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Cover is detached from staple-bound text block. Age-toned paper. 5 1/2"w x 8 1/2"h. 96 pages.
1968ABE-1668306134484TIRAGE ARGENTIQUE NOIR ET BLANC-13 CM X 18 CM-LEGENDE SUR PAPIER-AGENCE AFP (CP2)
20887Poema SM Records 2024. Import espagnole. Rare CD en version digibook, format DVD dépliant, en état de neuf. Premier pressage. Rare exemplaire signé par les 3 guitaristes : Xavier Coll, Ali Arango et Luis Robiscoer sur la couverture. Collection personnelle.
199615518Light Without Heat 1996. In-4 agrafé de 24 pages au format 30,5 x 25 cm. Couvertures illustrées. Magnifique et luxueux programme de la tournée de Steve Vai qui eut lieu en 1996 à l'occasion des 25 ans la sortie de l'album " Passion & Warfare ", considéré comme un des meilleurs albums de Rock instrumental de tous les temps. Très nombreuses photographies couleurs de Steve Vai, Dave Weiner, Philip Bynoe et Jeremy Colson. Rare édition originale en superbe état général. Collection personnelle.
193029714Partitions sur l'Espagne,Partitions sur le Prénom Eschig Max 1930
192427445Partitions sur les Instruments de musique Eschig Max 1924
190792776Partitions sur les Instruments de musique Bosc 1907 approx.
193829747Bosc 1938
194088263Partitions sur les Instruments de musique Wings Music 1940 approx.
188984103Partitions sur l'Espagne,Partitions sur les Instruments de musique Langlois Léon 1889 approx.
80 pages. Includes piano sheet music, lyrics and guitar chords for these songs: How Dare You; Lazy Ways; Iceberg; Don't Hang Up; I'm Mandy, Fly Me; Art for Art's Sake; Rock 'N' Roll Lullaby; I Wanna Rule the World; Head Room. Faint store inkstamp on title page, otherwise contents pleasantly clean and unmarked. Somewhat above-average wear to great seventies-style colour-photo illustrated covers. Binding intact. Includes black and white photos of members of the band. A fantastic 10cc memento. Book
199163701Norwalk CA: Media Concepts 1991. 4to. 247 5 pp. With 100’s of text illustrations diagrams flow-charts schematics. Flexible illustrated covers black wire comb binding as issued faint age toning & minor soiling to covers still a VG- copy. First revised edition stated of this essential book packed full of illustrations troubleshooting data maintenance tips and modifications for tube amplifiers and aspiring rock musicians by this noted electronic technician who managed equipment for Aerosmith REO Speedwagon Dokken Testament Keel and other musical groups. Media Concepts, unknown
197057955Madrid Spain: n.p. ca. 1970. Two black & white photographs on glossy photo stock sized 11.75 x 16 in. and 11.75 x 16.5 in. w/ no photographer’s imprint or markings on versos or w/in images NF. Two exceptional photographs of Spanish classical guitar making with one image showing Hernandez 1895-1974 leaning over at work on a guitar back and the other with him facing the camera over his work bench and tools strewn about. Hernandez and Victoriano Aguado b. 1897 began working together in a piano workshop in Madrid which survived the Spanish Civil War until it closed in 1941 and they set up their own workshop to restore pianos and antique furniture. However Aguado’s enthusiasm and skill as a guitarist and Hernandez love of music and skilled craftmanship led them to collaborate on crafting a couple guitars inspired by Sainz de la Mata at the Conservatorio de Madrid and Modesto Borreguero former pupil of the famed Manuel Ramirez. The response was so great to their first productions that they decided to turn entirely to guitar production and after their first year as luthiers they had a waiting list of 70 customers. In the early 1970’s after Aguado retired Hernandez was contracted by Yamaha to instruct their apprentices in the development and refinement of the Yamaha Grand Concert series of Classical Guitars considered today some of the best caliber ever produced by the company. See: Historic Guitar Makers of the Madrid School Historic Spanish Guitar Makers Zavaleta’s La Casa de Guitarras May 19 2015. n.p., unknown
