489 résultats
82669Heugel H. 6888 1905, feuillet de 8 pages + partie violon de 4 pages - bon état
19774331838Ediciones Destino 1977. Volume 499. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item300grams ISBN:8423306577 Ediciones Destino hardcover
233364 pp. of a bifolium. Small octavo. Dated Monday evening December 5 between 1883 and 1891. On ivory paper with black borders. In French with translation.<br/><br/>Having returned to Paris Delibes is anxious for news of the second run of his opera Lakmé. Because his correspondent's letter was delivered to the wrong address he has had to seek information elsewhere. Unfortunately another audience member has told him that the tenor and "basse chantante" have weak voices. Delibes suggests they replace the latter with a certain "Monsieur Schmidt" in order to increase ticket sales. In January he and his correspondent will discuss his opera Le Roi l'a dit which premiered at the Opéra-Comique on May 24 1873.<br/><br/>"Unfortunately a more recent letter.tells me that our tenor is always weak as well as the 'basse chantante' i.e. high lyric bass and that the whole weight of the performance rests on Madame Alice Verheyden who alone has some success in the work. I add that these reports do not come from her husband!"<br/><br/>Slightly soiled and foxed; creased at folds. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online.<br/><br/>Lakmé is considered the composer's masterpiece. It offers more than just a fine vehicle for a star soprano; the two principal male characters Nilakantha and Gérald are firmly drawn and the music is melodic picturesque and theatrically strong. The opera was first performed at the Opéra-Comique Salle Favart in Paris on April 14 1883. <br/><br/>Delibes's correspondent Miral was perhaps the director of the Théâtre Municipal de Nancy. If this is the case it is quite likely that the production mentioned in this letter took place there. unknown books
271293 pp. of a bifolium. Ca. 161 x 102 mm. Dated "Sunday." On ivory paper. In French with translation.<br/><br/>Delibes discusses a business venture with "our millionaire." He had hoped to see his correspondent the day before at a session of the Exposition jury or a soirée wasn't able to join him at the Opéra-Comique and asks him to give his regards to "Madame Gonzien."<br/><br/>". On Friday I went to meet our millionaire. You have been very kind to him and what I told him about you could only confirm this good impression. But personally he doesn't want to do anything; this is an absolutely firm stance. Only his brewery could benefit from the success of the thing. But he is the principal sponsor and shareholder and promised to 'push the wheel' in your desired direction. "<br/><br/>Slightly worn and soiled; creased at folds; small ink stain to second page affecting one word. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online. unknown books
233083 pp. of a bifolium. Small octavo. Dated "Thursday morning." In French with translation. <br/><br/>Delibes would like to see his friend to discuss some issue of importance. He also mentions several prominent musical figures in Paris: the baritone Jacques Bouhy; Philippe Gille the co-librettist of Delibes's opera Lakmé; Halanzier a director at the Paris Opera; and Léon Carvalho director of the Opéra-Comique. <br/><br/>"In spite of everything Carvalho wants all the same to go ahead and at full steam. When one speaks to him of waiting. he jumps to the ceiling and does not accept any hesitation. This is very embarrassing." <br/><br/>Slightly worn and creased. "Outside the theatre for which Delibes wrote nearly all his music his most notable work was as a composer of choruses now undeservedly neglected. His output of songs was relatively small and that of instrumental and church music almost negligible. His cantata Alger 1865 attracted much attention at the time but has lain in obscurity since. Despite his poor record at the Conservatoire his workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online. unknown books
605465"Leo Delibes" in black fountain pen ink on stiff pale blue card. Monday morning n.d. 4 5/8" x 3 1/2" 1 leaf recto and verso. Text in French. Fine. Referring to an opera arrangement. Signed by Authors. No Binding. Fine. unknown books
39728on a correspondence card saying "All in good time! These are congratulations that are not trivial! They contrast on the uniformity of others. Thank you dear friend. I hope it is rather the musician that the commissioner was targeted; but from me to you perhaps without the other one would not have seen it coming." 2 sides correspondence card Choisy-auBac by Compiègne Oise 4th November no year Choisy-au-Bac par Compiègne Oise Lundi 4 novembre A la bonne heure ! Voilà des félicitations qui ne sont pas banales ! Elles tranchent sur l'uniformité des autres. Merci cher ami. J'espère que c'est plutôt le musicien que le commissionnaire qu'on a visé ; mais entre nous peut-être que sans l'autre l'un n'aurait rien vu venir. Bien cordialement Tout à vous Léo Delibes Choisy-au-Bac by Compiègne Oise Monday November 4th All in good time! These are congratulations that are not trivial! They contrast on the uniformity of others. Thank you dear friend. I hope it is rather the musician that the commissioner was targeted; but from me to you perhaps without the other one would not have seen it coming. Best regards All yours Léo Delibes unknown
