Gounod, CharlesBiblio.com
182 résultats
0364198206.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016817290.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0306700158.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0341765589.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015805396.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019085363.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3849139808.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0101583Book plate inside front inside cover dated 1951. Novello and Company Ltd. hardcover
0483426083.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1870270058Italy. Good with no dust jacket. ca. 1870. Hardcover. Scuffing to leather outer corners and in one case adjacent paper. Leather has wear to the ends and scuffing to the edges. Very slight scattered foxing. ; Italian version of Charles Gounod's opera Romeo et Juliette. Early written owner information dated 1873. Three-quarter leather binding. . hardcover
187025625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp.<br /> <br /> Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. <br /> <br /> Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. First German edition. Lesure p. 108.<br /> <br /> Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown
0259121479.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2884805397.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186728878Paris: Choudens A.C. 1411. 1867. Large octavo. Flexible dark blue leather boards decorative endpapers. 1f. decorative lithographic title by Barbizet printed in purple 1f. dedication 'A Sa Majesté Charles XV Roi de Suède de Norvège" 1 named cast list and index 2-303 pp. Lithographed.<br /> <br /> Binding slightly worn. Light foxing soiling and offsetting; first and last leaves browned; occasional tears repaired; some loss to corners not affecting music; publisher's handstamp to lower right portion of title; circular owner's stamp to dedication and cast list; cast list leaf partially detached. First Edition. <br /> <br /> First performed at the Théâtre Lyrique in Paris on April 27 1867 with a libretto by Jules Barbier and Michel Carre after Shakespeare. <br /> <br /> "Roméo et Juliette was Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
186725608Paris: Choudens PN A.C. 1411. 1867. Large octavo. Quarter red pebbled cloth with marbled boards titling gilt to spine. 1f. recto decorative lithographic title by Barbizet printed in light purple verso blank 1f. recto dedication "A Sa Majesté Charles XV Roi de Suède de Norvège" printed in blue verso blank 1 named cast list and index 2-303 i blank pp. Lithographed.<br /> <br /> Named cast includes Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu. <br /> <br /> Publisher's handstamp to lower margin of title.<br /> <br /> Binding slightly worn rubbed and bumped; hinges split; endpapers browned. Some dampstaining to inner margins; occasional splitting creasing and small tears. First Edition first issue. <br /> <br /> Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1411.] unknown
187325627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. <br /> <br /> Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. <br /> <br /> Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival.<br /> <br /> Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
101401803X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
188063614London: Novello Ewer & Co. N.d. c. 1880. 8vo. xvi 172 pp. Contemporary elaborately gilt-decorated full red morocco. Raised bands to spine with gilt panels. All edges gilt. Rubbing to spine and board edges. Ink inscription to front endpaper. Spotting to prelims. Internally clean. English translation by J. Troutbeck. . Very Good. Full gilt-decorated Morocco. 1880. Novello, Ewer & Co. N.d. [c. 1880] unknown
1017423571.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
57353London: Goddard & Co. no date 1872-1873. Part-Song Collection INSCRIBED FIRST EDITIONS with two significant associated inscriptions. Two six-part series bound as one volume. Large octavo 27 x 19cm. With the composer's blue ink stamp-signature to title page of each Part Song. Additionally INSCRIBED in pencil to the composer's sub-conductor of the Royal Albert Hall Choral Society Charles John Hargitt 1833-1918 to 'Omnipotent Lord' and 'The Farewell.' Contemporary burgundy quarter morocco with gilt titles to spine and gilt legend 'From the Composer' to matching cloth over boards. All edges speckled red. Illustrated monogram bookplate of Dr. C.J. Peacock a notable Tunbridge Wells book-collector to front pastedown including a 'book curse.' A subsequent black ink gift inscription to fly-leaf detailing transfer from the sculptor artist and picture-restorer Henry Thomas 'Dover' Schafer 1854-1921 to Tunbridge Wells resident Mahala Camilleri died 1970 dated 1921. An additional slightly erroneous description of provenance in blue ink to a loose sheet of card signed by Mahala including a description of Schafer's career. Erroneous description of provenance in pencil partially erased to rear pastedown. Light toning and spotting throughout. Some tape burns to first title page; second title page torn right across horizontally with tape repairs to verso. Light rubbing and bumping to boards. Head tail and joints of spine heavily rubbed. Very good. A complex chain of provenance has been slightly confused by one owner Mahala Camilleri who notes that the collection was inscribed by the eminent French composer M. Gounod to a 'Marquis de Margett.' The pencil name is actually that of C.J. Hargitt sub-conductor of the Royal Albert Hall Choral Society during Gounod's tenure as the director of the society from 1871 to 1874. Hargitt retired to Tunbridge Wells in 1904 allowing the volume to very briefly enter the collection of Dr. Peacock who leaves his delightful bookplate and then swiftly pass from the picture-restorer Schafer to Camilleri who kept it safe for nearly fifty years. London: Goddard & Co., no date [1872-1873] unknown
0270630104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
47356Paris: Choudens Editeur. Small 4to. Three volumes. N.d. c. 1860-70. Each vol. 123 pp. Tan half calf over marbled boards. Spines gilt with red leather title labels. Marbled endpapers. Wear to extremities. Soprano and tenor edition. Includes Gounod's best know setting of Ave Maria. . Very Good. Half Calf. Choudens Editeur unknown
SA20A-00964Choudens Père et Fils. Used - Good. Good condition. "A" Edition for mezzo-soprano and baritone. Later binding. Owner's name in gilt on front cover. French. songs voice and piano books in French Choudens Père et Fils unknown
1875362321Paris : Choudens 1875. First Edition. Hardcover. Very good copy bound in contemporary leather-backed marbled boards. Gilt-blocked title to spine with raised bands. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: Pages unnumbered. Subjects: Songs High voice with piano. Genre: Music score. Language: French. Paris : Choudens hardcover
186720020tPALMA DE MALLORCA: Imprenta de Pedro José Gelabert 1867. 8º.- 80 pgs.- Rústica con cubiertas originales. . Imprenta de Pedro José Gelabert unknown
