x 105mm . Laid-down to verso of front board of a book. G Haydn Reynolds Mackey was a British painter and illustrator. Born in King�s Lynn Norfolk in 1883 the artist began his artistic education at the Slade School of Art in London. Mackey served as an Official War Artist during the First World War and was stationed with the Royal Army Medical Corps on the Western Front. The artist received great acclaim for his depiction of life during the war his immediacy to the suffering and hardship of active soldiers imbued his work with raw emotional truth. Mackey�s representation of life on the front line included scenes of domestic duties that were rarely seen. Following the War Mackey came to be well regarded as a more commercial artist. His innovative approach to printmaking established the artist as a particularly fine illustrator. Mackey developed his own method of colour printing whereby the artist would produce single impression linocuts printed on fine transparent sheets which were then hand painted in bold colours using oil paints. The artist used this method regularly in his work for the Mandrake Press through which he illustrated several literary publications. The artist was also well regarded as a more traditional painter and exhibited often in Paris France where he was awarded a multitude of prizes at international fairs. From the 1930s onwards Mackey taught at the Walthamstow School of Art for a significant period. The artist died in 1979. His work remains in a number of eminent collections including those of the Imperial War Museum and the Royal Academy. The bold coloured linocuts of printmaker and book illustrator Haydn Reynolds Mackey represent an innovative departure from recognised methods of colour printmaking. Although they appear at first sight to be multiple colour printed linocuts on heavy wove oatmeal paper this is not the case. They are in fact single impression linocuts printed in black ink on fine tracing-style tissue paper which Haydn Mackey then hand-painted and presented in a manner unique to his work. Having printed his linocut in black ink H.R.Mackey would hand colour each proof with thick opaque oil paint on the reverse of the fine transparent printed sheet. He would then apply this hand coloured proof on to a heavy oatmeal backing paper paint surface downward. Once the printed sheet was perfectly adhered to the backing he would trim the edges so that both sheets appear as one. The resulting effect is for the strong oil colours to show through the transparent paper of the proof print giving the appearance of a perfectly registered multiple colour printing of the finest and most even nature. Haydn Reynolds Mackey�s prints are consistently rare having never been published in formal editions. It is likely that the time and difficulty involved in producing each final colour print precluded the production of these prints on a commercial scale. Mackey�s works of this nature remain some of the most striking linocuts produced in England at this time outside the Grosvenor School." Source: Campbell Fine Arts and others. c. 1931. unknown
0806304316.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9780806304311_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This handy reference work lists the officials and dignitaries of England Ireland Scotland and Wales and of the British Empire in general from the dates of earliest office down to the last quarter of the 19th century. It also includ paperback
181040444Wien: Camesinaische Buchhandlung 1810. Octavo. Full 19th century dark red calf with gilt rules and blindstamping to boards titling gilt to upper dark red doublure endpapers. Preserved in a modern quarter brown mid-tan leather clamshell box with dark ivory linen boards titling gilt to spine. <br /> <br /> 1f. fine engraved frontispiece portrait of Haydn by D. Weiss after Ihrwack's medallion 1f. recto title verso 3-line verse by D. Tomas de Yriarte 1f. recto dedication verso blank v-x 11-220 pp. 1 folding plate of engraved music. <br /> <br /> Binding slightly worn rubbed and bumped. Minor to moderate foxing throughout; small tear to lower outer corner of pp. 157/158 with no loss of text; frontispiece loose. First Edition. Catalogue of the Printed Books in the British Museum. Accessions Third Series . Books in the Hirsch Library. P. 118. Eitner III p. 197.<br /> <br /> Dies was a German writer composer and painter. "Esterhazy sponsored the publication of his Biographische Nachrichten von Joseph Haydn . for which Dies collected material from 30 conversations with the aged composer. Because of its factual tone and the typically Classical standpoint of its aesthetic judgments this work occupies a significant position in early Haydn literature alongside Griesinger and Carpani. . Many Haydn documents appeared for the first time in the Nachtrichten and it contains a 'list of all the works Haydn composed in London' taken from the lost London notebook." Horst Seeger in Grove Music Online<br /> <br /> An early and important biographical account of Haydn. Camesinaische Buchhandlung unknown
