477 résultats
182046029Paris Crochard 1820. No wrappers. In "Annales". In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue offered with halftitlepage to vol. 14. Savart's paper: pp. 113-172 and 3 folded engraved plates. Plates with some scattered brownspots. <br/><br/><em>First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. </em> unknown
20053cb5in4 broché, 163pp, nombreux dessins et schémas. 12 planches rhodoid représentant les moules des Stradivarius grandeur nature accompagnées de 12 calques correspondant, avec calculs géométriques en rapport avec le nombre d'or. Le tout dans un grand coffret bleu à titres dorés
1740220531740 un volume, reliure cartonnée recouverte d'un papier fantaisie vieux rose (reliure d'époque) in-folio (28 x 37,3 cm), dos long, étiquette crème manuscrite à l'encre brune en haut du dos, mors haut et bas du premier plat fendus sur 4 cm, toutes tranches non rognées, étiquette blanche EX-LIBRIS gravée en noir aux armes du Marquis de La BRETESCHE (ARMAND-MICHEL-MARIE- JOUSSEAUME) [« écu au champ de gueules à trois croix pattées dargent posées deux et une et à une bordure dhermines de sable ».] en haut du dos de la 1ère de Couverture, 1ff de table + 325 pages de musiques imprimées Gravées par Richomme, tityre gravé par Aubert, sans date [ca 1800] À Paris : chez Pleyel, rue Neuve des Petits Champs No 728 entre les rues de la Loi et Helvétius Editeur,
174011091Paris Le Clerc 1740 en ff. in-fol., titre, 21pp.,
183040871England 1830. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. Copyist musical manuscript. Oblong folio 245 x 305 mm. Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. <br /> <br /> Contains five variation sets for violin by various composers:<br /> <br /> 1 Tema with Variations for the Violin. 3 pp. <br /> Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti" indicating that these variations may have been performed with an ensemble of musicians. Unlocated.<br /> <br /> 2 Bishop Sir Henry Rowley 1786-1855 and Anon<br /> Variations from Home Sweet Home. 2 pp.<br /> Five variations on Rowley's well-known song. Bishop was an English composer who "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online<br /> <br /> 3 Rode Pierre 1774-1830<br /> Theme with Variations for the Violin. 2 pp. <br /> Four variations originally published as a solo for violin accompanied by a second violin viola and cello. "At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz revised by Clive Brown in Grove Music Online<br /> <br /> 4 Gyrowetz Adalbert 1763-1850 <br /> Variations. 3 pp.<br /> Eight variations on a Tyrolean folksong popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor.<br /> <br /> 5 Rossini Gioachino 1792-1868<br /> Variations from the Tanti Palpiti. 2 pp.<br /> Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini Giuliani and Gelinek. Unlocated.<br /> <br /> Several small stains mainly to blank margins; minor soiling to final page mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic incorporating rapid scales and arpeggios passages in double stops and bariolage. unknown
193151788London, William E. Hill & Sons, Violin-Makers 1931 In-4, bradel demi-vélin crème de l’éditeur, plat aux armes des Guarneri, dos lisse orné, étui, XXXVII-181 pp., 17 planches en couleurs sous serpente hors-texte, 44 planches en noir hors-texte, nombreuses illustrations dans le texte . Bel exemplaire.
200062162BBDourdan, Editions Vial, 2000. 4°. 31 x 22 cm. 144 Seiten, 6 Blatt. Gebundener Original-Pappband. [2 Warenabbildungen]
1798179971798 1798 PARIS CARLI sans date (731) IN FOLIO broche, en feuilles ,marges non rognes, 3 parties VIOLA titre+8p.,VIOLONCELLO:titre+8p., VIOLINO : titre +10p.(2 blanc) sous bandeau numero 27,[PN] 731,. [1798? ] rare edition originale gravée, bon etat,tache claire a une partie
187929849London: Richard Bentley and Son 1879. Hardcover. First Edition First Impression. 4.5 x 7in. 277pp.; 308pp.; 335pp. Publisher's blind-stamped cloth boards with gilt titling. All 3 volumes are in VERY GOOD condition showing typical shelf rubbing of the extremities spines and endpapers lightly toned over-opened in several places throughout otherwise the bindings are strong and tight the texts are clean and unmarked and the boards remain distinct. As pictured. Richard Bentley and Son hardcover
17848Paris, Jouaust, 1883. 2 vol.in-12, XV-306 pp. 6 pl. + 308 pp. 5 pl., demi-maroquin rouge de Becquet, double filet doré sur les plats, dos à nerfs orné de caissons et de fleurons dorés, tête dorée, couverture conservée (quelques minuscules frottements).
