Keizan, MaestroBiblio.com
601 résultats
2006Q-847245620XEditorial Kairós SA 2006-05-19. paperback. New. In shrink wrap. Looks like an interesting title! Editorial Kairós SA paperback
19982430190318049Russian Revelation 1998-04-21. Audio CD. Like New. CD plays perfectly & the case looks good. Russian Revelation unknown
12208Dated "Dimanche" no year. Three pages 8vo browned paper fragile slightly chipped small closed tears on folds. Levy was the patron of St Saens during his exile in London in 1871. In 1872 Saint Saens composed Menuet en Valse op. 56 which he dedicated to Felix's wife Sarah Levy. The letter reads: "Sunday My good friend A thousand pardons for not having written to you sooner. I have started to work again and this makes me the most unreliable correspondent in the world. We will not come for dinner. I had to make a choice not wanting on the one hand to leave my mother when I am in Paris and fearing on the other that she will have a lapse in her diet and that it would happen too often. But J will certainly come to see you and when the weather is nice both of us will come. I went to lunch at Rueil this morning and I regretted not seeing you there. Madame Encort once again charmed me with her voice and her talent. All my best regards to Madame Levy and with my very best wishes to you C. Saint-Saens" "Dimanche Mon bon ami Mille fois pardon de ne pas avoir vous repondu plus tot. Je me suis remis a travailler ce qui me rend le correspondant le plus irregulier du monde. Nous n'irons pas diner chez vous. J'ai du prendre une parti general ne voulant pas d'un part laisser ma mere quand je suis a Paris et craignant d'autre part pour elle des ecarts de regime qu lei reproduiraient trop souvent. Mais j'irai certainement vous voir le soir et s'il fait beau nous irons tous les deux. Je suis alle dejeuner a Rueil ce matin et j'ai bien regrette de ne pas vous y voir. Madame Encort m'a de nouveau tout a fait charme avec sa voix et son talent. Tous mes respects a Madame Levy et avec mes meilleurs amities pour vous C. Saint-Saens". Dated "Dimanche", no year. unknown
19689London and Eastbourne: between 1918 and 1937. Finck was a well-respected and much-loved figure on the London musical and theatrical scene. His 'In the Shadows' was among the last tunes played as RMS Titanic went down. This miscellaneous collection of nine items in fair overall condition on lightly aged and worn paper. ONE: Autograph Manuscript by Finck contained names and outlines of anecdotes for inclusion in his memoirs. 2pp. 12mo. On letterhead of 212 Finchley Road London. As an example here is the text at the foot of one page: 'Include A. C. M. Club in Club stories. R. A. Roberts – Colisseum “By God! I'll ride to York.†Ralph Reader “Have you ever written a Ballet – about 50.†“Have you ever arranged one.â€' TWO: Autograph Card Signed 'Paps' from Finck to his wife Mabel 'Darling Mams'. On letterhead of the Grand Hotel Eastbourne; 27 December 1918. A high-spirited missive beginning: 'I hope you all arrived safely & lost neither the bags or dogs.' On the address side Finck writes: 'I sent the wires I had a share I'm sending parcel to <Brennan>. I tipped the Chambermaid. I cannot get Laundry done. I've been for a week I had a rotten lunch. I'm having tea I bid you adieu.' THREE: Typed contract between Finck and the London publishers Hutchinson & Co. for a book to be titled 'In the Chair'. 19 October 1937. Signed by the firm's chairman Walter Hutchinson 1887-1950 and witnessed by 'W. T. Kimber' who was to go on and found his own firm. Possibly an intended follow-up to Finck's 'My Melodious Memories' which the firm published in 1937. FOUR: Typed Letter Signed from <James Baine> of London literary agents Curtis Brown Ltd. 20 October 1937. Regarding Item One which has been 'duly stamped at Somerset House'. FIVE and SIX: Manuscript Letter addressed to 'Dear George' the author's initials as signature being indecipherable. On letterhead of the Savage Club London. 