ViolinABAA
13 résultats
126075 Bishopsgate St. Without Opposite the Church E.: C.A. Gandy Albumen portrait of a very fashionably dressed serious-faced young woman standing with a violin and bow in hands; no date but circa 1880s; some edge tips wear and darkening to mount card old paper residue on back and front does not affect image; good condition . Good. C.A. Gandy unknown books
13208Used; Like New/Used; Like New. Charming original 1891 Victorian Christmas card die-cut in a violin shape with the greeting "Keep your bow well in hand this Yuletide." Addressed on the verso: "From Alfred I Bartram to Edith Xmas 1891." Mounting remnants on the verso; overall in very fine condition with the delicate shape well-preserved. 6 x 2.25 inches 15.6 x 6 cm. unknown books
196428816London: Paul Hamlyn 1964. Large quarto. 1f. half-title 1f. title 1f. recto introduction verso contents 2ff. list of illustrations 11-445 i blank i "Scale Plans of Instruments" i blank pp. xxxii full-page illustrative plates of scale plans of instruments. Profusely illustrated throughout. <br/><br/>Ex libris the violinist Herbert Garber with his signature in ink to lower outer corner of free front endpaper. <br/><br/>Very slightly browned. Garber d. 2003 was a violinist violist pianist conductor and music educator; he attended Juilliard NYU and Columbia studying the violin with Theodore Pashkus and conducting with Leon Barzin. Paul Hamlyn unknown books
1911221176London Rebman Limited 1911. 1911. First edition. Thick 8vo. 32 illustrations. Original gilt stamped white cloth t.e.g. uncut. Very good. No signatures or bookplates. F. Hardcover. London, Rebman Limited, 1911. hardcover books
26108Image size ca. 184 x 123 mm.; overall size 277 x 209 mm. One of the first violin dealers in America Flechter was accused of trying to sell a stolen Stradivarius violin "The Duke of Cambridge" in 1902 but was acquitted in 1905. unknown books
196728822London: Paul Hamlyn 1967. Quarto. Dark blue cloth with titling gilt to upper and spine. 1f. title 5-439 i blank xvi full-page illustrative plates of scale plans of instruments. Profusely illustrated throughout. <br/><br/>With full-page frontispiece in colour.<br/><br/>Very slightly browned; "2-6-75" to lower outer corner of free front endpaper. Paul Hamlyn unknown books
199517321Oxford: Clarendon Press 1995. Used; Like New/Used; Like New. xv 1 432 pp. 4 color plates 110 monochrome plates illus. Original cloth with dust jacket. Large 8vo 7.75 x 10 inches. This noted work of research is rightly regarded as the current standard work on British violin making. <br style=""> Clarendon Press hardcover books
188027346London: Richard Bentley & Son 1880. 1st one-volume edition. Not in NCBEL. Original green publisher's cloth with gilt lettering to spine & boards stamped in blind professionally recased. Eps replaced. VG extremity wear/cloth dull. 2 413 3 pp. Publisher advert last 2 pp. Frontispiece. Crown 8vo. <br/><br/>A novel set against the background of the 1862-63 Lancashire cotton famine. Richard Bentley & Son hardcover books
177515714Paris: Mr. Le Duc LeJeune editeur 1775. 4to pp. ii 6. Signed by the editor/publisher LeJeune with the label of bookseller Mlle Castagnery affixed to the cover. The title is printed within a decorative border and the item is in very good condition. RSM L411. Lamotte 1751-1781 was born in Vienna and played a concerto before the Emperor at th age of 12. After a period of study he joined the Emeror's private chapel. He played in London in 1776. Mr. Le Duc LeJeune editeur unknown books
199928818Chicago: Bein & Fushi Inc 1999. Large quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers patterned in gilt. 1f. recto blank verso brief publisher's catalogue 1f. recto half-title verso blank 1f. recto title verso copyright 1f. dedication to Charles Beare verso blank 1f. recto acknowledgements verso blank 1f. recto foreword verso blank 13 publisher's statement 14-15 contents 16-17 "List of Instruments Illustrated in Chronological Order" 18 blank 19-464 pp. including 3 pp. List of Subscribers at conclusion. <br/><br/>With numerous illustrations of instruments throughout. Bein & Fushi, Inc unknown books
194529582Chicago: William Lewis & Son 1945. Quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers. 1f. recto blank tipped-in errata slip 1f. recto half-title verso limitation statement 1f. recto title verso copyright 1f. recto dedication to the author's wife verso blank 1f. recto "Introductory Note" verso blank 1f. foreword 13-14 publisher's statement 15 contents 16 blank 17 "Instruments Illustrated in Chronological Order" 18 blank 19-379 i blank pp. including indices a bibliography and a 5-page list of subscribers. In original slipcase.<br/><br/>With numerous illustrations of instruments throughout.<br/><br/>Binding very slightly worn; slipcase worn. First Edition limited to 1400 copies this numbered 1190 in ink.<br/><br/>"Although Doring is well known and was highly regarded as an expert on classical instruments and bows his reputation rests mainly on his publications. The first issue of Violins appeared in March 1938 and in October the name was changed to Violins and Violinists; it ceased publication in December 1960. In addition to information on violin performances and performers the magazine carried detailed and informative essays on classic violin makers of the past; the best known of these were Doring's long articles which were published in book form as How Many Strads Chicago 1945 and The Guadagnini Family of Violin Makers Chicago 1949." Philip J. Kass in Grove Music Online.<br/><br/>A cornerstone of the literature. William Lewis & Son unknown books
184729822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone.<br/><br/>Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown books
13698Used; Like New/Used; Like New. An original mute or "practice" violin with the pegs fingerboard bridge tailpiece and strings of a normal violin on an anchor-shaped frame without a resonating space.<br>Mute violins known to have existed since the eighteenth century and mentioned by Leopold Mozart in his Versuch einer gründlichen Violinschule 1756 are built to allow violinists to practice technique without actually generating a sound -- and therefore without disturbing their neighbors. They may have an outer frame with the shape of the violin or an even more minimal anchor-shaped frame to allow for a comfortable hold and for shifting hand positions. Some mute violins were constructed from the remnants of earlier functioning violins. Today's violinists have the option of practicing on an electric "silent violin" the successor to these eighteenth- and nineteenth-century instruments. unknown books
