634 résultats
1978114825London Omnibus Press 1978 1 vol. broché in-8, broché, 362 + IX pp. Tranche légèrement poussiéreuse, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
R130006680RCA VICTOR. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie dérrière la pochette. Boston pops orchestra, direction: ARTHUR FIEDLER.. . . . Classification : 410-33 Tours
1980R130000486TRESORS CLASSIQUES. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Photo de Cynthia HAMPTON. Enregistrement réalisé au Studio des Dames à Paris. . . . Classification : 410-33 Tours
1983R130003264"PHILIPS. 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Illustration sur la couverture : "" Le Tétraèdre"" de BILLI. Référence n° 6 570 912.. . . . Classification : 410-33 Tours"
1969R130011971"CONCERT HALL. 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Rhapsody in Blue, Concerto in F, Variations on ""I Got Rhythm"", Philippe Entremont, piano.. . . . Classification : 410-33 Tours"
R130002873TRIANON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Textede Marcel MARNAT sur le dos de la pochette. Illustration sur la couverture par HOLMES.. . . . Classification : 410-33 Tours
199925529Paris France : Arion S. A. 1999. Music CD - Collection Paul Kuentz. Made in France. Very clean CD in nice case with original artwork. A nice copy. Bx 163. CD. Very Good. Arion S. A.
mon0003968017Simon & Schuster 1960T. hardcover. Good. 1.0000 13.0000 10.1000. First printing. Slipcase has minor wear. Pages are clean. Simon & Schuster hardcover
0671280708.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1955121<p>Gershwin`s Porgy and Bess in USSR!<br />Unique program of the first production in Russia famous American opera. December 1955 - January 1956 !<br /><br />Porgy and Bess is an opera by George Gershwin. First staged in 1935 the opera was not very successful at first but from the 1950s it began to gain wide popularity in the United States and then throughout the world. The production of the opera was largely carried out by natives or children of emigrants from Russia Gershwins Mamulyan Smollens Sudeikin.<br />The first ever trip of an American theater troupe to Russia - the crowning achievement of the world tour "Porgy and Bess" - was the fruit of long confusing and so to the end and not clarified negotiations between the USSR and the Euryman Opera company represented by the producers of the Gershwin Opera Brin and Davis .<br />The tour of the American opera in 1955-1956 is an amazing example of a turn in politics the first sign of the onset of a new period in the political and cultural life of the USSR - the Soviet "thaw" in 1956-1960.<br />Two rare ephemeras in good condition.</p> paperback
2008SONG1847726976Wise Publications 2008-08-01. sheet_music. Used: Good. 7.87x5.51x1.57. Buy with confidence. Excellent Customer Service & Return policy. Wise Publications unknown
19351246541935. First Edition. Signed. GERSHWIN George. Porgy and Bess. An Opera in Three Acts. By George Gershwin. Libretto by DuBose Heyward. Lyrics by DuBose Heyward and Ira Gershwin. Production Directed by Rouben Mamoulian. New York: Random House 1935. Folio original full red morocco raised bands black leather label on front cover top edge gilt. Housed in a custom clamshell box. $48500.Deluxe limited edition of the piano-vocal score of Porgy and Bess number 103 of only 250 copies signed by George Gershwin Ira Gershwin DuBose Heyward and director Rouben Mamoulian additionally inscribed by Gershwin to his lover Kay Swift who was intimately involved in the composition of the piece: For Kay / Best / George / Nov. 1 1935. According to Ohl best their code word for love allowed them to be discreet.This deluxe edition of the piano-vocal score according to Fuld no orchestral score has ever been published was published in 1935 the year of Porgy and Bess premiere almost simultaneously with the first edition and is boldly signed on the limitation page at the rear by George and Ira Gershwin and the other principal creators of Porgy and Bess: librettist DuBose Heyward and director Rouben Mamoulian. Fuld 539. The recipient Kay Swift met Gershwin in 1925. A highly educated beauty of prominent social position she was not yet known as a songwriter her first big hit would be in 1929 with ""Can't We Be Friends"". ""If one measures by the dedication of his Song-Book to her his generous gifts of paintings manuscripts and other keepsakes that betokened affection plus the many hours he spent with her Gershwin obviously had a special place in his heart for Kay Swift With Kay Gershwin probably came as close to settling down with one woman as he ever did"" Schwarz 190. Swift was extensively involved with the composition of Porgy and Bess almost from the beginning: Swift was Gershwin's guest at the premiere of the play version by Heyward's wife. When composing the operamuch of which occurred at a cottage on Swift's country estateSwift was often in her words Gershwin's ""soundboard"" for new ideas. ""'He'd call me and tell me to rush over to play the orchestra