Bebop : Third Ear - The Essential Listening Companion
2000Q-0879306084Backbeat 2000-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
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2090502113706472Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2000Q-0879306084Backbeat 2000-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
20169780399554650-2025Crown Books for Young Readers 2016. Paperback. New. <p><strong>Author:</strong> Jazz Jennings</p><p><strong>Publisher:</strong> Crown Books for Young Readers</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9780399554650</p><p><strong>Release Date:</strong> 2016</p><p><strong>Number Of Pages:</strong> 272</p><p><strong>Details:</strong> Get ready for season 4 of the popular TLC show I Am Jazz! Teen advocate and trailblazer Jazz Jennings—named one of “The 25 Most Influential Teens†of the year by Time—shares her very public transgender journey as she inspires people to accept the differences in others while they embrace their own truths.  “Jazz’s touching book serves as a rallying cry for understanding and acceptance.â€â€”Bustle  Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. At the age of five Jazz transitioned to life as a girl with the support of her parents. A year later her parents allowed her to share her incredible journey in her first Barbara Walters interview aired at a time when the public was much less knowledgeable or accepting of the transgender community. This groundbreaking interview was followed over the years by other high-profile interviews a documentary the launch of her YouTube channel a picture book and her own reality TV series—I Am Jazz—making her one of the most recognizable activists for transgender teens children and adults.  In her remarkable memoir Jazz reflects on these very public experiences and how they have helped shape the mainstream attitude toward the transgender community. But it hasn’t all been easy. Jazz has faced many challenges bullying discrimination and rejection yet she perseveres as she educates others about her life as a transgender teen. Through it all her family has been beside her on this journey standing together against those who don't understand the true meaning of tolerance and unconditional love. Now Jazz must learn to navigate the physical social and emotional upheavals of adolescence—particularly high school—complicated by the unique challenges of being a transgender teen. Making the journey from girl to woman is never easy—especially when you began your life in a boy’s body. PRAISE FOR JAZZ JENNINGS:  “Jazz is one of the transgender community's most important activists.† —Cosmopolitan  “A role model for teens everywhere.†—Seventeen.com  “Wise beyond her years.†—Teen Vogue</p> Crown Books for Young Readers paperback
20169780399554650-2025Crown Books for Young Readers 2016. Paperback. New. <p><strong>Author:</strong> Jazz Jennings</p><p><strong>Publisher:</strong> Crown Books for Young Readers</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9780399554650</p><p><strong>Release Date:</strong> 2016</p><p><strong>Number Of Pages:</strong> 272</p><p><strong>Details:</strong> Get ready for season 4 of the popular TLC show I Am Jazz! Teen advocate and trailblazer Jazz Jennings—named one of “The 25 Most Influential Teens†of the year by Time—shares her very public transgender journey as she inspires people to accept the differences in others while they embrace their own truths.  “Jazz’s touching book serves as a rallying cry for understanding and acceptance.â€â€”Bustle  Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. At the age of five Jazz transitioned to life as a girl with the support of her parents. A year later her parents allowed her to share her incredible journey in her first Barbara Walters interview aired at a time when the public was much less knowledgeable or accepting of the transgender community. This groundbreaking interview was followed over the years by other high-profile interviews a documentary the launch of her YouTube channel a picture book and her own reality TV series—I Am Jazz—making her one of the most recognizable activists for transgender teens children and adults.  In her remarkable memoir Jazz reflects on these very public experiences and how they have helped shape the mainstream attitude toward the transgender community. But it hasn’t all been easy. Jazz has faced many challenges bullying discrimination and rejection yet she perseveres as she educates others about her life as a transgender teen. Through it all her family has been beside her on this journey standing together against those who don't understand the true meaning of tolerance and unconditional love. Now Jazz must learn to navigate the physical social and emotional upheavals of adolescence—particularly high school—complicated by the unique challenges of being a transgender teen. Making the journey from girl to woman is never easy—especially when you began your life in a boy’s body. PRAISE FOR JAZZ JENNINGS:  “Jazz is one of the transgender community's most important activists.† —Cosmopolitan  “A role model for teens everywhere.†—Seventeen.com  “Wise beyond her years.†—Teen Vogue</p> Crown Books for Young Readers paperback
