1 102 résultats
RO50013107Au ménestrel. fin XIXème. In-8. Relié toilé. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 167 pages. Ornements en page titre.. . . . Classification Dewey : 780.26-Partitions
1909003688Paris A la Belle Edition 1909 In-4 carré Agrafé Edition originale
1904boz_001740Jules Massenet. Lettre autographe signée à son gendre, Léon Bessand, 1904 Compositeur français Lettre autographe signée de Jules Massenet, adressée à son gendre Léon Bessand. Rédigée à l'encre brune sur un double feuillet de papier vergé filigrané. Dimensions : 11,6 x 18,2 cm État : Bel état de conservation. Nombre de pages : 1 page Jules Massenet Jules Massenet est un compositeur français né le 12 mai 1842 à Montaud et mort le 13 août 1912 à Paris. Ses compositions étaient très populaires à la fin du XIXᵉ siècle et au début du XXᵉ siècle.
2505ET1484<p>Parole di Enrico Meilhac e Filippo Gille. Musica di. Testo italiano prezzo netto: 20 franchi. Au Ménestrel. Paris. S.d.</p>_x000d_<p>De 28x19 cm. Com iv 383 págs. Encadernação com lombada em pele e ferros a ouro e folhas de guarda em papel decorativo. Profusamente ilustrado com pautas musicais.</p>_x000d_<p>Exemplar com etiqueta da Raul de Almeida Encadernador no verso da folha de guarda picos de acidez nas folhas preliminares e finais carimbo assinatura de posse na folha de rosto e na página 1.</p>_x000d_<p> </p>_x000d_<p> </p> SACO ET139-10 unknown
189475347Paris: Au Menestrel / Heugel 1894. Original boards with cloth spine. 288 pp.; 28x19 cm. Sheet music - title in ink on spine stamps partly removed on title page and last endpaper previous owner's name notes in ink on rear index page some spots/ foxing Although very good see pictures Au Menestrel / Heugel hardcover
23681Paris, Charles Delagrave, s.d. (1891).petit in-folio de V-202 p. et 2-4 p. de partitions, héliogravures par Victor Michel, imprimées en taille-douce par Geny-Gros, EO, demi-maroquin beige avec coins, dos à nerfs orné de filets dorés, tête dorée. Reliure de l'époque.couv. conservée. III + 202 pages + 1 partition "EPITHALAME" - Parole et musique d'EUROTAS DE 4 pages + 1 partition "RIEN N'EST QUE DE FRANCE" - Parole et musique d'EUROTAS DE 2 pages hors texte en fin d'ouvrage - nombreuses gravures en noir et blanc, en sepia et monochromes dans et hors texte dont certaines sous serpente - quelques phrases musicales dans le texte - coiffe en tête legerement abimée - 18 héliogravures h.-t. protégées par des serpentes, 3 ff. h.-t. (fac-similé de la musique) et illustrations dans le texte en camaïeu, (2) ff., V pp., 202 pp., 4 pp. de musique, 2 pp. de musique, (1) p. Edition originale et première édition illustrée. Bel exemplaire. Vicaire VII, 533. Illustrations de GEORGES GAIN - Preface de JULES CLARETIE - Musique de JULES MASSENET
1984Q-0714540412Oneworld Classics 1984-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
99999-1135Paris n.d. Paris n.d. Calling card with printed name "J. Massenet" and address "38 rue du Général Foy". To an unnamed recipient: "Vos très charmants félicitations me causent un vrai plaisir - vous pensez à moi et je vous en remercie tant!!" - Glue marks on verso. AUTOGRAPHS ; MUSIC ; Paris , unknown
192135721921 1 Paris, Hartmann, 1921, in-4° relié demi-basane aubergine, dos lisse passé, coiffes frottées.
