1 186 résultats
197535219New York: Dover 1975. Paperback. Very Good. Folio. Pictorial wrappers. 144 pp. Dover paperback books
198634715Weimar: Nationale Forschungs- und Gedenkstätten deutschen Literatur 1986. Paperback. Very Good. Oblong folio. Original publisher's decorative printed wrappers. 1f. title 3-14 pp. text 6ff. facsimile of the composer's autograph musical manuscript laid in. Nationale Forschungs- und Gedenkstätten deutschen Literatur paperback books
1871125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover books
10637Used; Like New/Used; Like New. Original circular wooden canister possibly a piano wire case with inscription 'Cantemus Domino Dr. F. Liszt. XIX Aug. 1866' on the lid and '9 Juni 1867' on the inside of lid. Diameter 10 cm. Together with a small round token made of an ivory-like or fine bone material decorated with a miniature engraving and painting enhanced with sand and tiny clippings of grass depicting two angels and the letter 'L' interwoven with a cross. The token with a matching -sized round glass diameter 2.5 cm.<br><br><br />On August 10th of the year 1866 the composer completed the 'Tristis est anima mea' from his oratorio 'Christus' composed 1862 - 1866 and it is conceivable that the text on top of the lid 'Cantemus Domino Dr. F. Liszt. XIX Aug. 1866' was carved to commemorate that occasion. We have been unable to locate any event letter or anything else specifically for August 19th of that year. <br><br><br />The other date inscribed on the case June 9th of the following year was the day after the premiere of Liszt's 'Hungarian Coronation Mass' in Budapest. Following the 1867 Compromise between Austria and Hungary Liszt composed a festive Mass. Yet it took concerted action on the part of Hungarian musicians and public figures as well as the personal intervention of the Empress Elizabeth to have his "Hungarian Coronation" Mass performed instead of a work by a Viennese court composer at the coronation of the Austrian Emperor Franz Joseph and Empress Elizabeth as King and Queen of Hungary at the Church of Our Lady Matthias Church in Buda on 8 June 1867. The performers were from Vienna and Liszt was only present as a member of the audience in the gallery. It was only two years later that Liszt was able to conduct his Mass in Pest with Hungarian musicians and Ede Reményi was finally able to play the violin solos that had been intended for him from the start. unknown books
7064Used; Like New/Used; Like New. Large original allegorical drawing on canvas attributed to the circle of Fantin-Latour ca. 1890. An angel places a laurel wreath on a bust of Franz Liszt surrounded by figures playing the piano violin and lyre. 70 x 48 cm. A few areas of expert restoration and beautifully framed under UV-plexiglass. <br><br><br />"He was imbued with the spirit of Romanticism.Music provided a reservoir of ideas in which Fantin-Latour's escapism could find imaginative expression; he discovere the dreaming idealistic side of life that he did not find in contemporary society." Jane Turner "Grove Dictionary of Art: Late 19th Century " p. 170 unknown books
13802Used; Like New/Used; Like New. An interesting early autograph letter from the German composer and conductor to colleague Oskar Eichberg dealing with plans for a meeting of a musical organization in which they were both members and mentioning a great Liszt celebration in Leipzig which he suggests Eichberg and the other members should attend. Indicating that Eichberg had a connection to Liszt having given his oratorio Die Legende der Heiligen Elisabeth its Berlin premiere the previous year he mentions that "If Liszt is interested his interest and seal of approval would be very much appreciated." Full translation below. Penned densely on a postcard postmarked Leipzig 1875. One vertical crease mounting remnants light overall toning; otherwise in fine condition. 5.5 x 3.5 inches 13.9 x 9 cm.<br style="">Son of composer Carl Friedrich Zöllner Heinrich Zöllner "studied music at the Leipzig Conservatory 1875–7.From 1890 to 1898 he lived in the USA where he conducted the Deutscher Liederkranz in New York; his festival cantata Die neue Welt was awarded a prize at the 1892 Cleveland Sängerfest. On his return to Leipzig he succeeded Kretzschmar as director of music at the university and conducted the Paulus male choir; in 1902 he was Reinecke's successor as professor of composition at the conservatory and from 1903 music editor of the Leipziger Tageblatt.Zöllner's prolific output includes ten operas several large-scale works for chorus and orchestra symphonies overtures piano music and numerous smaller vocal pieces. He wrote many works for male chorus a medium popularized by his father but showed a preference for large forms and forces by adding a full orchestral accompaniment. His most successful opera Die versunkene Glocke was revived frequently up to 1939." Deane L. Root Grove Online.