634 résultats
193084308New York: The John Day Company 1930. First edition of this work on American popular music. Octavo original cloth illustrated. Introduction by George Gershwin. Boldly signed "Sincerely George Gershwin" on the dedication page. Additionally signed by conductor Charles Previn and tenor James Melton. Near fine in a very good dust jacket. Previn was an American film composer who was highly active at Universal in Hollywood during the 1940s and 1950s. Before going to Hollywood Previn had arranged music for over 100 Broadway productions. Melton was a popular singer in the 1920s and 1930s and later began a career as an operatic singer when tenor voices went out of style in popular music around 1932–35. Contemporary bookplate near fine in a very good dust jacket. Rare and desirable signed. American composer and pianist George Gershwin’s orchestral compositions spanned the genres of popular jazz and classical music and are now considered to be some of the most important musical works of the twentieth century. Gershwin began his career composing Broadway theatre works with his brother Ira Gershwin and soon became a major figure in musical theatre in New York City and later Hollywood. Gershwin's classic Song-Book is illustrated with full-page color lithographic plates after Constantin Alajalov and includes such Gershwin standards as “Swanee†“Fascinating Rhythm†“That Certain Feeling†“The Man I Love†“Strike Up the Band†and “I Got Rhythm†among others. “In one of his few prose writings George provided an introduction for the song book. What is most important… is that it contained the original published version of each song followed side by side by George’s ‘improvised’ versions of the songs†Carnovale 14. The John Day Company hardcover
1932149432New York: Simon and Schuster Inc 1932. First edition of Gershwin’s classic songbook with stunning full-page illustrations by Constantin Alajalov. Quarto original half-cloth frontispiece photograph of Gershwin playing the piano taken by Maurice Goldberg profusely illustrated by Constantin Alajalov. Presentation copy inscribed by the author on the front free endpaper "To Jean King Good wishes George Gershwin." Very good in a good dust jacket. Rare in the original dust jacket and signed and inscribed. American composer and pianist George Gershwin’s orchestral compositions spanned the genres of popular jazz and classical music and are now considered to be some of the most important musical works of the twentieth century. Gershwin began his career composing Broadway theatre works with his brother Ira Gershwin and soon became a major figure in musical theatre in New York City and later Hollywood. Gershwin's classic Song-Book is illustrated with full-page color lithographic plates after Constantin Alajalov and includes such Gershwin standards as “Swanee†“Fascinating Rhythm†“That Certain Feeling†“The Man I Love†“Strike Up the Band†and “I Got Rhythm†among others. “In one of his few prose writings George provided an introduction for the song book. What is most important… is that it contained the original published version of each song followed side by side by George’s ‘improvised’ versions of the songs†Carnovale 14. Simon and Schuster Inc hardcover
1932119552New York: Random House 1932. Signed limited first edition number 206 of only 300 copies signed by George Gershwin and illustrator Constantin Alajalov. Quarto bound in full publishers morocco frontispiece portrait of Gershwin and numerous full-page illustrations by Alajalov. In near fine condition. An exceptional example. American composer and pianist George Gershwin's orchestral compositions spanned the genres of popular jazz and classical music and are now considered to be some of the most important musical works of the twentieth century. Gershwin began his career composing Broadway theatre works with his brother Ira Gershwin and soon became a major figure in musical theatre in New York City and later Hollywood. Gershwin's classic Song-Book is illustrated with full-page color lithographic plates after Constantin Alajalov and includes such Gershwin standards as "Swanee" "Fascinating Rhythm" "That Certain Feeling" "The Man I Love" "Strike Up the Band" and "I Got Rhythm" among others. "In one of his few prose writings George provided an introduction for the song book. What is most important. is that it contained the original published version of each song followed side by side by George's 'improvised' versions of the songs" Carnovale 14. Random House unknown books
