601 résultats
2090502113706943Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1502251102020Music and Arts Programs 2015-02-10. Audio CD. Used: Very Good. 5x5x0. Very good condition. From a private collection. Comes from non smoking home. Music and Arts Programs unknown
4796One without date and place but after 1952 the other postmarked London 2 August 1955. Both cards self-stamped. CARD ONE is very good and has printed on it a stamp of Queen Elizabeth II. Addressed to Powell and his wife it does not appear to have gone through the mails. 'Most kind of you to write - we led a quick <> in the car & then a meeting in the afternoon. We <>: Jill also who we havent seen lately. Many thanks signed Adrian C. B.' CARD TWO is somewhat aged with a stain and some wear on the address side. It reads 'I too have written to Kellogg's! signed Adrian C Boult'. One without date and place [but after 1952], the other postmarked London, 2 August 1955. unknown
45195-nnew. unknown
45195like new. unknown
2001Q-0072132043McGraw-Hill Companies 2001-10-29. Paperback. New. In shrink wrap. Looks like an interesting title! McGraw-Hill Companies paperback
2002Q-0072224177McGraw-Hill/OsborneMedia 2002-09-04. Paperback. New. New. In shrink wrap. Looks like an interesting title! McGraw-Hill/OsborneMedia paperback
63-9198Havana Cuba: Maestro Cigars ca. 1950. Cut-out Standing Advert mounted on heavy card stock. Folio. Very Good. Illustrated. [Havana, Cuba?]: Maestro Cigars, [ca. 1950]. unknown
18795First produced at Covent Garden 20 Nov. 1936. Circa 70 pages folio 12 staves to a full page. The complete string parts with the firsdt claribet first and second bassoon and double bassoon parts "Fagots". Printed entry from auction catalogue prob. Sotheby's on wrapping 28 October 1974 item 99. Although unsuccessful in the theater Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936 in advance of its stage première." Wikipedia. [First produced at Covent Garden, 20 Nov. 1936] unknown
19341742ALondon Cobden-Sanderson One Montague Street Printed in Great Britain 1934. HB NODJ November 1934 1st UK edition 2nd Impression Stated Beautiful SalmonPink Cloth Cover lettered on Spine Interior Nice Tight Clean light Wear FoX Fine-/NF AS-IS NODJ 170 pages Tiny nick side Spine & lihgt Rub Wear Cover Slight Sun spine & Bk back extremities but Titles Bright. First Edition. Hard Cover. London Cobden-Sanderson One Montague Street Printed in Great Britain hardcover
1992Q-0395511208Clarion Books 1992-03-01. Library Binding. New. New. In shrink wrap. Looks like an interesting title! Clarion Books unknown
0395511208.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2014ovscd166xDeutsche Grammophon 2014. audioCD. Like New. 8x8x5. Brand New Box Set factory sealed in original shrink wrap. Deutsche Grammophon unknown
76103Very Good. Quarto one and a half pages on one leaf 7 November 1882. Light horizontal and vertical creases where folded for posting; small piece of clear tape to a short split at one end of the crease across the middle on the blank bottom half of the second page well clear of any text; an appealing item in excellent condition. The catalyst for the discord appears to have been Hippeau's biting lampoon of Gounod in the issue of 29 October 1882. Saint-Saëns had hitherto been listed prominently on the covers as an official collaborator of the magazine; his name is absent from the issue of 13 November. His relationship with Hippeau however amicable was already strained. 'The clearly pro-Wagner inclination of the editor quickly created a violent polemic between Hippeau and Saint-Saëns founder of the Société nationale de musique. Saint-Saëns harshly criticized Hippeau's Wagnerian opinions considering them a danger for the future of French music' Doris Pyee: 'La Renaissance musicale 1881-1883' Baltimore 2007. <p>The lengthy letter pulls no punches. After some initial expressions of friendship Saint-Saëns leaves us in no doubt about the strength of his attitude and sentiments. A broad translation of the second part follows: 'Standing back to avoid being hurt is not in my character. I must be forthright and no finessing of details can save my name at the head of a journal like a banner from being associated with it in the eyes of the public. The stance of the journal not being in accordance with my ideas I cannot allow my name to remain attached to it. My decision I have told you and I repeat it again is irrevocable. I do not know what obligations you are under and I am not anxious to know. I only regret in every respect that you have failed to understand the advantage you might have gained in publishing a paper that is truly French as well as truly modern. <p>Now it is too late; you have equivocated too long and if against all probability you wished to take this path it could be only with a new journal and a new organisation. I do not know if you know me well enough to understand what it has cost me to act in this way. I hope you do however and will not cease to count on your friendship and assure you that you may always count on mine in everything that does not do damage to my artistic conscience. Affectionately yours C. Saint-Saëns'. unknown
