1 000 résultats
197354298ECM Records, [1973]. 835 020-2 CD CD
2000Q-087930619XBackbeat 2000-11-30. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
199945049Superclasse, 1999. SUC 9907 CD CD CD
199045345DMP, 1990. CD 478 CD CD
199451194Traumton, 1994. 2406 CD CD
199454566Traumton, 1994. 2406 CD CD
1928173491Austria: 1928-33. Girljazzband" wows 1920s Austria A delightful Jazz Age scrapbook that doubles as liber amicorum and guest book assembled by the pianist and singer Anny Gloss recording in part her career with the Ninon Fleuron Jazz Ladies opening a window into the experiences of European women in jazz during the music's formative years. The first set of newspaper clippings record that in 1928 Gloss was teamed with the American "Jazz Queen" Elsie Teele at the "charming and elegant" Viennese bar the Bonbonnière with Teele billed as "the female Whiteman" - she gave the Austrian premier of Gershwin's Rhapsody in Blue in 1927. Much of the album is then devoted to Gloss's experiences at Hotel Radetzky in Hinterbrühl Lower Austria where she performed as part of the Ninon Fleuron Jazz Ladies. At the time the other members of the band were the eponymous Ninon Fleuron drums pseudonym of Rosa Sophie Radio 1899-1974 Mariska Gerö violin and Gretl Heller piano. One advert mentions them "Singing the Latest American Song-hits" while a newspaper clipping praises their "rendering of classical music". The album contains numerous messages sometimes addressed to her directly from friends audience members and well-wishers. While most of these are in German some are in English "Your music makes me feel 10 years younger". The Ninon Fleuron Jazz Ladies which had various personnel came to an abrupt end with Hitler's invasion of Austria in 1938. Gloss also performed under the name Anni Hölzl as demonstrated by the cast list for a 1931 performance of Der Kärntner Totentanz and the programme for a concert in which she had a soprano solo 1933. Octavo 241 x 190 mm ff. 60 final 20 ff. blank. Contents generally on rectos only numerous items of ephemera pasted in including c.20 newspaper clippings 15 original silver gelatin photographs of which two are signed by Ninon Fleuron messages and autographs in various hands one watercolour sketch of the Karlskirche Vienna one concert programme loosely enclosed. Original patterned cloth covers light orange endpapers. Binding just slightly shaken otherwise in excellent condition. hardcover
199854896Blue Note, 1998. CD CD
1996140582Stuttgart : Reclam, 1996. 332 S. mit zahlreichen Abbildungen; 21 cm; gebunden, illustrierter Orig.-Pappband; [2 Warenabbildungen]
19857001893NY: FSG 1985. Bound in tan glossy illustrated wraps with an illustration of the author on the front panel with a pair of drumsticks. . This is the revised version of the first edition. It contains all of Larkin's reviews from 1961-1971 and a discography that is revised for American audiences. 288 pp. discography. First American Edition. Soft Cover. Very Good /No Jacket - As Published. FSG Paperback
198961965London, Faber & Faber, 1989. 8°, 312 S. Softcover/Paperback, Seiten alters- und papierbedingt gebräunt, sonst guter Zustand
199954852Ma Recordings, 1999. M049A CD Digipak
200055412Hildesheim / Zürich / New York, Olms-Presse, 2000. 2., verbesserte und ergänzte Auflage. Mit zahlreichen Abbildungen. 177 S. Gr.-8°, Pp. Leichte Gebrauchsspuren, Strich auf dem unteren Bucschnitt, sonst gut erhalten.