113978Manuscript on paper. Ca. 1834. Oblong 4to. 12 pp. Sewn with tears in margins. From the library of Charlotte von Kraemer 1802-69. The Barcalolle â€Je suis riche vous etes belle†from the opera La Philtre by Daniel Auber 1782-1871. First performed in Paris in 1831 it was a succés but has since been eclipsed by Donizetti’s â€L'elisir d'amore†based on the same libretto by Scribé. Possibly in guitar arrangement by Meissonier. Charlotte von Kraemer 1802-69 f. Söderberg den musikaliska makan till landshövdingen Robert Fredrik von Kraemer i Uppsala musicerade tillsammans med Geijer och Josephson och övriga Uppsalaromantiken. Hon spelade själv flera instrument varibland gitarr uppenbarligen ingick. Hon hade ett flertal noter för gitarr. unknown
113980Manuscript on paper. Ca. 1825. Oblong 4to. 2 pp. From the library of Charlotte von Kraemer 1802-69. A previously unknown Guitar arrangement by Pierre Joseph Plouvier 1750-1826 of the duet â€Ni jamais ni toujoursâ€. The duet was originally composed by Melle Delieu with piano accompagnement by Sophie Gail 1775-1819 published in 1815. The text is by Alexandre de Laborde 1774-1842. Another setting for guitar by J. Meissonier was published around 1820.Charlotte von Kraemer 1802-69 f. Söderberg den musikaliska makan till landshövdingen Robert Fredrik von Kraemer i Uppsala musicerade tillsammans med Geijer och Josephson och övriga Uppsalaromantiken. Hon spelade själv flera instrument varibland gitarr uppenbarligen ingick. Hon hade ett flertal noter för gitarr. unknown
113982Manuscript on paper. Ca. 1830. 4to. 5 pp. Sewn. From the library of Charlotte von Kraemer 1802-69. The aria â€Son gelsomina son piccol fiore“ by Gaetano Piantanida 1768-1835 here with guitar setting. Charlotte von Kraemer 1802-69 f. Söderberg den musikaliska makan till landshövdingen Robert Fredrik von Kraemer i Uppsala musicerade tillsammans med Geijer och Josephson och övriga Uppsalaromantiken. Hon spelade själv flera instrument varibland gitarr uppenbarligen ingick. Hon hade ett flertal noter för gitarr. unknown
113977Manuscript on paper. Ca. 1830. Oblong 4to. 4 pp. Stain on first page in corner tears in margin. From the library of Charlotte von Kraemer 1802-69. The opera buffa L'italiana in Algeri premiered in Italy in 1813 and was a huge succés. A collection of arias in guitar arrangement from â€L’Italiana†by J. Arnold was published by B. Schott und Söhne ca 1820. Charlotte von Kraemer 1802-69 f. Söderberg den musikaliska makan till landshövdingen Robert Fredrik von Kraemer i Uppsala musicerade tillsammans med Geijer och Josephson och övriga Uppsalaromantiken. Hon spelade själv flera instrument varibland gitarr uppenbarligen ingick. Hon hade ett flertal noter för gitarr. unknown
113981Manuscript on paper. Ca. 1830. Oblong 4to. 2 pp. Small stain on verso. From the library of Charlotte von Kraemer 1802-69. Only music no text. Charlotte von Kraemer 1802-69 f. Söderberg den musikaliska makan till landshövdingen Robert Fredrik von Kraemer i Uppsala musicerade tillsammans med Geijer och Josephson och övriga Uppsalaromantiken. Hon spelade själv flera instrument varibland gitarr uppenbarligen ingick. Hon hade ett flertal noter för gitarr. unknown
201223713Paris, Marrabout easy book , 2007 ; in-8, 293 pp., br. Avec son cd.
239855Paris, se vend chez le citoyen Goujon, s.d. (1793) in-8, [45] ff. n. ch., y compris le titre, table des matières manuscrites sur les dernières gardes (écriture du XXe siècle), vélin rigide modeste de remploi, dos lisse muet (reliure de l'époque).
7685Rouen, Imprimerie de la Vicomté, 1928 - 1932, 1 vol. et une plaquette in-8 (240 x 165) brochés sous couverture imprimée, de XIII-286 pp. + errata et index des planches & 24 pp. Très beaux exemplaires.
