Satie ErikLivre Rare Book
93 résultats
1988R300322972Le Castor Astral. 1988. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 76 pages - quelques partitions de musique et illustrations en noir et blanc hors texte. Ex dono à l'encre en page de garde. Légères traces de salissure sur le 2e plat.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1986Q-079352590XG. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
19244279Paris, 391, Juillet 1924. 4 pages, 280x380mm., imprimées sur fort vélin blanc à 800 exemplaires.
190453270Paris Gauthier-Villars, Ma sans date (1904) In-12, broch, couverture imprime. Edition originale de cette tude traitant des procds d'extraction, de la classification, des mthodes d'analyse (constantes physiques et chimiques - liqueurs titres - tableaux pour le calcul des analyses), des constituants groups d'aprs la fonction, de la rpartition des constituants dans les essences, des baumes, gommes et rsines, avec une classification alphabtique des essences. Ouvrage publi dans la collection Encyclopdie scientifique des aide-mmoire. Exemplaire portant sur le faux titre un envoi autographe sign de Paul Jeancard, et le cachet de la parfumerie Jeancard Cannes rpt sur la couverture. Un cahier dbroch.
198615351986 Couverture souple Paris, Publications PSI, 1986. Brochure in-8 carrée (21 x 21 cm), couverture illustrée à rabats, quelques accrocs aux coupes. 36 pages, illustrées de reproductions photographiques en noir et en couleurs. Catalogue tiré à 1000 exemplaires, à l'occasion de l'exposition à la galerie Broomhead du 28 octobre au 22 novembre 1986. Préface d'Isidore Isou, texte d'accompagnement de Gérard Bermond. Au second plat, ex-libris de l'artiste sous forme d'étiquette contrecollée. Très bon état intérieur, bon exemplaire de cette édition originale, provenant de la bibliothèque de l'artiste.
1955ABE-785338836614 PAGES-EN UNE: BAISSE SUR LES PRIX! QUI CHOISIT POUR NOS ECOLIERS SEGUR, GREGH OU TRIOLET? UNE ENQUETE DE GILBERT GANNE-QUERELLE DE NORMANDS POUR UNE OMBRE EMMA BOVARY N'APPARTIENT QU'A FLAUBERT/SUITE EN P6/4 ILLUSTRATIONS-JOURNAL D'UNE SEMAINE PAR ROGER NIMIER-EN MARGE D'UN ANNIVERSAIRE DELAISSE ERIK SATIE INTERDIT DE SEJOUR DES SALLES DE CONCERT/CARICATURE-DELECLUZE PEINTRE ET HUMANISTE-VAN DONGEN A PEINT UNE CARTE POSTALE POUR LE TOUR DE FRANCE,PHOTO-DECHIRURE SANS MANQUE EN P5/P6-JAUNI EN PLIURE DE UNE
199473397Oxford: Oxford University Press 1994. Later trade paperback printing. x 227 pp w/index. Near fine in glossy illustrated wrappers. Oxford: Oxford University Press paperback books
1923145578Arcueil-Cachan: 21 February 1923. The composer writes in French to the editorial secretary of the avant-garde literary periodical Les Feuilles libres. He asks for feedback on an enclosed "chronicle" no longer present and enquires when "our dear Director" - Marcel Raval the editor-in-chief of the journal - is scheduled to return. This letter is apparently unpublished. Les Feuilles libres was published between 1918 and 1928. It was significant to the 1920s avant-garde movement in Paris contributors including Pablo Picasso and Jean Cocteau. Satie's contributions appeared between 1922 and 1924. The work he refers to in the letter is likely "The Expired" which appeared in the "Musical Chronicle" section of the accompanying March/April 1923 issue of the journal. Satie was a closer correspondent of Raval 1900-1956. In another letter dated 21 October 1924 he addresses him as "Mon cher Directeur & Ami" refers to "how kind you have always been to me" and describes Les Feuilles libres as "delightful" Volta pp. 196-7. He ends the present letter with a wish "that he come back quickly!" The letter is signed with Satie's distinctive monogram. "His signature was often replaced by a kind of logo: his initials harmoniously intertwined in the manner of the seals employed by the fin-de-siècle painters influenced by Japanese art" Volta p. 12. Bifolium leaf size: 182 x 137 mm of plain paper. Handwritten in black ink across one side totalling ten lines of text. Together with a typed English translation on yellow paper with the comment below "The reference to 'our dear Director' is Marcel Raval" annotated top left in pen identifying Satie as the writer. Creased along folds else fine. Ornella Volta Satie Seen Through His Letters 1989. unknown
1933ABE-168988281682116 PAGES-43 CM X 60 CM-THERESE CHEZ LE DOCTEUR, NOUVELLE INEDITE PAR FRANCOIS MAURIAC-DESSIN D'ABEL FAIVRE, VENDEUSE DE CHAPEAUX-EN DEJEUNANT AVEC HENRY DE MONTHERLANT, PAR ANDRE RANSAN-LA BOHEME DE MINUIT, ROMAN INEDIT PAR MICHEL GEORGES-MICHEL-DESSIN DE SENNEP, MARIANNE, CHERON-A L'OMBRE D'UNE FEMME, ROMAN INEDIT PAR HENRI DUVERNOIS (IV)-ERIK SATIE, PAR LOUIS VAUZANGES-CINEMA: AVANT "14 JUILLET": DE RENE CLAIR A CORNEILLE-"TOPAZE"-(BC723)
197128543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement. In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. <br/><br/> Alan Satié unknown books
1996012444Nice Profession Plastique, Musée d'art moderne et d'art contemporain 1996 In-4 carré Cartonnage éditeur
192979902Paris: Imprimerie de la presse française 1929. Fine. Imprimerie de la presse française Paris s. d. 1929 27 x 35 cm un double feuillet et une feuille volante First edition of this program for the concert commemorating the death of Erik Satie held in Arcueil-Cachan on 30 June 1929. Our copy retains the photographic reproduction of the bust of Erik Satie modeled by Robert Caby in September 1925. A handsome copy despite a few minute marginal spots. Imprimerie de la presse française unknown
195733102Genève Pierre Cailler, coll. "Problèmes de l'Art" 1957. in-12 broché, 246 pages, portrait-frontispice par Modigliani et 18 portraits hors-texte. Edition originale de ces souvenirs sur la vie des artistes de l'école de Paris à Montmartre et à Montparnasse : Paul Léautaud, Apollinaire, Max Jacob, Modigliani, Van Dongen, Ramuz, Picasso, Laprade, Derain, Kisling, Dufy, Soutine, Erik Satie, Matisse... Bel exemplaire.
