173 résultats
Partitur. [1] Bl., 162 S. Folio. Pgt. d. Zt. Bibliothekstempel auf Vorsatz und Vorderdeckel. Das Wort "Comtesse" auf Titel ist durchgestrichen. Frühe Titelauflage der Erstausgabe. Verso Titel Verlagsanzeige bis "L`amant jaloux". RISM G/GG 4403.
1805522936Paris imprimerie de la république 1805 419 pages in-8. 1805. Relié. 419 pages.
178959721789 Paris 1789 chez l auteur rue poissonniere vis à vis rue beauregard, Prault imprimeur du Roi quai des Augustins, mes marchands de nouveautés et à Liège chez FJ despoer imprimeur libraire IN8 demi veau dos lisse 565 pages
30693A Paris, de l'imprimerie de la République, an V 1797, 3 volumes reliés demi-cuir, dos à nerfs ornés, VIII-442pp, XXII-420pp, IV-516pp; ouvrage imprimé sur ordonnance du Comité d'Instruction publique du 28 vendémiaire de l'an IV; quelques exemples musicaux in-texte; très bon papier - reliure XIXème en bon état
RO50064003Durand et schonewerk. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 3 pages de partition en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50064002A durand & fils. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partition en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50032277Non Renseigné. sd. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages. Couvertures illustrée.. . . . Classification Dewey : 780.26-Partitions
6131571864.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20112-6131571864Éditions Universitaires Européennes 2011. Paperback. New. 104 pages. French language. 8.66x5.91x0.24 inches. Éditions Universitaires Européennes paperback
182953090Nouvelle édition, augmentée de notes et publiée par J.H. Mees, 3 vol. in-12 reliure de l'époque pleine percaline violine, Félix Delhasse (papillon contrecollé), A l'Académie de Musique, Bruxelles, A la Lyre moderne, Paris, 1829, , 338-12 pp. ; XV-315 pp. ; 327-8 pp.
182029816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border.<br /> <br /> Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown
197128748New York: Broude Brothers 1971. Large octavo. Original publisher's light ivory wrappers printed in red and blue. 1f. recto half title verso blank 1f. recto title verso printer's note 1f. blank 1f. recto facsimile of title illustrated by B. Delaroche verso blank 1f. recto facsimile of dedication versio blank 1f. recto composer's note verso blank 5-11 introduction i blank i named cast list ii contents i blank 1f. full-page illustration 342 pp.<br /> <br /> Named cast for the 1773 performance includes Larrivée Sophie Arnould Rosalie Beauménil Duplant La Suze and Dubois and for the 1775 performance Larrivée Levasseur Mallet Beauménil Duplant Chateauneuf and Dubois; dancers include Guimard Peslin Dorival Heinel Hidoux Vestris Gardel aîne Gardel cadet and Lefèvre.<br /> <br /> Wrappers slightly soiled. Very minor internal wear. Céphale et Procris a ballet-héroïque in three acts to a libretto by Marmontel after Ovid's Metamorphoses was first performed in Paris at Versailles on 30 December 1773 in celebration of the marriage of the Count of Artois and Marie Thérèse of Savoy.<br /> <br /> Number 13 in the Broude Brothers series Chefs-d'Œuvre Classiques de l'Opéra Français. Broude Brothers unknown
1275988806.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
29819266 x 159 mm. Printed on china paper and laid down to mounting sheet. <br /> <br /> The present engraving depicts the composer seated at a harpsichord with folio volumes most probably of music on the floor beneath the instrument. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. unknown
1018816798.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018821805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021009350.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1162021071.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282161260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193229259Paris: Choudens PN A. C. 10712 1932. Large octavo. Original publisher's ivory illustrated ivory wrappers printed in black and dark brown. 1f. recto title verso blank 1f. recto cast list and contents verso blank 163 i blank pp. Unopened.<br /> <br /> Wrappers slightly worn soiled and dampstained; handstamp to lower margin of upper. Some signatures split or partially split. Les deux avares was first performed in Paris at Fontainebleau on 27 October 1770 during court celebrations of the wedding of the Dauphin and Marie Antoinette.<br /> <br /> "Grétry's gift for comedy extended widely. The epitome of his simpler comedy was Les deux avares where the physical stage situations are very well captured in music." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Choudens [PN A. C. 10712] unknown
1017022275.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
179739791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. <br /> <br /> Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples.<br /> <br /> Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. <br /> <br /> Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. <br /> <br /> With occasional musical examples.<br /> <br /> Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. <br /> <br /> Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown
1160185573.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1167636775.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
116018660X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback