Charles GounodBiblio.com
182 résultats
1528181514.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18678085MN<p>Roméo et Juliette Opéra en 5 Actes de J. Barbier et M. Carré tiré de l'oeuvre de William Shakespeare composition musicale de Charles Gounod pour chant et piano et livret par Jules Barbier et Michel Carré. XIXe siècle. Couverture relié la couverture présente quelques rayures et usures. Le haut du dos est manquant mais les pages sont bien reliées la couverture intérieure estampillée par l'éditeur d'origine. Il y a des taches mais le texte est clair.</p><p>voir photos pour voir l'état. Prix indiqué après remise de 50%. N'hésitez pas à nous contacter nous serons heureux de répondre à toutes vos questions ou demandes de renseignements.</p> Choudens hardcover
1391356616.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265118166.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
186782010Paris: Choudens 1867. Fine. Choudens Paris S.d 1867 19 x 28 cm relié Roméo et Juliette - Opera score in 5 acts by J. Barbier et M. Carré Choudens Paris n.d 1867 19x28cm bound. First edition. Opera in five acts based on the play Romeo and Juliet by William Shakespeare music by Charles Gounod for voice and piano and libretto by Jules Barbier and Michel Carré. Contemporary red half shagreen color restored gilt spine glazed calico boards double ruled in gilt central gilt initials of Ernest Beulé on the first board moiré silk endpapers with some spotting and staining to the margins first original cover preserved all edges gilt strictly contemporary binding. Rare inscription signed by Charles Gounod to archaeologist Ernest Beulé. Choudens hardcover
433059Novello's Original Octavo Edition. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. The 1882 publication of Charles Gounod's The Redemption: A Sacred Trilogy was published by Novello Ewer and Co. frequently in hardcover as part of "Novello's Original Octavo Edition" including vocal scores with piano accompaniment arranged by Berthold Tours. The score includes a prologue and three parts: Le Calvaire De la R�surrection � l'Ascension and La Pentec�te. Novello's Original Octavo Edition hardcover
433390Novello's Original Octavo Edition. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. The 1882 publication of Charles Gounod's The Redemption: A Sacred Trilogy was published by Novello Ewer and Co. frequently in hardcover as part of "Novello's Original Octavo Edition" including vocal scores with piano accompaniment arranged by Berthold Tours. The score includes a prologue and three parts: Le Calvaire De la R�surrection � l'Ascension and La Pentec�te. Novello's Original Octavo Edition hardcover
19931126120204076Myto Records Italy 1993-12-07. Audio CD. Like New. CD looks new. No scratches. Original artwork on CD and literature in case. Myto Records Italy unknown
185182716Paris: Michel Lévy frères 1851. Fine. Michel Lévy frères Paris 1851 12.50 x 19.50 cm relié First edition of this play set to music by Charles Gounod. Bradel binding in half grey cloth with corners smooth spine decorated with gilt floral motif gilt date and double fillet at foot of spine navy blue shagreen title-label with minor rubbing marbled paper boards covers and spine preserved binding signed in blind by Victor Champs. Handsome copy. Michel Lévy frères hardcover
106759New York New York: G. Schirmer Inc. First Edition; First Printing. Hardcover. Very Good in boards. Edge wear and soiling. Spine cocked. Corners rubbed. No date indicated. ; G. Schirmer; 4to 11" - 13" tall. G. Schirmer, Inc hardcover
1939331228New York: Crown Publishers 1939. First Edition; First Printing. Hardcover. Very Good in boards. Foxing on top text block edge. Crown Publishers hardcover
50932asking him if he "would do the attached petition the honour of your valued support and of your favourable recommendation to the Governor of the Bank of France" and if so to leave it "with your concierge. I will collect it tomorrow morning" and ending with his "respectful devotion to your ladies" 2 sides 8vo. no place 4th April light pin marks from the former enclosure unknown
20253tMADRID: Administración sin año. 8º.- 16 pgs.- Rústica con cubiertas originales. La Lira. Galería Completa de los Libretos de Operas. Administración unknown