1935140939255New York: Random House 1935. Limited Edition. Very Good. Limited edition. Copy 63 of only 250 signed by composer George Gershwin lyricist Ira Gershwin author of the original novel and the play itself Dubose Heyward and director Rouben Mamoulian. xii 559 3 pp. Publisher's full red morocco titles blindstamped on spine lacking labels on front and spine as is common as well as the elusive slipcase. An unsophisticated copy with worn head and tail rubbing along edges wear spot to back cover small piece of tape on spine hinges over-opened very slight wave along top edge of text at front internally clean and overall Very Good. A deluxe signed edition of the classic music of the popular English-language opera with all African American characters featuring oft-covered songs like "Summertime" "It Ain't Necessarily So" and "I Loves You Porgy. Random House unknown books
1932115405Random House 1932. hardcover. Very Good. 1932 Random House signed Gershwin and Alajalov illustrator #263 of 300 in gilt titled and decorated blue leather slightly dried at the gutters. Includes string bound score for a song in rear pocket. In original slip case. oversized and overweight. Please email for photos. Random House hardcover
06674New York: Longmans Green & Co. 1938. From Gershwin to Bricusse"<br /> A Remarkable Association Pair Linking Two Generations of Great Songwriters<br /> With Inscriptions by Ira Gershwin and an Autograph Letter<br /> <br /> GERSHWIN George. GERSHWIN Ira. ARMITAGE Merle. George Gershwin. New York: Longmans Green & Co. 1938.<br /> <br /> Quarto 10 3/8 x 7 7/8 inches; 263 x 200 mm. xii 252 pp. Pictorial title printed in red and black 32 photogravure plates and portrait on blue paper. Publisher's original yellow and red cloth musical notation endpapers; very light wear to extremities an exceptionally bright near fine copy.<br /> <br /> Presentation copy inscribed by Ira Gershwin to Leslie Bricusse:<br /> "who in turn inscribes it to brilliant Leslie Bricusse - With admiration and affection - Ira Gershwin - Beverly Hills February 1971."<br /> <br /> Loosely inserted is a warm autograph letter signed "Ira" on Gershwin stationery thanking Bricusse for Scrooge and referencing the present volume together with a note enclosing a program for the first memorial concert.<br /> <br /> WITH:<br /> <br /> GERSHWIN George. GERSHWIN Ira.<br /> George Gershwin Memorial Concert. Hollywood Bowl September 8 1937.<br /> <br /> Folio 12 1/4 x 9 1/4 inches. 16 pp. Illustrated. Original printed wrappers; near fine.<br /> <br /> Inscribed by Ira Gershwin to Leslie Bricusse:<br /> "For Leslie B. From Ira G. / Feb. 1971 / Beverly Hills."<br /> <br /> A Musical Lineage in Print:<br /> A deeply evocative association set uniting three defining figures in American and British musical theater. The 1938 Armitage volume - long regarded as the most important early tribute to George Gershwin - is here transformed into a personal artifact through Ira Gershwin's inscription and accompanying letter to Leslie Bricusse.<br /> <br /> The accompanying 1937 Hollywood Bowl Memorial Concert program issued only weeks after Gershwin's death captures the immediate cultural response to his passing. Preserved for more than three decades it was later gifted by Ira to Bricusse - an act that resonates as a symbolic passing of the torch.<br /> <br /> That Ira Gershwin should present both the definitive early book on his brother and a contemporary memorial document to Leslie Bricusse - himself one of the great lyricists of the next generation - creates a compelling narrative of artistic continuity.<br /> <br /> The accompanying letter adds a further layer of intimacy revealing a warm collegial exchange between two masters of song.<br /> <br /> An Exceptional Association Copy - A rare convergence of:<br /> The key early Gershwin monograph 1938<br /> A contemporary memorial artifact 1937<br /> A signed presentation linking directly to Leslie Bricusse<br /> A supporting autograph letter providing context and warmth.<br /> <br /> Together these elements form a museum-level association grouping preserving a tangible thread between the golden age of American songwriting and its distinguished successor. New York: Longmans, Green & Co., , 1938 unknown
