Gounod, CharlesBiblio.com
182 résultats
0428897886.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282956034.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1023216035.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50150740like new. unknown
191428515Bryn Mawr PA: Oliver Ditson Company 1914. Date is the copyright date. Vocal Score by Leo Delibes. English Version by H.F. Chorley. Revised and Extended by Charles Fonteyn Mannney. Into by Philip Hale. Soft Cover. Very Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Oliver Ditson Company Paperback
188127462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. <br /> <br /> Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. <br /> <br /> Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. <br /> <br /> "Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. <br /> <br /> Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown
186226503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian.<br /> <br /> Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. <br /> <br /> Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian edition of the second version. OCLC no. 16852458.<br /> <br /> Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br /> <br /> "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown
0486283496New. Brand new and still unused unknown
0486283496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1865244365Simrock`sche Musikhandlung Berlin 1865. Hardcover Großformat Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten bestoßen. Simrock`sche Musikhandlung, Berlin, hardcover
191128514Paris: Editions Choudens 1911. Partition Chant et Piano Transcrite par Leo Delibes. No date but Googlebooks has 1911. Dust band across top of front cover. 5e Edition Avec Les Recitatifs Ajoutes. Soft Cover. Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Editions Choudens Paperback
18611063991861. Paris: Choudens 1861. <br /> <br /> 4to. iv 248 pp. lithographed piano-vocal score. Contemporary rebacked quarter black morocco black cloth boards paneled in blind backstrip lettered and ruled in gilt marbled endpapers. Corners bumped and frayed some discoloration to boards otherwise very good.<br /> <br /> § Third edition first issue title page inscribed by Gounod: "À mon excellente amie Madame Des Michels souvenir de ma profonde et respectueuse amitié Ch. Gounod." His most poplar opera with libretto by J. Barbier and M. Carre first performed as an opera comique with spoken dialogue on 19 March 1859 at the Theatre-Lyrique Paris. The recitatives were added for a production at Strasbourg in April 1860 and a piano score of the opera version was published that year. The present score published according to Hopkinson in 1861 has added tempo markings and shows a cut from the Choeur de sorcieres in Act V. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. Loewenberg 939. unknown
NOTE0027New York Broude Brothers 1973. 4°. 368 S. OLn. Vosatzblätter leicht fleckig sonst einwandfrei. Text in französischer u. englischer Sprache. New York, Broude Brothers [1973]. unknown
1333058586.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Q-0793534240GS LIBRETTO 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRETTO 5 paperback
0364740582.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
21844Paris 185. 4 1/2'" x 3 1/2' autograph note together with a 3 1/2" x 4 7/8" photograph of the composer. Handsomely framed 10" x 15" and double-matted in shades of green. <br /> <br /> In the note dated Monday September 9 185 Gounod emotionally writes in French 'Dear Madam In the midst of all the hustle and bustle attendant upon my return to Paris I am writing to you literally "in flight" to thank you for your very gracious parcel of four of the beautiful residents pheasants or partridges of your woods. You think of everyone with that impeccable sensitivity that is the hallmark of hearts such as yours. Once again I thank you. Sincerely Ch. Gounod' Here Gounod make reference to a line in La Fontaine's "Le Corbeau et le Renard' 'Le Vous êtes le Phénix des hôtes de ces bois.'. unknown
187136758Paris: Choudens PN A.C. 2260 1871. Large octavo. Quarter dark brown morocco with marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title printed in dark brown verso blank 3 contents 4-39 i pp. Text in French and Latin. Lithographed. Performance markings in pencil to first number; minor annotatioins in ink to p. 15. Binding quite worn and rubbed corners slightly bumped. Minor to moderate browning. First French edition the Novello Ewer & Co. edition most probably pre-dates the French edition. <br /> <br /> Bound with: <br /> Schubert Franz<br /> Collection 40 Mélodies Choisies avec accompt. de Piano . avec les Paroles Allemande s originales et une Traduction Française de Maurice Bourges et Emile Deschamps . Prix 7f. net. Paris: Brandus et Cie. PN B. et Cie. 5199 after 1850. 1f. recto full-page half-length lithographic portrait of Schubert verso blank 1f. recto title verso blank 1f. recto contents verso blank 174 pp. Text in French and German. Lithographed. Minor wear; some foxing and browning; several signatures partially detached; publisher's facsimile signature handstamp to blank foot of title. Choudens [PN A.C. 2260] unknown
102056797X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017776547.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186626259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. <br /> <br /> Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents.<br /> <br /> Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. <br /> <br /> The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866.<br /> <br /> "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
189728954Paris: Choudens Fils PN A.C. 7409 2743 880 1897. Large octavo. Quarter dark red cloth with decorative textured blue paper boards printed in black. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 222 xxii pp.<br /> <br /> Named cast includes Gueymard Hamackers Tarby Belval Grisy Marié Coulon and Fréret.<br /> <br /> Binding slightly worn; signature to upper outer corner of front pastedown. Slightly browned. Sixth version. <br /> <br /> First performed in Paris at the Opéra on February 28 1862 to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent first production was directed by Eugène Cormon with costumes designed by Alfred Albert and Paul Lormier and scenery by Édouard Desplechin Act I Charles-Antoine Cambon and Joseph Thierry Acts II and IV scene 2 Hugues Martin Act III and Joseph Nolau and Auguste-Alfred Rubé Act IV scene 1." Wikipedia. Choudens Fils [PN A.C. 7409, 2743, 880] unknown
18803465831880. 5 pages signed by the composer on the cover page. Folio. Blue cloth folder. Bookplate of Dr. Max Thorek and hsi usual stamp on the last page of ms. 5 pages signed by the composer on the cover page. Folio. With a copy of the printed score tipped in. unknown
3743699516.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1340591464.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
