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4283590Gollancz. Hardcover. Used; Very Good. Simply Brit welcome to our online used book store where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books from classics to hidden gems ensuring theres something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us your trusted source for affordable books that do not compromise on quality. 09/01/1985 Gollancz hardcover
19817093826Dennis Dobson 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item350grams ISBN:0234772522 Dennis Dobson hardcover
0575035862.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0234772522.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
62986Eds Max Eschig Paris 1920 In-4 32 cm 12pp. feuillets libres sous chemise imprimee B62 unknown
ROD0007582Non Renseigné. Non daté. In-8. Cartonnage d'éditeurs. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 992 pp., figures noir et blanc dans le texte, coins frottés - 1 PHOTO DISPONIBLE.. . . . Classification Dewey : 540-Chimie et sciences connexes
2843852765.Gmisc_supplies. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1930420CG1930. Paris Rouart Lerolle um 1930. Photographie Brustbild von Joseph Rosmand. Format: Postkarte. unknown
1930420CGParis, Rouart, Lerolle, (um 1930). Photographie (Brustbild) von Joseph Rosmand. Format: Postkarte.
2006Q-1846093961Chester Music 2006-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
2016I-241-569SALABERT 2016. Good. Former library book. Edition 2016. Ammareal gives back up to 15% of this item's net price to charity organizations. SALABERT unknown
2007Q-1871082862Kahn & Averill Publishers 2007-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Kahn & Averill Publishers paperback
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br /> <br /> Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br /> <br /> "Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown
11841On the letterhead of Rouart Lerolle & Cie Editeurs de Musique Paris. 18 November 1932. 1p. 4to. Fair on aged and worn paper. He begins: 'M. POULENC vous a sans doute remis le paraître dans votre supplément et nous charge de vous demander de nous le renvoyer au plus tôt lorsque votre graveur n'en aura plus besoin.' He accepts that it is likely that the Revue will ask Poulenc to correct the proof. He also requests that the Revue will let his firm have 'votre épreuve corrigée et bonne à tirer afin d'avoir entre les mains la version définitive au cas où le manuscrit comporterait des fautes ou des changements d'écriture comme c'est probable.' In a postscript he states that the 'titre définitive est Valse-improvisation sur le nom de Bach et non plus Valse-scherzo' On the letterhead of Rouart, Lerolle & Cie, Editeurs de Musique, Paris. 18 November 1932. unknown
2004Q-0711989257MUSIC SALES AMERICA 2004-10-31. paperback. New. New. In shrink wrap. Looks like an interesting title! MUSIC SALES AMERICA paperback
2003Q-0711978131Music Sales America 2003-02-01T00:00:01Z. paperback. New. In shrink wrap. Looks like an interesting title! Music Sales America paperback
0711922357.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br/><br/>Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br/><br/>"Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown books
2013DADAX1495019330Editions Salabert 2013-10-01. paperback. New. 9.00x0.39x12.00. Buy with confidence. Excellent Customer Service & Return policy. Editions Salabert paperback
Q-0711920621Chester Music. Paperback. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
1992Q-0711919410Music Sales America 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Music Sales America paperback
1998Q-0634071521RICORDI 1998-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! RICORDI paperback
1992Q-0711937907Chester Music 1992-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
1986Q-0793555043BMG RICORDI SALABERT 1986-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! BMG RICORDI (SALABERT) paperback
1992Q-0711943982Chester Music 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Chester Music paperback