1932179299New York: Alfred A. Knopf 1932. Signed by the composer First edition signed by George Gershwin George S. Kaufman and three members of the original Broadway cast. This political lampoon opened on Broadway on 26 December 1931 and was the first musical to win the Pulitzer Prize for drama. Victor Moore who created the role of Alexander Throttlebottom William Gaxton who created the role of John P. Wintergreen and Lois Moran who created the role of Mary Turner have signed the page opposite the cast list. Octavo. Original red and blue boards spine lettered in light blue covers decorated with stars in light blue. With dust jacket. Housed in a custom grey cloth folding box. Bookplate of Maxwell Steinhardt designed by Rockwell Kent. Extremities a little worn with occasional loss; some loss to head and foot of jacket spine spine a little toned unclipped jacket: a very good copy in like jacket. hardcover
019591Framed Photograph. A beautiful presentation in perfect condition not examined out of the frame. Wonderful 8" x 10" black-and-white photograph showing Gershwin partly in shadow and seated playing the piano elaborately matted and framed to an overall size of 20" x 17-1/2" SIGNED by the composer with the sentiment "Sincerely." <br/><br/> unknown
193211332New York: New World Music Corporation / Harms 1932. First edition. Used; Like New/Used; Like New. Upright folio. Original wrappers printed in red black and white. Title vb; Cast vb; Synopsis vb; Musical Program; 5 - 198. This copy has been inscribed by Gershwin with an AMQS on the title page to his lifelong friend George Pallay: "For George Pallay – bar of music / from / George Gershwin / July 6 1932." Nicely bound in modern grey cloth with title to spine original front wrapper bound in rear wrapper lacking and with edge tears repaired and filled on this page and the following otherwise very clean internally and in fine condition overall. Fuld p. 654 indicating that the present score was published on April 29 1932. An excellent association copy. <br style="">"Of The I Sing" opened in New York City on Dec. 26 1931 and ran for 441 performances receiving critical and box office success. Brooks Atkinson's original review in the New York Times called it "a taut and lethal satire. funnier than the government and not nearly so dangerous." In 1932 it became the first musical comedy ever to be awarded the Pulitzer Prize.  An original musical comedy in two acts with the book by George S. Kaufman and Morrie Ryskind music by George Gershwin and lyrics by Ira Gershwin the songs in the production include: "Wintergreen For President"; "Who Is the Lucky Girl To Be"; "The Dimple on My Knee"; "Because Because"; "As the Chairman of the Committee"; "How Beautiful"; "Never Was There a Girl So Fair"; "Some Girls Can Bake a Pie"; "Love is Sweeping the Country"; "Of Thee I Sing"; "Here's a Kiss for Cinderella"; "I Was the Most Beautiful Blossom"; "Hello Good Morning"; "Who Cares"; "Garcon S'il vous plait"; "The Illegitimate Daughter"; "We'll Impeach Him"; "The Senatorial Roll Call"; "Jilted"; "Who Could Ask For Anything More I'm About to Be a Mother"; "Posterity Is Just Around the Corner"; "Trumpeter Blow Your Golden Horn"; and "Finale On That Matter No One Budges." <br>"George Pallay was a Paley cousin and a friend of George's since 1917. Pallay was a bit of a shady character. It was said that he had Mafia connections. A stock promoter and investor who had changed his name from Abramson he was often part of George's entourage someone who arranged the tickets knew the right bootleggers. He was the friend who would get the girl for George and then get rid of the girl for George. Pallay was singularly devoted to George and no one had been more vigilant during the final days. Pallay had played a  key role at the hospital during Gershwin's brain surgery having been stationed at a desk just outside the operating theater along with George's agent Arthur Lyons. As the operation progressed the doctors would tell Pallay what was happening and then he would relay