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ill., br. L'opera di Monteverdi viene affrontata in questo volume facendo costante riferimento alla sua biografia e alle condizioni del suo operare, agli ambienti nei quali si trovò ad agire e al loro clima culturale, alla destinazione delle sue musiche e al loro uso sociale. La figura dell'artista e le ragioni del suo far musica vengono così tracciate sullo sfondo della Lombardia controriformista del tardo Cinquecento, della brillantissima corte mantovana di Vincenzo I Gonzaga ed infine della vivace e policentrica realtà veneziana. Qui, oltre al servizio presso l'amministrazione repubblicana, Monteverdi potè svolgere un'intensa attività di libero professionista grazie alle committenze di corti straniere, di istituzioni locali religiose e laiche, di circoli accademici e famiglie nobiliari, intrattenendo anche rapporti di lavoro con il mondo imprenditoriale cittadino, in particolare con l'editoria musicale e, più tardi, con i teatri d'opera pubblici. Oltre ad una accurata analisi delle musiche e ad un'illustrazione della sua produzione teorica, il volume narra le vicende della vita di Monteverdi attingendo direttamente alle fonti, il che ha finalmente consentito di precisare episodi, correggerne altri e offrire significativi nuovi apporti agli studi monteverdiani. In appendice, il catalogo delle opere e un'ampia bibliografia.
490055CD. Very Good/Very Good. 6 disc set. Minor shelf-wear to cardboard box. Previous owner's writing ob the back of the sleeve for disc 4. Discs and booklet in excellent condition. Record # 490055 unknown
vii + 179pp.illustré de quelques notations musicales dans le texte, nouvelle édition, 19cm., br.orig., dans la série "Les maitres de la musique", bon état, M82925
32904Paris, Félix Alcan (coll. "Les maîtres de la musique"), 1931. In-8°, 177p. Broché.
MUS5065MActes Sud, 2004. 173 pages.
1931M82925Paris, Felix Alcan 1931 vii + 179pp.illustré de quelques notations musicales dans le texte, nouvelle édition, 19cm., br.orig., dans la série "Les maitres de la musique", bon état, M82925
196419663BKassel, Bärenreiter, 1964. Gr.-8° (23 x 15,4 cm), 15 Seiten, mehrere Notenbeispiele Hellgrüner OKt
9773Manuscrit complet de son texte sur Monteverdi, la vie et l’œuvre de Monteverdi. 10 pages in-12. Peut-être un envoi à l'éditeur Pierre Aelberts (provient de ses archives personnelles) en vue de la publication d’une plaquette qui n’aboutira pas.
198635220New York: Dover 1986. Paperback. Good. Folio. Illustrated wrappers. 236 pp. Wrappers slightly worn and creased. Corners creased. Dover paperback books
0486267393New. Brand new and still unused unknown
0486267393.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011DADAX0486267393Dover Publications 2011-07-19. paperback. New. 8.50x0.75x11.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
193741497Milano: Fratelli Bocca. 1937. Facsimile. Hardcover. Very Good. Oblong 4to; 108 ff. & colophon pages; An oblong quarto volume bound in full brown morocco leather elaborate decorative tooling around the edges of the covers and all over flat spine lightly and irregularly gilt in imitation of the mid-17th century original edges of the leaves gilt and gauffered. This is a rare and special facsimile -- one of five copies printed in 1937 -- of one of the two known early musical scores of one of the most important operas -- Claudio Monteverdi's masterpiece: L'incoronazione di Poppea. There are still unknown features about this landmark opera's history and Monteverdi's intentions for its performance. "L'incoronazione di Poppea" was first performed at the Teatro Santi Giovanni e Paolo Venice as part of the 1642–43 carnival season; and while we know the opening date of the carnival the date of the first performance of "Poppea" is not known. Remarkably there is documentary proof of an early revival of L'incoronazione in Naples in 1651. The