Donizetti

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Gaetano DonizettiBiblio.com

Anna Bolena. Tragedia Lírica. Posta in Musica e Ridotta per il Piano Forte Anne Boleyn

Mucidi (Composed by) GUISEPPE DONIZETTI [PACHA], (1788-1856).Biblio.com

FATHER of the MODERN MUSIC and MUSIKA-YI HUMÂYÛN / FIRST ANTHEM of the OTTOMAN EMPIRE in the WESTERN STYLE SHEET MUSIC Marche Imperiale Ottomane.= Devlet-i Âliyye-i Osmaniyye marsi. Arrangee pour piano par Giovanni Avolio 1849-1936.

1918052375Pera - Constantinople: Imprimerie D'Andria 1918. 1st Edition . Soft cover. Very Good. Folio - over 12 - 15" tall. Paperback. Folio. 33 x24cm. In Ottoman script and French. 3 1 p. Ottoman stamped in period. The Ottoman Empire used anthems since its foundation in the late 13th century but did not use a specific imperial or national anthem until the 19th century. During the reign of Mahmud II when the military and imperial band were re-organized along Western lines Giuseppe Donizetti was invited to head the process. Donizetti Pasha as he was known in the Ottoman Empire composed the first Western-style imperial anthem the Mahmudiye Marsi. Like in many other monarchies of its time the anthem of the Ottoman Empire was an imperial anthem not a national one. Hence it paid homage to a specific ruler and a new anthem was composed at each imperial succession. However in 1844 with the Tanzimat reforms the Mecidiye Marsi was recognized as the first official Ottoman national anthem. The first official Ottoman national flag which was in essence identical to the present-day Turkish flag was also adopted in 1844. Giuseppe Donizetti was an Italian musician. From 1828 he was Instructor General of the Imperial Ottoman Music at the court of Sultan Mahmud II 1808-39. His younger brother was the famous opera composer Gaetano Donizetti. He studied music first with his uncle Carini Donizetti and later he was a pupil of Simone Mayr. After enlisting in Napoleon's army 1808 he served there as band leader. He took part in the campaigns against Austria and in Spain and followed Napoleon to Elba. He was present at the Battle of Waterloo. After the fall of Napoleon he continued his career as a bandmaster in the Savoy army. Giuseppe Donizetti Pasha as he was called in the Ottoman Empire played a significant role in the introduction of European music to the Ottoman military. Apart from overseeing the training of the European-style military bands of Mahmud's modern army he taught music at the palace to the members of the Ottoman royal family the princes and the ladies of the harem is believed to have composed the first national anthem of the Ottoman Empire supported the annual Italian opera season in Pera organised concerts and operatic performances at court and played host to a number of eminent virtuosi who visited Istanbul at the time such as Franz Liszt Parish Alvars and Leopold de Meyer. Although the elder Donizetti was born in Bergamo Italy Constantinople became a second home for him and he lived there until his death in 1856. He is buried in the vaults of the St. Esprit Cathedral near the Beyoglu district of Istanbul in Pera. Giovanni Avolio 1849-1936 was an Italian conductor and composer. According to the sheet musical paper this first anthem was composed in 1831 by Donizetti and arranged by Avolio into piano in 1918. J. D. Andria is one of the best known music publishers among the Ottoman Empire mionrities. According to he documents in hand it can be estimated that he began musical score publication in the year of 1904. Andria dealt with music publication at the address of Beyoglu Istiklal Street Near Agha Mosque at 68 no. Andria also published four pieces of Turkish marche parties for piano as far as we know; besides his big sized west music works which were published in general by him. Donizetti's 'Marche' is one of them as well besides Halit Recep Arman's Miilok's and Orente's ones. It is known when publishing life of Andria ended. Source: Musical publications from Ottoman Empire up today 1876-1986.; BÜLENT ALANER. Imprimerie D'Andria paperback

Khalkedon Rare Books ABA, ILAB, IOBA, ESA · Turquie425,00 $US≈ 359,59 €

DONIZETTI, Gaetano 1797-1848Biblio.com

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua Maestà Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