the latest update by telephone to the four family members – Lee and Ira and Lee's sister Emily Paley and her husband Lou who had just arrived – waiting on another floor. At first the news seemed good and Pallay informed the family that a cyst the size of a grapefruit had been discovered and excised. This seemed to be good news and the doctors were momentarily optimistic. The news was relayed to the family. Then the surgeons discovered that in fact there remained an embedded tumor. At this point George's brain was swelling uncontrollably. The outlook was grim. This terrible update was relayed by Pallay to the family." Katharine Weber The Memory of All That: George Gershwin Kay Swift and My Family's Legacy of Infidelities New York: Broadway Paperbacks 2011 pp. 216-217. <br style=""> New World Music Corporation / Harms hardcover books
1932140940789New York: Simon and Schuster 1932. First Edition. Near Fine. First trade edition first printing. Signed by George Gershwin and dated in the year of publication. Bound in publisher's original orange cloth with umber cloth overlay on front cover lettered in blue. Near Fine with light fading and small stain to spine cloth light shelf wear and soiling to cloth. Pages toned hinge at dedication page is lightly exposed. A lovely copy signed by the composer with illustrations by Constantin Alajalov. Simon and Schuster unknown books
1932140940789New York: Simon and Schuster 1932. First Edition. Near Fine. First trade edition first printing. Signed by George Gershwin and dated in the year of publication. Bound in publisher's original orange cloth with umber cloth overlay on front cover lettered in blue. Near Fine with light fading and small stain to spine cloth light shelf wear and soiling to cloth. Pages toned hinge at dedication page is lightly exposed. A lovely copy signed by the composer with illustrations by Constantin Alajalov. Simon and Schuster unknown
193213474New York: Random House 1932. First edition. Full Leather. Fine. Small folio. 167 pp. One of only 300 special copies SIGNED by Gershwin and the illustrator Alajalov. Handsomely rebound in full leather with gilt art deco design elements. This copy includes the rare separate booklet of music for Mischa Yascha Toscha Sascha contained in a special pocket at rear of book. A beautiful example of this 20th century music rarity. Random House unknown books
193255367New York: Random House 1932. Near fine. Signed limited first edition - in a lovely modern Art Deco binding - from this "quintessentially American composer" whose music helped establish "the groundwork for the Great American Songbook" Cambridge Companion to Gershwin. SONG-BOOK presents piano music transcriptions of many of Gershwin's most beloved songs with colorful Art-Deco illustrations by Alajalov. Tunes include: "'S Wonderful" "Strike Up The Band" "Swanee" "The Man I Love" "Nobody But You" "Fascinating Rhythm" and "Oh Lady Be Good" among others. Published just one year after Gershwin was awarded the Pulitzer Prize in Music for his musical OF THE I SING a striking edition capturing one of the US's finest songwriters at the height of his powers and popularity. 12.5'' x 9''. Modern auburn full crushed morocco rebound to match style of original deluxe binding. Top edge gilt. Grey cloth endpapers. Photographic frontispiece of Gershwin at the piano by Maurice Goldberg. 4 xii 168 6 pages. "Mischa Yasha Toscha Sascha" booklet present pocket at rear. With an introduction by Gershwin and a foreword on Alajalov by Samuel M. Kootz. One of 300 numbered copies signed by Gershwin and Alajalov on the colophon this #233. Minor rubbing at extremities spine mildly sun darkened. Presents beautifully. Random House unknown