39729on a correspondence card saying he is "very sorry that you took the trouble to come to my house without finding me. On Friday I have at the same time the meeting of the commission of authors and composers so I would prefer Tuesday the 18th If that can work out that way it will be for the best. But nevertheless if there was an impossibility I could at worst miss the society of the authors. I'll wait for your summons to be fixed and you can count on me. A thousand compliments and good memories. " 2 sides correspondence card no place 8th March no year Samedi 8 mars Mon cher collègue Je suis très fâché que vous ayez pris la peine de venir chez moi sans me trouver. Le vendredi j'ai à la même heure la séance de la commission des auteurs et compositeurs je préférerais donc le mardi 18 Si cela peut s'arranger ainsi ce sera pour le mieux. Mais cependant s'il y avait une impossibilité je pourrais à la rigueur manquer la société des auteurs. Donc pour me résumer : de préférence le mardi 18 et si ce n'est pas possible le vendredi 14. J'attendrais votre convocation pour être fixé et vous pouvez compter sur moi. Mille compliments et bons souvenirs. Léo Delibes Saturday March 8 My dear colleague I am very sorry that you took the trouble to come to my house without finding me. On Friday I have at the same time the meeting of the commission of authors and composers so I would prefer Tuesday the 18th If that can work out that way it will be for the best. But nevertheless if there was an impossibility I could at worst miss the society of the authors. So to summarize: preferably on Tuesday the 18th and if that is not possible on Friday the 14th. I'll wait for your summons to be fixed and you can count on me. A thousand compliments and good memories. Léo Delibes unknown
21481Paris Saturday 12 November 1887. In French. 4 pp. 6½ x 4½ inches black borders in very good condition. Leo Delibes 1836-1891 French composer ends this letter with another reference to Lakmé: Veuillez me rappeler au bn souvenir de Madame Verheyden qui a été charmante dans Lakmé. Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score written in 18811882 was first performed on 14 April 1883 by the Opéra Comique at the Salle Favart in Paris. Set in British India in the mid-19th century Lakmé is based on Théodore Pavie's story "Les babouches du Brahamane" and novel Le Mariage de Loti by Pierre Loti. Within the period 1883 to 1891 November 12 fell on a Saturday only in 1887. Lakmé opened later that month at the Opera House in Rouen. unknown
233364 pp. of a bifolium. Small octavo. Dated Monday evening December 5 between 1883 and 1891. On ivory paper with black borders. In French with translation.<br /> <br /> Having returned to Paris Delibes is anxious for news of the second run of his opera Lakmé. Because his correspondent's letter was delivered to the wrong address he has had to seek information elsewhere. Unfortunately another audience member has told him that the tenor and "basse chantante" have weak voices. Delibes suggests they replace the latter with a certain "Monsieur Schmidt" in order to increase ticket sales. In January he and his correspondent will discuss his opera Le Roi l'a dit which premiered at the Opéra-Comique on May 24 1873.<br /> <br /> "Unfortunately a more recent letter.tells me that our tenor is always weak as well as the 'basse chantante' i.e. high lyric bass and that the whole weight of the performance rests on Madame Alice Verheyden who alone has some success in the work. I add that these reports do not come from her husband!"<br /> <br /> Slightly soiled and foxed; creased at folds. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online.<br /> <br /> Lakmé is considered the composer's masterpiece. It offers more than just a fine vehicle for a star soprano; the two principal male characters Nilakantha and Gérald are firmly drawn and the music is melodic picturesque and theatrically strong. The opera was first performed at the Opéra-Comique Salle Favart in Paris on April 14 1883. <br /> <br /> Delibes's correspondent Miral was perhaps the director of the Théâtre Municipal de Nancy. If this is the case it is quite likely that the production mentioned in this letter took place there. unknown
271293 pp. of a bifolium. Ca. 161 x 102 mm. Dated "Sunday." On ivory paper. In French with translation.<br /> <br /> Delibes discusses a business venture with "our millionaire." He had hoped to see his correspondent the day before at a session of the Exposition jury or a soirée wasn't able to join him at the Opéra-Comique and asks him to give his regards to "Madame Gonzien."<br /> <br /> ". On Friday I went to meet our millionaire. You have been very kind to him and what I told him about you could only confirm this good impression. But personally he doesn't want to do anything; this is an absolutely firm stance. Only his brewery could benefit from the success of the thing. But he is the principal sponsor and shareholder and promised to 'push the wheel' in your desired direction. "<br /> <br /> Slightly worn and soiled; creased at folds; small ink stain to second page affecting one word. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online. unknown
