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LRB722Format : grand in'4 — Reliure : Demi'reliure d'époque en cuir brun, dos à nerfs orné du titre doré, plats en percaline grenat — Langue : Français — État du livre : Frottements et décolorations sur les plats, coins émoussés, petites épidermures au dos. Intérieur avec rousseurs éparses et bords légèrement brunis, ensemble solide et lisible. — Particularités : Page de titre « Théâtre National de l'Opéra ». Mention « 4e édition avec les récitatifs ajoutés par l'auteur (réduits au piano par Émile Périer) ». Tableau de distribution et catalogue des morceaux en début de volume. Note manuscrite datée 8 octobre 1904 sur un feuillet liminaire
354720 NOV 1855 TRES BELLE LETTRE.LA CREATION DE SA MESSE SOLENNELLE DE SAINTE CECILE.Gounod s'adresse un mcne et un bienfaiteur : ...Je croirais manquer l'efficace et bienveillant patronage que vous avez daign accorder notre grande Solennit Chorale du Dimanche 25 9bre, si je ne venais vous demander, comme dernire faveur, de bien vouloir honorer de votre prsence cette crmonie dont votre puissante recommandation vient d'assurer le succs... Il lui adresse donc 6 places comme ...humble marque du prix que j'attache votre prcieux intrt... et lui demande encore une faveur, ...persuad que prs de vous (...) la confiance doit porter bonheur. J'ai compos rcemment, sur la demande du Comit de l'Association des Artistes Musiciens, une Messe Solennelle grand orchestre, qui doit tre excute le Jeudi 29 9bre dans l'Eglise de St Eustache midi, l'occasion de la fte de Ste Ccile, et au bnfice des Caisses de Secours et pensions destins (sic) aux artistes pauvres. Oserais-je esprer (...) que vous voudrez bien vous intresser cette Suvre ? Je serais aussi fier que reconnaissant de votre prsence et de votre suffrage... assure Gounod.Ddicace A la mmoire de J. Zimmermann, mon Pre (en fait son beau-pre) la Messe solennelle pour soli, choeurs, orchestre et orgue oblig, compose par Gounod reue un accueil enthousiaste, en particulier de la part de Camille Saint-Sans qui crivit : "L'apparition de la Messe Sainte Ccile (...) causa une sorte de stupeur. Cette simplicit, cette grandeur, cette lumire sereine qui se levait sur le monde musical comme une aurore, gnaient bien des gens (...). C'tait par torrents que les rayons lumineux jaillisaient de cette Messe."
64929Editions d'Aujourd'hui, Les introuvables, 1980, 316 pp., broché, passages signalés au crayon, plis de lecture sur le dos, bon état.
1946RO80080439AU MENESTREL / HEUGEL & FILS. 1946. In-Folio. En feuillets. Etat passable, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 5 pages. Partitions, pour Piano, accompagnées des paroles. Déchirures sur la 1ère page et dernière page. Accompagné de quelques feuillets manuscrits.. . . . Classification Dewey : 780.26-Partitions
1986RO80152825GARAMONT-ARCHIMBAUD / SEGUIER. Nov. 1986. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 90 pages.. . . . Classification Dewey : 780.92-Musiciens, concertistes
1948RO80080443CHOUDENS. 1948. In-Folio. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 3 pages. Partitions, pour Chant et Piano, accompagnées des paroles.. . . . Classification Dewey : 780.26-Partitions
RO80080313CHOUDENS. Non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 16 pages de partitions de Musique Vocale avec accompagnement de Piano. Accompagnées des paroles.. . . . Classification Dewey : 780.26-Partitions
27150Paris, Calmann-Lévy, 1991. In-8, broché, couverture illustrée en couleurs, 236 pp.