193598943New York: Random House 1935. Deluxe limited edition of Porgy and Bess number 55 of only 250 copies signed by George Gershwin Ira Gershwin DuBose Heyward and director Rouben Mamoulian. Folio original full red morocco raised bands top edge gilt illustrated. In near fine condition. An exceptional example. Gershwin read Porgy in 1926 and proposed that he should collaborate with Heyward on Porgy and Bess. In 1934 Gershwin and Heyward began work on the project by visiting the author's native Charleston. Gershwin explained why he called Porgy and Bess a folk opera in a 1935 New York Times article: "Porgy and Bess is a folk tale. Its people naturally would sing folk music. When I first began work in the music I decided against the use of original folk material because I wanted the music to be all of one piece. Therefore I wrote my own spirituals and folksongs. But they are still folk music – and therefore being in operatic form Porgy and Bess becomes a folk opera." Today Porgy and Bess is widely considered to be Gershwin’s masterpiece. This deluxe edition of the piano-vocal score according to Fuld no orchestral score has ever been published was published in 1935 the year of Porgy and Bess premiere almost simultaneously with the first edition and is boldly signed on the limitation page at the rear by George and Ira Gershwin and the other principal creators of Porgy and Bess: librettist DuBose Heyward and director Rouben Mamoulian Fuld 539. Random House hardcover
193598943New York: Random House 1935. <span class="glossaryQtip qTip">Deluxe limited edition of Porgy and Bess number 55 of only 250 copies signed by George Gershwin Ira Gershwin DuBose Heyward and director Rouben Mamoulian.<i> </i>Folio</span> original full red <span class="glossaryQtip qTip">morocco</span> <span class="glossaryQtip qTip">raised bands</span> top edge gilt illustrated. In very good condition with light rubbing and wear. Gershwin read Porgy in 1926 and proposed that he should collaborate with Heyward on Porgy and Bess. In 1934 Gershwin and Heyward began work on the project by visiting the author's native Charleston. Gershwin explained why he called Porgy and Bess a folk opera in a 1935 New York Times article: "Porgy and Bess is a folk tale. Its people naturally would sing folk music. When I first began work in the music I decided against the use of original folk material because I wanted the music to be all of one piece. Therefore I wrote my own spirituals and folksongs. But they are still folk music - and therefore being in operatic form Porgy and Bess becomes a folk opera." Today Porgy and Bess is widely considered to be Gershwin's masterpiece. This deluxe edition of the piano-vocal score according to Fuld no orchestral score has ever been published was published in 1935 the year of Porgy and Bess premiere almost simultaneously with the first edition and is boldly signed on the limitation page at the rear by George and Ira Gershwin and the other principal creators of Porgy and Bess: librettist DuBose Heyward and director Rouben Mamoulian Fuld 539. Random House hardcover books
1932130Ltd to 300 numbered copies signed by Gershwin & the illustrator Alajalov on the colophon. Orig. moroccan leather cover with gilt title. Gilt title on spine. Includes the 8pp pamphlet containing the song: "Mischa Yascha Toscha" inserted in rear pocket as issued. Slightly rubbed at edges but a beautiful copy! Spine has been professionally rebacked. Signed.<br /><br />Also annotated in pencil on free end paper by singer Gerald Shattuck: "Yps - while this is signed by the composer & the illustrator I feel it would not be complete until signed by the choice singer of these lovely ballads. None other than Gerald Shattuck". Random House hardcover books
193269154New York: Simon and Schuster 1932. GERSHWIN George; ALAJALOV. composer. ALAJALOV illustrator. George Gershwin's Song-Book. Alajalov Illustrator. New York: Simon and Schuster 1932.<br> <br> Full Description:<br> <br> GERSHWIN George composer. ALAJALOV illustrator. George Gershwin's Song-Book. Alajalov Illustrator. New York: Simon and Schuster 1932.<br> <br> First trade edition first printing. With a full page signed inscription and musical quotation by Gershwin on the front free endpaper. Quarto 12 5/8 x 9 5/8 inches; 320 x 245 mm. xi 1 blank 167 5 blank pp. With eighteen songs of printed music each which include a full or double- page color illustrations by Alajalov. Title-page with a illustrated vignette and printed in red and black.<br> <br> Inscription reads "For Ella-/In memory of many/ happy times together./With love/from/George." Followed by a hand-drawn musical notation of four bars and six notes along with lyrics reading "No-body but you" and then dated "September 16 1932." The printed music of this line can be found at the top of page 14. Inscription is in black ink and takes up the full page. Full page Gershwin inscriptions are very rare. This might possibly be inscribed to Ella Fitzgerald as they were friends and Fitzgerald sung songs from Gershwins song book.