1959041086New York: GAC-Super Productions 1959. First Edition. Softcover. Very Good. 24pp; illustrated throughout from photographs some full-page. Bound in pictorial wrappers 12.75" x 9.75" This concert tour program features Ahmad Jamal and Dakota Staton as well as Benny Goodman and his Orchestra. Unrecorded by WorldCat. GAC-Super Productions unknown
1953041135New York: Columbia Records 1953. First Edition. Softcover. Fine. 24pp; illustrations from photographs throughout some full-page. Text includes "The Benny Goodman Story" by Hal Webman "The Louis Armstrong Story" "The Fletcher Henderson Fund" by John Hammond and brief biographies and photographs of all of the musicians. Bound in pictorial stiff wrappers 12" x 9" The Benny Goodman portion of the concert includes Teddy Wilson Gene Krupa Charles Shavers Ziggy Elman Georgie Auld Willie Smith and Helen Ward. The Armstrong All Stars featured Louis on trumpet Joe Bushkin-piano Cozy Cole-drums Arvell Shaw-bass Barney Bigard-clarinet Trummy Young and Vernon Brown-trombone Velma Middleton-vocalist. WorldCat locates three holdings of this fine program: Newberry Lib U Missouri McGill. Columbia Records unknown
20071769150102074Imports 2007-10-23. Audio CD. Like New. CD plays perfectly & the case looks good. Imports unknown
1962biblio890<p>This is a very usable copy of the scarce collection of sheet music associated with Fred Astaire's most memoraqble performances.</p><p>Photos on request.</p> Harms, Inc. paperback
0704373300.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1957206793New York 1957. Old horizontal fold barely detectable; fine and bright. Original handbill 6 x 9 in. printed on one side only in black red and yellow. Vintage boxing-style handbill for the Carnegie Hall dates of this 1957 tour featuring a dizzying array of Jazz stars headlined by Count Basie with Joe Williams Billy Eckstine and Sarah Vaughan. Other performers included Jeri Southern Bud Powell Lester Young Zoot Sims Chet Baker Phineas Newborn Roy Haynes and others. unknown
1956H32985New York: Birdland Jazz Club 1956. First Printing. Wraps. Very good. 12 x 9 inches pictorial wraps very good light wear and toning. 24 pp. with photos biographies of the main acts reprints of articles some ads. Very rare OCLC locates NO copies of this in any institution. The jazz club is still extant but in a different location: at the time this was at 1678 Broadway owned by Morris and Irving Levy and Oscar Goodstein. In 1965 the club moved because of rent increases. Although the club was named in honor of Charlie "Yardbird" Parker he rarely played there. It was considered the premier NYC jazz club of its time. This booklet gives information on the performers they had lined up for 1956: Sarah Vaughan Count Basie Al Hibbler Lester Young Johnny Smith Bud Powell Joe Williams plus the East/West Jazz Septet. Birdland Jazz Club unknown
1980KOS02201844Jazz people 1980. Soft Cover. Fine. KOS02201844 Jazz people paperback
1574241087.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2022x-1648040853Dorrance Publishing Co. 2022. Paperback. New. 400 pages. 9.00x6.00x1.04 inches. Dorrance Publishing Co. paperback
1648040853.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781648040856Paperback / softback. New. paperback
2008TK231990Tasneem Gallery Barcelona 2008. 1st Edition. SOFTCOVER. Extra Large 4to. in colour printed stiff card covers 55pp on thick art paper colour plates etc. Dual text in Spanish and English __CONDITION : NEW unread and unmarked copy very slight bump to bottom edge of spine. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tasneem Gallery Barcelona paperback
192839300New York: Rae D. Henkle 1928. 8vo. viii 182 pp. Yellow boards orange lettrng w/ d.j. NF/NF. First edition of this scarce and riotous anthology of essays and humor on the Jazz era including Flappers are safeguards Men are the vainer sex Parents are snobs Stupid men marry early and much more. Rae D. Henkle, hardcover
193560373New York: Grosset & Dunlap c. 1935 1941. 8vo. 310 pp. Beige publisher’s cloth blue lettering on spine minor shelwear soiling w/ d.j. moody Art Deco cover art by Arthur Hawkins representing Manhattan’s Upper Eastside minor chipping head of spine couple closed tears creasing edgewear still VG/G copy w/ original Newport OR drugstore stamp on front pastedown. First Grosset Edition reprinting the 1935 Harcourt Brace original of this novel set against the backdrop of the waning years of the Jazz Age and the promiscuous experiences of Gloria Wondrous including her affair with Weston Liggett and assorted friends. In 1960 25 years after its first publication the novel was adapted into the film starring Elizabeth Taylor for which she won the Academy Award for Best Actress. Grosset & Dunlap, hardcover