B9781078468121Paperback / softback. New. paperback
1078468125.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
22031On his Roman letterhead: Via dei Foraggi 74 Roma. 1 March 1965. 1p 4to. In good condition lightly aged. In reply to a letter by Hodes he writes that he is 'happy to hear that Beethoven's Missa Solemnis has made such a deep impact on you which it should make on every listener'. He feels 'very much privileged indeed for having been granted the possibility to present this work for the first time in Israel' and hopes 'to have occasion to perform that great piece there again as well as others which will be important and good to hear'. On his Roman letterhead: Via dei Foraggi 74, Roma. 1 March 1965. unknown
19972609191222061Verve/Polygram Records 1997-07-29. Audio CD. Like New. CD plays perfectly & the case is faded. Verve/Polygram Records unknown
2002Q-0072223448McGraw-Hill/OsborneMedia 2002-06-26. Paperback. New. New. In shrink wrap. Looks like an interesting title! McGraw-Hill/OsborneMedia paperback
1632SKU014<p>Unique book-historical object 1632 – From the lost San Basilio Monastery in Madrid</p><p>> ></p><p>This is more than just an old book; it is a physical fragment of Spanish church history from the 17th century. The work contains sermons for Advent and Easter authored by the renowned Baroque preacher Fray Diego Niseno.</p><p>The book is directly connected to the now-vanished Convento de San Basilio Magno in Madrid where Niseno served as abbot. The monastery was demolished in 1836 and objects with direct provenance from there are extremely rare.</p><p>Historical details and provenance:</p><p>> Author: Padre Maestro Diego Niseno late 1500s – 1600s. Identified owner: The book bears a handwritten ownership inscription Ex Libris from Doctor Joannis Rossello a learned priest and philosopher from the 17th century. Rarity: Printed in Barcelona in 1632 by the renowned printing house of Sebastián de Cormellas.</p><p>Technical details:</p><p>> Title: Asvntos Predicables Para Todos Los Dominos Del Primero De Aduiento Alvltimo De Pasqva De. Binding: Original limp vellum binding with handwritten title on the spine "Adventos de Niseno". Special feature: The binding is reinforced with so-called waste sheets – fragments of even older handwritten documents are visible in the spine which is highly sought after by book historians. Format: 20.5 cm x 14 cm. 330 numbered leaves plus preliminary/concluding pages.</p><p>Condition: The rear board is damaged.</p><p>> Period-appropriate wear/stains. The binding is generally good and the text block is complete.</p><p>This is an exceptional object for collectors of Baroque literature Spanish history or theology. The book documents an era when Madrid was the center of a world empire.</p> Sebastian de Cormellas hardcover
20113653263Madrid.: Letras del Mar. 2011. Paperback. Good. 24 cm. 711 p. il. Encuadernación en tapa blanda de editorial. Maestro Manuel 1942-. Navegación. Historia naval . ISBN: 9788461496839 Ingeniería de los vehículos de transporte 629.5091 Arte militar en general 355.49091 Letras del Mar. paperback
1971254891971. 1971. Very good. - 6 bars of "String Quartet in D" penned on a 12-1/2 inch high by 9-1/4 inch wide sheet of ruled music paper inscribed and signed below the music: "For . / With the best wishes of the composer / Richard Bales / 7/26/71". The top corners of the music paper are lightly creased. The sheet has been folded twice for mailing & there is slight creasing to & 2 tiny chips out of the margins at the folds. Very good. 1971. unknown
1902100898<p>Boston Massachusetts May 1 1902. 1902. Fine. - Three lines of music penned on a 5-7/8 inch high by 7-7/8 inch wide watermarked paper. Identified in an unknown and as "Birds of a Feather" at bottom left of the page with the words and date "Modella 1882" penned by Bimboni at top right. The composer has signed and dated the quotation under the last line of music "Oreste Bimboni / Boston Hall / 1 May 1902". Near fine.</p><p>A RARE autograph.</p><p>The conductor and opera composer Oreste Bimboni 1846-1905 was with his nephew Alberto part of a long legacy of Florentine musicians. Both spent an extensive time abroad especially in the United States. As an opera conductor in Florence Oreste worked with some of the most significant singers of his time such as Adelina Patti and Emma Calve. He is first recorded as arriving in the United States in 1896. He moved to California in 1898 where he conducted opera. He moved back to the United States in 1902 after spending some time in Florence and taught at the New England Conservatory for three years before moving back to Europe.</p> Boston, Massachusetts, May 1, 1902.
