133 résultats
185182716Michel Lévy frères | Paris 1851 | 12.50 x 19.50 cm | relié
1867boz_002116Émile Ollivier - Lettre autographe signée - [1867] Dimensions : 9,7 x 13,6 cm Nombre de pages : 1 page Émile Ollivier
18508735A. Vialon : Une nuit du vieux Paris - La fournaise - Les couronnes triomphales - Les pêcheurs napolitains - Le réveil aux champs - Dieu le veut!J. Concone : Les chasseurs d'Afrique.Ambroise Thomas : France! France!Laurent de Rillé : La noce de village - La retraite - Patrie!Auguste Pilati : Réveil aux champs.Victor Hanssens : Les buveurs.Ch. Gounod : Faust, choeur des Soldats.A. Mermet : Roland à Roncevaux - Montjoie et Charlemagne - Choeur des buveurs - Chanson de Roland.Diverses partitions, vers 1850.Reliure demi chagrin violine de l'époque. Dos lisse orné et doré. Quelques rousseurs. Bon état. Format in-4°(27x18).
1885134414London & New-York, Novello, Ewer & co. 1885 Grand in-8, plein maroquin cerise, dos à nerfs, tranches dorés, double filet en coupes, large dentelle en contreplats, V- 188 pp. Reliure un peu ternie, menus frottements.
1886M91565Paris, Charpentier 1886 xxii + 569pp., 19cm., br.orig. (dos restauré) bien protégée par une couv. supplémentaire de papier cristal, qqs. rousseurs, [contient une chronique pour l'année 1885 sur la vie et les activités de théatre et de musique en France], M91565
1890142346Paris: Paul Ollendorff 1890. A fine "Banquet Years" association First edition an exceptional presentation copy to the proprietor of the famed Montmartre cabaret Le Chat Noir inscribed on the half-title "À Monsieur Rodolphe. Salis Hommage de l'auteur Ch. Gounod". This work a study of Mozart's Don Juan reveals its particular importance to Gounod and its continuing influence on his life and work: "The score. has had an influence on my whole life akin to a revelation; it was and has remained for me a kind of embodiment of dramatic and musical faultlessness; I consider it a work without a flaw of uninterrupted perfection" our translation. The connection between Gounod and a famous Parisian cabaretier may seem a surprising one at first but the composer had a very close relationship with Le Chat Noir contributing critical work to the establishment's weekly magazine; Ravel Satie Massenet and Fauré were also keen supporters of the cabaret. Also significantly themes from Gounod's Faust were used by Albert Tinchant when he arranged the score for La Tentation de Saint Antoine a shadow play - "féerie à grand spectacle en 2 actes et 40 tableaux" - based on Flaubert's book and designed by painter-designer Henri Rivière who developed these "ombres chinoises" for which Le Chat Noir became famous. Gounod's "Ronde du veau d'or" accompanies part three of the tableau L'Avarice entitled "La Bourse" and music from the final scene of Faust is employed for the "Apothéose". Octavo. Unopened in original cream printed stiff paper wrappers. Wrappers just a little rubbed very occasional spotting to the text an excellent copy. Nicolai"La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire" in Flaubert revue critique et génétique 21 2019. unknown
18952818PARIS. CHOUDENS FILS, EDITEURS. SANS DATE (VERS 1895). IN-8 (19,5 X 28 X 2 CENTIMETRES ENVIRON) DE (2) + 213 PAGES, RELIURE DE L'EDITEUR 1/2 PERCALINE ROUGE, PLATS CARTONNES GRIS-BLEU, TITRE EN NOIR SUR DOS LISSE ET SUR LE PLAT SUPERIEUR. MONOGRAMME AUTOGRAPHE DE JEHANNE MISTRAL SUR UN FEUILLET DE GARDE. AMUSANTE INSCRIPTION ENFANTINE D'EPOQUE EN PIED DU FEUILLET DE TITRE : "NET 13 PRUNES". QUELQUES TRACES D'USURE EXTERIEURE, SINON BON EXEMPLAIRE.
186044.472Barcelona / Madrid: Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta 1861 / s.a. aprox. 1860 / 1869. Piel blanda con títulos y adornos dorados. 11.5x16.7. Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta unknown
1892KUS1631London, 1892. 6 Bilder (Chromolithographien), H 7 x 11 cm. - Leichte Gebrauchsspuren. broschiert/ Taschenbuch/ paperback
18653775Paris Michel Lévy frères 1865 in-12 broché Paris, Michel Lévy frères, 1865. 18,5 x 13 cm, in-12, 130 pp. - 36 pp. de catalogue de l'éditeur in-fine, broché sous couverture verte imprimée.
