J. MASSENETLivre Rare Book
212 résultats
1922RO50035383HEUGEL & Cie. 1922. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
1916RO50035921HEUGEL & Cie. 1916. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de partitions. . . . Classification Dewey : 780.26-Partitions
1905RO50035084HEUGEL & Cie. 1905. In-4. En feuillets. A relier, Couv. défraîchie, Dos satisfaisant, Déchirures. 3 pages de partitions. . . . Classification Dewey : 780.26-Partitions
1937RO30096632***. 1936 - 1937. In-12. Broché. Etat passable, Couv. convenable, Dos satisfaisant, Intérieur frais. 72 pages. Nombreuses photos en noir et blanc dans le texte et hors texte. Fortes mouillures.. . . . Classification : 500-Gravures XVIIeme
1935RO30096635***. 1934 - 1935. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 72 pages. Nombreuses photos en noir et blanc dans le texte et hors texte.. . . . Classification : 500-Gravures XVIIeme
191250425Paris 1912. Letter. very good . An 11 line letter signed from Jules Massenet to Frederic Febvre. Massenet 1842-1912 was a French composer of operas and Febvre 1835-1916 a French actor and the most popular leading man in Paris during his day. The letter is in French and roughly translates to - "what a reward for me to be rated so highly by a man of your importance by the celebrated and incomparable artist by the man of letters that you also ar! With enthusiasm.thank you! Massenet. I received your wonderful flowers thank you dear great friend. J. Massenet." The letter is framed alongside a photo of Massenet. Frame measures 14x18". <br/><br/> unknown
1930RO50011981Au ménestrel. 1930. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 3 pages environ. Ornements en couverture.. . . . Classification Dewey : 780.26-Partitions
1937R240092480BERNARD GRASSET. 1937. In-8. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur acceptable. 469 pages - quelques pages hors texte sous serpente en phototypie - illustration en couleurs sur le 1er plat - coiffes légèrement abîmées - petite annotation au stylo noir sur la page de faux titre.. . . . Classification Dewey : 908.4434-Régionalisme : Ile-de-France
1951267660Grasset 1951 in8. 1951. Broché.
193772051937 Paris Grasset 1937 In8 broché 469 pages Illustrations dans le texte
1902RO50049738AU MENESTREL / HEUGEL & CIE. 1902. In-8. En feuillets. A relier, Tâchée, Dos satisfaisant, Quelques rousseurs. 2 pages de partitions non paginées. Premier plat illustré en noir et blanc. Poème de Maurice Léna. Tampon et annotation sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1999PA1696A near fine Hardcover with near fine DJ ex-library with stamps stickers & markings.<br /> Somogy hardcover
1998qi2407Editions d'art Somogy Cartonné avec jaquette 1998 In-4 (25,3 x 29 cm), cartonné avec jaquette, 119 pages, iconographie en couleurs ; déchirure sur chaque plat de la jaquette (sans manque au premier plat, avec manque au quatrième), reliure fragilisée, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1922R240073649HEUGEL. 1922. In-12. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 35 pages - tampon sur le 1er plat - étiquette collée sur le 1er contre plat - coins frottés - tranches salies.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1957137636London: Elek Books 1957. Octavo boards. First edition in English. Supernatural novella set in Paris. Reginald 01215. A fine copy in fine dust jacket with mild dust soiling to rear panel. #137636 Elek Books unknown books
190679662Paris: Heugel 1906. First. hardcover. fair. Vocal score. Hardcover binding scuffing and fraying of cover corners and edges significant scuffing to leather spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
1906RO50059726AU MENESTREL / HEUGEL & CIE. 1906. In-Folio. Relié. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 352 pages de partition. Poème de Catulle Mendès. Tampon sur la page de titre qui se trouve en fin d'ouvrage avec la table des matières.. . . . Classification Dewey : 780.26-Partitions
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br/><br/>Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br/><br/>Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br/><br/>First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown books
