37 résultats
197535219New York: Dover 1975. Paperback. Very Good. Folio. Pictorial wrappers. 144 pp. Dover paperback books
34353G. Henle Verlag. Folio. Original publisher's blue printed wrappers. 42 pp. Commentary to pp. 40-42 in German English and French. G. Henle Verlag unknown books
199441025San Francisco: Lady Green 1994. Paperback. 104p. illustrations bibliography personal inscription signed by Liszt very good first edition trade paperback in pictorial wraps. Easton a leader in the s/m spiritual community and Liszt author of "Lady Green" write on lesbian s/m. Lady Green paperback books
191033749Leipzig: Breitkopf & Härtel 1910. Publisher's decorative black cloth boards with titling gilt to upper and spine; decorative endpapers. 182; 48 pp. Text in German. Binding slightly worn and rubbed; hinges cracked; bookplate to front pastedown. Light uniform browning; upper edge slightly cockled. Breitkopf & Härtel unknown books
34397Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 120 pp. Text in German and English. Endpapers slightly browned. Volume 3 of the New Edition of The Complete Works Series I: Works for Piano Solo. unknown books
190432061Mayence: Schott PN 13377.1 1904. Folio. Publisher's dark ivory illustrated wrappers printed in dark green. 1 title printed in green 2-9 i blank pp. 1f. advertisements. <br/><br/>Musicseller's handstamp to blank lower margin of title.<br/><br/>Slightly worn browned and soiled. A later edition. LW A159. Searle 160. Raabe 10/4. <br/><br/>Number 4 from the first year of the "Années de Pèlerinage. Schott [PN 13377.1] unknown books
198634715Weimar: Nationale Forschungs- und Gedenkstätten deutschen Literatur 1986. Paperback. Very Good. Oblong folio. Original publisher's decorative printed wrappers. 1f. title 3-14 pp. text 6ff. facsimile of the composer's autograph musical manuscript laid in. Nationale Forschungs- und Gedenkstätten deutschen Literatur paperback books
187531570Wien: Ant. Diabelli und Comp. Friedrich Schreiber PN F.S. 6541 1875. SCHUBERT Franz 1797-1828. Folio. 1 title 2-7 1 blank pp. Engraved.<br/> <br/>Somewhat worn and browned; slightly foxed. Re-issue from first edition plates with "F.S." preceding the plate number with "Druck von A. Eckel in Wien" to lower left of first page of music. LW A42/11. Searle 558/11. Raabe 243/11. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Ant. Diabelli und Comp. [Friedrich Schreiber] [PN F.S. 6541] unknown books
189031557Mayence: Les fils de B. Schott PN 6490 1890. BELLINI Vincenzo 1801-1835. Folio. 1f. printed title 9 1 blank pp. Engraved.<br/><br/>Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper corner of title and several pages. Musicseller's handstamp to foot of title.<br/><br/>Moderate offsetting; pagination in ink to upper corners; "Bellini's" in ink above title with underlining in red ink. First Edition later issue. LW A74. Searle 391. Raabe 130.<br/><br/>Liszt composed his Réminiscences des Puritains de Bellini in 1836 and from this adapted the Polacca into the present Introduction et Polonaise in 1841. Les fils de B. Schott [PN 6490] unknown books
186431533Leipzig: Gustav Heinze PN G. 61 H. 1864. Folio. 1f. title 3-25 1 blank pp. Lithographed.<br/><br/>Small oval musicseller's handstamp to foot of title.<br/><br/>Slightly worn and browned; spine splitting. Lithographic re-issue of the first edition. LW H12. Searle 123. Raabe 458. LC Catalog 26.<br/><br/>Liszt's Fantasie über ungarische Volksmelodien was dedicated to Hans von Bülow who premiered the work on June 1 1853 in Pest with Ferenc Erkel conducting. It is based on the same melody used for the Hungarian Rhapsody No. 14 which was written at the same time and also dedicated to Bülow. Gustav Heinze [PN G. 61 H.] unknown books
201534398Budapest: Editio Musica Budapest 2015. Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 161 pp. Text in German English and Hungarian. Volume 7 of the New Edition of the Complete Works: Supplements to Works for Piano Solo. Editio Musica Budapest unknown books
196835332New York: Haskell House 1968. Hardcover. Very Good. LIPSIUS Marie 1837-1927 La Mara. 2 volumes. Full blue cloth. No dust-jacket as issued. 481 527 pp.<br/><br/>Minor shelfwear some spotting to top edge. Reprint of the edition published London: H. Grevel 1894. Haskell House hardcover books
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br/><br/>Plate numbers and imprint of Brandus from their first edition of 1850.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br/><br/>Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br/><br/>Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown books