199648219Enja, 1996. ENJ-93012 CD CD
199221663EMI Classics, 1992. 1 CD Audio-CD
193934468NY: W. W. Norton. Very Good in Good dust jacket; Jacket rubbed and worn at corners and head . and tail of spine. 1939. First Edition. Hardcover. Blue cloth binding. Index. Five photos. "American Jazz Music is the first book by an American to deal with the subject as a whole in its technical as well as its historical aspects." from front jacket flap. ; 8vo 8" - 9" tall; 230 pages . W. W. Norton hardcover
19756440583Oxford: Oxford University Press 1975. 536 S., mit Notenbeispielen 23cm x 15cm
195511433NNew York, New World Music, 1955. ohneVNR., Klein-Quart (22,8 x 17,2 cm), (1), 94 Seiten Orangefarbener Original-Karton (lichtschattig) Papier minimal gebräunt
197082323Time-Life Records, U.S.A., 1970. 30,5 cm ; broschiert
192062329Portland OR Spokane WA San Francisco CA & Seaside OR: Lyle E. Lewis Dance Orchestra ca. 1920-1944. Eight vols. 1st - 4to. 48 pp unpaginated. on thick black paper w/ 100’s of pieces of ephemera mounted and laid-in including 7 silver gelatin photographs sized from 5 x 7 in. up to 8 x 10 in. many different TLS and ALS most on stationery letterhead for assorted hotels KGW Radio and others many newspaper clippings tickets promotional brochures advertising cards dance tickets along with a spoof printed “Wanted†notice for Ted Mullen alias Sourdough Sullen with $ 500 million reward offered and large double-page advertising broadside on yellow-gold tinged thick paper stock at rear for gig in Astoria OR under the auspices of the Co. L 186th Infantry Oregon National Guard. Contemporary pebbled black boards punch-sewn at gutter margin chipping edgewear still VG- exemplar; 2nd - 4to. 92 pp unpaginated w/ majority of leaves on ruled paper including 18 leaves of mylar sleeves featuring the majority of the 23 silver gelatin photographs most sized 8 x 10 in. photographer’s imprints on versos remainder w/ clippings promotional announcements tickets broadsides ALS & TLS documents throughout along with a long radio program script. Contemporary 2-ring blue cloth binder rounded corners some edgewear rubbing still VG; 3rd-7th - 16mo. Five daily diaries Approx. 700 pp unpaginated. w/ approx. 4000 words manuscript annotations in ink & pencil throughout featuring some laid-in miniature photos receipts business cards including 1 photographic souvenir business card for Cole McElroy’s Dance Band and Cole McElroy’s Spanish Ballroom 1 tiny postage stamp photo of Lewis at his bungalow in Seaside all bound in cloth some wear still VG grouping; 8th - 12mo. Approx. 150 pp unpaginated. of ruled paper mostly typescript ink & pencil manuscript some ruling throughout annotations & checkmarks last 4th or so blank. Flexible black cloth 6-ring binder business card for Lewis as Commercial Agent for ACME Fast Freight taped in on front pastedown 3 blank routing order forms in red & black some scuffing edgewear still VG all from the library of Genevieve Martha Lewis Levin 1911-1994. This unusually well-preserved archive of a Roaring 20’s Jazz Orchestra musician and Band Leader in the Pacific Northwest reveals the exuberance and business success of this largely forgotten artist through his successful years before foundering during the Great Depression. Both scrapbooks open with clippings thank you and recommendation letters as well as dance broadsides and photographs during 1926 at the height of Lyle Lewis’s orchestra appreciation. Testimonials include B.J. Saad who owned the Garden Dancing Palace and stated “I have taken the Garden which is second to no other ballroom west of Chicago. That is why I have secured Lyle Lewis recognized as one of the best orchestra leaders on the Coast.†C.W. Craig of Lipman Wolfe & Co. department store extolls that Jazz music dance held at the Multnomah Hotel March 16 1926 that “I don’t think we have ever enjoyed better or more up to date dance music than that furnished by your splendid aggregation.