part of a song. He couldn't sing. Neither could Ira. But we'd all sing Ira's or DuBose Heyward's lyrics sounding like a chorus of crows Each day as the work grew a few of usBill Daly his close friend and favorite conductor and myself Ira of course and DuBose Heyward who wrote the libretto as well as some of the lyrics were probably present much of the time. It was thrilling to hear the themes develop the recitatives build into such an inevitable part of the score that they flowed as naturally as spoken words would. The whole sparkled with a fantastic quality of imagination She also had an even more direct part in the opera's development. In addition to listening singing and playing the work in progress Swift sometimes notated portions of pieces for Gershwin evidently to expedite his later work on the compositions. He believed she wrote faster and more neatly than she could."" Extensive portions of the original manuscript now in the Gershwin collection at the Library of Congress are in Swift's hand demonstrating ""her role as an assistant to the composer and signify the trust he must have placed in her and her notational and musical abilities"" Ohl 95-96. During actual production Swift attended most rehearsals and was present at many of the casting decisions. After the preview run in Boston it was clear that the four-hour opera was too long so ""Gershwin Mamoulian composer Alexander Steinert and Kay Swift walked the Boston Common in the early hours of the morning deciding which portions to cut""; one month later at the premiere in New York ""Swift was seated between George and Ira"". Later Swift would deliver lectures throughout the country as part of the promotion of Porgy and Bess. ""Ira recalled that she had memorized the entire 559-page score and would be illustrating songs from it at the piano"" Ohl 97-98. ""After her yeoman's effort during Porgy and Bess he presented her with a leather-bound autographed score the present copy that reads simply 'Tosic Kay. Best. George.' 'Best' their code word for 'love' allowed them to be discreet"" Ohl 115. Interior fine spine somewhat toned light rubbing to spine ends. A near-fine copy with an extraordinary association. hardcover
RO30163428. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours
1926RO50055689HARMS. 1926. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 7 pages de partitions en anglais. Premier plat illustré en couleur. Words by Ira Gershwin. Book bay Guy Bolton and Fred Thompson.. . . . Classification Dewey : 780.26-Partitions
RO50053140SALABERT. NON DATE. In-4. Broché. Etat d'usage, Couv. légèrement passée, Agraffes rouillées, Intérieur frais. 12 pages de partitions. Couverture en couleur. N°1228. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
RO50049401FRANCIS SALABERT. NON DATE. In-8. En feuillets. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 2 pages de partitions non paginées. Premier plat illustré en couleur par R. de valerio. Paroles de Lucien Boyer et Jacques Charles. Dos renforcé.. . . . Classification Dewey : 780.26-Partitions
RO50038005SALABERT. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages. Partiton pour Piano solo. Tampon sur le premier plat n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
RO50052284FRANCIS SALABERT. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Intérieur frais. 31 pages de partitions. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1924RO50059362FRANCIS SALABERT. 1924. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Rousseurs. 3 pages de partitions. Premier plat illustré en couleur par R. de Valerio. Tampon sur le premier plat. Paroles françaises de B. G. de Sylva + Paroles françaises de Lucien Boyer & Jacques Charles.. . . . Classification Dewey : 780.26-Partitions
1919RO50059308CHAPPELL & CIE. 1919. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 3 pages de partitions. Tampon sur le premier plat ainsi que sur la première page.. . . . Classification Dewey : 780.26-Partitions
1920RO50055675CHAPPELL & C°. 1920. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos satisfaisant, Déchirures. 3 pages de partitions. Photographie en couleur monochrome sur le premier plat. Petites déchirures aux extrémités des pages, sans conséquences.. . . . Classification Dewey : 780.26-Partitions
RO50055403HARMS. NON DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages de partitions en anglais. Premier plat illustré en couleur. Lyrics by Ira Gershwin.. . . . Classification Dewey : 780.26-Partitions
1920RO50015875Chappell. 1920. In-8. Cartonnage d'éditeurs. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. Nn paginé. 3 pages environ. Photo séoia de Harry Pilcer par Delphi en couverture.. . . . Classification Dewey : 780.26-Partitions
1919RO50063300Chappell. 1919. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages augmentées de partitions en noir et blanc. Pour chant comportant des paroles sur et hors partition.. . . . Classification Dewey : 780.26-Partitions
CBS 9780815344476USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