survival of any work from this period years after a first production and after Monteverdi's death in 1643 is most unusual. This manuscript score was rediscovered in Venice in 1888 and performances throughout Europe slowly multiplied from that point forward. This manuscript score entered the Biblioteca Nazionale di S. Marco in Venezia shelf mark Cl.4 - N.439 -- as part of the large and important collection of books and manuscripts donated as the legacy of Girolamo Contarini 1770-1843. Most likely it had been one of the 120 musical codices which once belonged to the Attorney Marco Contarini 1632 - 1689 a passionate lover of music. The 1888 "rediscovery" refers to the date of publication of scholar Taddeo Wiel's 'I codici musicali contariniani del secolo XVII della R. Biblioteca di San Marco in Venezia illustrati da dr Taddeo Wiel." Venezia: Fratelli Visentini 1888. To say that this facsimile is made with care is a significant understatement. There are 108 leaves with the score on staves appearing on both versos and rectos of the leaves. The first - "Prologo" is trimmed at the bottom like the original; the verso of the leave marked "108" is blank. There is only one printed page in this volume -- the colophon at the end which states that the production was finished on 20 December 1937 by the Casa Editrice Fratelli Bocca Milano. The edition consisted of 300 numbered copies with the specific note that copies numbered 1-5 were specially bound - "La tiratura e` di soli 300 esemplari numerati da 1 a 300. Gli esemplari da 1 a 5 sono presentati in elegantissime artistiche legature". Indeed this copy is press-numbered "5." The remaining 295 copies were issued by Fratelli Bocca in marbled boards and dated 1938 with a 16 pp. "Introduzione di Giacomo Benvenuti." This specially bound copy one of only five remains as it was issued -- with neither title page nor the introductory text. See OCLC Number: 638299219 the regular 295 copies are represented by OCLC Number: 4231806. Yale's Beinecke Music Library has another of the special copies Esemplare N. 2. Binding stamped: Ernest Newman. From the Albi Rosenthal Collection of Monteverdi and the birth of opera. Yale also has copy n. 21 of the "regular" issue. The "other" manuscript score usually called the "Naples" manuscript was discovered in 1930 and is preserved in the Conservatorio di Musica S. Pietro a Majella -- MS Rari 6.4.1. The long-lived composer Monteverdi wrote one of the earliest operas 'L'Orfeo' -- but most modern critics would agree that L'incoronazione di Poppea was the culmination of Monteverdi's achievement a benchmark in the transition between Renaissance style in music and the Baroque. "Poppea" is based on historic figures rather than mythological characters. It combines scenes of tragedy comedy and romance; and it concentrates on its main characters with a less prominent role for the chorus -- all firsts for opera. And while it has been the subject of almost continual study and speculation by musicologists since this early manuscript score was rediscovered in 1888 L'incoronazione di Poppea is not just a an important benchmark in the history of opera but has re-entered the repetoire as a living breathing work of art. . (Fratelli Bocca) hardcover
cm. 18 x 25,5, 220 pp. con 4 tavv. f.t. Studi e testi per la storia della musica Epistolario di Claudio Monteverdi dal 1601 al 1643. 477 gr. 220 p.
0259121487.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666615322.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1024949931.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016849311.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Collana “Atti della Accademia delle scienze dell'Istituto di Bologna. Memorie”, vol. LV, 1966-1967. Un volume di 65 pagine, brossura editoriale. Dimensioni: 19,5x27 cm. A fogli chiusi. Minime tracce del tempo alla brossura, per il resto ottime condizioni.