<br> <br> Quarter rust flocked cloth over tan woven cloth boards. Front board ruled and lettered in blue. Spine lettered in blue. Some rubbing and scuffing to boards and spine. Title-page a little frayed. A bit of toning mainly to endpapers. Still a very good copy with a wonderful provenance.<br> <br> The "Ella" in the inscription refers to Ella W. Aarons Crouch who was a concert pianist and wife of Alexander Alfred Aarons who was a producer on most of Gershwin's Broadway productions.<br> <br> HBS 69154.<br> <br> $7500. Simon and Schuster unknown
1935321533New York: Random House 1935. Limited. hardcover. near fine. Libretto by Dubose Heyward; Lyrics by Dubose Heyward and Ira Gershwin. Frontispiece and title page decoration by George Biddle. Small folio full red leather. New York: Random House 1935. Limited First Edition. The black leather labels are missing as is often the case otherwise near fine in a good slipcase.<br/> <br/> One of 250 copies autographed by both Gershwins Heyward and Rouben Mamoulian the director. A near fine copy in the original raffia slipcase which is roughed up on the spine.<br/> <br/> Random House unknown
1932310443New York: Randon House 1932. First Edition. One of 300 copies signed by Gershwin and Alajalov. Frontispiece portrait of Gershwin at piano and numerous full-page illustrations by Alajalov. 167 3pp. 1 vols. 4to. Original full dark blue publisher's morocco decorated with "Art-Deco" style gilt stamped rules. Fine in a custom red half morocco slipcase and chemise. First Edition. One of 300 copies signed by Gershwin and Alajalov. Frontispiece portrait of Gershwin at piano and numerous full-page illustrations by Alajalov. 167 3pp. 1 vols. 4to. SIGNED BY GERSHWIN AND ALAJALOV. Containing the words and music to some of the best known American music ever written: "Lady be Good" "I Got Rhythm" "Swanee." The list goes on and on. The whole book is further enhanced by the charming Art-Deco illustrations by Alajalov.<br/><br/>This Deluxe Edition is signed by the composer and the artist. Randon House unknown books
1932310443New York: Random House 1932. First Edition. One of 300 copies signed by Gershwin and Alajalov. Frontispiece portrait of Gershwin at piano and numerous full-page illustrations by Alajalov. 167 3pp. 1 vols. 4to. Original full dark blue publisher's morocco decorated with "Art-Deco" style gilt stamped rules. Fine in a custom red half morocco slipcase and chemise. First Edition. One of 300 copies signed by Gershwin and Alajalov. Frontispiece portrait of Gershwin at piano and numerous full-page illustrations by Alajalov. 167 3pp. 1 vols. 4to. Containing the words and music to some of the best known American music ever written: "Lady be Good" "I Got Rhythm" "Swanee." The list goes on and on. The whole book is further enhanced by the charming Art-Deco illustrations by Alajalov.<br /> <br /> This Deluxe Edition is signed by the composer and the artist. Random House unknown
1935212351New York: Random House 1935. Limited. hardcover. very good. Libretto by Dubose Heyward; Lyrics by Dubose Heyward and Ira Gershwin. Frontispiece and title page decoration by George Biddle. Small folio full red leather professionally recased with most of the original spine preserved and with the black morocco labels restamped. New York: Random House 1935. First Edition. One of 250 copies autographed by both Gershwins Heyward and Rouben Mamoulian the director. A very good copy.<br/><br/> Random House unknown books
193899122New York: Privately printed 1938. Hardcover. Fine. Facsimile of the handwritten score. Folio. Full leather ruled with a Greek key design and lettered in gilt. Blue silk endpapers all edges gilt. Fine. Laid in is a Typed Letter Signed dated 12 April 1938 from Abraham Ellis to Gershwin's mother Rose who was the unmarried composer's heir. Ellis announces in the letter that he has just purchased the Manhattan Opera House which became the Manhattan Center and that with Rose's permission he would like to rename the rebuilt auditorium the Gershwin Room. This volume was apparently a private photographic reproduction of the score that was produced for family and friends before the manuscript was eventually donated to the Library of Congress. Gershwin's mother's copy with the letter dated less than a year after the composer's untimely death. A classic of 20th Century composition and inspiration for the Vincente Minnelli film scripted by Alan Jay Lerner around Gershwin's music and starring Gene Kelly Leslie Caron and Oscar Levant. Privately printed hardcover
