Gounod, CharlesBiblio.com
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0486283496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
In 16, pp. 36. Br. muta coeva. Traduzione ital. del Fausy di Barbier e Carre' con musiche di Gounod.
186226503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian.<br/><br/>Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. <br/><br/>Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian Edition of the second version. OCLC no. 16852458.<br/><br/>Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br/><br/>"The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown books
186226503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian.<br /> <br /> Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. <br /> <br /> Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian edition of the second version. OCLC no. 16852458.<br /> <br /> Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. <br /> <br /> "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown
Buona copertina ma non originale e akcune pagine con rammendi
188127462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. <br/><br/>Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. <br/><br/>Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. <br/><br/>"Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. <br/><br/>Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown books
188127462Paris 1881. 279 x 198 mm. Signed by the artist in pencil at lower left. A very good impression on laid paper. <br /> <br /> Remnants of hinges to upper corners of verso. Béraldi: Les Graveurs du XIXe Siècle Paris: 1885-92 XI-188. <br /> <br /> Faust an opera in five acts to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval was first performed in Paris at the Théâtre Lyrique on March 15 1859. <br /> <br /> "Faust became particularly important to the French musical establishment at the end of the century. A work by a winner of the Prix de Rome that could claim to be thoroughly modern and personal in style at its première and go on to international stages was a significant enhancement to the musical prestige of a French operatic culture previously dominated by Meyerbeer and the none-too-easily exportable genre of opéra comique. Its national value was enhanced because after some initial assessments as 'Wagnerian' Gounod's compositional voice in Faust was heard as important in the definition of a 'French' musical aesthetic." Steven Huebner in Grove Music Online. <br /> <br /> Renouard 1845-1924 was a noted painter and engraver whose works are held at the Louvre the Opéra Museum etc. unknown
192028828New York: G. Schirmer PN 16100 1920. Large octavo. Full dark green decorative cloth gilt titling gilt to spine top edge gilt. 1f. recto blank verso portrait of composer 1f. recto title verso cast list v-xiv notes on first performance named cast list and synopsis 1f. contents 323 i publisher's advertisement pp. <br/><br/>Named cast includes Barbot Balanqué Reynald Cibot Miolan-Carvalho Faivre and Duclos. <br/><br/>Occasional performance annotations in blue crayon.<br/><br/>Spine slightly worn. Former owner's signature to front free endpaper; occasional annotations in pencil. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859.<br/><br/>To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. G. Schirmer [PN 16100] unknown books
191428515Bryn Mawr PA: Oliver Ditson Company 1914. Date is the copyright date. Vocal Score by Leo Delibes. English Version by H.F. Chorley. Revised and Extended by Charles Fonteyn Mannney. Into by Philip Hale. Soft Cover. Very Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Oliver Ditson Company Paperback
106759New York New York: G. Schirmer Inc. First Edition; First Printing. Hardcover. Very Good in boards. Edge wear and soiling. Spine cocked. Corners rubbed. No date indicated. ; G. Schirmer; 4to 11" - 13" tall. G. Schirmer, Inc hardcover
32 S. 12°. Or. Cloth. Several plates and title-illustration.
LRB722Titre : Faust Opéra en 5 actes. Partition chant & piano transcrite par Léo Delibes. 4e édition avec les récitatifs ajoutés par l'auteur réduits au piano par Émile Périer Auteur : Gounod Charles ; Barbier Jules ; Carré Michel ; Delibes Léo ; Périer Émile Éditeur : Choudens / Choudens Fils Éditeur Lieu d'édition : Paris Date d'édition : s.d. fin XIXe siècle Format : grand in4 Reliure : Demireliure d'époque en cuir brun dos à nerfs orné du titre doré plats en percaline grenat Langue : Français État du livre : Frottements et décolorations sur les plats coins émoussés petites épidermures au dos. Intérieur avec rousseurs éparses et bords légèrement brunis ensemble solide et lisible. Particularités : Page de titre « Théâtre National de l'Opéra ». Mention « 4e édition avec les récitatifs ajoutés par l'auteur réduits au piano par Émile Périer ». Tableau de distribution et catalogue des morceaux en début de volume. Note manuscrite datée 8 octobre 1904 sur un feuillet liminaire. Couverture rigide. Satisfaisant. hardcover
0428685218.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1023216035.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50150740like new. unknown
ABE-7022645141PETIT IN 8-52 PAGES-OPERA EN 5 ACTES DE JULES BARBIER ET MICHEL CARRE-MUSIQUE DE CHARLES GOUNOD-PRESENTATION DU THEATRE-ARGUMENT-JEANNE SEGALA-GEORGES NORE-RAFFAELE ARIE-ROBERT MASSARD-LILIANE BERTON-ODETTE RICQUIER-ANDRE PHILIPPE-PUBLICITES (PROGSPEC)
58167P., Choudens, sans date, petit in 8° relié demi basane rouge, dos lisse orné, 116 pages.
66114P., Melottée, 1922, in 12 broché, 165 pages.
1880RO40165426Calmann Lévy. 1880. In-12. Broché. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Quelques rousseurs. 60 pages. Papier annoté collé sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Page de titre et 1er feuillet déchirés et détachés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO40172287Choudens, Paris. Non daté. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos très frotté, Rousseurs. 248 pages. Partitions. Titre, fleurons et filets dorés sur le dos. Inscription dorée sur le 1er plat (H. de Moly). Etiquette de code sur le dos. Tampons de bibliothèque en page de titre. Manque en coiffe de tête. Bords des plats très frottés.. . . . Classification Dewey : 780.26-Partitions
1864RO40208526Michel Lévy Frères. 1864. In-12. Broché. Etat passable, 1er plat abîmé, Dos frotté, Déchirures. 72 pages. 1er plat déchiré, taché et annoté. Quelques feuillets détachés. Quelques rousseurs.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO40231385Choudens Fils, Paris. Non daté. In-12. Relié. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur acceptable. 116 + 96 pages. 2 ouvrages en 1 volume. Gravures ornementales en noir et blanc en pages de titre. Partitions et paroles. Bords des plats frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1925RO80153825CHOUDENS. 1925. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 116 pages de partitions, accompagnées des paroles. Quelques tampons en marges. Charnières usées sur la coiffe en pied.. . . . Classification Dewey : 780.26-Partitions
R150201154CALMANN LEVY. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 65 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
R110262967CHOUDENS. NON DATE. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 132 pages. Edition originale. Couverture muette.. . . . Classification Dewey : 780.26-Partitions