1870954T70Berlin: Ed. Bote & G. Bock c1870. Cloth. Very Good. 12" by 9.5". None. The musical and vocal score of this grand opera in five acts from French composer Charles-Francois Gounod in German. German. New revised edition with Italian text. A grand opera in five acts to a French libretto from the play Faust et Marguerite by Michel Carre which was in turn loosely based on Johann Wolfgang von Goethe's Faust Part One. The piece follows Faust an aging scholar who determines that his studies have come to nothing and have only caused him to miss out on life and love. Written by Paul Jules Barbier a French poet writer and opera librettist and Michel Carre a prolific French librettist who often collaborated with each other. With the music by Charles-Francois Gounod usually known as Charles Gounod a French composer noted for church music and popular short pieces including his "Ave Maria" an elaboration of a Bach piece and "Funeral March of a Marionette". Previously held in the library of Felix Hubel a German entrepreneur publisher writer translator and collector. Dated from the Royal Academy of Music Library. Bound in full green cloth with the original paper wraps bound in. Externally smart with light rubbing and minor bumping to the extremities. Light fading to the spine with the odd small mark to the cloth. Internally firmly bound. Pages are very bright with light age toning to the extremities. Minor spotting to the first and last few pages. Previous owner's bookplate to the front pastedown. Very Good Ed. Bote & G. Bock hardcover
1886M83485Paris, Fischbacher 1886 xv + 197pp. + frontispice en couleurs & une planche d'armoirie + 32 gavures dans et hors texte, 3e éd., 30cm., relié en couv.cart. (plats marbrés, dos en toile avec titre doré, br.orig. conservée), peu de rousseurs, bon état, peu commun, M83485
186720020tPALMA DE MALLORCA: Imprenta de Pedro José Gelabert 1867. 8º.- 80 pgs.- Rústica con cubiertas originales. . Imprenta de Pedro José Gelabert unknown
189036763Paris: Choudens Père et Fils PN A.C. 9451 1 1803; A.C. 2482 A.C. 3730 1890. 4 volumes bound in 2. Large octavo. Quarter black morocco with marbled boards raised bands on spine in gilt-ruled compartments titling gilt marbled endpapers. <br /> <br /> A total of 80 songs. <br /> <br /> Vol. I: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Béranger A. de Lamartine Passerat Baïf Victor Hugo Alfred de Musset Eugène Tourneux Ponsard La Fontaine Théodore de Banville and A. Porte. <br /> <br /> Vol. II: 1f. recto title verso blank 1f. recto named cast list and contents verso blank 123 pp. Named cast includes Émile Augier O. Pradère Jules Barbier H. Lefevre Louise Bertin A. de Lamartine Ernest Lebouvé Leon Gozlan L. de Peyre and Théophile Gautier. <br /> <br /> Vol. III: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 123 pp. Named cast inclues Alexandre Dumas fils Jules Barbier Louis Gallet Théophile Gautier Joseph Collin M. Carré Ch. Gounod Scribe Delavigne Émkle Augier Albert Delpit O. Pradère and Comte A. de Ségur.<br /> <br /> Vol. IV: 1f. recto title verso blank 1f. recto named cast list and contents verso blank. 119 pp. Named cast includes Paul de Choudens J. Barbier Michel Carré Comte A. de Ségur Poirson Gallet Émile Augier E. Legouvé Eugène Manuel and Pierre Barbier.<br /> <br /> Binding slightly worn rubbed and bumped. Choudens Père et Fils [PN A.C. 945(1), (1*) [1803]; A.C. 2482, A.C. 3730 unknown
1884244944n.p. Paris 23 May 1884. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Fine. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Gounod sends his regrets that he cannot locate a verse play of Tourneux's father and complains of his heavy work load "I am snowed under with requests from the Committees and I can't accept even one more. My whole life goes into it and I devote all my time to it unknown
1855244941Paris 1855. 1 pp. pen and ink on Écoles Communales letterhead. Letter 8 1/4 x 5 1/4 in. Frame 14 1/2 x 18 1/4 in. Light edgewear and creasing faint offset. Mounted and framed with photographic portrait. 1 pp. pen and ink on Écoles Communales letterhead. Letter 8 1/4 x 5 1/4 in. Frame 14 1/2 x 18 1/4 in. Gounoud writes in praise of "the new Solfege in three progressive lessons that you have just published" noting its usefulness to music teachers in the instruction of modern music. unknown
1882244942n.p. Paris September 26th 1882. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Old ink stain else near fine. 2 pp. pen and ink on folded sheet. With envelope. 8vo. Gounod overwhelmed by work writes "Please kindly excuse me but I am worn out! Everyday from the morning to the evening the countless appointments and summonses fight over my life: I don't even have time to face my correspondence! So more work. . Kindly let me know with a note the reason of your visit: if it is possible for me to help you I will do it . unknown