<br style="">Translated from the German: "For today a quick and hurried note that I've wanted to write for more than 8 days but only when I had first got the lay of the land. I have only managed to establish the inconvenient times. There will probably be no one of us here all August and the second half of July is also uncertain so: early to mid July or from the beginning of September on would be good times. 2 Nothing particular on our side. My wishes are simply to accomplish the various proposals which have already been discussed often enough and that seems to be over T.'s dead body! So in every respect Leipzig alone seems advisable and because of the great general fatigue this time without a great song and dance we must restrict ourselves to meeting in the smallest circles and reappraise the rest as much as possible. The big Liszt celebration is on the 20th. How would it be if you all came over here for that Then the Directorium etc. would be together. Everyone could be accommodated of course if we arrange it soon. When one asks too much one receives too many answers. Give me a brief answer about this date. If Liszt is interested his interest and seal of approval would be very much appreciated. R.C. will probably answer you apathetically. In any case whether he answers or not it would be best to come to him with a fait accompli and tell him about this date with the mention that this time no preparations are necessary rather it would be just getting the business done with no fuss. But since I am persona ingrata don't mention that I suggested it. Perhaps I can get things moving in the same vein with K. in the next few days. Looking forward to more with best wishes yours Dr. Z."<br style=""> unknown books
198658288NY: Limelight Editions 1986. Second edition. xxxxii. 375 pp. Very near fine in like dust jacket. Pairs “My Memories of Liszt†by Siloti with “Life and Liszt†by Friedheim. Mark N. Grant introduces the volume. NY: Limelight Editions, unknown books
16995Club français du livre 25 mars 1950, relié toile éditeur avec profil en creux sur le premier plat de la couverture, 196pp; bon état
52714Flammarion "Harmoniques" 1995, grand in-8 broché, 424 p. (exemplaire de bibliothèque recouvert d'un plastique transparent avec cachets et étiquettes, sinon très bon état ; non réédité) Cahier d'illustrations, notes et index. Première édition en volume de l'ensemble des articles que le compositeur écrivit en français dans les journaux de l'époque, observateur de premier ordre des moeurs musicales de France, d'Allemagne et d'Italie ; présentation et notes de Rémy Stricker.
193456580Paris Bernard Grasset 1934 1 13,5 x 21 cm broché, 446 pp,
185911608Paris Librairie Nouvelle 1859 demi-chagrin rouge. in-12, (2ff.), 348pp., (1f. errat.),
53451Corrêa 1941 (retirage de 1950), in-12 broché, 309 p. (papier légèrement bruni, sinon très bon état) L'éloge d'un géant par un autre géant ; texte fameux, avec un avant-propos d'Alfred Cortot.
45516Actes Sud 2013, in-8 broché, 543 p. (bel état) Bibliographie et index. Réunit pour la première fois les commentaires de Liszt sur trois opéras dont il fut un défenseur fervent, Tannhäuser, Lohengrin et Le Vaisseau fantôme, ce dernier texte étant resté inédit jusqu'à ce jour ; présentation et notes par Nicolas Dufetel.
Paris, Le Club Français du Livre, 1950. Un volume de format in 8° de 198 pp.; quelques illustrations et fac similés d'autographes. Reliure de l'éditeur en pleine toile ocre, décorée. Dos légèrement passé, sinon bel état. Peu courant.
1950102641950 Paris, Le Club Français du Livre, 1950. Un volume de format in 8° de 198 pp.; quelques illustrations et fac similés d'autographes. Reliure de l'éditeur en pleine toile ocre, décorée.
185946404634Paris, Librairie Nouvelle, Bourdilliat, 1859 ; in-12, demi-chagrin vert, nerfs, tête dorée, non rogné, couverture beige imprimée et dos. (Lobstein-Laurenchet) 2 ff., 348 pp., 4 ff. de catalogue Bourdilliat.ÉDITION ORIGINALE écrite en français. Bel exemplaire frais, seul le dos de la couverture est sali.
