1 000 résultats
RO50057789CHOUDENS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos frotté, Intérieur acceptable. 5 pages de partitions. Premier plat illustré en noir et blanc par E. Buval. . . . Classification Dewey : 780.26-Partitions
RO50056668CHOUDENS PERE & FILS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Rousseurs. 7 pages de partitions. Tiré su poëme de F. Mistral et Michel Carré. Dos renforcé. Annotation sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50055984CHOUDENS. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 9 pages de partitions. Premier plat illustré en noir et blanc par A. Lemoine d'après Erwin frères. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50056093CHOUDENS. NON DATE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Coiffe en pied abîmée, Quelques rousseurs. 24 pages de partitions. Plats absents.. . . . Classification Dewey : 780.26-Partitions
RO50060623CHOUDENS. NON DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 4 pages dont 2 de partitions - clé de sol. . . . Classification Dewey : 780.26-Partitions
RO50062131CHOUDENS. NON DATE. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 7 pages de partitions - clé de sol et clé de fa.. . . . Classification Dewey : 780.26-Partitions
RO30142668CHOUDENS. NON DATE. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 98 + 96 pages de partitions - quelques gravures en noir et blanc hors texte - plats et contre plats jaspés. . . . Classification Dewey : 780.26-Partitions
RO50063052Choudens éditeur. Non daté. In-8. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 2 pages augmentées de partitions en noir et blanc. Pour chant comportant des paroles sur partition. La partie du bas est déchirée mais n'empechant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50064035Choudens. Non daté. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 7 pages de partition en noir et blanc.Quelques déchirures dans les marges.. . . . Classification Dewey : 780.26-Partitions
RO50063845Non communiqué. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 4 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50064905Choudens fils. Non daté. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 7 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50065944Choudens éditeurs. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50065945choudens. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
190099910054Choudens Paris Choudens SD ( vers 1900), In-4 demi chagrin bleu à coins, dos à nerfs orné de fleurons dorés, 213 pages. Bel exemplaire, bien relié.
20150Choudens 242 pages Petit In-4. Sans date. Demi-Cuir à coins à faux-nerfs titré en lettres dorées 1er plat de la couv. conservé. 242 pages. Partition chant et piano
R240001006CHOUDENS EDITEUR. NON DATE. In-4. Relié toile grenée. Bon état, Couv. convenable, Dos fané, Intérieur frais. 242 pages. Dos toile grenée rouge. Titre, auteur, filet et fleuron dorée. Coiffes de tête et de pied frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
R260162536CALMANN LEVY. NON DATE. In-12. Broché. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 60 pages de texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO40171538Choudens, Paris. Non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 122 pages. Nombreuses partitions et paroles. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. 1er plat se détachant légèrement.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
18952818PARIS. CHOUDENS FILS, EDITEURS. SANS DATE (VERS 1895). IN-8 (19,5 X 28 X 2 CENTIMETRES ENVIRON) DE (2) + 213 PAGES, RELIURE DE L'EDITEUR 1/2 PERCALINE ROUGE, PLATS CARTONNES GRIS-BLEU, TITRE EN NOIR SUR DOS LISSE ET SUR LE PLAT SUPERIEUR. MONOGRAMME AUTOGRAPHE DE JEHANNE MISTRAL SUR UN FEUILLET DE GARDE. AMUSANTE INSCRIPTION ENFANTINE D'EPOQUE EN PIED DU FEUILLET DE TITRE : "NET 13 PRUNES". QUELQUES TRACES D'USURE EXTERIEURE, SINON BON EXEMPLAIRE.
188636796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only.<br /> <br /> Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
186428811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br /> <br /> Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br /> <br /> Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br /> <br /> Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown
189028826Paris: Choudens Fils PN A.C. 1005 1890. Large octavo. Original publisher's full red cloth flexible blindtooled boards titling in silver to upper and spine. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 3-32 viii 132-328 33-213 i blank pp.<br/><br/>Binding slightly worn soiled and bumped; front free endpaper brittle corner lacking. Browned; some signatures split. Third version fourth issue.<br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br/><br/>Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown books
186428811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br/><br/>Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br/><br/>Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown books