6 December 1920. Thanking him for the 'generous cheque': 'but for those damned Cassells I would not have taken a penny'. Enclosing a Barclays Bank cheque for four guineas to 'Dr. Conran' signed by Finck 29 October 1927. Endorsed on reverse: 'p.p. P. C. Conran F. E. Munt'. SEVEN: Photographic image of Elizabethan gentleman on which is written by one of Finck's daughters the heading 'My 21st. Birthday April 17th. 1926.' Written over the image are various signatures in pencil including that of Finck. EIGHT: Typed carbon copy of letter from Finck to Sir Landon Ronald at the Guildhall School of Music. 19 May 1924. Accepting 'the Diploma of Fellowship of the Guildhall School of Music which the Music Committee of the Corporation of the City of London have so graciously offered to me.' NINE: Typed note: 'Mr. Herman Finck is of the opinion that there is something very illogical in the demand for a tax on his income from a Government which by rendering through noise his house useless for a composer to work in makes the earning of that income impossible.' On reverse in pencil: 'Book Mams “You've done a job of work in your time!â€' London and Eastbourne: between 1918 and 1937. unknown
115538Fine. The gelatin silver photograph 258 × 202 mm captioned in print in the bottom margin 'Witold Lutoslawski Composer/Condutor sic 1987' with the ABC logo is signed using a silver felt-tipped pen; in fine condition. The photograph is accompanied by a typed letter signed by Peter Dennison Professor of Music at the University of Melbourne to the Hon. Barry Jones Parliament House Canberra at that time the Minister for Science. The letter dated 24 August 1987 goes into some detail about the circumstances surrounding the signing. 'I asked him about a recording of "Chain 3" and he said that it wasn't recorded and he knew of no plans to record it. It was however composed only last December and it will probably take some time before the record companies realise what a stunning piece it is'. Two related ephemeral items are also included in the lot. <p>Provenance: Collection of The Hon Barry Jones AC. unknown
2020x-3030124797Springer Nature 2020. Paperback. New. 284 pages. 9.25x6.10x0.67 inches. Springer Nature paperback
129593Moody Bible Institute Sacred Music Department. Audio CD. Very Good. 5x4x0. Moody Bible Institute Sacred Music Department unknown
2019x-3030124762Springer 2019. Hardcover. New. 265 pages. 9.50x6.25x0.75 inches. Springer hardcover
1632SKU014<p>Unique book-historical object 1632 – From the lost San Basilio Monastery in Madrid</p><p>> ></p><p>This is more than just an old book; it is a physical fragment of Spanish church history from the 17th century. The work contains sermons for Advent and Easter authored by the renowned Baroque preacher Fray Diego Niseno.</p><p>The book is directly connected to the now-vanished Convento de San Basilio Magno in Madrid where Niseno served as abbot. The monastery was demolished in 1836 and objects with direct provenance from there are extremely rare.</p><p>Historical details and provenance:</p><p>> Author: Padre Maestro Diego Niseno late 1500s – 1600s. Identified owner: The book bears a handwritten ownership inscription Ex Libris from Doctor Joannis Rossello a learned priest and philosopher from the 17th century. Rarity: Printed in Barcelona in 1632 by the renowned printing house of Sebastián de Cormellas.</p><p>Technical details:</p><p>> Title: Asvntos Predicables Para Todos Los Dominos Del Primero De Aduiento Alvltimo De Pasqva De. Binding: Original limp vellum binding with handwritten title on the spine "Adventos de Niseno". Special feature: The binding is reinforced with so-called waste sheets – fragments of even older handwritten documents are visible in the spine which is highly sought after by book historians. Format: 20.5 cm x 14 cm. 330 numbered leaves plus preliminary/concluding pages.</p><p>Condition: The rear board is damaged.</p><p>> Period-appropriate wear/stains. The binding is generally good and the text block is complete.</p><p>This is an exceptional object for collectors of Baroque literature Spanish history or theology. The book documents an era when Madrid was the center of a world empire.</p> Sebastian de Cormellas hardcover