198310791983 Couverture souple Paris, PSI, 1983. In-4 (19x30cm), couverture à rabats de l'éditeur, papier cristal de protection d'origine. En feuilles, 10 feuillets non-chiffrés. Tirage à 20 exemplaires numérotés, le nôtre numéro 2, un des 4 exemplaires imprimés sur Japon et comprenant le double dessin et 2 dessins signés par l'artiste (sous serpente), en illustration du poème de l'auteur. La typographie composée en garamond par l'Union Linotypiste a été imprimée sur les presses de la collection PSI. Edition originale achevée d'imprimer le 20 décembre 1983. Bel exemplaire, en parfait état.
1974R130012067EMI. 1974. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette ouvrante en couleurs. 1 disque. Mady Mesplé, Jean-Christophe Benoit, Pierre Bertin, Aldo Ciccolini, Gaston Litaize, Choeurs du Théâtre National de l'Opéra, Choeurs René Duclos, dir. Jean Laforge, Orchestre de Paris, dir. Pierre Dervaux. Geneviève de Brabant, Trois autres Mélodies, Déphénéo, La Diva de l'Empire, Trois Mélodies de 1886, Le Chapelier, La Messe des Pauvres.. . . . Classification : 410-33 Tours
1966R130012072EMI. 1966. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette ouvrante en couleurs. 1 disque. Aldo Ciccolini, Piano. La Belle Excentriquej, Descriptions Automatiques, Véritables Préludes Flasques, Vieux Sequins Et Vieilles Cuirasses, En Habit De Cheval, Sports Et Divertissements, Chapitres Tournés En Tous Sens, Aperçus Désagréables.. . . . Classification : 410-33 Tours
1972SATIEERI012290Aloes Books London. 1972. First edition. Translated by Trevor Winkfield. Octavo. 31 pages. Short largely nonsensical texts. Illustrations by Satie. Wrappers.Fine. Aloes Books, London. unknown
1972493782London: Aloes Book 1972. Slightly marked and aged paperback; contents clear on sound pages. TS. Paperback. Very Good. Used. Aloes Book Paperback
191341394Paris: E. Demets PN E.1795 1-3 D. 1913. Small folio. Loose in original publisher's teal blue illustrated wrappers printed in dark green and dark red as issued. 1f. recto title printed in dark red verso blank 11 i blank pp. No bar lines. With publisher's catalogue to verso of lower wrapper.<br /> <br /> The first work is dedicated to Suzanne Roux the second to Edouard Dreyfus and the third to Jane Mortier.<br /> <br /> Wrappers slightly worn; spine partially separated at spine. First Edition. Orledge p. 299. <br /> <br /> Composed 30 June-4 July 1913.<br /> <br /> "Satie was an iconoclast a man of ideas who looked constantly towards the future. Debussy christened him 'the precursor' because of his early harmonic innovations though he surpassed his friend's conception of him by anticipating most of the 'advances' of 20th-century music - from organized total chromaticism to minimalism. To some extent he made a virtue of his technical limitations but his painstaking quest for perfection in simplicity coupled with his ironic wit and his shrewd awareness of developments in other fields of contemporary art made him the personification of the wartime esprit nouveau in France." Robert Orledge revised by Caroline Potter in Grove Music Online. E. Demets [PN E.1795 (1)-(3) D.] unknown
1982149331982 Paris Musique Mazarine 1982 in8, broché, 232 pp bon état(
195263CBParis, La Revue musicale. Richard-Masse, éditeurs. 1952. 26x19,3 cm. 154 p., 3 f. Avec illustrations en noir sur planches. Broché.
19892049261Editions Salabert 1989. Soft cover. Very good/No jacket. Text is in French and English.<br /> <br /> Spine is cracked but secure. Cover edges are slightly worn. Back cover has previous seller's price sticker. Front and back binding glue is exposed. Inside is unmarked. Editions Salabert unknown
19483116072London: Dennis Dobson Limited. Near Fine in Near Fine dust jacket. 1948. First Edition; First Printing. Hardcover. First edition. Close to fine in like dust jacket. Neat sticker ghost at head of front jacket flap. Mild trace of cracking at rear inner hinge. 150pp. 5 3/4" X 8 3/4" Remarkably well preserved for being so fragile. ; 5 3/4" x 8 3/4"; 150 pages . Dennis Dobson Limited. hardcover
1996Q-3795752647SCHOTT MUSIK INTL MAINZ 1996-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
199279964München : Ed. Spangenberg 1992. 109 S. : zahlr. Ill., Noten ; 24 cm Broschur 0
