Piano, RenzoBiblio.com
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SONG0500343101Thames & Hudson 2017-02-21. 1. hardcover. Used: Good. 9.90x1.70x10.00. Buy with confidence. Excellent Customer Service & Return policy. Thames & Hudson hardcover
18603040610Wolfenbüttel, London, New York, Paris; L. Holle / Augener & Co. / Th. Hagen / Bohné & Schultz, o.J. (ca. 1860). 252 S. Mit einer s/w-Illustration des Komponisten nach einem Stahlstich. Sprengschnitt. 4°(=30-35cm), Halbleder mit Rückengoldprägung.
185585781S.Ed. 1855 Réunion de 13 partitions pages de titre lithographiées, Edition originale pour douze d’entre elles.. In-4 relé plein chagrin bordeaux , dos à 4 nerfs encadrés de fleurons dorés, plats décorés de filets à froid et dorés avec motifs de rocaille en coins 35 cm sur 27. 110 pages. Bon état d’occasion. Reliure légèrement frottée
201722510<p>Renzo Piano has created some of the most emblematic buildings of our age including the New York Times Building in New York City the Centre Georges Pompidou in Paris the Shard in London and the Parco della Musica in Rome. Here Renzo Piano himself―whose many international awards include the prestigious Pritzker Prize―presents in his own words the works on which he has built his reputation over a span of fifty years.</p><p>Over one hundred works are featured accompanied by over one thousand images of Piano's work around the world including new photographs drawings and sketches both intimate and authoritative all with commentaries by the architect that combine personal anecdote and technical description with original insights.</p><p>Nice clean copy with a tight binding. Bumped corners. Mild wear. No dust jacket.</p> Thames & Hudson hardcover
25401Some original some arrangements of works for other forces as follows:<br/><br/>- Mozart Wolfgang Amadeus 1756-1791<br/>K. 550 arr. Sinfonie . arrangée Pour le Pianoforte à quatre mains. No. 2. Pr. 1 Rthlr. Leipsic: Breitkopf & Härtel PN 3144 ca. 1820. 1 title 2-35 i blank pp. Lithographed. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt December 1825." Occasional notational corrections in pencil. Slightly to moderately foxed and soiled; dampstained at outer edge; lower and outer edges frayed with slight loss not affecting printed area; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers. A later edition. Not in Köchel 6 Hoboken or Hirsch. RISM M5633. <br/><br/>- Beethoven Ludwig van 1770-1827<br/>Op. 20 arr. Grand Septuor . arrangé Pour le Piano-Forte à quatre mains. Pr. 1 Rthlr. 12 Gr. Leipsic: Breitkopf & Härtel PN 4066 ca. 1824. 1 title 2-47 i blank pp. Lithographed. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Fingering and occasional notational corrections in pencil. Slightly foxed and soiled; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers and pagination. A later edition. New Kinsky 2014 I p. 123 ascribing arrangement to F. Mockwitz; first issue: 1815 with PN 2171. Not in Hoboken or Hirsch.<br/><br/>- Onslow George 1784-1853<br/>Op. 7. Grandes Sonates pour le Piano Forte à quatre mains . No. 1 no printed price. Hambourg: A. Cranz without PN before March 1827. 1 title 2-31 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt März 1827." Fingering and notational corrections in pencil. Several pages including title torn at spine and outer and lower edges; upper edge soiled and dampstained; some foxing; page 30 smudged. A later edition. Rare. Most copies by Cranz found in libraries are either later issue or Titelauflage. The first edition was published by Pleyel in Paris in 1815.<br/><br/>- Onslow<br/>Op. 22. Second Grand Duo =Sonata in F minor pour le Piano Forte à quatre mains composé et dédié à Mr Hertz Senr. . Op: 22. Prix 5 Frs. Bonn et Cologne: N. Simrock PN 2244 ca. 1824. 1 title 2-37 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt October 1826." Fingering other performance-related annotations and occasional notational corrections in pencil. Several pages including title torn at spine and edges with loss to lower outer corner; pp. 3-4 with loss to music; small stain to lower edge of p. 19.<br/>First Edition. Rare. WorldCat 2 copies only at the Bibliothèque nationale Paris and the Bayerische Staatsbibliothek Munich. <br/><br/>- Weber Carl Maria von 1786-1826<br/>WeV S.5; arr. Polonoise à quatre mains pour le Pianoforte . Pr. 10 gl. Hambourg: A. Cranz without PN before February 1826. Engraved. 