2019__1796990590Independently published 2019. Paperback. New. 180 pages. 11.00x8.50x0.43 inches. Independently published paperback
2019__1797956655Independently published 2019. Paperback. New. 116 pages. 11.00x8.50x0.28 inches. Independently published paperback
1989Dated 19 March 1849. Ger.-Eng. pianist and conductor 1819-1895DNB. One manuscript page of music 9"wide x 10" long good condition extracted from an album. The National Register of Archives records collections of autograph letters but no surviving music by Hallé. See Image. Dated 19 March 1849 unknown
23405The page 4 1/2 x 3 7/8 inches. Very Good. unknown
1994ZCD-1Teldec 1994-12-20. Audio CD. Very Good. Very nice shape 60 discs and book box in good shape no damage. Sent insured with signature confirmation. Teldec unknown
20192-1797956655Independently published 2019. Paperback. New. 116 pages. 11.00x8.50x0.28 inches. Independently published paperback
20192-1796990590Independently published 2019. Paperback. New. 180 pages. 11.00x8.50x0.43 inches. Independently published paperback
1996A1975Chandos 1996-02-20. Audio CD. Like New. Complete 23 CD Box Set. Original CDs sleeves booklets and box all in Excellent condition. Chandos unknown
1510128910Sony Classical 2015-10-09. audioCD. Like New. 11x9x5. Box lid has one split seam otherwise as new massive cd set with hardcover book in box as issued. oversized and overweight. Please email for photos. Sony Classical unknown
18795First produced at Covent Garden 20 Nov. 1936. Circa 70 pages folio 12 staves to a full page. The complete string parts with the firsdt claribet first and second bassoon and double bassoon parts "Fagots". Printed entry from auction catalogue prob. Sotheby's on wrapping 28 October 1974 item 99. Although unsuccessful in the theater Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936 in advance of its stage première." Wikipedia. [First produced at Covent Garden, 20 Nov. 1936] unknown
2014ovscd166xDeutsche Grammophon 2014. audioCD. Like New. 8x8x5. Brand New Box Set factory sealed in original shrink wrap. Deutsche Grammophon unknown
SIN1703_02Rom 1602. Format ca. 21 x 285 cm. Auf der rechten Seite in der Platte signiert: Meister B mit dem Würfel. Verso kleine handschriftliche Numerierung: Nr. 92. Mit schmalem umgehenden Rändchen um die Einfassungslinie. Mit schönem Plattenton. An den beiden oberen Ecken auf Trägerkarton montiert hinter Passepartout. Zustand III von V Rubach "Der Verleger Antonio Lafreri" Nr. 190: zusätzlich "Tappezzerie del Papa" und "Ioannes Orlandi formis 1602"; Bartsch XV S. 208 Nr. 34. Einer von insgesamt fünf Entwürfen für Wandteppiche der Sala di Costantino Apostolischer Palast in Rom nach Sanzio da Urbino Raffaello veröffentlicht von Lafreri. Der Meister B mit dem Würfel war Maler und Graveur der römischen Schule von Marcantonio Raimondi aktiv in Rom zwischen 1532 und 1550. Dieses zweite Blatt der Folge zeigt die Versuche zweier Putti einen Affen mittels vorgehaltenem Spiegel abzulenken bzw. durch die Dareichung eines Apfels zur Rückgabe eines von dem Affen geraubten noch in den Windeln liegenden Säuglings zu bewegen. Zustand III von V Rubach "Der Verleger Antonio Lafreri" Nr. 190: zusätzlich "Tappezzerie del Papa" und "Ioannes Orlandi formis 1602"; Bartsch XV S. 208 Nr. 34. Einer von insgesamt fünf Entwürfen für Wandteppiche der Sala di Costantino Apostolischer Palast in Rom nach Sanzio da Urbino Raffaello veröffentlicht von Lafreri. Der Meister B mit dem Würfel war Maler und Graveur der römischen Schule von Marcantonio Raimondi aktiv in Rom zwischen 1532 und 1550. Dieses zweite Blatt der Folge zeigt die Versuche zweier Putti einen Affen mittels vorgehaltenem Spiegel abzulenken bzw. durch die Dareichung eines Apfels zur Rückgabe eines von dem Affen geraubten noch in den Windeln liegenden Säuglings zu bewegen. Zustand III von V Rubach "Der Verleger Antonio Lafreri" Nr. 190: zusätzlich "Tappezzerie del Papa" und "Ioannes Orlandi formis 1602"; Bartsch XV S. 208 Nr. 34. Einer von insgesamt fünf Entwürfen für Wandteppiche der Sala di Costantino Apostolischer Palast in Rom nach Sanzio da Urbino Raffaello veröffentlicht von Lafreri. Der Meister B mit dem Würfel war Maler und Graveur der römischen Schule von Marcantonio Raimondi aktiv in Rom zwischen 1532 und 1550. Dieses zweite Blatt der Folge zeigt die Versuche zweier Putti einen Affen mittels vorgehaltenem Spiegel abzulenken bzw. durch die Dareichung eines Apfels zur Rückgabe eines von dem Affen geraubten noch in den Windeln liegenden Säuglings zu bewegen. Rom, 1602. unknown