†Broadsides and notices advertise the Lewis Jazz Orchestra playing the Grand Ball Room at the Masonic Temple Congress Hotel leading McElroy’s Oregonians at the McElroy’s Spanish Ballroom the Dessert Hotel Oasis near Spokane parties for Studebaker and more. One of the mounted letters includes a rather sad severance letter signed by Cole McElroy explaining the circumstances of Lyle Lewis’s leaving stating “I realise that you were a victim of circumstances. On account of the fact that you had a fine band organized. . . certain music masters of the theatre jobs saw fit to take your men away from you thereby breaking up your fine band and forcing me to make a deal for another organization.†McElroy 1888-1947 was known as “Pop†McElroy was a popular band leader who during the years before World War I and after played the Palm Gardens often and had great success in his McElroy Spanish Ballroom which opened in 1926 and then opened another Seattle McElroy Ballroom in 1928. Several TLS on letterheads include those for KXL Radio station KGW Radio Station and the KOIN Studio Director for The Portland News which played three nights a week on air for over six months. The many photographs capture the Lyle Lewis band joking around with their instruments on the road fully arrayed on stage in the Radio Station posing at various venues stages and even one as late as 1939 conducting the Lyle E. Lewis Dance Orchestra. The band included Cluet Mansfield formerly with Henry Halsted band William Webber on drums Eddie Scroggins & Frank Champion as sax players G. Berardinelli on Bass and also played dances at the Irvington Club Multnomah Athletic Club and for a while with the historic Congress Hotel in Portland which had been the City’s first reinforced concrete building erected during the Progressive Era and by 1924 expanded to 119 rooms with vibrant Jazz ballroom. The daily diaries for 1929 and 1930 show that Lewis regularly played at the Cotillion Hall now the Crystal Ballroom initially at $ 7.00 per night in 1929 and then steadily dropping to less than half by 1933. He writes about traveling for a gig in San Francisco with Mansfield in 1929 leaving Tuesday and arriving Wednesday Sept. 18 1929 driving 40 mph and getting 19 miles to the gallon with a drive made in 19 hours and 15 minutes. He played extensively at the Bungalow Club in Seaside OR which had opened originally June 19 1920 and for more than 25 years was the destination for the biggest names in the Big Band Jazz era including Lyle E. Lewis Cole McElroy Duke Ellington Bob Crosby Glenn Miller and tragically became connected with the death of Jimmie Lunceford who died from a heart attack just before playing his last set at the Bungalow after playing McElroy’s Ballroom in Portland 2 nights before. Lewis 1890-1948 was a popular Portland Oregon based jazz band & orchestra leader who managed to lie about his age and enlist at 15 in the Oregon National Guard Co. G 3rd Battalion served for three years and in May 1910 married Genevieve Franklin while working as salesman and musician before World War I Following the War he quickly became a successful band leader including successful stints with the Cole McElroy Spanish Ballroom Congress Hotel Multnomah Hotel Bungalow Garden Ballroom as well as the Coronado Hotel in California. As indicated by the daily diaries he maintained a fairly close relationship with his daughter Genevieve “Martha†but became largely estranged from his wife Genevieve living in separate rooming houses or hotels. Still in her position as a sales manager she managed to convince Meier & Frank to hire him as their house band for store functions and the restaurant while during the Great Depression he mostly worked for the US Forest Service mapping division while his show business largely disappeared. By 1943 he became the commercial agent for ACME Fast Freight where he worked as commercial agent until his death. This cataloguer could find no surviving recorded discography record for Lyle E. Lewis and his assorted incarnations although there are a few recordings for the Cole McElroy Band from 1926-1928 which most likely would have included him as band leader and musician. Lyle E. Lewis, Dance Orchestra, hardcover
199448034Columbia, 1994. 4775882 CD CD
199832253Schacht-Audorf : Köller 1998. 387 S. : zahlr. Abb.; 25 cm kart., Softcover/Paperback, Schnitt oben fleckig, sonst Exemplar in gutem Erhaltungszustand