114200Stockholm Johan Imnelius 1819. 8:o. 4 88 s. litogr. tvÃ¥sidig musikbilaga. C. Müller. Lagerfläckig och med fuktrand mot slutet. Oskuren och delvis ouppsprättad i modernt svart hfrbd med guldornerad rygg och marmorerade pärmpapper. Ur Rolf Mallanders bibliotek. Davidsson 3151. Det första sällsynta verket om Haydn pÃ¥ svenska i översättning av musikhandlaren och pionjären i Sverige pÃ¥ litografiskt musiktryck Ulric Emanuel Mannerhjerta 1775-1849. Mannerhjerta fick samma Ã¥r 1819 tillstÃ¥nd att inrätta ett litografiskt nottryckeri i Stockholm men musikbilagan här är dock i stentryck av Carl Müller. Georg August von Griesinger 1769-1845 var diplomat i Wien och känd för sin vänskap med Haydn och Beethoven. Hans berömda biografi om Haydn â€Biographische Notizen über Joseph Haydn†utkom i Leipzig 1810. unknown
181947344Stockholm Johan Imnelius 1819. Samtidigt marmoreret papbd. nederste del af ryg mangler. 488 pp. samt dobbelsidet kobberstukket nodeplanche. Et ormehul i indre marginpå de første blade. Nederste del af bladene med aftagende bruning. unknown
1851401629London : Longman Brown Green and Longmans 1851. 1st edition. Hardcover. Very good copy in the original paper-covered boards with paper labels. Spine bands and panel edges slightly dulled and dust-toned as with age. Remains particularly well-preserved overall. Physical description; 594 pp. Subjects; Royal houses Europe ; Registers. Nobility Great Britain. Aristocracy Social class. Public officers. Officials and employee. Directories. London : Longman, Brown, Green, and Longmans hardcover
1851030124London: Longman Brown Green And Longmans 1851. 1st Edition . Hardcover. Good. Maps And Plan. Xvi594 Pp. Ads At Rear Addenda And Corrigenda On P. Xvi. Quarter Red Morocco Over Green Cloth Decorated Endpapers With Ads On Pastedowns Binder's Ticket Of Remnant And Evans London. Wear Fraying At Corners Spine Gilt Brilliant But Spine Reinforced With Strips Of Transparent TapeHinges Solid Binding Intact 2" Fray/Tear At Lower Left Of Spine But Not Reaching The Bottom Edge. Note "From The Publisher's" On Page Facing Title ;Page With Later Ownership Signature Of An Employee Of The Mgm Research Department. A Massive Compilation Of Information Chiefly Historical Including Foreign Colonies And Company Administrations Etc. The Best Summary Of British Imperial Administration At Its Unsupportable Height When Power Was A Dignity. <br/> <br/> Longman, Brown, Green, And Longmans hardcover
1851LTH17-D-22London: Longman Brown Green and Longmans 1851. Leather. Good. 9" by 6". None. An interesting heraldic and historical reference work. This work comprises of civil ecclesiastical judicial military naval and municipal rolls of the official personages from the earliest periods to the nineteenth century. There are also the sovereigns of Europe the peerage of England and Great Britain and more. Written and compiled by Joseph Haydn. With letters from William Brenchley Rye to his book dealer loosely inserted. Rye was the keeper of printed books in the British Museum. In a quarter morocco binding with cloth covered boards. Externally generally smart with rubbing to the spine and to the joints. Heavier rubbing to the tail of spine. Cracks to the spine due to wear. Minor bumping to the extremities. Prior owner's bookplate to the front pastedown Mr Wm Campbell. Internally binding is strained in places. Loosely inserted are articles on this work and the author. Letters loosely inserted from William Brenchley Rye keeper of books at the British museum. Small article on Rye loosely inserted also. Pages are generally bright with the odd spots throughout. Good Longman, Brown, Green and Longmans hardcover
1851mon0000992290Longman Brown Green and Longm 1851. Hardback. Very Good. in x in x in. Some foxing to front few pages. rnPrevious owners inscription in pen on FFEP. First edition first printing. Pages clean and bright no markings light wear to edges. Binding tight. Longman, Brown, Green, and Longm hardcover
1937821361937. Boriswood London. 1937. First Edition. Hardback. No DW. Green cloth yellow text. Portrait frontis illustrations. Boards are a little mottled and partially faded. Bookplates to front pastedown and front free endpaper. Small closed tear to bottom margin of page 107 o/w a contents are clean and sound. hardcover
