Gounod, CharlesBiblio.com
182 résultats
1017776547.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186626259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. <br /> <br /> Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents.<br /> <br /> Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. <br /> <br /> The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866.<br /> <br /> "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
1390281035.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
139625868X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017493367.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101814322X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189728954Paris: Choudens Fils PN A.C. 7409 2743 880 1897. Large octavo. Quarter dark red cloth with decorative textured blue paper boards printed in black. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 222 xxii pp.<br /> <br /> Named cast includes Gueymard Hamackers Tarby Belval Grisy Marié Coulon and Fréret.<br /> <br /> Binding slightly worn; signature to upper outer corner of front pastedown. Slightly browned. Sixth version. <br /> <br /> First performed in Paris at the Opéra on February 28 1862 to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent first production was directed by Eugène Cormon with costumes designed by Alfred Albert and Paul Lormier and scenery by Édouard Desplechin Act I Charles-Antoine Cambon and Joseph Thierry Acts II and IV scene 2 Hugues Martin Act III and Joseph Nolau and Auguste-Alfred Rubé Act IV scene 1." Wikipedia. Choudens Fils [PN A.C. 7409, 2743, 880] unknown
1019926325.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364266295.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1890142346Paris: Paul Ollendorff 1890. A fine "Banquet Years" association First edition an exceptional presentation copy to the proprietor of the famed Montmartre cabaret Le Chat Noir inscribed on the half-title "À Monsieur Rodolphe. Salis Hommage de l'auteur Ch. Gounod". This work a study of Mozart's Don Juan reveals its particular importance to Gounod and its continuing influence on his life and work: "The score. has had an influence on my whole life akin to a revelation; it was and has remained for me a kind of embodiment of dramatic and musical faultlessness; I consider it a work without a flaw of uninterrupted perfection" our translation. The connection between Gounod and a famous Parisian cabaretier may seem a surprising one at first but the composer had a very close relationship with Le Chat Noir contributing critical work to the establishment's weekly magazine; Ravel Satie Massenet and Fauré were also keen supporters of the cabaret. Also significantly themes from Gounod's Faust were used by Albert Tinchant when he arranged the score for La Tentation de Saint Antoine a shadow play - "féerie à grand spectacle en 2 actes et 40 tableaux" - based on Flaubert's book and designed by painter-designer Henri Rivière who developed these "ombres chinoises" for which Le Chat Noir became famous. Gounod's "Ronde du veau d'or" accompanies part three of the tableau L'Avarice entitled "La Bourse" and music from the final scene of Faust is employed for the "Apothéose". Octavo. Unopened in original cream printed stiff paper wrappers. Wrappers just a little rubbed very occasional spotting to the text an excellent copy. Nicolai"La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire" in Flaubert revue critique et génétique 21 2019. unknown
1391964659.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019225726.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390264548.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396277668.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1355615720.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18803465831880. 5 pages signed by the composer on the cover page. Folio. Blue cloth folder. Bookplate of Dr. Max Thorek and hsi usual stamp on the last page of ms. 5 pages signed by the composer on the cover page. Folio. With a copy of the printed score tipped in. unknown
188071382Ed. Bote & Bock 1880. Hardcover. Collectable very good. In German. Very large 12" x 9.4" hardcover marbled paper covered boards brown leather-like cloth spine very large tan front cover paste-on illustration of red-headed man in red cape and tights juggling a red heart back cover paste-on illustration with a white daisy in each corner and publisher in the center; 187pp no publication date so we have provided an estimate of 1880. CONDITION: Cover illustrations have slightest wear remanats of 1" white sticker on front cover fraying on ends of spine outer tips of corners starting to round; binding is sound name on first page else interior clean and unmarked occasional light brown age spots. Overall rather nice consdition. OVERSIZE - priority and overseas orders may require additional shipping. We are a small family business with over 30 years experience providing fine new and pre-owned books online. You can expect professional service and individual attention to your order daily shipments and sturdy packaging. Ed. Bote & Bock, hardcover
3743699516.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1870954T70Berlin: Ed. Bote & G. Bock c1870. Cloth. Very Good. 12" by 9.5". None. The musical and vocal score of this grand opera in five acts from French composer Charles-Francois Gounod in German. German. New revised edition with Italian text. A grand opera in five acts to a French libretto from the play Faust et Marguerite by Michel Carre which was in turn loosely based on Johann Wolfgang von Goethe's Faust Part One. The piece follows Faust an aging scholar who determines that his studies have come to nothing and have only caused him to miss out on life and love. Written by Paul Jules Barbier a French poet writer and opera librettist and Michel Carre a prolific French librettist who often collaborated with each other. With the music by Charles-Francois Gounod usually known as Charles Gounod a French composer noted for church music and popular short pieces including his "Ave Maria" an elaboration of a Bach piece and "Funeral March of a Marionette". Previously held in the library of Felix Hubel a German entrepreneur publisher writer translator and collector. Dated from the Royal Academy of Music Library. Bound in full green cloth with the original paper wraps bound in. Externally smart with light rubbing and minor bumping to the extremities. Light fading to the spine with the odd small mark to the cloth. Internally firmly bound. Pages are very bright with light age toning to the extremities. Minor spotting to the first and last few pages. Previous owner's bookplate to the front pastedown. Very Good Ed. Bote & G. Bock hardcover
0364896345.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1340591464.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1145163122.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656732342.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1330273435.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