1993121983MPAC Classics 1993-01-01. Audio CD. New. BRAND NEW AND STILL IN ORIGINAL SHRINK WRAP! MPAC Classics unknown
16811381899Amberes Antwerp: Geronymo Verdvssen Hieronymous Verdussen 1681. Hardcover. Volume II only. Sexto 16 674 10 pages plus engraved title page 23 full-page plates and 4 double-page plates. In Good condition. Bound in mottled full brown leather with gilt ornamentation and red leather label bearing gilt titling to spine. Very slight cracking at joints. Light plus rubbing and peeling to board surfaces and bumping to board corners; one small gouge to leather on front board and several instances of insect damage on both boards. Text block shows light plus age toning and scattered foxing throughout. Moderate plus worming in some areas impacting text. Archival repairs to fore edges of several pages; several pages inconsistently trimmed. Non-archival tape repair to verso of one plate. An ex-library copy with several stamps including "Surplus Duplicate" stamp to front free endpaper. STCV ID: c:stcv:12911236. EH Consignment. Shelved Room A Oversized. 1381899. Special Collections. Geronymo Verdvssen [Hieronymous Verdussen] hardcover
76103Very Good. Quarto one and a half pages on one leaf 7 November 1882. Light horizontal and vertical creases where folded for posting; small piece of clear tape to a short split at one end of the crease across the middle on the blank bottom half of the second page well clear of any text; an appealing item in excellent condition. The catalyst for the discord appears to have been Hippeau's biting lampoon of Gounod in the issue of 29 October 1882. Saint-Saëns had hitherto been listed prominently on the covers as an official collaborator of the magazine; his name is absent from the issue of 13 November. His relationship with Hippeau however amicable was already strained. 'The clearly pro-Wagner inclination of the editor quickly created a violent polemic between Hippeau and Saint-Saëns founder of the Société nationale de musique. Saint-Saëns harshly criticized Hippeau's Wagnerian opinions considering them a danger for the future of French music' Doris Pyee: 'La Renaissance musicale 1881-1883' Baltimore 2007. <p>The lengthy letter pulls no punches. After some initial expressions of friendship Saint-Saëns leaves us in no doubt about the strength of his attitude and sentiments. A broad translation of the second part follows: 'Standing back to avoid being hurt is not in my character. I must be forthright and no finessing of details can save my name at the head of a journal like a banner from being associated with it in the eyes of the public. The stance of the journal not being in accordance with my ideas I cannot allow my name to remain attached to it. My decision I have told you and I repeat it again is irrevocable. I do not know what obligations you are under and I am not anxious to know. I only regret in every respect that you have failed to understand the advantage you might have gained in publishing a paper that is truly French as well as truly modern. <p>Now it is too late; you have equivocated too long and if against all probability you wished to take this path it could be only with a new journal and a new organisation. I do not know if you know me well enough to understand what it has cost me to act in this way. I hope you do however and will not cease to count on your friendship and assure you that you may always count on mine in everything that does not do damage to my artistic conscience. Affectionately yours C. Saint-Saëns'. unknown
200873411Philip Wilson Publishers. New. 2008. Hardcover. 0856676519 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 360 pp. With 249 ills. 126 col. . 29 x 26 cm. -- with a bonus offer-- . Philip Wilson Publishers hardcover