193775330319 pages portrait frontispiece signed by the author on the title page illustrated throughout forwarded by Lord Baden Powell Published by Boriswood hardcover
39430Large oblong quarto 241 x 309 mm. Notated in dark brown ink on the verso of the second leaf of a bifolium i.e. page 4 on 10-stave rastrum-ruled paper of British manufacture. Watermark dated 1794.<br /> <br /> Late spring or early summer 1795 see H.C. Robbins Landon: Haydn Chronicle and Works Volume III p. 495.<br /> <br /> With pencilled note in another hand to first page: "Haydn autograph notes of the 12 English Symphonies. Haydn misquotes the 2nd." <br /> <br /> Very slightly worn browned and soiled; minor foxing and very short splits to central fold; vertical crease to center of bifolium; lower edge with several miniscule tears.<br /> <br /> In addition to noting the musical incipits which comprise 25 measures spread out over 4 staves Haydn identifies the key time signature and year in which each symphony was first performed in noting the performance date of Symphony 97 however Haydn makes an error and cites 1791 instead of 1792. <br /> <br /> The sketch for the piano trio Hob. XV:25 is notated 5 staves below the symphonic incipits and consists of 9 measures of melodic material for the famous third movement. <br /> <br /> Provenance<br /> Leo Liepmannssohn auction catalogue Berlin 1907 lot 91. The Westley Manning Collection Sotheby's London 12 October 1954 lot 207. The London Symphonies were commissioned by the London impresario and violinist Johann Peter Salomon 1745-1815 and composed over the period 1791-95. Salomon was responsible for bringing Haydn to London where he became immensely popular largely through performances of his music at Salomon's concerts.<br /> <br /> "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . The last six London symphonies are even more brilliant than the first six. . Haydn's determination to conquer new territory with each work is palpable." James Webster in Grove Music Online<br /> <br /> "The finale of Hob. XV:25 is the famous rondo "in the Gypsies Style." It seems that a composer's most popular works if not spurious are at least unusual manifestations of his style and this rondo fits this characterization. . Even though this finale was best known during the eighteenth century as a separate piece in many different settings its impact is best appreciated within the context of this keyboard trio cycle for the Andante and Poco Adagio the first and second movements hardly prepare one for its burst of energy." A. Peter Brown: Joseph Haydn's Keyboard Music Sources and Styles p. 377.<br /> <br /> ". the G major Trio 39 turned out to be Haydn's most popular piano piece because of the 'Gypsy Rondo' Finale. . It became an enormous favourite first in England and immediately afterwards on the Continent." Robbins Landon III pp. 431-432. <br /> <br /> A unique and interesting manuscript being a virtual catalogue of all the London Symphonies and including music from the famous Gypsy Rondo some of Haydn's best music from his important London period. unknown
1241352682.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241352658.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
36835Carbon print photograph 134 x 84 mm printed on postcard stock; verso inscribed in ink 'Haydn J. Britton 6 years & 3 months'; no photographer's imprint; a superb print with beautiful soft tones; the verso has some staining. A magnificent study of a Melbourne jazz legend in early childhood. The following is Ralph Powell's tribute to Haydn Britton The Man with the Golden Sax published in VJAZZ Quarterly Magazine of The Australian Jazz Museum number 63 August 2014: 'HAYDN John Britton — Clarinet and sax player — was heavily involved in the nascent Melbourne jazz scene of the 1930s and 1940s playing with such jazz luminaries as Ade Monsbourgh The Bells Jack Varney and Cy Watts before apparently fading from the jazz world into which his peers grew. When the redoubtable Roger Beilby suggested discovering what happened to Haydn Britton I thought it would be a straightforward task little realising how far from the truth that would prove to be. To begin with the public record lists him as Haydn Hayden Hadyn or Haydon. Put these together with Britton and/or Britten and we had the recipe for a researcher’s nightmare! Quite a bit exists on his early years but there is then a complete dearth of information until he reappears in retirement on the