605465"Leo Delibes" in black fountain pen ink on stiff pale blue card. Monday morning n.d. 4 5/8" x 3 1/2" 1 leaf recto and verso. Text in French. Fine. Referring to an opera arrangement. Signed by Authors. No Binding. Fine. unknown
RO50054248AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 5 pages de partitions. Poésie de Armand Silvestre. Dos et bords de pages renforcés. Tampon sur la première page.. . . . Classification Dewey : 780.26-Partitions
201172602D. A. P. / Distributed Art Publishers. VG. 2011. Hardcover. Hardback in Very Good condition with Very Good dust jacket. 10 X 1.3 X 11.8 inches. 288 pages. Interior is clean and unmarked. Very little sign of wear save for light bumping to the lower corners. Only mild wear to dust jacket. A very nice volume. Quick shipping excellent customer service. All books carefully packaged in boxes and ship with tracking information. . D. A. P. / Distributed Art Publishers hardcover
2011202866Madrid: Tf Editores 2011. Hardcover. VG/VG: Exlibrary book in excellent condition. Stamp on the top text block the half-title page and on the back free end page. Sticker on the back pasted end page. All other library stickers/etc. are on top of the mylar jacket. A blue casebound book with the title debossed in glossy text down the spine. There is a color-illustrated dust jacket with the title printed in white lettering down a multi-colored spine. The free and pasted end pages are illustrated. Pages: 7 8-281 4. Profusely illustrated with color images. Contents are as follows: Miguel Delibes double portrait / Antonio López García -- Antonio López García / Miguel Delibes -- Approaching reality / Francisco Calvo Serraller -- Antonio López García : paintings and sculpture 1953-2011 -- Appendix. Tf Editores hardcover
2011SKU-1554AB13503275D.A.P./Distributed Art Publishers 2011. 1. Hardcover. Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and intact with just minor edgewear and has not been price-clipped Now fitted with a new Brodart jacket protector; Light wear to the boards; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format 11.75" - 12.75" tall; 4.6 lbs; Painting illustration to the dust jacket with title in white lettering; 2011 D.A.P./Distributed Art Publishers; 288 pages; "Antonio Lopez Garcia: Paintings and Sculpture" by Francisco Calvo Serraller & Miguel Delibes. D.A.P./Distributed Art Publishers hardcover
2011200833New York and Madrid Spain: Tf. Editores and D.A.P. / Distributed Art Publishers Inc 2011. First edition and first printing. Hardcover. 281 pages. Features essays by Francisco Calvo Serraller and Miguel Delibes. Includes numerous color illustrations. A clean and tight near fine copy in a near fine dust jacket with some minor wear. A very nice copy of one of the better books on this Spanish artist. Tf. Editores and D.A.P. / Distributed Art Publishers Inc unknown
201196450D.A.P./Distributed Art Publishers Inc. New. 2011. Hardcover. 1935202650 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 286 pp. ; 210 illus. 199 in color. -- with a bonus offer-- . D.A.P./Distributed Art Publishers, Inc. hardcover
RO50002863Au ménestrel. XXème. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages. Ornememts en couverture.. . . . Classification Dewey : 780.26-Partitions
RO50002868Au ménestrel. début XXème. In-12. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 3 pages. Ornements en couverture.. . . . Classification Dewey : 780.26-Partitions
RO50038952HEUGEL. non daté. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 4 pages. Partition pour chant seul + paroles. Tampons sur le premier plat n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50039004AU MENESTREL / HEUGEL ET CIE. non daté. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 4 pages. Partition pour chant seul + paroles. Papier rouge collé sur le dernier plat et tampons sur les plats n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50049739AU MENESTREL / HEUGEL & CIE. NON DATE. In-8. En feuillets. A relier, Tâchée, Dos satisfaisant, Rousseurs. 2 pages de partitions non paginées. Premier plat illustré en noir et blanc. Tampon et annotation sur le premier plat. Paroles de Gondinet et Gille.. . . . Classification Dewey : 780.26-Partitions
R200040519LEONARD GOULD BOLTTLER. NON DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de partitions. Price 1/Net - Annotations au crayon de papier sur les partitions.. . . . Classification Dewey : 780.26-Partitions
RO50035576HEUGEL & Cie. Non daté. In-4. En feuillets. A relier, Plats abîmés, Dos abîmé, Déchirures. 9 pages de partitions, premier plat illustré d'une gravure noir et blanc de E.Buval. . . . Classification Dewey : 780.26-Partitions