184228417Milano: Ricordi PNs 13931-55 1842. Oblong folio. Contemporary dark blue cloth with decorative blindstamping gilt rules to edges and spine "E.P. Mavromihali" stamped in gilt to upper. 1f. title within decorative dark yellow border ii recto named cast list verso listing 25 numbers 3-275 pp. Engraved. Each individual number with separate pagination. With overpaste of the contemporary music seller Domenico Vicentini of Trieste to title. Cast list includes Eugenia Tadolini as Linda Agostino Rovere Napoleone Moriani Prospero Derivis Felice Varese and Marietta Brambilla. With early musical embellishments to Linda's part in Number 12 p. 127 and additional occasional performance markings in pencil. Binding worn rubbed and bumped at extremities. Slightly worn; some minor foxing; minor thumbing to lower outer corners; very minor staining to lower margin of final leaves; occasional vertical creasing; upper margin trimmed occasionally just affecting printed area and titles but with no loss of music. Second edition first Italian edition published just months after the first edition published in Vienna in May of 1842. Bergamo catalogue 46. Inzaghi IN. 73 p. 192. Crawford pp. 146-7 incorrectly describing this as the first edition. A melodramma semiserio in three acts to a libretto by Gaetano Rossi after Adolphe-Philippe d'Ennery and Gustave Lemoine's play La grace de Dieu Linda di Chamounix was first performed in Vienna at the Kartnerthortheater on May 19 1842. "The score of Linda is a monument to Donizetti's unfailing good taste from the finely crafted overture to the final ensemble. Along with Bellini Donizetti epitomized the Italian Romantic spirit of the 1830s. If Bellini expressed Italian Romanticism in its most concentrated form Donizetti compensated by a greater versatility and resource and a stronger feeling for dramatic movement. He also had the benefit of a more thorough musical training under Mayr and Mattei and this contributed much to his superior fluency of technique and invention." TNG II online. Ricordi [PNs 13931-55] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis1 093,00 $US≈ 924,79 €

Sosson, Alexander; Mauro Guiliani, A Bertioli, F W Brandau, Alexander Lee, Osmond G Phipps Donizetti, Auber, Thomas Haynes BaylyBiblio.com

A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson bound with 25 contemporary scores:

008610D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; . 1st Edition . Half Calf. Fair/No Jacket. Folio - over 12 - 15" tall. Circa 1830 - 1850. This is a fascinating bound volume of guitar music scores from the early part of the 19th Century including an early instruction book on how to play the Spanish Guitar: "A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson." This section runs to 35 pages and has music and exercises for the guitar student discussing finger position tuning arpeggios slurring chords barring and much more. Thereafter are bound 24 contemporary scores as follows most pub by D'Almaine unless otherwise stated: 1. Three Variations for the Spanish Guitar Die Feindlichen Vollkstame composed by Mauro Guiliani Op 7 Fingered by A Bertioli published by the Author expressly for his Pupils 42 Rathbone Place Oxford Street. 2. An Italian Air Composed for the Piano Forte and Spanish Guitar respectfully dedicated with permission to Miss Spike by Alexander Bertioli pub by S Chappell 50 New Bond Street. 3. Love Will Play The Leading Part sung by Mr H Phillips at the Theatre Royal Covent Garden in the Grand Opera of Lestocq or the Fete of the Hermitage arranged for the Spanish Guitar and Dedicated to James Hepburn Esq by F W Brandau pub by D'Almaine. 4. Come Dwell With Me Ballad Sung by Mrs Waylett The Poetry by T Haynes Bayly The Music Composed by Alexander Lee arranged. by F W Brandau. 5. Bochsa's Celebrated Harp March arranged. by Osmond G Phipps pub by D'Almaine and Co. 6. The Wind and the Beam Loved The Rose sung by Mrs Keeley in the Musical Romance of the Last Days of Pompeii arranged by F W Brandau pub by D'Almaine. 7. Vivi Tu Te Ne Scongiuro from Anna Bolena composed by Donizetti arranged. by F W Brandau. 8. Cielo A Miei Lunghi Spasimi Prayer. by Donizetti arr. Brandau. 9. Masquerade Song sung by Miss Shirreff. in the Grand Opera Gustavus the Third. by Auber arr. Brandau. 10. Teach Me To Forget Ballad. Poetry by Thomas Haynes Bayly. arr. C M Sola. 11. Non Giova Il Sospirar arr. C Eulenstein 12. A Savoyard Air arr. A Bertioli. 13. Carulli's Preludes and Scale with Six Variations by Giuliani. by Bertoli 14. Though the Day of My Destiny's Over. by Lord Byron. Alexander Lee. by F W Brandau 15. Kate Kearney. by Miss Owenson. arr C Eulenstein 16. Non V'Ha Squardi Cavatina. by Donizetti arr. F W Brandau 17. Night At Sea. composed by Henri Herz. arr. Osmond G Phipps. 18. Oh! Gentle Love!. arr. F W Brandau 19. Ye Banks and Braes from Flowers of Song arr by T B Phipps and other composers pub T Holloway London 20. Memory from Flowers of Song arr by T B Phipps and other composers pub T Holloway London. 21. Ye Mariners of Spain Song of the Galley from a Set of Six Ancient Spanish Ballads. words by John Lockhart. composed. by Mrs Robert Arkwright. pub J Power. 22. The Light Bark. by Miss Mahony. arr by J T Craven. 23. Roland the Brave. by Thomas Campbell. arr by Mrs Robert Arkwright 24. A Canadian Boat Song arr for Three Voices by Thomas Moor. The book is in half green calf rubbed and worn with the backstrip separating. There is a small amount of of bookworm damage to the outer edge of the leaves not affecting the print area and one leaf has a lateral closed tear no loss. In all this is a rarety with guitar scores being fairly unusual and with songs here little-known. Searches for the titles herein reveal most are not available for sale elsewhere. Scarce if not rare. D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; unknown