190629540Paris: Au Ménestel. Heugel PN H. et Cie. 22179 1906. Quarto. Full floral-patterned ivory linen with dark red leather labels gilt to upper and spine. 1f. recto printed excepts from Ovid Corneille and Racine verso blank 1f. title printed in dark purple and black verso blank 1f. named cast list verso descriptions of scenes 1f. recto continuation of description of scenes verso blank 1 blank 2-352 pp. With "C. Douin gr." to foot of final page. <br/><br/>Binding slightly soiled; frayed at corners; leather spine label slightly lacking at left edge; endpapers slightly foxed. Very slightly browned; occasional foxing; some corners creased some with very minor loss. First Edition first issue without date of first performance to cast list.<br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love. Ariane's success at the Opéra in 1906 called for a sequel Bacchus though this enjoyed no success at all." Hugh Macdonald et al. in Grove Music Online. Au Ménestel... Heugel [PN H. et Cie. 22,179] unknown books
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br /> <br /> Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br /> <br /> Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br /> <br /> First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br /> <br /> "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown
1906RO50004491Au ménestrel. 1906. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 3 + 4 pages.. . . . Classification Dewey : 780.26-Partitions
1903303411903. 1 page. Octavo. Dated Paris December 8 1887. In French with translation. <br /> <br /> Relative to rehearsals of Marie-Magdeleine etc.<br /> <br /> "It would be too late now the night before to tell you that on Friday I will be rehearsing "Marie-Magdeleine" all evening from 8 o'clock on so. how annoying!" Massenet goes on to tell his correspondent that it is a rehearsal "in case of colds. and it's the prudent thing to do" asking him to keep that just between themselves.<br /> <br /> From the collection of Marilyn Horne b. 1934. "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online.<br /> His Marie-Magdeleine was first performed as a 3-act drame sacré to a libretto by L. Gallet in Nice on February 9 1903 with Lina Pacary as Méryem Mlle. Hendrickx as Marthe Verdier as Jésus and Lequien as Judas. Irvine pp. 247-248. It was originally performed as an oratorio at the Odéon in Paris on April 11 1873. Loewenberg col. 1246.<br /> <br /> A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
1903303411903. 1 page. Octavo. Dated Paris December 8 1887. In French with translation. Laid down to dark green mat framed and glazed. Overall size ca. 10.25" x 8".<br/><br/>Relative to rehearsals of Marie-Magdeleine etc.<br/><br/>"It would be too late now the night before to tell you that on Friday I will be rehearsing "Marie-Magdeleine" all evening from 8 o'clock on so. how annoying!" Massenet goes on to tell his correspondent that it is a rehearsal "in case of colds. and it's the prudent thing to do" asking him to keep that just between themselves.<br/><br/>From the collection of Marilyn Horne b. 1934. "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online.<br/><br/>His Marie-Magdeleine was first performed as a 3-act drame sacré to a libretto by L. Gallet in Nice on February 9 1903 with Lina Pacary as Méryem Mlle. Hendrickx as Marthe Verdier as Jésus and Lequien as Judas. Irvine pp. 247-248. It was originally performed as an oratorio at the Odéon in Paris on April 11 1873. Loewenberg col. 1246.<br/><br/>A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
191184438Paris 1911. Fine. Paris 6 Mars 1911 11.50 x 9 cm une carte postale une enveloppe Autograph letter signed by Jules Massenet addressed to André Dupuis and written in black ink. Envelope included. ""I am still very unwell. For days! . bedridden! . the flu! . fever! ."" André Dupuis having asked him for seats for his next performance Jules Massenet assures him he will do everything to satisfy him: ""At the theater they promise me to seat my friends as soon as the first boxes are reserved. Thus I would like to think of you."" unknown
191184438Paris 6 Mars 1911 | 11.50 x 9 cm | une carte postale + une enveloppe
