MASSENET, Jules 1842-1912Biblio.com
1 103 résultats
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br /> <br /> With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br /> <br /> With small oval publisher's handstamp to blank lower outer corner of title. <br /> <br /> Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br /> <br /> First performed in Paris at the Opéra on 22 May 1880. <br /> <br /> "La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br /> <br /> We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed the present score. G. Hartmann [PN G.H. 1093] unknown
189479656Paris: Heugel 1894. First. hardcover. fair. Vocal score. Hardcover with significant fraying and scuffing to edges. Assumed first edition but has been rebound at some point in marbled cardboard with a cloth spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br/><br/>With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br/><br/>With small oval publisher's handstamp to blank lower outer corner of title. <br/><br/>Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br/><br/>First performed in Paris at the Opéra on May 22 1880. <br/><br/>"La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br/><br/>We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed this score. G. Hartmann [PN G.H. 1093] unknown books
1992I-122-788Actes Sud 1992. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Actes Sud paperback
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br/><br/>Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br/><br/>Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br/><br/>First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown books
190629540Paris: Au Ménestel. Heugel PN H. et Cie. 22179 1906. Quarto. Full floral-patterned ivory linen with dark red leather labels gilt to upper and spine. 1f. recto printed excepts from Ovid Corneille and Racine verso blank 1f. title printed in dark purple and black verso blank 1f. named cast list verso descriptions of scenes 1f. recto continuation of description of scenes verso blank 1 blank 2-352 pp. With "C. Douin gr." to foot of final page. <br/><br/>Binding slightly soiled; frayed at corners; leather spine label slightly lacking at left edge; endpapers slightly foxed. Very slightly browned; occasional foxing; some corners creased some with very minor loss. First Edition first issue without date of first performance to cast list.<br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love. Ariane's success at the Opéra in 1906 called for a sequel Bacchus though this enjoyed no success at all." Hugh Macdonald et al. in Grove Music Online. Au Ménestel... Heugel [PN H. et Cie. 22,179] unknown books
188429529Paris: G. Hartmann PN G. H. 1356.1386 1884. Large octavo. Quarter dark brown calf with dark brown pebbled cloth. 1f. recto half title verso blank 1f. recto decorative title verso blank 1f. recto dedication verso blank i notes on first performance and named cast list ii-iii contents iv blank 387 i blank pp.<br/><br/>Signed with the initials "P.G." Philippe Gille co-librettist in pencil on cast list and dated April 26 1884. <br/><br/>Named cast list includes: Mmes. Marie Heilbronn Molé-Truffier Chevaljer Rémy Lardinois Mrs. Talazac Taskin cobalet Grivot Collin Mrs. Labis Teste Reynal Legrand Troy Davoust and Bernard. <br/><br/>Binding worn; corners bumped; lower board somewhat rubbed and scuffed; spine llacking and reinforced with black tape; hinges split. Occasional minor foxing; some signatures split; minor tear to upper outer edge of pp. 41/42. First Edition early issue. Fuld pp. 460-461. Crawford p. 259. <br/><br/>First performed in Paris on January 17 1884. <br/><br/>An interesting association copy. G. Hartmann [PN G. H. 1356.1386] unknown books
020513Jules Massenet (1842-1912), compositeur. L.A.S. + enveloppe, vendredi [21 avril 1899], 1p in-8. A l'écrivain Philippe Gille (1831-1901). « Cher ami, je suis à toi, tout l'après-midi à l'Opéra comique et à 6h 1/2 au Ménestrel. Je compte t'aller voir dimanche si nous n'allons pas à la campagne. surveille les travaux ! Mais je voudrais être béni par toi le plus tôt possible. Ferventes pensées à Madame Ph. Gille & à lui. Massenet ». Rappelons que Gille est le librettiste de l'opéra Manon de Massenet. Belle lettre amicale. [495]
020514Jules Massenet (1842-1912), compositeur. L.A.S. + enveloppe, 22 juillet 1899, 1p in-8. A l'écrivain Philippe Gille (1831-1901), juste après son élection à l'Académie des Beaux-Arts. « Avant de repartir, j'ai besoin de te redire toute ma joie de ton élection. Tous nos confrères de l'Institut se réjouissent de te voir à nos séances, à nos décors(?) !. Enfin, tous sont heureux ! Mais personne plus que moi, pas même toi. Grandes & tendres amitiés à Madame Ph. Gilles & à ton fils ! Ton vieil ami Massenet ». Rappelons que Gille est le librettiste de l'opéra Manon de Massenet. [495]
336181 page in8 - bon état -
336191 page in8 - carte pneumatique - bon état -