12208Dated "Dimanche" no year. Three pages 8vo browned paper fragile slightly chipped small closed tears on folds. Levy was the patron of St Saens during his exile in London in 1871. In 1872 Saint Saens composed Menuet en Valse op. 56 which he dedicated to Felix's wife Sarah Levy. The letter reads: "Sunday My good friend A thousand pardons for not having written to you sooner. I have started to work again and this makes me the most unreliable correspondent in the world. We will not come for dinner. I had to make a choice not wanting on the one hand to leave my mother when I am in Paris and fearing on the other that she will have a lapse in her diet and that it would happen too often. But J will certainly come to see you and when the weather is nice both of us will come. I went to lunch at Rueil this morning and I regretted not seeing you there. Madame Encort once again charmed me with her voice and her talent. All my best regards to Madame Levy and with my very best wishes to you C. Saint-Saens" "Dimanche Mon bon ami Mille fois pardon de ne pas avoir vous repondu plus tot. Je me suis remis a travailler ce qui me rend le correspondant le plus irregulier du monde. Nous n'irons pas diner chez vous. J'ai du prendre une parti general ne voulant pas d'un part laisser ma mere quand je suis a Paris et craignant d'autre part pour elle des ecarts de regime qu lei reproduiraient trop souvent. Mais j'irai certainement vous voir le soir et s'il fait beau nous irons tous les deux. Je suis alle dejeuner a Rueil ce matin et j'ai bien regrette de ne pas vous y voir. Madame Encort m'a de nouveau tout a fait charme avec sa voix et son talent. Tous mes respects a Madame Levy et avec mes meilleurs amities pour vous C. Saint-Saens". Dated "Dimanche", no year. unknown
186633982Eccleston St. S.W. London March 13th 1866. 1866. Good. - Over 39 words penned on a 7 inch high by 4-3/8 inch wide sheet of buff paper with an attached blank leaf. Michael Costa writes to arrange a meeting with the recipient: "On Thursday I am engaged in the morning but if you can come in the afternoon at 1/2 past three o'clock." He then closes with "Hoping your cold is better believe me truly yours" signed "M. Costa". Folded twice horizontally for mailing the letter is slightly soiled. Remnants of gray paper adhering to the right edge of the verso of the blank page would suggest that the letter was once mounted in an album. Good. <p>The Italian-born conductor and composer Michael Costa 1808-1884 studied in Naples with his father at the Real Collegia di Musica and later with Niccolo Antonio Zingarelli. Although most of his works disappeared into obscurity he composed a significant number of operas symphonies and cantatas. After a visit to Birmingham he settled in England. In 1830 working as a conductor at His Majesty's Theatre Costa was able to influence many changes there and subsequently at Covent Garden. He was admired by Meyerbeer and Verdi. Having conducted several orchestras he took on English citizenship and was subsequently knighted in 1869. Among those compositions which survived are his ballets "Kenilworth" "Une Heure a Naples" "Sir Huon" and "Alma". His operas "Malek Adhel" and "Don Carlos" were produced in Paris and London. Eccleston St. S.W. [London], March 13th, 1866. unknown