RO80025923CHOUDENS. Non daté. In-4. Relié demi-cuir. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 265 pages de partitions accompagnées de quelques paroles. Pièces de titre noires. Titre filets et roulettes dorés sur le dos cuir marron. Fleuron en empreinte froide. Tranches rouges.. . . . Classification Dewey : 780.26-Partitions
1943RO80080448CHOUDENS. 1943. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 7 pages. Partitions, pour Chant et Piano, accompagnées des paroles.. . . . Classification Dewey : 780.26-Partitions
R130006097ERATO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, enregistrement réalisé au palais de la musique et des congrés à Starsbourg. Orchestre philharmonique de Starsbourg, choeurs de l'Opéra du RHIN. Direction: ALAIN PLOMBARD. Quatres disque / Un livres à l'intérieur de coffret.. . . . Classification : 410-33 Tours
R130005945PHILIPS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, choeurs et orchetsre et danseurs de l'opéra de KARLSRUHE, direction: MARCEL COURAUD.. . . . Classification : 410-33 Tours
RO20148984CHOUBEND. NON DATE. In-12. Cartonné. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 100 pages environ. Coiffe en tête abîmée.. . . . Classification Dewey : 780.26-Partitions
10920ca. 1870. 4 x 2 1/2 inches; good. ca. 1870. unknown
1864620624Boston: G.D. Russell & Company 1864. Softcover. Fair. Sheet music. Translated by Chas. J. Sprague. Folio. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the back cover the front cover is detached but present light offsetting throughout and a dampstain at the top of the front cover affecting throughout a complete but fair to good only copy. For voice and piano. Plate number 327. This stand-alone edition of "Now Thy Sleep Is All Pretended" from Gounod's Faust is surprisingly rare OCLC locates no holdings and we cannot find any copies in the trade. G.D. Russell & Company unknown
Mm 135x200 Libretto d'opera, con appendice contenente "La Notte di Valpurgis" ed altri pezzi aggiunti dall'Autore. Traduzione italiana di Achille de Lauzières - Brossura editoriale di 47 pagine, senza data ma probabilmente anni Trenta del Novecento. Esemplare in ottimo stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 115x180 Libretto d'opera. Traduzione italiana di Achille de Lauzières - Brossura editoriale di 48 pagine, senza data ma seconda metà dell'Ottocento. Qualche lieve traccia di umidità alla copertina, peraltro esemplare in buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1987013594Classical Vocal Reprints 1987. Paperback. Fine. Includes English lyric translations. In excellent uncreased condition. Inscribed/signed by editor Glendower Jones otherwise entirely unmarked. <br/> <br/> Classical Vocal Reprints paperback
189036763Paris: Choudens Père et Fils PN A.C. 9451 1 1803; A.C. 2482 A.C. 3730 1890. 4 volumes bound in 2. Large octavo. Quarter black morocco with marbled boards raised bands on spine in gilt-ruled compartments titling gilt marbled endpapers. <br /> <br /> A total of 80 songs. <br /> <br /> Vol. I: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Béranger A. de Lamartine Passerat Baïf Victor Hugo Alfred de Musset Eugène Tourneux Ponsard La Fontaine Théodore de Banville and A. Porte. <br /> <br /> Vol. II: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Émile Augier O. Pradère Jules Barbier H. Lefevre Louise Bertin A. de Lamartine Ernest Lebouvé Leon Gozlan L. de Peyre and Théophile Gautier. <br /> <br /> Vol. III: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 123 pp. Named cast inclues Alexandre Dumas fils Jules Barbier Louis Gallet Théophile Gautier Joseph Collin M. Carré Ch. Gounod Scribe Delavigne Émkle Augier Albert Delpit O. Pradère and Comte A. de Ségur.<br /> <br /> Vol. IV: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 119 pp. Named cast includes Paul de Choudens J. Barbier Michel Carré Comte A. de Ségur Poirson Gallet Émile Augier E. Legouvé Eugène Manuel and Pierre Barbier.<br /> <br /> Binding slightly worn rubbed and bumped. Choudens Père et Fils [PN A.C. 945(1), (1*) [1803]; A.C. 2482, A.C. 3730 unknown
395518 measures in treble clef notated in black ink on a portion of a 14-stave rastrum-ruled album leaf 177 x 233 mm. With text in French in Gounod's hand commencing "Il etait un Roi du Thulé" Marguerite's melancholy aria from Act III. <br /> <br /> Identified in the composer's hand at foot: "Ballade du Roi de Thulé . à Monsieur Lebert. Ch. Gounod" and dated 26 August 1869.<br /> <br /> Slightly faded; browned; creased at central vertical fold; portions of leaf slighty lightened; margins of verso reinforced with brown paper tape. Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on 19 March 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet and couplets for Méphistophélès were added for a new production in 1869. <br /> <br /> "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114.<br /> <br /> "Faust remains one of the landmarks of French 19th-century opera full of variety and with an underlying sensuality that saved it from the sentimentality and banality to which Gounod's later works especially his oratorios often descended in his quest for inspired simplicity." Robert Orledge in Grove Music Online<br /> <br /> A considerable success at its premiere the work was one of the most frequently performed works at the Opéra and one the staples of the international repertory. unknown
