Massenet jules

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MASSENET, JulesBiblio.com

Autograph Letter Signed looking forward to joining his correspondent in Hamburg in three days and I see myself in the middle of the beautiful orchestra in front of the blue curtain translation with respects to Madame Nordheim etc

MASSENET, Jules 1842-1912Biblio.com

Autograph note signed "Massenet" to the French composer and musicologist Maurice Emmanuel 1862-1938 42 rue de Grenelle Paris

302841 page. In black ink on light green airletter with integral address panel. No date but postmarked "2. 1. 12" January 2 1912. In French. Massenet thanks Emmanuel for his heartfelt words saying "the future belongs to you" lamenting the fact that he will not be there and thanking his correspondent "with all his soul." "Je vous dis absolument mon émotion charmée de toutes vos paroles. Vous êtes un professeur éminent et l'avenir vos appartient. J'aimerais être la. alors! De toute mon âme merci! Massenet." Provenance The collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934. Together with: An autograph letter signed "Lucette" to Marilyn Horne. 1-1/2 pp. Folio. Dated Paris February 1st 1991. On printed letterhead of Arts Opera-Promotion. In French. Horne's correspondent calls her "an exceptional artist with an exceptional personality" and thanks her "a million times" for coming hoping that they will be able to do other concerts together; she goes on to transcribe the Massenet note. Massenet note slightly worn; creased overall and at folds; "120" in blue pencil to address panel; with small perforations to edges as issued. "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis230,00 $US≈ 194,60 €

MASSENET, Jules 1842-1912Biblio.com

Ariane Opéra en Cinq Actes Poème de Catulle Mendès. Partition Chant & Piano Prix Net: 20 Francs. Académie Nationale de Musique. Piano-vocal score

190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp. Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler. Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition. First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love." "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis237,00 $US≈ 200,53 €

MASSENET Jules 1842 1912ABAA

Ariane OpÃ©ra en Cinq Actes PoÃ¨me de Catulle MendÃ¨s. Partition Chant & Piano Prix Net: 20 Francs. AcadÃ©mie Nationale de Musique. Piano-vocal score

190629920Paris: Au MÃ©nestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp. Named cast includes BrÃ©val Grandjean Lucy Arbell Demougeot B. MendÃ¨s Laute Muratore Delmas Triadou and Stamler. Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition. First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle MendÃ¨s's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love." "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au MÃ©nestrel, Heugel & Cie. [H. & Cie. 22179] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis182,00 $US≈ 153,99 €

MASSENET Jules 1842 1912ABAA

190629540Paris: Au MÃ©nestel. Heugel PN H. et Cie. 22179 1906. Quarto. Full floral-patterned ivory linen with dark red leather labels gilt to upper and spine. 1f. recto printed excepts from Ovid Corneille and Racine verso blank 1f. title printed in dark purple and black verso blank 1f. named cast list verso descriptions of scenes 1f. recto continuation of description of scenes verso blank 1 blank 2-352 pp. With "C. Douin gr." to foot of final page. Binding slightly soiled; frayed at corners; leather spine label slightly lacking at left edge; endpapers slightly foxed. Very slightly browned; occasional foxing; some corners creased some with very minor loss. First Edition first issue without date of first performance to cast list. "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle MendÃ¨s's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love. Ariane's success at the OpÃ©ra in 1906 called for a sequel Bacchus though this enjoyed no success at all." Hugh Macdonald et al. in Grove Music Online. Au MÃ©nestel... Heugel [PN H. et Cie. 22,179] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis182,00 $US≈ 153,99 €

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