33371Heugel 20419 1904, album relié demi-cuir, dos à nerfs orné, couverture illustrée en couleurs conservée, 200pp; partition pour chant et piano - bon état
187229929Paris: G. Hartmann PN G.H. 845 1872. Large octavo. 1f. recto decorative title by Barbizet verso blank 1f. recto named cast list and contents verso blank xii 9-271 i blank pp. Lithographed. Some leaves unopened.<br/><br/>Named cast includes Bouhy Lhérie Neveu Bernard Priola and Galli-Marié.<br/><br/>Wrappers slightly worn; spine creased with small tears to head and tail. Two small rectangular publisher's handstamps to lower margin of title. First Edition variant issue.<br/><br/>Don César de Bazan to a libretto by d'Ennery Dumanoir and Chantepie after Hugo's Roy Blas was first performed in Paris at the Opéra-Comique Favart on November 30 1872. The first version of the work was destroyed by fire; it was revised and reorchestrated in 1888 and first performed in Geneva on January 20 of that year. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [PN G.H. 845] unknown books
190843963097088042St. Petersburg / Petrograd Moscow: S. Ya. Yambor 1908. Paperback. Good. ÐšÐ¾Ð»Ð»ÐµÐºÑ†Ð¸Ñ Ð¸Ð· 8 редких дореволюционных нотных изданий популÑрной музыки. Петербург / Петроград МоÑква: Издатели Ð. П. Кононов Ð. К. Соколова С. Я. Ямбор ок. 1908–1916. 8 отд. изд. ; 195 × 135 / 205 × 13 / 24 × 165 Ñм. Ð’ издательÑких иллюÑтрированных литографированных обложках Ñпохи модерна. СоÑтоÑние хорошее: незначительные надрывы и потёртоÑти по краÑм. 1. «Тихо так тихо» — РоманÑ. — С.-Петербург: Изд. Ð. П. Кононова â„– 42. 2. «Я помню вальÑа звук прелеÑтный» — Старинный вальÑ. — Петроград: Изд. «М-ръ ЛытÑ» Ð. К. Соколова â„– 465. 3. Ж. Бизе — «ИÑкатели жемчуга»: Ð Ð¾Ð¼Ð°Ð½Ñ Ðадира. / Перевод Ð’. Берга. — МоÑква: Изд. С. Я. Ямбора â„– 109. 4. М. Файнберг — «Мечты о прошлом Anagara»: Ð’Ð°Ð»ÑŒÑ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. — МоÑква: Изд. С. Я. Ямбора â„– 255. 5. Дж. Ф. Суза — «Под звёздным знаменем»: Знаменитый американÑкий марш. — МоÑква: Изд. С. Я. Ямбора â„– 507. 6. Ф. Легар — «Дорогой мой дружок» из оперетты «Граф ЛюкÑембург». — МоÑква: Изд. С. Я. Ямбора â„– 157. 7. Ж. МаÑÑне — «Грёзы де-Грие» из оперы «Манон». — МоÑква: Изд. С. Я. Ямбора â„– 141. 8. Б. Ðайхович — «В угаре ÑтраÑти»: ДраматичеÑкий вальÑ. — МоÑква: Изд. С. Я. Ямбора â„– 329. . Collection of 8 rare pre-revolutionary Russian sheet music editions. St. Petersburg / Petrograd Moscow: ca. 1908–1916. 1. “So Quiet So Peaceful†Tikho tak tikho — Romance. — St. Petersburg: A. P. Kononov No. 42. 2. “I Recall the Enchanting Sound of a Waltz†— Old-time waltz. — Petrograd: «М-ръ ЛытÑ» A. K. Sokolova No. 465. 3. G. Bizet — “The Pearl Fishersâ€: Romance of Nadir. / Russian text by V. Berg. — Moscow: S. Ya. Yambor No. 109. 4. M. Feinberg — “Dreams of the Past Anagaraâ€: Waltz for piano. — Moscow: S. Ya. Yambor No. 255. 5. John Philip Sousa — “Under the Starry Banner†The Stars and Stripes Forever. — Moscow: S. Ya. Yambor No. 507. 6. Franz Lehár — “My Dear Friend†from “Der Graf von Luxemburgâ€. — Moscow: S. Ya. Yambor No. 157. 7. Jules Massenet — “Des Grieux’s Dream†from the opera “Manonâ€. — Moscow: S. Ya. Yambor No. 141. 8. B. Naykhovich — “In the Heat of Passion†V ugare strasti: Dramatic waltz. — Moscow: S. Ya. Yambor No. 329. This evocative collection of eight sheet music editions represents the vibrant "Silver Age" of Russian popular culture capturing the diverse soundscape of pre-revolutionary St. Petersburg and Moscow. The text provides a deep dive into the internal logic of the early 20th-century commercial music market including the arrangement of world-famous operatic arias by Bizet and Massenet popular salon waltzes like the dramatic "In the Heat of Passion" and even international sensations such as John Philip Sousa’s "The Stars and Stripes Forever." Published by leading specialized houses such as S. Ya. Yambor and A. P. Kononov these issues were the essential soundtracks to the private salons and public variety stages estrada of the era. The physical identity of this lot is distinguished by its stunning lithographed covers which are true masterpieces of Russian commercial Art Nouveau. Many of these wrappers feature photographic portraits of the era's stars creating a visual connection between the music and the legendary performers who popularized them. From the melancholic strains of "I Recall the Enchanting Sound of a Waltz" to the lighthearted melodies of Franz Lehár’s operettas this collection preserves the ephemeral beauty of a society on the brink of transformation. For bibliophiles musicologists and collectors of Russian heritage these 1908–1916 imprints are vital primary sources documenting the synthesis of high-art operatic tradition and the emerging mass-media hits of the early 20th century. S. Ya. Yambor paperback