194529582Chicago: William Lewis & Son 1945. Quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers. 1f. recto blank tipped-in errata slip 1f. recto half-title verso limitation statement 1f. recto title verso copyright 1f. recto dedication to the author's wife verso blank 1f. recto "Introductory Note" verso blank 1f. foreword 13-14 publisher's statement 15 contents 16 blank 17 "Instruments Illustrated in Chronological Order" 18 blank 19-379 i blank pp. including indices a bibliography and a 5-page list of subscribers. In original slipcase.<br/><br/>With numerous illustrations of instruments throughout.<br/><br/>Binding very slightly worn; slipcase worn. First Edition limited to 1400 copies this numbered 1190 in ink.<br/><br/>"Although Doring is well known and was highly regarded as an expert on classical instruments and bows his reputation rests mainly on his publications. The first issue of Violins appeared in March 1938 and in October the name was changed to Violins and Violinists; it ceased publication in December 1960. In addition to information on violin performances and performers the magazine carried detailed and informative essays on classic violin makers of the past; the best known of these were Doring's long articles which were published in book form as How Many Strads Chicago 1945 and The Guadagnini Family of Violin Makers Chicago 1949." Philip J. Kass in Grove Music Online.<br/><br/>A cornerstone of the literature. William Lewis & Son unknown books
BN116207Sinful Souls <br/><br/>Sinful Souls unknown
199928818Chicago: Bein & Fushi Inc 1999. Large quarto. Publisher's full dark red cloth with titling in gilt and black to upper and spine dark red endpapers patterned in gilt. 1f. recto blank verso brief publisher's catalogue 1f. recto half-title verso blank 1f. recto title verso copyright 1f. dedication to Charles Beare verso blank 1f. recto acknowledgements verso blank 1f. recto foreword verso blank 13 publisher's statement 14-15 contents 16-17 "List of Instruments Illustrated in Chronological Order" 18 blank 19-464 pp. including 3 pp. List of Subscribers at conclusion. <br/><br/>With numerous illustrations of instruments throughout. Bein & Fushi, Inc unknown books
1795231811795 VIGUERIE sd (fin XVIIIe s)- ca1795- 4 parties in folio brochés,4 titres gravés, cotage 33; violino primo 17p ;v2: 13p.-alto 13p.; Violoncelle 13p.
69288, Maison Bernard, 2026 Hardcover with dusjacket, 341 pages, Illustrated. full colors, 32x23cm, *New. ISBN 9789090406930.
8201 En feuillets, sous chemise imprimée à rabats de l'éditeur, quelques piqûres pâles sur la chemise. 20 x 14,5 cm, 111pp.-[4]-2f.b. + 4 planches h.-t. + suite en noir. Anvers, Editions Le Papegay, 1945.
8201 En feuillets, sous chemise imprimée à rabats de l'éditeur, quelques piqûres pâles sur la chemise. 20 x 14,5 cm, 111pp.-[4]-2f.b. + 4 planches h.-t. + suite en noir. Anvers, Editions Le Papegay, 1945.
18952423Paris, Librairie L. Conquet, 1895 ; in-8, broché ; (1) f. (bl.), 46 pp., (2) ff. (table, bl.) ; 1 portrait à l'eau-forte en frontispice, 1 eau-forte en couverture, 6 eaux-fortes en noir in-texte (en-têtes et culs-de-lampe) ; couverture blanche à rabats illustrée en couleurs.
1906533111906 Paris, Fischbacher, 1906, grand in 8° relié demi-chagrin marron à bandes, dos à nerfs orné, tête dorée, couverture conservée, XI-198 pages ; très nombreuses reproductions d'étiquettes des luthiers italiens, allemands, anglais et français.
Opera completa in 3 spessi volumi in 8° (cm. 24,3x15,7), pp. 440; pp. 516; pp. 319, (1b). Con 87 ILLUSTRAZ. e ritr. a piena pag. solo recto b.n. n.t. e centinaia di citazioni in MUSICA. Solida mz. pelle coeva muta, insignif. usure alle integre cern. e cuffie. LAURENCIE, musicologo, allievo di Reynier, maestro di violino, e di Bourgault-Ducoudray; docente all'Ecole des hautes études sociales, diresse la Société Française de Musicologie e la Encyclopédie de Musique et Dictionnaire du Conservatoire (Wikipedia). Ricercato, raro (perfino nell'anastatica) e fondamentale. Edizione originale.
in-16, pp. XVII, 444, leg. edit. Prima ediz.
177515714Paris: Mr. Le Duc LeJeune editeur 1775. 4to pp. ii 6. Signed by the editor/publisher LeJeune with the label of bookseller Mlle Castagnery affixed to the cover. The title is printed within a decorative border and the item is in very good condition. RSM L411. Lamotte 1751-1781 was born in Vienna and played a concerto before the Emperor at th age of 12. After a period of study he joined the Emeror's private chapel. He played in London in 1776. Mr. Le Duc LeJeune editeur unknown books
In-4, 98p. Tirage limité à 500 exemplaires numérotés (notre exemplaire n'est pas justifié). Texte bilingue français et anglais. Importante iconographie, reproductions de tableaux, photographies d'instruments, croquis, etc... Préface de Maurice Béjart. Avant-propos de Christophe Coin. A l'état de neuf.
179511181Lyon Cartoux 1795 demi-velin vert,, plats papiers, large étiquette manuscrite (défauts divers à la reliure mais état intérieur correct avec rousseurs). in-4, titre, 67pp.,
19211Paris : Imbault, S.d.(avant 1800) .-IN4 demi velin,dos lisse SONATES (6) A VIOLON SEUL ET BASSE. 2E LIVRE DE SONATES /par BRUNI, Antonio Bartolomeo .Platenumber N) 363- 49 p. qques rousseurs,Cachet : Janet et Cotelle. ; relé avec 35 cm.VIOTTI Giovanni Battista SONATES (6) A VIOLON SEUL ET BASSE... DEUXIEME LIVRE DE SONATES DE VIOLON / par VIOTTY, Giovanni Battista .-Paris : Imbault, S.d.(1789 ?) .-51 p. ; Platenumber N°180.;Cachet : Janet et Cotelle.EDITION ORIGINALE ?(Couvertures légèrement défraîchies.