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3952Brouillon de lettre concernant l'Allgemeiner Deutscher Musikverein, l'association musicale fonde par Franz Liszt en 1861 Weimar avec Franz Brendel pour incarner les idaux musicaux de la nouvelle cole allemande; Liszt le remercie pour lui avoir transmis le legs d'une gnreuse donatrice ...Madame de Muchanow en faveur de l'Allgemeine Deutsche Musik Verein et la Beethoven Stiftung [Fondation Beethoven]...J'aviserai l'emploi le plus conforme aux nobles intentions de l'illustre donatrice qui mrite au-del des plus brillants hommages qu'on tait heureux de lui rendre que nous rvrons de cSur : Prochainement le Comit qui a l'honneur de compter V. E. parmi ses membres Notre Musik Verein aura l'honneur de vous adresser ses plus reconnaissants remerciements et d'informer Votre Excellence de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar ( au commencement d'aot) . Prochainement le Comit de notre Musik Verein aura l'honneur d'exprimer ses plus reconnaissants remerciements Votre Excellence et de l'informer de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar, - au commencement d'avril... La comtesse Maria Kalergis-Muchanow (ne Nesselrode, 1822-1874), pianiste polonaise (elle reut des leons de Chopin) et mcne dart, entretint Paris un salon frquent par de nombreux artistes franais et europens, dont Chopin, Liszt, Rossini, Heine, Gautier, Musset... Amie de Cosima, la fille de Liszt, qui pousa Wagner, elle intervint pour que le compositeur allemand put faire jouer son opra Tannhaser Paris. Franz Liszt lui ddicaa plusieurs pices dont la Petite Valse Favorite et composa, son dcs en 1874, l'Elgie pour Piano N1. Maria Muchanow est l'origine de la cration de l'Institut de Musique Varsovie et de la Socit Musicale de Varsovie.En octobre 1842, Liszt avait t nomm Weimar Kapellmeister in auerordentlichen Diensten (matre de chapelle des services extraordinaires) par le grand-duc Charles-Frdric de Saxe-Weimar-Eisenach l'un des protecteurs de Richard Wagner et de Liszt. Le projet de lAllgemeiner Deutscher Musikverein naquit beaucoup plus tard, dans les annes 1860, de la tentative avorte de cration dune Fondation Goethe pour soutenir les arts. La tentative de Liszt fut un rel succs. Les statuts de la nouvelle association furent dposs en 1861. Au fil des ans lassociation devint le dpositaire de plusieurs fondations dont la Beethoven-Stiftung (Fondation Beethoven) en 1871, finance et enrichie par les dons, notamment du grand-duc Charles-Alexandre de Saxe-Weimar.
2016BN71471Königshausen u. Neumann 2016. 2016. Musikalische Haus- und Lebensregeln: Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar Schumann-Studien - Sonderbände Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar <br/><br/> Königshausen u. Neumann unknown
198212806BWeimar, Hermann Böhlaus Nachf., 1982. 8° (22,2 x 14,5 cm), 240 Seiten, 36 Abb. auf Taf. Weinroter OLn. mit Goldprägung und grünem OU
199211952BKassel usw., Bärenreiter, 1992. Gr.-8° (23 x 15,5 x 1,3 cm), 349, (1) Seiten, mit Abb., Faks. und Notenbeispiele HLn./OKt
19926009BMünchen - Zürich, Piper, 1992. Gr.-8° (22 x 14,3 cm), 278, (1) Seiten, zahlr. Notenbeispiele Hellgrauer OLn. mit grau illustr. OU Vorbesitzerstempel überklebt
33 pages. Illustrated with photographs from William Goetz Production. Includes these songs: My Consolation - Song; Moonlight Sonata Op. 27 No. 2; Nocturne Op. 55 No. 1; Song Without end - Song; Pilgrim's Chorus - Tannhauser; Hungarian Rhapsody No. 6; Liebestraum - Loves Dream; Largo. Also includes thematics of additional musical material and synopsis of the story. Average wear. Minimal markings. A sound copy. Book
198614493ASenlis und Budapest, Fondation Cziffra, 1986. Ca. 34 x 25 cm. 131 (1) Seiten, mit zahlreichen Abbildungen. Illustrierter brauner Original-Pappeinband mit illustriertem Original-Umschlag.