1909135275Paris: Heugel 1909. Hardbound. VG exlibrary with minimal to moderate markings. Wholly usable. Red library buckram. 355 pp. Reprinted chiefly from the plates of G. Hartmann 1881. Text in English and French. Heugel hardcover books
1909135275Paris: Heugel 1909. Hardbound. VG exlibrary with minimal to moderate markings. Wholly usable. Red library buckram. 355 pp. Reprinted chiefly from the plates of G. Hartmann 1881. Text in English and French. Heugel hardcover
16-5316Paris: 30 avril 1912. Short letter to "Cher confrère." 16.5 x 12.2cm. Provenance: André Mars 1896-1957. Il devient avocat à la cour d’appel de Paris. Puis c’est le chef de cabinet du sous-secrétaire d’État au ministère de la guerre puis un commissaire de la République membre du Conseil supérieur de la magistrature. Il décède en 1957. Il repose avec François Mars 1933-1974 journaliste au Cimetière du Père Lachaise. Paris: 30 avril 1912 unknown
1999PA1696A near fine Hardcover with near fine DJ ex-library with stamps stickers & markings.<br /> Somogy hardcover
4314Paris, Au Ménestrel, Heugel & Cie, 1895. Grand in-8 (27,2 cm) (5) feuillets, 344 pages. Couverture illustrée. Reliure demi-chagrin vert, dos à nerfs orné de fleurons et filets dorés, plats cartonnés ornés d’encadrements à la plaque, gardes marbrées, tranches dorées. Reliure frottée aux coins, coupes, coiffes et mors. Minimes décolorations de la toile au plat supérieur. Intérieur en très bel état. [ H. & Cie 7067 et G. H. 1386 ].
cROU-1650Paris,Librairie Conquet, L.Carteret éditeur; in-4°, plein maroquin rouge de l'éditeur, grande décor doré au 1er plat ,dos orné, titre doré, tranches dorées, couverture illustrée en couleurs par Giraldon ; 2ff.,392pp.;reliure un peu frottée aux mors,coiffes et coins.
22515Egreville 17 June no year given. In French across 3 pp. 6 x 5 inches fine. Jules Massenet 1842-1912 French composer. unknown
22512Brussels 23 January 1883. In French. 2 separate pages. 7 x 4 iches in good condition. Jules Massenet 1842-1912 French composer. unknown
22533Paris 21 October 1885. In French. 2 pp. 7 x 4 inches fine. Jules Massenet 1842-1912 French composer. unknown
190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. <br/><br/>Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. <br/><br/>With small publisher's handstamp to blank lower margin of title. <br/><br/>Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition.<br/><br/>First performed in Paris at the Théâtre National de l'Opéra-Comique on November 20 1901.<br/><br/>" . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown books
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br/><br/>Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br/><br/>Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br/><br/>Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on February 18 1902.<br/><br/>"The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br/><br/>Rünger 1874-1932 was a noted German baritone; he was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown books
191328645Paris: Au Ménestrel Heugel et Cie. PN H. 3665 1913. Folio. Full ivory linen marbled endpapers original publisher's upper wrapper with decorative initials in red and blue bound in. 1f. recto half title in red verso blank 1f. recto title printed in red and black verso copyright statement i notes on first performance and named cast list in red and black ii contents in red and black i blank 327 i blank pp. Some leaves unopened.<br/><br/>Named cast includes V. Marcoux Gilly Martinelli Audoin Raveau Alberti Delgal Lacombe Godet Royer Garrus Marchand Desrais Lokner Bréfel Guillot Baillon Lucy Arbell Zina Brozia and Maïna Doria.<br/><br/>Wrapper worn and frayed at edges. Some leaves torn and frayed; occasional tears to outer margins; extensive tape repairs to ca. 20 leaves; handstamp to fourth leaf. First Edition. Scarce.<br/><br/>"Panurge which should have been a popular farce in the lineage of Cendrillon and Don Quichotte never achieved any success despite the usual masterly timing which Massenet deploys. The adventures and misunderstandings of Panurge and his wife Colombe make excellent operatic comedy. But perhaps the grossièreté of Rabelais is more literary than theatrical. In truth this final endearing comedy which had to compete for attention with such novelties as Le sacre du printemps when it was first performed has never been put to a fair test on the stage."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel et Cie. [PN H. 3665] unknown books