192623613N. Y.: Albert and Charles Boni 1926. First edition. Presentation copy inscribed by George Gershwin to Hellen Ingram Merrill the wife of Charles Merrill founder of Merrill Lynch and the mother of the poet James Merrill on the front free endpaper: “To Hellen - All the best on her birthday from George Gershwinâ€. Beneath his inscription Gershwin has written a single bar of music followed by the identification “Rhapsody in Blue†and the date August 14 1926. The particular bar is a pivotal one in the composition from which point "the whole mood of the work" changes. Several of Gershwin’s compositions are included in this anthology namely “Excerpt from Krazy Kat. A Jazz Pantomime†“The Half of It Dearie Blues†“Concerto in F. II Movement Excerpt†and “Rhapsody in Blue for Jazz Band and Pianoâ€. In 1925 Hellen Ingram married Charlies Merrill and gave birth to their son James Merrill in March of 1926. Charles Merrill owned “The Orchard†in Southampton New York. Designed by Stanford White it was one of the finest summer estates on Long Island and the Merrills entertained lavishly there. One of their many guests was George Gershwin and it was no doubt at Hellen’s twenty-eighth birthday party that he inscribed this copy of The Blues. Whether Gershwin gave this copy of Blues to Hellen as her birthday present is also plausible. Some foxing and soiling covers lightly soiled and rubbed but a very good copy which appears to have been used at the piano rather than merely read. 4to original two-toned cloth. Some foxing and soiling covers lightly soiled and rubbed but a very good copy which appears to have been used at the piano rather than merely read. Albert and Charles Boni unknown
021548Framed Manuscript. Ink blot slightly affecting first notes of the manuscript as well as "G" in "George." Not examined out of the frame but appears to be Near Fine. On a 6" x 6-1/2" piece of paper Gershwin has written three measures of the lyrical theme in E major from the "Andantino moderato" section of his composition RHAPSODY IN BLUE and INSCRIBED it "To Channing Way" and SIGNED "with all good wishes/from/George Gershwin." Matted and framed to an overall size of 17" x 13" with a fragment of the printed music a printed title of the piece with "Dedicated to Paul Whiteman" at the top and a SIGNATURE with sentiment of Paul Whiteman. Commissioned by bandleader Paul Whiteman RHAPSODY IN BLUE was composed by George Gershwin for solo piano and jazz band in early 1924 and premiered in New York City on 12 February 1924 as part of a concert entitled An Experiment in Modern Music. It was originally performed by Gershwin on the piano and by members of Paul Whiteman's band. The combination of elements of classical music with jazz effects was revolutionary for its time. <br/><br/> unknown
1925145285New York: Harms Incorporated 1925. Rare 1925 printing of the piano score for the orchestral composition that defined the jazz age first published in 1924. Small folio original illustrated wrappers piano solo and second piano in score. Presentation copy inscribed by George Gershwin on the title page "For Mr. Fuerst - with all best wishes George Gershwin." The recipient Eugene Fuerst was conductor and director of the Portland Civic Opera Association and the Theater Arts Opera Association. In very good condition with some loss and creasing to the cover and slight toning to the title page. A beautiful signature from Gershwin. "Rhapsody in Blue" first premiered at Aeolian Hall in New York City on February 12 1924 to blazing reception. The rhapsody is one of Gershwin's most recognizable creations ushering in a new age in Jazz history. By 1927 bandleader Paul Whiteman's band performed 'Rhapsody in Blue' approximately 84 times and sold a million copies of its recordings. Harms Incorporated unknown