186200London: William Reeves not listed. Hardcover. Good Ex-library with stamps and labels on spine inside front and rear covers ffep and block. Shelfwear to boards and block. Light age toning but pages are otherwise clean. Bound in burgundy cloth with gilt spine lettering; bw illustrated frontispiece; xx 369 30 pp; bw illustrations. The result of the Author's Life-long experiences and investigations of the Gipsies and their Music. Gipsy and Jew two wandering races -- Gipsy life in relation to art -- Gipsy music and musicians. William Reeves hardcover books
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br/><br/>Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br/><br/>Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown books
188720303Boston: Oliver Ditson 1887. First US Edition. 8vo pp. 233. Engraved frontispiece portrait a very good tight copy bound in brown cloth. DeBeaufort was editor and translator of The Life and Letters of George Sand. Oliver Ditson unknown books
185031576Wien: Tobias Haslinger PN C.H. 7775 1850. SCHUBERT Franz 1797-1828. Octavo. Original publisher's dark pink printed wrappers with contents of Schwanengesang Winterreise Lob der Thränen and Die Rose to upper. 1 title 2-7 1 blank pp. Engraved. Song text printed to p. 2<br/><br/>Wrappers with imprint of Carl Haslinger quondam Tobias.<br/><br/>Wrappers somewhat worn and soiled. Dampstain to lower inner margin; occasional offsetting. First Edition later issue. LW A45. Searle 557. Raabe 242. LC Catalog 183. Hoboken 10 92.<br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Tobias Haslinger [PN C.H. 7775] unknown books
184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved.<br/><br/>Contents: <br/>- Erlkönig D 328<br/>- Sei mir gegrüsst D 741<br/>- Du bist die Ruh D 776<br/>- Auf dem Wasser zu singen D 774<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown books
198658288NY: Limelight Editions 1986. Second edition. xxxxii. 375 pp. Very near fine in like dust jacket. Pairs “My Memories of Liszt†by Siloti with “Life and Liszt†by Friedheim. Mark N. Grant introduces the volume. NY: Limelight Editions, unknown books
183831571Wien: A. Diabelli und Comp. PN D. et C. No. 6532 1838. SCHUBERT Franz 1797-1828. Large octavo. Disbound. 1 title 2-15 1 blank pp. Engraved.<br/><br/>Occasional light offsetting. First Edition. LW A42/2. Searle 558/2. Raabe 243/2. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. A. Diabelli und Comp. [PN D. et C. No. 6532] unknown books
1919290041Paris.: Henry Lemoine & Cie. 1919-1921. Quarter black leather over blue cloth boards red spine labels gilt titles original wraps bound in. . Very good pages toned. . 29.7x22.3 cm. . Classical favorites for the piano 9th volume 3 parts. Heavy set may require extra shipping. Henry Lemoine & Cie. hardcover books
186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title.<br/><br/>Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152.<br/><br/>Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. <br/><br/>"A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown books
W167FLLondon: William Reeves Brown cloth with gilt lettering. Lower spine of Vol. 2 has been damage but without loss of cloth. English translation by Edwin Evans. Text blocks are clean and good. An important work by Liszt. First English Edition. Cloth. Good/No Dust Jackets. 8vo - over 7¾" - 9¾" tall. Music. William Reeves Hardcover books
187514164Berlin - Wien: Schlesinger-Haslinger Ca. 1875. Used; Like New/Used; Like New. Score of Liszt's Hungarian Rhapsody no. 12 "A J. Joachim" with the ownership stamp of the important twentieth-century German pianist Elly Ney who has also penned "12. Ungarische Rhapsodie" in blue ink at the head. A few paper repair within edges lightly nicked with small tears spine reinforced with green cloth overall very good. There are no markings within the score. <br style="">Elly Ney was one of the 20th century's outstanding pianists and at 16 won the Mendelssohn prize 1900—in a contest of which the famous Hungarian violinist Joseph Joachim was one of the judges.  The present work by Liszt is dedicated to Joachim. <br>Of Ney's great performing Willhelm Kempff wrote: "My ears still hear her melodious voice with its unmistakable hint of her Rhineland origins which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord Beethoven's D minor sonata for instance and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words nor should it be scientifically dissected. Those who had ears heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."<br style=""> Schlesinger-Haslinger hardcover books
185131564Leipzig: Breitkopf & Härtel PN 8271 1851. MENDELSSOHN Felix 1809-1847. Folio. Disbound. 1f. title 3-27 1 blank pp. Engraved.<br/><br/>Title detached and slightly foxed with publisher's and musicseller's handstamps to foot. First Edition. LW A166. Searle 410. Raabe 219. LC Catalog 114. <br/><br/>Liszt's paraphrase of Mendelssohn's incidental music to Midsummer Night's Dream includes the fairies' music and the famous wedding march. Breitkopf & Härtel [PN 8271] unknown books