1925637371925. Ansichtskarte, gelaufen, beschrieben, mit leichten Gebr.spuren, gutes Ex.
200051271Verve, 2000. 490 669-2 CD CD
1930168557N.p.: N.p. 1930. Large personal archive of nearly 150 photographs of various jazz blues and popular music performers nearly 50 of which are inscribed as well as a handful of personal and family photographs all belonging to jazz drummer and bandleader Nathaniel Jack Nat "Monk" McFay with the majority of photographs dating from the 1930s to the 1950s in jazz clubs in Texas Oklahoma Los Angeles San Francisco St. Louis and Hawaii.<br /> <br /> An impressive archive that is a literal survey of African-American jazz blues and popular music in the first half of the twentieth century all associated with and many inscribed to a notably loved and respected musician and bandleader<br /> <br /> Included among the nearly 150 photographs in the archive are press photographs of African-American jazz blues and popular music performers including: Louis Armstrong Louis Armstrong with Roy Eldridge and Art Tatum at Stuff's Back Stage Club Warren Bracken Buddy Banks Earl Bostic Kirtland Kirk Bradford "Stuffy" Bryant "Sister" Wynona Carr performing with McFay and Art Foxall Sidney "Big Sid" Catlett "Little" Harry Caesar The Eddie Christian Band Marie Dickerson Coker Gene Coy Tina Tixon Dorothy Donegan The Dorsey Brothers Orchestra Lorenzo Flennoy aka Flournox Troy Flloyd Viviane Greene George Jenkins Betty Hall Jones Luke Jones Lorenzo "The Hat" Manley Oscar McLollie wrestler Jim "Black Panther" Mitchell James Moody Esvan Mosby Gladys Palmer Cleo Pierce William "Frosty" Pyles Nina Russell Leslie Sheffield Fred Skinner Effie Smith Fletcher Smith C.B. Stroud Rabon Tarrant and Aaron Thibeaux "T-Bone" Walker among many others.<br /> <br /> As well as the aforementioned musicians and performers the archive also includes various photographs of McFay performing and socializing with various musicians bands and orchestras throughout his career. Also present are: a circa 1915 group schoolhouse photograph presumably including McFay or family members a 1931 photograph of the Salem Baptist Church congregation a 1949 Certificate of Award to McFay from the Bay Area Negro Business Men a "Clef Club" by-laws booklet dated 1957 and a 1986 pencil portrait of McFay artist unknown.<br /> <br /> Nathaniel Jack Nat "Monk" McFay born in Wichita Falls Texas in 1908 began his storied musical career in the early 1930s playing drums for Roderick Thomas' territory band Red Williams and Joe Brantley's Spotlight Entertainer Orchestra in Texas and Oklahoma before moving to Los Angeles in 1935. It was in Los Angeles that McFay joined Bernard Banks' ensembles Bernard Banks and His 5 Clouds of Rhythm and the Bernard Banks Sextet and with whom he made his first of many tours of Hawaii playing the Casino Ballroom in Honolulu. In 1936 McFay lead his own band at the Casa Loma Ballroom in St. Louis with which he toured Honolulu again in 1937. From 1938 to 1944 McFay played along side with among many others Leslie Sheffield Henry Coker and Harlan Leonard before rejoining Buddy Banks again in 1945. It was in 1945 that McFay made his first recordings with the Buddy Banks Sextet Marion "The Blues Woman" Abernathy and Howard McGhee and His Combo which included Charles Mingus. McFay's career continued through the 1950s and into the 1960s playing in and leading various ensembles largely in Los Angeles and Honolulu.<br /> <br /> Photographs: 11 x 14 inches 1 8 x 10 inches 97 5 x 7 to 10 x 7 inches 20 1.5 x 2 inches to 4 x 5 inches 31. Very Good to Very Good plus overall many with creasing and chipping. Eight of the above photographs mounted onto cardboard as maintained by McFay.<br /> <br /> Other materials: Very Good plus overall. N.p. unknown