1902RO80013610AU MENESTREL. 1902. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 200 pages. Nombreuses partitions accompagnées de paroles. Petits manques en coiffes. Accrocs sur le dos. Quelques tampons.. . . . Classification Dewey : 790-Loisirs et arts du spectacle
1906RO50059726AU MENESTREL / HEUGEL & CIE. 1906. In-Folio. Relié. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 352 pages de partition. Poème de Catulle Mendès. Tampon sur la page de titre qui se trouve en fin d'ouvrage avec la table des matières.. . . . Classification Dewey : 780.26-Partitions
RO50052322AU MENESTREL / HEUGEL & CIE. NON DATE. In-4. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos frotté, Quelques rousseurs. 355 pages de partitions. Illustrations en couleur et dorées sur la première page ainsi que sur la page de titre. Opéra de M.M. P. Milliet, H. Grémont, A. Zanardini. Annotation sur la page de faux titre. Déchirure sur la page de titre ainsi que sur la page de faux titre. Roulettes (sur les 5 nerfs), fleurons, compositeur et titre dorés au dos de l'ouvrage. Plats frottés. Paroles françaises / anglaises.. . . . Classification Dewey : 780.26-Partitions
RO30349721G. Hartmann et Cie. Non daté. In-4. Relié demi-cuir. Etat d'usage, 2ème plat abîmé, Dos frotté, Papier jauni. 355 pages de partitions. Rousseurs.Un ex-libris à l'encre sur la page de titre. Une déchirure sur la page de garde. Auteur et titre dorés au dos. Coins frottés.. . . . Classification Dewey : 780.26-Partitions
RO50056189AU MENESTREL / HEUGEL & CIE. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Coins frottés, Manque en coiffe de tête, Intérieur acceptable. 405 pages de partitions. Roulette, compositeur et titre dorés au dos de l'ouvrage. Page de faux titre illustrée en couleur monochrome par P. Avril. Tampon sur la page de titre ainsi que sur la table. Direction Léon Carvalho. Opéra de Henri Mailhac et Philippe Gille. Dos frotté. Déchirure sur le deuxième plat. Tranches colorée.. . . . Classification Dewey : 780.26-Partitions
1892RO50053376AU MENESTREL / HEUGEL & CIE. 1892. In-8. Relié. Bon état, Coins frottés, Dos satisfaisant, Quelques rousseurs. 229 pages de partitions. Page illustré en couleur et argenté. Titre et compositeur doré au dos de l'ouvrage... . . . Classification Dewey : 780.26-Partitions
005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. <br/> <br/> Various hardcover
190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. <br /> <br /> Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. <br /> <br /> With small publisher's handstamp to blank lower margin of title. <br /> <br /> Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition.<br /> <br /> Grisélidis was first performed in Paris at the Théâtre National de l'Opéra-Comique on 20 November 1901.<br /> <br /> " . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br /> <br /> Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br /> <br /> Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br /> <br /> Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on 18 February 1902.<br /> <br /> "The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th ." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br /> <br /> Rünger 1874-1932 a noted German baritone was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown
189011370Opéra en 5 Actes et 7 tableaux de Louis Gallet. Musique de Jules Massenet.Paris, G. Hartmann, non daté, (vers 1890) - 389 pp. Page de titre illustrée.Très belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Quelques légères rousseurs. Dédicace inconnu sur une page de garde. Bon état. Format in-4°(27x19).
190911366Opéra en 4 Actes & 7 Tableaux de MM. P. Milliet, H. Grémont, A. Zanardini. Musique de Massenet.Paris, Au Ménestrel, Heugel & Cie. 1909 - 355 pp. Titre illustré.Très belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Couverture conservée illustrée. Quelques légères rousseurs. Tampon. Bon état. Format in-4°(29x20).
190411367Miracle en 3 Actes. Poème de Maurice Léna. Musique de Jules Massenet.Paris, Au Ménestrel, Heugel et Cie. 1904 - 200 pp. Titre et faux titre illustrés en couleurs.Très belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Couverture conservée illustrée. Quelques rousseurs sur la table des matières et les pages de garde. Tampon. Très bon état. Format in-4°(29x20).
191211350Drame sacré en 3 actes et 4 parties de Louis Gallet. Partition Piano et Chant. Partition Piano solo, réduite par A. Gedalge. Musique de Massenet.Paris, Au Ménestrel, Heugel et Cie. 1912 - 167 pp.Belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Couverture conservée. Rares rousseurs. Tampons. Très bon état. Format in-4°(29x20).
189511349Opéra-comique en 5 actes et 6 tableaux de MM. Henri Meilhac et Philippe Gille. Musique de J. Massenet.Paris, Au Ménestrel, Heugel 1895 - 344 pp.Belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Couverture illustrée conservée. Quelques rousseurs marginales. Tampons. Bon état. Format in-4°(28x20).