1924List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music.<br /> <br /> The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’â€.3<br /> <br /> Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC.<br /> <br /> 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978.<br /> 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992.<br /> 3 “Act 3. New York Introduction: 1924–1925†Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1999122663Tondo / Arena Editions 1999. First Edition . Oversized Hardcover. Good/Good. 4to - over 9¾" - 12" tall. 203pp. Original black cloth covered boards. Stated First Edition 1999. Forword by Gordon Parks. Pages are clean unmarked but age-toned. Binding is tight and secure. Boards have light sunning to edges rubbing to extremities lower right corners are frayed. Unclipped pictorial DJ is sunned/finger soiled with bumping to head of spine rubbing to corners. We have added a removable mylar covering to dust jacket for protection. Nic e reading copy. <br/> <br/> Tondo / Arena Editions hardcover
19932249Copenhagen: JazzMedia ApS 1993. Hardcover. Good/good. Blue cloth hardcover with gilt spine lettering in dustjacket. A good copy with general wear at the board edges and crimping at the spine tips. Price erasure to the top of the front free-endpaper appears to be the only writing in the book. Binding and hinges are solid but lacking tightness. The dustjacket is also good with chips and short tears around the panel edges and a taped tear at the head of the spine panel. 334 pp. a detailed discography with a really nice selection of black and white photos at the rear. Baker "is known for major innovations in cool jazz that led him to be nicknamed the 'Prince of Cool'" - a hard to find title. <br/><br/> JazzMedia ApS hardcover
42080County Borough of Hastings In-8 4pp. unknown
B9798230388487Paperback / softback. New. paperback
1949List3677New York City: Edwards Music Co. and others 1949. Ten pieces of sheet music see full inventory below. Overall Near Fine. A representative group of sheet music publications by Willie “The Lion†Smith one of the defining architects of Harlem stride piano and a central transitional figure between ragtime-era keyboard traditions and modern jazz performance. Active in New York during the formative decades of twentieth-century jazz Smith developed a powerful pianistic approach combining rhythmic authority harmonic sophistication and improvisational independence becoming widely regarded as a “musician’s musician†and an influential mentor to figures including Duke Ellington.1<br /> <br /> Emerging from the uptown New York scene shaped by pianists such as James P. Johnson and Luckey Roberts Smith helped define the stride style that grew from ragtime into a more expansive jazz idiom frequently performing at Harlem rent parties and participating in competitive “cutting contests†that tested virtuosity and improvisational skill. Smith also published sheet music producing piano solos novelty songs and popular compositions. Offered here are ten pieces reflecting the breadth of his printed output including collaborative songs and published folios issued by firms such as Leo Feist Edwards Music Co. Mills Music and Joe Davis. In his 1964 memoir Smith recalled hearing in everyday life “another weird but musical sound… that I can still hear in my head.â€2<br /> <br /> Uncommon on the market we find only four first edition copies of Smith sheets available at the time of writing with most of these not available. <br /> <br /> Titles include:<br /> <br /> “Between Sharps and Flats An Unusual Piano Soloâ€. Willie Lion Smith. New York: Edwards Music Co New York 1949. 5 pp. Fine condition. <br /> <br /> “Curfew Time in Harlem Novelty Songâ€. Willie The Lion Smith and Neil Laurence. New York: Joe Davis Inc New York 1938. 3 pp. Near fine with minimal wear. <br /> <br /> “Echo of Springâ€. Willie The Lion Smith. New York: Leo Feist Inc New York 1946. 6 pp. Fine condition. <br /> <br /> “How Could You Put Me Down†Willie The Lion Smith with James P. Johnson and Mitchell Parish. New York: Mills Music Inc 1945. 5 pp. Fine condition. <br /> <br /> “Karnival on the Keys A Modern Piano Fantasyâ€. Willie Lion Smith. New York: Edwards Music Co New York 1945. 5 pp. Fine condition. <br /> <br /> “Let’s Go Joeâ€. Cab Calloway Willie Lion Smith and Jack Palmer. New York: Rytvoc Inc 1942. 3 pp. Fine condition. <br /> <br /> “Let’s Mop It Mop! Mop!â€. Jack Edwards Fred Norman and Willie Lion Smith. New York: Edwards Music Co 1942. 3 pp. Fine condition. <br /> <br /> “Modern Piano Solos†folio. Willie The Lion Smith. New York: Leo Feist Inc 1939. 26 pp. Very good plus with a small chip to front wrap. <br /> <br /> “Rippling Watersâ€. Willie The Lion Smith. New York: Leo Feist Inc New York 1939. 5 pp. Fine condition. <br /> <br /> “Sneak Away Piano Soloâ€. Willie The Lion Smith. New York: Mills Music Inc 1937. 5 pp. Fine condition.<br /> <br /> 1 “Willie ‘The Lion’ Smith: Stride Piano Master†NPR’s ‘Jazz Profiles’ June 11 2008 https://www.npr.org/2008/06/11/91365108/willie-the-lion-smith-stride-piano-master.<br /> 2 Willie Smith Music on My Mind: The Memoirs of an American Pianist Doubleday: 1964. Edwards Music Co. and others unknown