LRB722Titre : Faust Opéra en 5 actes. Partition chant & piano transcrite par Léo Delibes. 4e édition avec les récitatifs ajoutés par l'auteur réduits au piano par Émile Périer Auteur : Gounod Charles ; Barbier Jules ; Carré Michel ; Delibes Léo ; Périer Émile Éditeur : Choudens / Choudens Fils Éditeur Lieu d'édition : Paris Date d'édition : s.d. fin XIXe siècle Format : grand in4 Reliure : Demireliure d'époque en cuir brun dos à nerfs orné du titre doré plats en percaline grenat Langue : Français État du livre : Frottements et décolorations sur les plats coins émoussés petites épidermures au dos. Intérieur avec rousseurs éparses et bords légèrement brunis ensemble solide et lisible. Particularités : Page de titre « Théâtre National de l'Opéra ». Mention « 4e édition avec les récitatifs ajoutés par l'auteur réduits au piano par Émile Périer ». Tableau de distribution et catalogue des morceaux en début de volume. Note manuscrite datée 8 octobre 1904 sur un feuillet liminaire. Couverture rigide. Satisfaisant. hardcover
77803Paris: Choudens N.D. Vintage Copy. Hardcover. Very Good in boards. Edgewear to boards. Spine is slightly cocked. No date. ; 4to 11" - 13" tall. Choudens hardcover
1900130739Editions Choudens. Paris 1900. sheet music. <b>Partition en français</b>. - Partition chant et piano transcrite par Léo Delibes. Reliure demi-chagrin. 268 pages. 19 x 28 cm. <i>ref. 130739</i> Editions Choudens. Paris unknown
10920ca. 1870. 4 x 2 1/2 inches; good. ca. 1870. unknown
1864620624Boston: G.D. Russell & Company 1864. Softcover. Fair. Sheet music. Translated by Chas. J. Sprague. Folio. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the back cover the front cover is detached but present light offsetting throughout and a dampstain at the top of the front cover affecting throughout a complete but fair to good only copy. For voice and piano. Plate number 327. This stand-alone edition of "Now Thy Sleep Is All Pretended" from Gounod's Faust is surprisingly rare OCLC locates no holdings and we cannot find any copies in the trade. G.D. Russell & Company unknown
1987013594Classical Vocal Reprints 1987. Paperback. Fine. Includes English lyric translations. In excellent uncreased condition. Inscribed/signed by editor Glendower Jones otherwise entirely unmarked. <br/> <br/> Classical Vocal Reprints paperback
189036763Paris: Choudens Père et Fils PN A.C. 9451 1 1803; A.C. 2482 A.C. 3730 1890. 4 volumes bound in 2. Large octavo. Quarter black morocco with marbled boards raised bands on spine in gilt-ruled compartments titling gilt marbled endpapers. <br /> <br /> A total of 80 songs. <br /> <br /> Vol. I: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Béranger A. de Lamartine Passerat Baïf Victor Hugo Alfred de Musset Eugène Tourneux Ponsard La Fontaine Théodore de Banville and A. Porte. <br /> <br /> Vol. II: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Émile Augier O. Pradère Jules Barbier H. Lefevre Louise Bertin A. de Lamartine Ernest Lebouvé Leon Gozlan L. de Peyre and Théophile Gautier. <br /> <br /> Vol. III: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 123 pp. Named cast inclues Alexandre Dumas fils Jules Barbier Louis Gallet Théophile Gautier Joseph Collin M. Carré Ch. Gounod Scribe Delavigne Émkle Augier Albert Delpit O. Pradère and Comte A. de Ségur.<br /> <br /> Vol. IV: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 119 pp. Named cast includes Paul de Choudens J. Barbier Michel Carré Comte A. de Ségur Poirson Gallet Émile Augier E. Legouvé Eugène Manuel and Pierre Barbier.<br /> <br /> Binding slightly worn rubbed and bumped. Choudens Père et Fils [PN A.C. 945(1), (1*) [1803]; A.C. 2482, A.C. 3730 unknown
395518 measures in treble clef notated in black ink on a portion of a 14-stave rastrum-ruled album leaf 177 x 233 mm. With text in French in Gounod's hand commencing "Il etait un Roi du Thulé" Marguerite's melancholy aria from Act III. <br /> <br /> Identified in the composer's hand at foot: "Ballade du Roi de Thulé . à Monsieur Lebert. Ch. Gounod" and dated 26 August 1869.<br /> <br /> Slightly faded; browned; creased at central vertical fold; portions of leaf slighty lightened; margins of verso reinforced with brown paper tape. Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on 19 March 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet and couplets for Méphistophélès were added for a new production in 1869. <br /> <br /> "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114.<br /> <br /> "Faust remains one of the landmarks of French 19th-century opera full of variety and with an underlying sensuality that saved it from the sentimentality and banality to which Gounod's later works especially his oratorios often descended in his quest for inspired simplicity." Robert Orledge in Grove Music Online<br /> <br /> A considerable success at its premiere the work was one of the most frequently performed works at the Opéra and one the staples of the international repertory. unknown
