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190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. <br /> <br /> Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. <br /> <br /> With small publisher's handstamp to blank lower margin of title. <br /> <br /> Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition.<br /> <br /> Grisélidis was first performed in Paris at the Théâtre National de l'Opéra-Comique on 20 November 1901.<br /> <br /> " . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown
2022BIBSD0175006582022. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1911 and this unique edition is Reprinted in 2022 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French Vol: - Volume 1 Pages 501. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. Please Note - Text break and Text Light hardcover
1909135275Paris: Heugel 1909. Hardbound. VG exlibrary with minimal to moderate markings. Wholly usable. Red library buckram. 355 pp. Reprinted chiefly from the plates of G. Hartmann 1881. Text in English and French. Heugel hardcover
188129466Paris: G. Hartmann G. H. 1190 1881. Large octavo. Quarter dark red calf with red textured cloth boards spine in gilt-ruled compartments with titling gilt; marbled endpapers. 1f. recto decorative title verso blank 1f. recto half title verso blank i notes on first performance and named cast list ii-iii contents i note 341 i blank pp.<br /> <br /> Named cast includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati. Occasional performance markings in pencil.<br /> <br /> Binding worn scuffed and slightly shaken; corners bumped; head and tail frayed. Slightly worn and soiled; some signatures split or partially split; occasional light foxing; annotations in pencil to free front endpaper; small circular publisher's handstamp to lower margin of title; first leaf of music torn at inner margin and partially detached. Lacking half-title. First Edition.<br /> <br /> Hérodiade with a libretto by P. Milliet and H. Grémont after Flaubert's Hérodias was first performed in Brussels at the Théâtre de la Monnaie in December of 1881 under the direction of Stoumon and Calabrési. <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [G. H. 1190] unknown
101857784X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3388726914.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020430214.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019931833.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189479421Paris: Heugel 1894. First. softcover. fair. Vocal score. Personal binding of first edition. Significant wear to covers internal pages in good condition. French and English text. Da Capo Vocal Scores Section PAS 23/12/2016 Heugel paperback
027455450X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020429836.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br /> <br /> With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br /> <br /> With small oval publisher's handstamp to blank lower outer corner of title. <br /> <br /> Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br /> <br /> First performed in Paris at the Opéra on 22 May 1880. <br /> <br /> "La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br /> <br /> We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed the present score. G. Hartmann [PN G.H. 1093] unknown
1019227370.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
34597318like new. unknown
1726381242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1017202478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0270998063.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1110796137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
101857767X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br /> <br /> Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br /> <br /> Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br /> <br /> Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on 18 February 1902.<br /> <br /> "The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th ." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br /> <br /> Rünger 1874-1932 a noted German baritone was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown
1017720517.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189475347Paris: Au Menestrel / Heugel 1894. Original boards with cloth spine. 288 pp.; 28x19 cm. Sheet music - title in ink on spine stamps partly removed on title page and last endpaper previous owner's name notes in ink on rear index page some spots/ foxing Although very good see pictures Au Menestrel / Heugel hardcover
0483557846.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101814420X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
79586Paris: G. Hartmann. First. hardcover. poor. Hardcover in poor condition. Fraying and scuffed edges loose and detaching pages extensive foxing tear in leather covering spine some markings in coloured pencil. Covers coming away from binding taped together across spine not shown in photo. Dedication as a souvenir on the inside cover. Hand-written supplemental Finale page of unknown origin. Brittle due to age. Da Capo Behind desk PAS 25/5/2021 Cathal 9/23 G. Hartmann hardcover