Mornington Peninsula. Haydn John Britton was born on the 18th of December 1914 the only son of John and Beatrice and grew up in Port Melbourne. By the time he befriended Cy Watts in about 1931 he was playing a home-made ukulele and the kazoo. Together the two of them “used to study a lot of coloured musicâ€1 and spent Sunday afternoons listening to jazz on the amateur radio station 3CB owned by Bill Sievers. In 1934 Melbourne the centres of Sunday jazz were Fawkner Park Kiosk during the day and the Richmond Baths at night. It was at the latter that Haydn introduced Jack Varney to the sounds of pianist Barney Marsh and sax player Harry James. By 1938 Haydn had purchased an alto sax and together he and Cy teamed up with Johnny Parker and Tommy Crowe sending the “jazz along in first class style.â€2 Jack Varney describes Haydn as a childhood friend whose grandfather was West Indian. According to Varney Haydn was “an amazing character one of those people who didn’t know a note of music at first but who would sit at the piano — you could sing him any tune and it was impossible for him to play a wrong chord.â€3 Consequently they soon formed a trio with sax drums and piano doing their “best to play the sort of material that was coming in. Eddie Lang . Fats Waller and Louis Armstrong . Bix Beiderbeck Joe Venuti and Frank Trumbauer.â€4 Haydn and Jack Varney performed at ‘The 431’ from 8.30 pm Saturday nights finishing at 2.00 am the next morning. It was here they met Ade Monsbourgh and Bill ‘Spadge’ Davies. Graeme Bell describes how in the Christmas of 1939 he and Roger were on the PS Weroona for a picnic cruise down Port Phillip Bay to Sorrento. Together with Russ Murphy on drums Haydn Britton on clarinet and alto sax and Bill May on bass Graeme remembered “great excitement and hilarity throughout the day.â€5 On another occasion Haydn played baritone sax in Graeme Bell's Dixieland Band with a line-up which included Roger on trumpet; Pixie Roberts on tenor and clarinet; Graeme on piano; Stan Chisholm bass; Bud Baker guitar; Laurie Howells drums; and Benny Featherstone trombone. 6 Haydn and Jack also had a regular Saturday night gig at the Sandringham RSL hall with Jack Dockerty on trumpet. When the two Jacks entered the armed forces Graeme and Roger Bell continued playing with Haydn. In 1943 Ade Monsbourgh arranged for The Eastside Ramblers to record You Must Have been a Beautiful Baby. The line-up included George Fong George Tack Brooks Jackson débuting on drums together with “the grand alto of Haydn Britton.â€7 By 1949 Haydn had moved to Springvale and was running a general engineering business and sports goods retail store in Springvale Road Springvale in partnership with Robert Oliver Luxford. He undertook several recording sessions in the 1940s before seemingly disappearing from the jazz scene thereafter. East Side Ramblers 4th July 1943; Jack Varney's Varmints 5th November 1944; Jack Varney & His Varmints; Lazy Ade's Late Hour Boys 15th August 1944; Father Ade's Backroom Boys 3rd November 1944; Denis Farrington 12th August 1946; 19th January 1949. Shirley McConechy recalls that during most of the 50s Haydn played at the then popular New Alexandra reception and function Centre in East St Kilda run by Ray Bolwell Snr and later by Ray Jnr. Her father Bert Gardiner was on piano Tom Buckingham on drums Lin Challen or Fred Buckland on bass with vocalists including Joy Grandin Irene Hewitt and Diana Trask. He moved to Rye with his wife son and daughter where much later he used to provide entertainment in local retirement homes. He also played with the Tommy Carter Band and Mavis Campbell remembers him as a regular at the Jazz Parties that she and husband Don put on at their Blairgowrie property for up to 83 people at a time. In latter years he worked part-time for life-long friend Bill May of Maton guitars and he played sax at a gathering celebrating Bill and Vera’s 50th wedding anniversary. His collection of instruments including a clarinet tenor saxophone gold-plated French saxophone and bugle used until he stopped playing in 2006 were auctioned in November 2009. Haydn died on March 10th 2013 aged 99. Endnotes: 1. C. Ian Turner Collection – Handwritten Jazz Notes article by Cyril Watts 2. Ibid. 3. Frank Athena - The Melbourne Jazz Scene. 1978 4. Ibid. 5. Bell Graeme – Australian Jazzman: His Autobiography. p. 34. 1988 5. Birkenbell Antionette - From Bourbon Street to Bennett’s Lane p. 49. Unpublished. 2011 6. Bell Graeme – Op Cit. p.42 7. C. Ian Turner Collection.'  unknown
1922144061.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
33732005like new. unknown