187936741Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Quarter dark red morocco with dark red pebbled cloth boards with decorative gilt cornerpieces within gilt rules to upper and lower raised bands on spine in decorative compartments gilt titling gilt moire-patterned ivory endpapers all edges gilt. 1f. recto title verso blank 1f. recto dedication verso blank 1f. recto named cast list verso blank 1f. recto contents verso blank i half-title iii overture paginated A-C 287 i blank pp. Lithographed.<br /> <br /> Named cast list includes MM. Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon and dancers Blandini Coralli Lafont Stelino Dardignac and Anck.<br /> <br /> Binding slightly worn rubbed and bumped; endpapers stained and soiled. Minor internal wear and browning; small oval publisher's partial handstamp to lower outer margin of title. Second version first issue.<br /> <br /> First performed in Paris at the Opéra-Comique on 5 April 1877. Léon Grus [PN L.G. 3381] unknown
187928957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed<br /> <br /> Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon.<br /> <br /> With an inscription signed A. Giacometti to dedication.<br /> <br /> Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue.<br /> <br /> Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown
188127462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. <br /> <br /> Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. <br /> <br /> Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. <br /> <br /> "Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. <br /> <br /> Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown
186226503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian.<br /> <br /> Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. <br /> <br /> Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian edition of the second version. OCLC no. 16852458.<br /> <br /> Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br /> <br /> "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown
1865244365Simrock`sche Musikhandlung Berlin 1865. Hardcover Großformat Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten bestoßen. Simrock`sche Musikhandlung, Berlin, hardcover
18611063991861. Paris: Choudens 1861. <br /> <br /> 4to. iv 248 pp. lithographed piano-vocal score. Contemporary rebacked quarter black morocco black cloth boards paneled in blind backstrip lettered and ruled in gilt marbled endpapers. Corners bumped and frayed some discoloration to boards otherwise very good.<br /> <br /> § Third edition first issue title page inscribed by Gounod: "À mon excellente amie Madame Des Michels souvenir de ma profonde et respectueuse amitié Ch. Gounod." His most poplar opera with libretto by J. Barbier and M. Carre first performed as an opera comique with spoken dialogue on 19 March 1859 at the Theatre-Lyrique Paris. The recitatives were added for a production at Strasbourg in April 1860 and a piano score of the opera version was published that year. The present score published according to Hopkinson in 1861 has added tempo markings and shows a cut from the Choeur de sorcieres in Act V. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. Loewenberg 939. unknown
187136758Paris: Choudens PN A.C. 2260 1871. Large octavo. Quarter dark brown morocco with marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title printed in dark brown verso blank 3 contents 4-39 i pp. Text in French and Latin. Lithographed. Performance markings in pencil to first number; minor annotatioins in ink to p. 15. Binding quite worn and rubbed corners slightly bumped. Minor to moderate browning. First French edition the Novello Ewer & Co. edition most probably pre-dates the French edition. <br /> <br /> Bound with: <br /> Schubert Franz<br /> Collection 40 Mélodies Choisies avec accompt. de Piano . avec les Paroles Allemande s originales et une Traduction Française de Maurice Bourges et Emile Deschamps . Prix 7f. net. Paris: Brandus et Cie. PN B. et Cie. 5199 after 1850. 1f. recto full-page half-length lithographic portrait of Schubert verso blank 1f. recto title verso blank 1f. recto contents verso blank 174 pp. Text in French and German. Lithographed. Minor wear; some foxing and browning; several signatures partially detached; publisher's facsimile signature handstamp to blank foot of title. Choudens [PN A.C. 2260] unknown
186626259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. <br /> <br /> Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents.<br /> <br /> Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. <br /> <br /> The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866.<br /> <br /> "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