1956ABE-151743165762816 PAGES-DERNIERE EDITION-35 CM X 50 CM-LA HONGRIE EST DE NOUVEAU PARALYSEE PAR LA GREVE-LE DANGER DE GUERRE, PAR MAURICE DUVERGER-A TRAVERS L'ALGERIE "EN ETAT D'URGENCE", DEMI-PAGE, CARTE-AU PROCES MONTEVERDI LES TEMOINS ONT APPORTE PLUS D'ELEMENTS A L'ACCUSATION QU'A LA DEFENSE-"MINNIE MOUSTACHE" A LA GAITE LYRIQUE-BORDEAUX, ROBERT GRANGE
1978ABE-155320093796430 PAGES-35 CM X 50 CM-LES SCULPTURES D'IPOUSTEGUY DIRE L'HOMME, PAR PAULE-MARIS GRAND-CYCLE MONTEVERDI A ZURICH ENTRE UN CHANT ET SA BASSE, DEMI-PAGE-LE PETIT LIVRE JAUNE DES SEX PISTOLS-UN ENTRETIEN AVEC IPOUSTEGUY LE CHAMP SOMPTUAIRE DU SCULPTEUR, 1P-MARCEL BOUSSAC VEND SES JOURNAUX-COMPLET
1978ABE-158906684272724 PAGES-LES BRIGADES ROUGES AFFIRMENT QUE M.ALDO MORO SERA JUGE PAR "UN TRIBUNAL DU PEUPLE"-EN GRETAGNE LA MAREE NOIRE TOURNE A LA CATASTROPHE-MONTEVERDI A L'OPERA UN COURONNEMENT INACHEVE, PAR JACQUES LONCHAMPT-PHILOSOPHIE WITTGENSTEIN PAR LUI-MEME, PAR JACQUES BOUVERESSE, MOITIE DE PAGE, LE MOT JE LE MOT TU LE MOT DIEU, PAR EMMANUEL LEVINAS, TIERS DE PAGE-"SOUCOUPES VOLANTES" LE "CARGO CULT" DE L'OCCIDENT, PAR JEAN BRUNO RENARD-LETTRE DE SUMBA L'ILE DES DERNIERS ESCLAVES, PAR PATRICE DE BEER, TIERS DE PAGE, CARTE-AMOCO CADIZ, 1 PAGE, CARTE-ROCK, PAR ALAIN WAIS: BOB MARLEY OU LA PROVIDENCE-FORMES, PAR JEAN MARIE DUNOYER: ALCHIMIE COLOREE, THOMAS HERBIG-MEMBRE DU BUREAU POLITIQUE DU FRONT NATIONAL M.FRANCOIS DUPRAT EST TUE PAR L'EXPLOSION DE SA VOITURE-COMPLET
1967ABE-255793757644 PAGES-EUGENE EVTUCHENKO EN COUVERTURE-PLUS DE LOCH NESS POUR L'ETE PAR MICHEL DROIT-MAIS QU'EST CE DONC QUI FAIT CAMPER SIX MILLIONS DE FRANCAIS? PAR GILLES LAPOUGE-PEARL HARBOUR/UNE NOUVELLE DE EUGENE EVTUCHENKO/ILLUSTRATIONS DE FONTANAROSA/10P-LUC ESTANG A CHOISI/L'HEURE MALICIOSE DE LOUISE DE VILMORIN/PHOTO-LA POESIE PAR MARC ALYN/L'OBJET DU POEME/JEAN FOLLAIN/GUILLEVIC/PHOTO-LE CONGRES DU PEN CLUB A ABIDJAN/BEAUCOUP DE CLICHES ET PEU DE LEGENDES/ARTHUR MILLER PART POUR L'AFRIQUE/PHOTO-HEMINGWAY, L'HOMME QUI DETESTAIT LA GUERRE ET LA RACONTAIT SI BIEN PAR GUY LE CLEC'H/PHOTO-ALEXANDRE VIALATTE/LA LETTRE D'AMOUR QUE J'AURAIS LE MIEUX AIME ECRIRE-QUAND LES TOROS SAVAIENT LE LATIN/2P/2 PHOTOS-COMMENT UN GREC A SAUVE LE CHATEAU DE FENELON-EXPOSITION GINO SEVERINI AU MUSEE NATIONAL D'ART MODERNE/ARTICLE DE PIERRE MAZARS-DEGAS LE MAL AIME/ARTICLE DE CLAUDE ROGER MARX-LE "DON JUAN" DE GHELDERODE AU FESTIVAL DE CHATEAU VALLON/ARTICLE DE JEAN CHALON/DANIEL GELIN/PHOTO-ROSSINI ET MONTEVERDI AU FESTIVAL D'AIX EN PROVENCE/PHOTO-FAUT IL FERMER TOUS LES THEATRES EN ETE?
PM3697Premières Loges Broche, en bon etat proche tres bon etat. Marques d usage minimes et tres discretes. Le Retour d Ulysse, Monteverdi. L Avant Scene Opera numero 159, Mai Juin 1994. 145 pp. Photos sur demande.
35596Senza luogo, senza data, ca. 1936, 235x155mm, 39pagine, in brossura.