1f. title i blank 1 blank 2-11 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt Februar 1826." Occasional notational corrections in pencil. Somewhat foxed and soiled; moderately dampstained at upper edge; ink stain to title. A later edition. Jähns 59 arrangement ascribed to Carl Klage 1788-1850 with price "10 sgr". Originally for piano two hands. <br/><br/>- Weber<br/>WeV T.2 Six pièces à quatre Mains pour le Pianoforte . Oe. X. Leipzig: Fred. Hofmeister PN 275 ca. 1820 title 2-19 i blank pp. Engraved. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Somewhat foxed and soiled; loss to lower outer corner throughout affecting music on pp. 17-18; moderately dampstained at upper edge; occasional creasing especially to final leaf; title and final leaf with stains and repairs. A later edition. Jähns 81-86 lists two later Hofmeister editions with price in Neugroschen. Hoboken 15 286 most probably a Titelauflage as it displays Hofmeister's original plate number 275 preceded by the new number 1251.<br/><br/>Oblong folio. Brown quarter leather with marbled boards two labels to upper lettered "J. Mosenthal" in manuscript. Signature "Joseph Mosenthal" in black ink to upper right corner of front endpaper; table of contents in Mosenthal's hand to upper left corner of front endpaper. <br/><br/>Binding considerably worn with upper detached spine lacking. Remnants of red sealing wax to front endpaper. The Weber pieces date from his time as court kapellmeister in Stuttgart. "The Six Pieces for Piano Duet dated 27th November 1809 and dedicated 'à Leurs Altesses Sérénissimes Mesdames Marie et Amélie de Württemberg'. They are charming little pieces each based on a simple melodic idea with characteristic accompaniment. both accessible to schoolgirl fingers and forming a neat introduction to various melodic manners." John Warrack: Carl Maria von Weber p. 64. <br/><br/>"Joseph Mosenthal 1834-1896 was a German-American musician born at Kassel. He studied under his father and Spohr and in 1853 went to America where he played the organ in Calvary Church New York City from 1860 to 1887. He was conductor of the Mendelssohn Glee Club in New York City from 1867 to 1896 played a first violin in the Philharmonic Orchestra for 40 years a second violin in the Mason and Thomas Quartet for 12 and composed much Church music such as the psalm "The Earth is the Lord's" a setting of part of Psalm 145 published in 1864 and part songs for male voices Thanatopsis Blest Pair of Sirens and Music of the Sea. He died in New York City." Wikipedia. <br/><br/>Samson Ruben Goldschmidt 1768-1841 was a banker and businessman in Kassel Germany. unknown books
6417087The Haworth Press Incorporated pp. 458 . Hardback. New. The Haworth Press, Incorporated hardcover
14064o.J. Pianist, Komponist, auch Jazzpianist. Wien, New York. 1930 Wien - 2000 Weißenbach am Attersee. Fast ganze Figur im Profil nach rechts, am Klavier, unten sein faksim. Namenszug. Lithographie von Eugen Spiro um 1955, mit Bleistift signiert. Ca. 220 x 200 mm.
18355298ABOffenbach, André (um, 1835). 4°. Halblederband mit Goldprägung. (Ecken/Kanten/Kapitale berieben, teils bestoßen. Deckelrand gering fleckig. Innen durchgehend meist schwach fleckig. Name auf Deckelinnenseite). - Insgesamt ein gut erhaltenes, ordentliches Exemplar ohne Eintragungen.
182426832ABOffenbach, J. André [VerlagsNr. 4768]., (um 1824). 4°-quer. 115 Seiten. Marmorierter Pappband der Zeit mit handschriftlichem Deckelschild und lithographiertem Titel. (Ecken/Kanten/Rücken berieben/bestoßen. Kleines Fehlstück am Stehkapital. Vereinzelt und vor allem Anfangsblätter etwas fleckig bzw. fingerfleckig). - Im übrigen ein gut erhaltenes Exemplar in fester Bindung, sauber und ohne Eintragungen.
190058610ABVerschiedene Ort und Verlage., (um 1900). 4°. Marmorierter Halbleinenband mit montiertem, handbeschr. Deckelschild und Leinenecken / Privatbindung. (Gestempelt. Teils handschriftl. Titelergänzungen bzw. Titel-Textübersetzungen in Bleistift). - Ansonsten ein erfreulich frisches, und sauberes Exemplar.
188049358ABVersch. Orte und Verlage, (um 1880). 4°. 308/110 Seiten. Schwarze Halblederbände der Zeit mit montiertem handschrift. Deckelschild und Lederecken. (Handschriftl. Inhaltsverzeichnis auf Vorsatzhinterseite. Wenige Blätter fleckig. Einzeilenstempel. Handschriftl. Durchnummerierung). - Im übrigen erfreulich gut erhaltene, vornehme Exemplare ohne Eintragungen. = Potpourris pour Piano & Violon.