1963ABE-2729431519EN COUVERTURE MILES DAVIS/CL. J.P.LELOIR-OU VA LE JAZZ PAR PHILIPPE KOECHLIN-/6P-ANDRE PERNET PAR MICHEL MAILHE/PHOTOS/6P-PAN ET LA SYRINX-DIALOGUE SUR LE DODECAPHONISME PAR MAX PINCHARD-LE PREMIER AMOUR DE LISZT: CAROLINE DE SAINT CRICQ PAR RENE BERTHELOT-DAVID OISTRAKH PAR GEORGES LEON/6P-L'ART LYRIQUE EN DEUIL/GRANDEUR DE KIRSTEN FLAGSTAD PAR JACQUES FESCHOTTE/3 PHOTOS/3P
19611021771961 N° 88, Juillet 1961 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. - Sommaire en image
19621021921962 N° 103, Octobre 1962 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 59 p. - Sommaire en image
19631021961963 N° 107, Février 1963 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 59 p. - Sommaire en image
1987242597München, Dissertationsdruck Frank, 1987. 227 S. : Noten, graph. Darstellungen ; 21 cm Originalbroschur.
1871125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover books
198012158BBLeipzig, C. F. Peters (= Edition Peters No. 45), 1980. 4°, 127 S., durchgehend Notationen, illustr. original Kartonage (Paperback), gutes, sauberes Exemplar ohne nennenswerte Mängel wie Anstreichungen etc.
0366043757.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366185837.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
185940579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title.<br /> <br /> Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. <br /> <br /> The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. <br /> <br /> An important work in large striking format. Typis Caes. Reg. Status Officinae unknown
1019173319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1871125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover
185340935Lipsiae: Breitkopfii et Härtelii PN 8636 1853. Folio. Dark yellow cloth-backed light gray boards. 1f. recto title verso blank 1f. recto dedication to "Patri Venerabili Albach" verso blank 3-35 i blank pp. Engraved.<br /> <br /> Scored for Tenors I and II Basses I and II and Organ.<br /> <br /> Handstamps of the Music Institute of the University of Vienna to title and dedication; deaccession note and stamp to verso of title.<br /> <br /> Binding somewhat worn rubbed and bumped with remnants of label to inner corner of upper board. Minor internal wear; lower outer corners bumped. First Edition of the first version. Searle 8a. Raab 485a. <br /> <br /> The Mass for four male voices and organ was composed in 1846-47 and was first performed in 1852 in Weimar "to celebrate the birthday of the President of the French Republic - later the Emperor Napoleon III. This is an unusual and austere work in which singers effectively declaim not sing parts of the Credo. The melodic line of the Gloria reveals the influence of plainchant." Collet: Franz Liszt. The Man & His Music Alan Walker ed. p. 340. Breitkopfii et Härtelii [PN 8636] unknown
1968NOTE0211Budapest, Editio Musica 1968. 4°. 110 S., priv. Lnbd. mit goldgepr. Deckeltitel, Lesebändchen, einwandfrei. Einleit. Text deutsch, engl. u. ungar.
RO50065368Edition musica budapest. Non daté. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 51 pages de partitions en noir et blanc. Ouvrage de travail fortement annoté à l'encre et surligné au fluo.. . . . Classification Dewey : 780.26-Partitions
1993Q-0849795656Kjos Music Company 1993-01-01. Sheet music. New. In shrink wrap. Looks like an interesting title! Kjos Music Company unknown
1994Q-0486281477Dover Publications 1994-08-18. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
RO50042212SCHOTT.. non-daté. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 25 pages de partitions. Inscriptions au crayon à papier. Tampon de Flute de Pan.. . . . Classification Dewey : 780.26-Partitions