39978One bifolium 272 x 347 mm. 4 pp. Notated in black ink on 26-stave rastrum-ruled paper. Unsigned and undated.<br /> <br /> With significant corrections cancels etc.<br /> <br /> Slightly worn and browned; small tear to blank outer margin of first leaf repaired; horizontal crease; short split to head and tail of spine.<br /> <br /> In very good condition overall. Music unlocated but very likely from a sacred vocal work with orchestra. <br /> <br /> The first page contains 16 measures of music on 8-line staves the uppermost stave marked with the key signature of 5 sharps in a contrapuntal style incorporating stretto technique whereby a melody is restated in overlapping fashion in two or more voices. <br /> <br /> The second page contains 28 measures including four cancelled measures with music still visible on 4- and 5-line staves with a sharp-key signature as in the first page and passages of high-register 8th notes most likely for violin; the uppermost stave is designated "1e. Basson." <br /> <br /> The third page contains 21 measures on an 8-line stave being an alternate iteration of the material from the first page; the final 4 measures which are cancelled contain tremolo string material similar to the second page. <br /> <br /> The upper portion of the fourth and final page contains 8 measures of music similar to the first and third pages in a stretto character but with a new key signature of 3 flats. <br /> <br /> With 2 measures of music also with 3 flats to lower portion of final page. <br /> <br /> Gounod's interest in sacred music and counterpoint was awakened in his youth and continued for the span of his career. "Gounod arrived at the French Academy in Rome at the end of January 1840. Little there sustained his musical interest. He excoriated performances of operas by Donizetti Bellini and Mercadante composers he later characterized as mere 'vines twisted around the great Rossinian trunk without its vitality and majesty' and unable to match that composer's spontaneous melodic gifts. Gounod was however genuinely moved by performances of Palestrina at the Cappella Sistina and more generally by the cultural legacy of Rome in the other arts a legacy he felt that musicians could ill afford to ignore. His Roman experience laid the foundation for the stark comparison he drew in his aesthetics between on the one hand a universally appealing combination of beauty truth and Christianity and on the other egoism artifice and insularity. He described stile antico counterpoint as a selfless analogue to Michelangelo's frescoes issuing from pure Faith." Steven Huebner in Grove Music Online<br /> <br /> A fine example of a Gounod working manuscript in the composer's elegant hand displaying how he skillfully wove together counterpoint orchestration and compositional structure; well worthy of further study. unknown
36231Oblong folio 175 x 264 mm.<br /> <br /> 30 measures in total notated on both sides of the leaf the initial 13 measures in black ink the following 17 in purple pencil possibly a continuation of the same work. <br /> <br /> With several deletions and "Notes manuscrites de Ch. Gounod" in pencil to upper right margin.<br /> <br /> Slightly worn and browned; cut from a larger leaf. "Gounod wrote in most of the major genres of his day sacred and secular. That his reputation began to wane even during his lifetime does not detract from his place among the most respected and prolific composers in France during the second half of the 19th century." Steven Huebner in Grove Music Online. unknown
3802No Binding. Near Fine. Two bars for violin on hand-drawn stave with holograph tempo marking. Titled at the top by Gounod "Après les jeunes!. Les vieux!." Signed Ch. Gounod at the bottom and inscribed in French to the recipient. Beautiful 12 1/4" x 8 1/4" paper which shows some toning and a few pencil marks from previous framing. Comes with a glossy 7" x 5" photo of the composer. The French composer Charles Gounod 1818-1893 was particularly famous for his operas including Faust and Roméo et Juliette which are still widely performed today. His other output included shorter works both instrumental and vocal and church music including his setting of Ave Maria to Bach's Prelude #1 in C. unknown
409395From the Bart Auerbach Collection. 2 pages 12mo integral blank leaf in French. A charming social note: "I have had no news of you since the immediate reply I made to your letter. Did you not receive that reply I told you as plainly as possible but I asked you at the same time to tell me the probable date of the wedding." BA. unknown