Tobo Books · Royaume-Uni2 000,00 £GB≈ 2 283,60 €

DONIZETTI, Gaetano 1797-1848Biblio.com

Autograph musical quotation signed "Donizetti Lucia di Lammermoor - 1836

398711 leaf. Oblong quarto 210 x 284 mm. Four measures in keyboard score from the duet between Lucia and Edgardo in Act I Scene IV set to the words "A' miei voti in vovo il cielo" From all danger be guarded for ever. Notated in ink at the blank lower margin of an original accomplished drawing depicting a male and female figure in costume presumably the characters Lucy and Edgardo in Donizetti's opera. Signed and dated by the artist in ink: "Clelia de Vera d'Aragona fece 14 Luglio 1838." In pen watercolor and brown wash with highlights in light gray gouache. Slightly worn; quite browned; offsetting from contact with another leaf of textual manuscript creating a slightly bleached appearance; small binding holes and fraying to left edge. Partial watermark most probably of the English paper maker J. Whatman. Provenance Christie's Rome 13 December 2001 Lot 337. Lucia di Lammermoor with a libretto by Salvatore Cammarano was first performed in Naples at the Teatro San Carlo on 26 September 1835. "It . very quickly became one of the most universally popular operas of the nineteenth century. . Donizetti himself writing to Ricordi three days after the première was in a rare state of excited exaltation: 'Lucia di Lammermoor went on . It pleased and it pleased very much if I am to believe in the applause and the compliments I received. I was called out many times the singers even more often. . Its title role has been impersonated by almost every soprano since 1835 who has supposed herself or has been supposed by others to have sufficient agility and enough dependable very high tones; the role of Edgardo has been favored by most of the non-Wagnerian tenors . The opera's second-act sextet 'Chi mi frena in tal momento' achieved an almost unique universal familiarity . The 'Mad Scene' became the chosen proving ground and applause-gatherer for an apparently unending succession of prima donnas. . With Rossini operatically inactive and Bellini dead Lucia di Lammermoor went far toward establishing Donizetti as the most eagerly sought-for of living Italian composers of opera - and therefore of all Italian composers - for the rest of his active life." Weinstock: Donizetti pp. 110-111 The artist was presumably a member of the historic Italian family De Vera d'Aragona of Naples. A unique and attractive document despite defects as noted. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis4 370,00 $US≈ 3 697,46 €

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