181016517(dont 2 de Mozart), de la fin du XVIIIe et du tout début du XIXe siècle, reliées en un volume petit in-folio oblong ; demi-basane à coins havane, dos à faux-nerfs dorés, pièce de titre rouge, roulette en pied (reliure de l’époque) ; ces partitions sont toutes sans date.1- Dalayrac (Nicolas-Marie) – Wolff : arrangement pour le piano forte, opéra de Mr. Dalayrac dit "le musicien poète", créé le 30 septembre 1805, tiré des Mille et une Nuits: Culistan ou le Hulla de Samarcande. Leipzig, A. Meysel ; 53 pp. Opéra qui est, selon Chouquet, "le plus important et le plus abouti" du compositeur. 2- Himmel (Friedrich, Heinrich ; 1765-1814) : Gesellschaftslied. Hambourg, Johann August Böhme ; 4 pp. Texte de Kotzebue. 3- Mozart (Wolfgang Amadeus ; 1756-1791) : Vergiss mein nicht. Hambourg, J. A. Böhme ; 6 pp. Idem pour clavier et guitare par Sterkel. Amsterdam, Kuntze ; 4 pp. 4- Grétry (André Ernest ; 1741-1813) : Aria : Verlasst dich jedermann o Richard o mein König ; aus der Oper Richard Löwenhertz. Hambourg, J. A. Böhme ; 6 pp. ; annotations manuscrites. 5- Zumsteg (Jean Rodolphe ; 1760-1802) : Reiter-Lied aus dem Wallenstein in Muzik gesetz von. S.l., s.n., s.d. ; 4 pp. 6- Becker et Hurka : Der Saenger. Hambourg, J. A. Böhme ; 4 pp. 7- [Sasse (Josepha, Rheine)] Arie : Was ist der Mensch ? halb Thier halb Engel ! für’s Forte Piano. Hambourg, J. A. Böhme ; 4 pp. 8- Hurka (Friedrich, Franz; 1762-1805) : Der Bauer an sienen durchlauchtigsten Tyrannen. Lied Wer bist du fürst ? Hambourg, J. A. Böhme ; 6 pp. 9- Himmel : Der Leyermann. Hambourg, J. A. Böhme ; 4 pp. 10 à 13- Himmel : Gesänge aus der Operette Fanchon das Leyermädchen. (N°9 ; 10 ; 7 ; 11) ; 20 pp. 14- Berton (Henri Montan ; 1767-1844) : Aline reine de Golconde (1803) ; air : Il reçut au sein de la gloire... Hambourg, idem ; 4 pp. 15- Berton (Henri Montan) : Montano et Stéphanie (1799) ; air : Oui c’est demain... Hambourg, idem ; 8 pp. 16- [Manuscrit] Le véritable amour, ou les tourmens de l’absence... Partition manuscrite de (2) ff. avec petit rabat en pied. 17- Plantate (Charles-Henri ; 1764-1839) : Air : Te bien aimer ô ma chère Zélie... (1791) ; Hambourg, J. A. Böhme ; 4 pp. 18- Mussini (Natale ; 1765-1837) : Ariette : Souvent l’amour nous prouve son Empire. Hambourg, idem ; 4 pp. 19- Saint-Simon (Mme) : La Déclaration. Romance : Dis-moi ce que j’éprouve... Hambourg, idem ; 4 pp. 20- Mozart : Favorite Walze. Hambourg, idem ; 4 pp. 21- Dussek (Jan Ladislav ; 1760-1812) : Deux anglaises et deux valses. S.l., s.n., s.d. ; 4 pp.
56 pages including eight pages of wonderful colour photos of the band. Songs: Arrival; Dancing Queen; Dum Dum Diddle; Fernando; Knowing You, Knowing Me; Money, Money, Money; My Love, My Life; That's Me; Tiger; When I Kissed the Teacher; Why Did it Have to Be Me? Above-average wear. Some pages taped in place. Still a worthy copy of this vintage ABBA songbook - probably their best. Book
6 pages. Features photo of Glenn Miller on front cover. Average wear. Name on front cover otherwise unmarked. Short openings at each end of coverfold. A quality copy. Sheet music