1 000 résultats
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br/><br/>Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown books
186428811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br/><br/>Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br/><br/>Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown books
189028826Paris: Choudens Fils PN A.C. 1005 1890. Large octavo. Original publisher's full red cloth flexible blindtooled boards titling in silver to upper and spine. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 3-32 viii 132-328 33-213 i blank pp.<br/><br/>Binding slightly worn soiled and bumped; front free endpaper brittle corner lacking. Browned; some signatures split. Third version fourth issue.<br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
188636796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only.<br /> <br /> Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
186428811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp.<br /> <br /> Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel.<br /> <br /> Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br /> <br /> Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown
9895Paris, Choudens fils, s.d. 1 vol. in-4°, cart. éditeur, charnière sup. fendue. (1) f., 213 pp. [C04]
200713472, s.d. ; in-4, demi cuir.
1939ROD0019243Calmann-Lévy. 1939. In-12. Broché. Etat d'usage, Couv. partiel. décollorée, Coiffe en pied abîmée, Intérieur bon état. 60 pages. Dos fané et frotté.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1892RO80082193CALMANN LEVY. 1892. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 60 pages.. . . . Classification Dewey : 792-Théâtre
1898RO80149798CALMANN LEVY. 1898. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 60 pages.. . . . Classification Dewey : 792-Théâtre
1945RO50052396CHOUDENS. 1945. In-8. En feuillets. Etat d'usage, 1er plat abîmé, Dos abîmé, Quelques rousseurs. 291 pages de partitions. Tampon sur la page de titre. Déchirure sur le premier plat. Tiré du poème de Frédéric Mistral. Soulignements au crayon de couleur sur quelques phrases. Premier plat tâché.. . . . Classification Dewey : 780.26-Partitions
1886R150201161CALMANN LEVY. 1886. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur frais. 60 pages- quelques petites déchirures, sans manque sur les plats- dos partiellement manquant. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO30337946Calmann-Levy. Non daté. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Papier jauni. 60 pages. Quelques rousseurs. Ex-libris à l'encre en 1er plat, page de garde. Dos noirci, accrocs. Coins frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1899R200118432Calmann-Lévy. 1899. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 60 pages. Manque au dos, en coiffe de tête.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO50001003CHOUDENS. non daté. In-8. En feuillets. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur bon état. 4 pages dont 2 de partition avec textes. Photographie de Gounod par Nadar, en première page.. . . . Classification Dewey : 780.26-Partitions
RO50001001CHOUDENS. NON DAT2. In-8. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur bon état. 4 pages dont 2 de partition avec textes. Photographie de Gounod par Nadar, en première page.. . . . Classification Dewey : 780.26-Partitions
RO50001010CHOUDENS. non daté. In-8. En feuillets. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur bon état. 12 pages dont 8 de partition avec textes.. . . . Classification Dewey : 780.26-Partitions
RO50001005CHOUDENS. non daté. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 4 pages dont 2 de partition avec textes. Photographie deGounod par Nadar, en première page.. . . . Classification Dewey : 780.26-Partitions
RO50001004CHOUDENS. non daté. In-8. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Rousseurs. 4 pages dont 2 de partition avec textes. Photographie de Gounod par Nadar, en première page.. . . . Classification Dewey : 780.26-Partitions
RO50064656choudens. Non daté. In-12. Broché. Etat d'usage, Couv. convenable, Mors fendus, Intérieur frais. 122 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50034498CHOUDENS. NON DATE. In-8. Cartonné. A restaurer, Couv. défraîchie, Dos à nerfs, Papier jauni. 234 pages de partitions, quelques écritures aux crayons, page de garde illustré par T.Laval.. . . . Classification Dewey : 780.26-Partitions
058219Choudens Fils reliure Rigide Décorative Paris partition chant et piano - 213 pages en format 19 - 29 cm - reliure rigide en semi cuir
RO50042509CHOUDENS. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 6 pages de partitons pour chant et piano. Opéra en 3 actes, tiré du poème de F.MISTRAL par M.CARRE. Chanson de Magali à une voix.. . . . Classification Dewey : 780.26-Partitions
1347839744Le dos, fragile, a été refixé à l'aide d'un ruban adhésif opaque ; les plats et l'intérieur sont en très bon état ; DX2-C50, Répertoire Choudens, Collection "Partition chant et paroles"