3952Brouillon de lettre concernant l'Allgemeiner Deutscher Musikverein, l'association musicale fonde par Franz Liszt en 1861 Weimar avec Franz Brendel pour incarner les idaux musicaux de la nouvelle cole allemande; Liszt le remercie pour lui avoir transmis le legs d'une gnreuse donatrice ...Madame de Muchanow en faveur de l'Allgemeine Deutsche Musik Verein et la Beethoven Stiftung [Fondation Beethoven]...J'aviserai l'emploi le plus conforme aux nobles intentions de l'illustre donatrice qui mrite au-del des plus brillants hommages qu'on tait heureux de lui rendre que nous rvrons de cSur : Prochainement le Comit qui a l'honneur de compter V. E. parmi ses membres Notre Musik Verein aura l'honneur de vous adresser ses plus reconnaissants remerciements et d'informer Votre Excellence de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar ( au commencement d'aot) . Prochainement le Comit de notre Musik Verein aura l'honneur d'exprimer ses plus reconnaissants remerciements Votre Excellence et de l'informer de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar, - au commencement d'avril... La comtesse Maria Kalergis-Muchanow (ne Nesselrode, 1822-1874), pianiste polonaise (elle reut des leons de Chopin) et mcne dart, entretint Paris un salon frquent par de nombreux artistes franais et europens, dont Chopin, Liszt, Rossini, Heine, Gautier, Musset... Amie de Cosima, la fille de Liszt, qui pousa Wagner, elle intervint pour que le compositeur allemand put faire jouer son opra Tannhaser Paris. Franz Liszt lui ddicaa plusieurs pices dont la Petite Valse Favorite et composa, son dcs en 1874, l'Elgie pour Piano N1. Maria Muchanow est l'origine de la cration de l'Institut de Musique Varsovie et de la Socit Musicale de Varsovie.En octobre 1842, Liszt avait t nomm Weimar Kapellmeister in auerordentlichen Diensten (matre de chapelle des services extraordinaires) par le grand-duc Charles-Frdric de Saxe-Weimar-Eisenach l'un des protecteurs de Richard Wagner et de Liszt. Le projet de lAllgemeiner Deutscher Musikverein naquit beaucoup plus tard, dans les annes 1860, de la tentative avorte de cration dune Fondation Goethe pour soutenir les arts. La tentative de Liszt fut un rel succs. Les statuts de la nouvelle association furent dposs en 1861. Au fil des ans lassociation devint le dpositaire de plusieurs fondations dont la Beethoven-Stiftung (Fondation Beethoven) en 1871, finance et enrichie par les dons, notamment du grand-duc Charles-Alexandre de Saxe-Weimar.
4656PHOTOS SUR DEMANDE
RO50062400DURAND & Cie. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 43 pages de partitions - clé de sol et clé de fa.. . . . Classification Dewey : 780.26-Partitions
R130008339MUSIDISC. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre de la Société des Concerts de Vienne, direction: KARL RITTER. Collection Richesse Classique.. . . . Classification : 410-33 Tours
R130010250SUPER MAJESTIC. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, un petit texte dérrière la pochette en trois langues différentes (Anglais, Français et Allemand). Festival Orchester, Bregentz, direction: SANDOR REKAI.. . . . Classification : 410-33 Tours
R130008113COLUMBIA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Philharmonia Orchestra, direction: HERBERT VON KARAJAN. Biographie de MARCEL MARNAT dérrière la pochette.. . . . Classification : 410-33 Tours
R130003716MUSIDISC. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Quelques rousseurs sur la pochette. Tableau de BODINI sur la couvertiure. Référence n° RC 826.. . . . Classification : 410-33 Tours
RO50056963RICHAULT & CIE. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 14 pages de partitions. Déchirures aux extrémités des plats désolidarisés. Tampons sur la page de titre.. . . . Classification Dewey : 0-GENERALITES
R320072134BREITKOPF. NON DATE. In-4. Relié toilé. Bon état, Couv. convenable, Mors fendus, Intérieur frais. 100 pages de partitions - V.A. 1485. 2 PHOTOS DISPONIBLES - . . . . Classification Dewey : 780.26-Partitions