39978One bifolium 272 x 347 mm. 4 pp. Notated in black ink on 26-stave rastrum-ruled paper. Unsigned and undated.<br /> <br /> With significant corrections cancels etc.<br /> <br /> Slightly worn and browned; small tear to blank outer margin of first leaf repaired; horizontal crease; short split to head and tail of spine.<br /> <br /> In very good condition overall. Music unlocated but very likely from a sacred vocal work with orchestra. <br /> <br /> The first page contains 16 measures of music on 8-line staves the uppermost stave marked with the key signature of 5 sharps in a contrapuntal style incorporating stretto technique whereby a melody is restated in overlapping fashion in two or more voices. <br /> <br /> The second page contains 28 measures including four cancelled measures with music still visible on 4- and 5-line staves with a sharp-key signature as in the first page and passages of high-register 8th notes most likely for violin; the uppermost stave is designated "1e. Basson." <br /> <br /> The third page contains 21 measures on an 8-line stave being an alternate iteration of the material from the first page; the final 4 measures which are cancelled contain tremolo string material similar to the second page. <br /> <br /> The upper portion of the fourth and final page contains 8 measures of music similar to the first and third pages in a stretto character but with a new key signature of 3 flats. <br /> <br /> With 2 measures of music also with 3 flats to lower portion of final page. <br /> <br /> Gounod's interest in sacred music and counterpoint was awakened in his youth and continued for the span of his career. "Gounod arrived at the French Academy in Rome at the end of January 1840. Little there sustained his musical interest. He excoriated performances of operas by Donizetti Bellini and Mercadante composers he later characterized as mere 'vines twisted around the great Rossinian trunk without its vitality and majesty' and unable to match that composer's spontaneous melodic gifts. Gounod was however genuinely moved by performances of Palestrina at the Cappella Sistina and more generally by the cultural legacy of Rome in the other arts a legacy he felt that musicians could ill afford to ignore. His Roman experience laid the foundation for the stark comparison he drew in his aesthetics between on the one hand a universally appealing combination of beauty truth and Christianity and on the other egoism artifice and insularity. He described stile antico counterpoint as a selfless analogue to Michelangelo's frescoes issuing from pure Faith." Steven Huebner in Grove Music Online<br /> <br /> A fine example of a Gounod working manuscript in the composer's elegant hand displaying how he skillfully wove together counterpoint orchestration and compositional structure; well worthy of further study. unknown
36231Oblong folio 175 x 264 mm.<br /> <br /> 30 measures in total notated on both sides of the leaf the initial 13 measures in black ink the following 17 in purple pencil possibly a continuation of the same work. <br /> <br /> With several deletions and "Notes manuscrites de Ch. Gounod" in pencil to upper right margin.<br /> <br /> Slightly worn and browned; cut from a larger leaf. "Gounod wrote in most of the major genres of his day sacred and secular. That his reputation began to wane even during his lifetime does not detract from his place among the most respected and prolific composers in France during the second half of the 19th century." Steven Huebner in Grove Music Online. unknown
3802No Binding. Near Fine. Two bars for violin on hand-drawn stave with holograph tempo marking. Titled at the top by Gounod "Après les jeunes!. Les vieux!." Signed Ch. Gounod at the bottom and inscribed in French to the recipient. Beautiful 12 1/4" x 8 1/4" paper which shows some toning and a few pencil marks from previous framing. Comes with a glossy 7" x 5" photo of the composer. The French composer Charles Gounod 1818-1893 was particularly famous for his operas including Faust and Roméo et Juliette which are still widely performed today. His other output included shorter works both instrumental and vocal and church music including his setting of Ave Maria to Bach's Prelude #1 in C. unknown
409395From the Bart Auerbach Collection. 2 pages 12mo integral blank leaf in French. A charming social note: "I have had no news of you since the immediate reply I made to your letter. Did you not receive that reply I told you as plainly as possible but I asked you at the same time to tell me the probable date of the wedding." BA. unknown
1884244944n.p. Paris 23 May 1884. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Fine. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Gounod sends his regrets that he cannot locate a verse play of Tourneux's father and complains of his heavy work load "I am snowed under with requests from the Committees and I can't accept even one more. My whole life goes into it and I devote all my time to it unknown
