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Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 411, [5] p. A comprehensive study on musical culture in Turks from Central Asia to Ottoman and Republican Turkey. Türklerde müzik.
199773415Hachette 1997 In-8 relié sous jaquette, avec un CD. Bon exemplaire.
1987137422Editions Josette Lyon, coll. « Apprendre seul » 1987 In-8 broché 24 cm sur 18. 75 pages. Bon état d’occasion.
19809067Dessain & Tolra 1980 “Précis techniques” In-8 broché, 136 pp, format à l’italienne. Livre bon état, malgrè petits défauts sur couverture.
1990137420Editions Josette Lyon 1990 In-8 broché 24 cm sur 18. 188 pages. Bon état d’occasion.
1926M87950Amsterdam, Ontwikkeling 1926 112pp.geïllustreerd met pentekeningen van Jordaan, 24cm., gebroch., goed, M87950
112pp.geïllustreerd met pentekeningen van Jordaan, 24cm., gebroch., goed, M87950
198091477Firenze. Palazzo Pitti. 1980. 143, (1) Seiten. Mit zahlreichen farbigen Abbildungen. Farbig ill. Originalbroschur. (A little used). 24x17 cm
In 8°, br. edit. ill. con ali, pp. 117,(3), con num. fot. b.n. n.t.; testo in italiano e in inglese, ottimo es..
199552106Aachen, Stuttgart. M & P Verlag für Wissenschaft und Foschung Metzler/Poeschel. 1995. 369 Seiten. Mit zahlreichen Notenabbildungen. Zweifarbige Original-Broschur. Neues noch eingeschweißtes Exemplar. 21x15 cm
7069in 8 cartonnage d’éditeur, couverture illustrée,faux-titre,titre,255 pages,Hachette 1975,quelques illustrations.Bon exemplaire
188915368Stuttgart. Greiner & Pfeiffer. (1889). XI, 272 Seiten u. 35 Ansichtentafeln. Farbig geprägter u. vergoldeter Original-Leinwand-Einband. (Einband gering berieben. Letztes Blatt lose, ansonsten gutes Exemplar!) 19x13 cm
1370048Paris: Hatier, 1979 in-8, 270 pages, 35 illustrations hors-texte. Biblographie, discographie. Broché, couv. défr., page de garde salie, état d'usage, rousseurs. Collection "Yehudi Menuhin".
20061262832006 Editions Labussière - 2006 - In-8 broché, couverture illustrée - 303 pages
195455383Mulhouse. XLVII. Mars 1954. 20 Seiten. Mit 7 teils ganzseitigen Abbildungen. Originalbroschur (Umschlag an den Rändern mit geringeren Gebrauchsspuren) 26x20 cm
190026003Stuttgart u. Wien. Jos. Rothsche Verlagshandlung 1900. VII, (1), 104 Seiten. Mit Notenbeispielen. Dekorativ zweifarbig geprägter Original-Leinwand-Einband mit Jugenstilmotiven. (Einband gering verblasst. Titelblatt mit handschriftlichem Namenseintrag. Papier teils etwas fleckig). 23x15 cm
193231861Paris Librairie Ancienne Edouard Champion 1932 In-12 "Les classiques français du Moyen Age", collection de textes français et provençaux antérieur à 1500, fondée en 1910 par Mario Roques - 443 pp ; quelques rousseurs
18991308337(Berlin), Reimer, (1899). Gr.-8vo. 6 S. m. 3 Abb. (Sitzungsberichte der Königlich Preussischen Akademie der Wissenschaften zu Berlin 3/1899). OBroschur.
5531558e année - Cinquième série, Tome VI (Tome CXVI de la collection) - Fasc. 3 - 20 novembre 1939 - Louvain. Secrétariat de la Société Scientifique - Paraît tous les deux mois - Imprimé en Belgique - revue illustrée - in-8 broché
941texte français de Henry DAUSSY.In 8 carré toile éditeur.Pièce de titre imprimée.328 pages. nombreuses illustrations.Hachette 1962
196851009Tutzing. Verlegt bei Hans Schneider. 1968. 9 Seiten und 2 zweifarbig faks. Notenblätter. Druck auf Werkbüttenpapier. OKart.-Einband. Querformat 21x30 cm
This is a very good softcover copy in the original light brown printed wrappers. Completely clean inside and out (one tiny blemish to the spine). A descriptive catalogue of the musical instruments collected by Belle Skinner, the collection is now part of the Yale University Collection of Musical Instruments. 90 instruments catalogued and illustrated. Mostly in black & white, some color. Bibliography. 11" high X 9" wide, 210 pages. This book will be securely packed and shipped with tracking.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 276 p., ills. Türk müzigi çalgilari. Ud, tanbur, kanun, kemençe, ney, kudüm. MUSIC Classical Turkish - Ottoman music Musiki Instruments Traditional culture History of art.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 164 p. For over three decades I had the opportunity to research on Ottoman musical writings in the Turkish libraries and to consult private collections. Concurrently, I was able to study Ottoman musical manuscripts kept in libraries outside Turkey. Along those years of research I carried out persistent investigations that gave me access to a large number of Ottoman materials ranging from the fifteenth century to the end of the nineteenth century. As a result of examining numerous musical manuscripts in Ottoman Turkish literature I discerned the commonplace of themes in the majority of writings and evaluated their structure at formal and generative level. Moreover, I was able to ascertain the significant purport of certain sources over others and to compare several versions of the texts. The idea of this catalogue evolved gradually in my mind from the perception that an explicit presentation of the makams would constitute a valuable reference both for evaluating the historical process of creating and performing music, as well as for establishing the inventory of modal categories and their taxonomic relations. As time passed, I was able to determine the development of a genuine Turkish concept in works that provided descriptive and analytical matter, and to detect through manuscript lines the significance of the process involving the semantics of the practice of music at different periods. The present book is mainly focused upon the practical theory of the makams reflected in the production and performance of the melodic scales the way they are described in Ottoman manuscripts.
New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English. 200 p., b/w and color ills. "Prince Dimitrie Cantemir (1673-1723) combined a multitude of talents in a complex personality of spiritual enlightenment and intellectual curiosity. His works form a reservoir of facts and histories that reveal surprising angles to many philosophical and cultural questions through a maze of revolving evasions in search for the deep meaning. Cantemir never ceased to amaze European and Turkish intellectuals with the wealth of his analyses and observations across interrelated areas of knowledge. The humanistic curiosity of Cantemir has no limits as he continues to move around the multifaceted points of his attention in search of the ultimate perspective to his subjects. The Turks, their actions and customs aggressive and kindly, genuine and symbolic, ordinary and majestic, stand in overwhelming light on the center stage of Cantemir's world of configurations.".