48 pages. Colour and black and white photos of the band. Songs include: Super Trouper; The Winner Takes It All; On And On And On; Andante, Andante; Me and I; Happy New Year; Our Last Summer; The Piper; Lay All Your Love on Me; The Way Old Friends Do. Moderate external wear. Covers nearly loose from staples. Faint inkstamp to title page otherwise unmarked. A great ABBA memento from the days when they ruled pop music. Book
1860OS12505Paris France: L'Ecrivain de Toubon Libraires 1860. First edition. Hardcover. Good. 19th century engravings by French artists. First edition. Quarto. Half leathre gilt decorated spine raised bands marbled boards. All edges rubbed. Else good. With music lyrics and notes on the Provinces from which the songs come. Illustrated liberally with artist's engravings. The whole lightly and evenly foxed throughout. Noels Chansons de Mal Ballades Chansons de Metiers Rondes Chansons de Mariees. Due to size or weight this item will require additional postage for international or priority shipping. L'Ecrivain de Toubon, Libraires hardcover
1928577082Cleveland Ohio: Sam Fox Pub. Co 1928. Softcover. Near Fine. Sheet music. Quarto. Illustrated wrappers. Wraps lightly worn mostly along the edges a tiny tear along the top edge of the rear cover a bit of soiling and a music shop stamp over the price on the title page near fine. For piano with pedal marks. Includes sheet music for four songs: Pantomime Pantomime; Le Bouffon The Jester; Scéne d'amuor Love Scene; and Fête Festival. Joseph Nussbaum was an English-born composer known for orchestrating the Academy Award-winning movies Gone with the Wind Rebecca Meet Me in St. Louis and Anchor's Away. Scarce we have been unable to locate another copy. Sam Fox Pub. Co unknown
19973357New York: The Monacelli Press 1997. Original Wraps. Collectible; Fine. A clean crisp copy of the 1997 1st US edition. Bright and Near Fine in its original pictorial wrappers. Square octavo 288 pgs. The Monacelli Press unknown
19973357New York: The Monacelli Press 1997. Original Wraps. Collectible; Fine. A clean crisp copy of the 1997 1st US edition. Bright and Near Fine in its original pictorial wrappers. Square octavo 288 pgs. <br/><br/> The Monacelli Press paperback books
2003Alibris.0008059Word Music 2003 Very good. 1 Audience: General/trade. Includes CD eng pp. Trade paperback. Very good. Word Music paperback
2016103524London: Piano Nobile Publications. Qto. 68 pages colour illustrated. A New copy in the publishers shrink wrap. . New. Soft cover. 2016. Piano Nobile Publications paperback
A9780789012364Hardback. New. hardcover
Very Good Arabic Original sheet music. Folio. (32 x 25 cm). In Arabic and French. 4, [1] p. Illustrated cover. Stamp on cover by 'Hanna George'. Second page has personal stamp of Messih (Publisher). [SHEET MUSIC] Mohamad Labis Seifou pour piano par Mathilde Abdel Messih.= Mohammad Labis Saife bagmat al-hejaz mousiki waz' Matilde Abdalmesih. No. 35. Printed in Egypt.
1855281BBDiv. Orte und Verlage., (um 1855 - 1900). 4°. [33,5 x 27 cm]. Marmorierter Halblederband der Zeit mit Lederecken. - (Ecken/Kanten/Kapitale berieben/bestoßen. Deckel und Rücken beschabt. Innen fingerfleckig, vereinzelt stockfleckig. Vereinzelt auch kürzere Randverstärkungen. Teilweise gestempelt). - Notentext meist sauber und ohne Eintragungen.
80 pages. "A concise and practical work suitable for beginners, not overburdened with superfluous text, not the exponent of any system." - from Preface. Somewhat above-average wear. Faint music seller stamp to colour-illustrated front cover. Minimal markings to contents. Binding tender. Title page loose but present. Pages 33 and 47 loose but present. A worthy copy of this vintage work. Book
19772129170828030The Big 3 Music Corporation 1977-01-01. Sheet music. Very Good. Nice looking book has minor edge wear.cover slightly faded. The Big 3 Music Corporation unknown
183549304ABLeipzig, au Bureau de Musique de C. F. Peters [PlattenNr. 2315]., (um 1835). 4°. [26 : 32,5 cm]. 13, 6 Seiten. Gestochener Notentext, lithogr. Titelblatt. (Titel fleckig und mit breit überlegtem Einriss. Blattrand ungleich nachbeschnitten. Besitzvermerk auf beiden Stimmheften. Rücken rissig und mit Fehlstück am unteren Ende / kein Textverlust. Innen tlws. randfleckig). - Notentext erfreulich gut erhalten und nur gering und schwach fleckig. 1. Auflage.
191160745ABBerlin/Paris/London, Fürstner / Chappell & Co. [VerlagsNr. A. 5907 F.]., 1911. 4°. [27,5 x 22,5 cm]. 317 Seiten. Schwarzer Ganzlederband mit goldgeprägter Titelei, goldgeprägten Deckelfileten und Schmuckpapiervorsätzen. Privatbindung. - Ein sehr gut erhaltenes Exemplar ohne Gebrauchsspuren.
