Poulenc, FrancisBiblio.com
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1992SONG8759803924Bosworth & Co. Ltd 1992-01-01. Bilingual. paperback. Used: Good. 8.50x0.14x11.75. Buy with confidence. Excellent Customer Service & Return policy. Bosworth & Co. Ltd paperback
1925013543Paris M. de Brunoff 1925 In-4 Agrafé, couverture illustrée
1992Q-0711937907Chester Music 1992-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
1992DADAX0711938377Chester Music 1992-01-01. Reprint. paperback. New. 9.00x0.06x12.00. Buy with confidence. Excellent Customer Service & Return policy. Chester Music paperback
1992Q-0711943982Chester Music 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Chester Music paperback
1939RO50054533J. & W. CHESTER LTD.. 1939. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 18 pages de partitions. Tampon sur la première page.. . . . Classification Dewey : 780.26-Partitions
19902-0048005711SALABERT 1990. Paperback. New. French language. 10.39x6.93x0.24 inches. SALABERT paperback
199925529Paris France : Arion S. A. 1999. Music CD - Collection Paul Kuentz. Made in France. Very clean CD in nice case with original artwork. A nice copy. Bx 163. CD. Very Good. Arion S. A.
1951ABE-1613338490424 PAGES FORMAT 28,5 CM X 41 CM-EN COUVERTURE "LA COMPTABLE-ESCROC DE MELUN ODETTE GRIJALVO ET SA PETITE FILLE DOMINIQUE"-LA HUITIEME FEMME DE BARBE-BLEUE L'A ECHAPPE BELLE, PHOTO CECILE AUBRY-DES VICTIMES VOUS PARLENT YVONNE PRINTEMPS, PHOTO AVEC PIERRE FRESNAY ET FRANCIS POULENC-ODETTE GRIJALVO, LA COMPTABLE "INVIOLABLE" DE MELUN, DISSIPAIT DES MILLIONS HABILEMENT SOUSTRAITS DANS LA CAISSE DE SON PATRON, 2P, 9 PHOTOS-LES POLICIERS D'ALES ET DE MONTPELLIER RECHERCHENT L'AGRESSEUR DU POINT DU JOUR, BAPTISTIN,1P, 3 PHOTOS-LA VIE N'EST PAS UN ROMAN, DUCHESNE!, 3 PHOTOS, FRANCOIS PERIER, RENEE SAINT-CYR-RESCAPES DU DESESPOIR V LES JUMEAUX DE LA MALCHANCE, MARIE ET FERNAND BARET, GRENOBLE, 2P, 5 PHOTOS-TUE PAR UN BRACONNIER DANS LA FORET DE SAINT-AIGNAN (ILLE-ET-VILAINE), SOSTHENE BAUDOIN INNOCENTE SON MEURTRIER, MAURICE CHARBONNIER, DANS UN DERNIER CRI, 2P, 8 PHOTOS, PALISSAU-LE DOUBLE INNOCENT QU'IL FAUT MAINTENANT REHABILITER!, ASSISES DE CHARTRES, BONTEMS, THOMAS, 1P, 5 PHOTOS-LE SOSIE DU SADIQUE, GASTON GERVAISE, DIJON, 2P, 6 PHOTOS-ACQUITTEMENT TRIOMPHAL, ASSISES DE DRAGUIGNAN, EUGENE DUVAL, 1P, 3 PHOTOS-MARCEL PELLENC LE SENATEUR SCANDALE, DEMI-PAGE, PHOTO-LA MUSE DES MINEURS, YVETTE SARRAZIN, LENS, 2P, 10 PHOTOS, PHOTO PLEINE PAGE EN 4 DE COUVERTURE-LA FIN DE "PAS DE CHANCE" RESTE UNE TROUBLANTE ENIGME, DESIRE DHONT, MONTREUIL, 2P, 7 PHOTOS-
1970RO20009233Société des usines chimiques. 1970. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 200 p environ, illustreés de pub.. . . . Classification Dewey : 632-Dégats causés aux plantes, maladies et parasites
19902204180416016London / Decca 1990-10-25. Audio CD. Like New. CD plays perfectly & the case looks good. London / Decca unknown
1936RO50046138ROUART, LEROLLE & CIE. 1936. In-8. En feuillets. Bon état, Couv. défraîchie, Dos fané, Intérieur acceptable. 15 pages de partitions. Tampon discrèt sur le bas du premier plat. A Martine Paul Rouart. Texte Français / Anglais. Légère déchirure au dos des pages, sans conséquences sur la lecture.. . . . Classification Dewey : 780.26-Partitions
193641435Paris Rouart, Lerolle et Cie 1936 1 vol. broché plaquette in-8 en feuilles, 15 pp. Premier tirage (11969). Plaquette un peu débrochée, sinon bon état général.
193641435Paris Rouart, Lerolle et Cie 1936 1 vol. broché plaquette in-8 en feuilles, 15 pp. Premier tirage (11969). Plaquette un peu débrochée, sinon bon état général.
193519995Partitions sur le Prénom,Partitions sur les Enfants Enoch 1935
193532918Partitions sur le Prénom Enoch 1935
193532919Partitions sur les Enfants Enoch 1935
193732920Enoch 1937
19455470Eschig Max 1945
195333827Paris: Salabert PN R.L. 11708 & Cie. 1953. Folio. Original publisher's dark ivory printed wrappers with titling within ruled borders to upper publisher's catalogue "Oeuvres de Francis Poulenc" to verso of lower. 1f. recto title verso blank 68 pp.<br/><br/>Wrappers slightly worn; corners slightly creased; small date stamp to upper; very small stain to lower. Slightly browned. Second reissue of the edition published by Rouart Lerolle & Cie. ©1929. Schmidt FP49 p. 153.<br/><br/>"Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. Salabert [PN R.L. 11708 & Cie.] unknown books
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br/><br/>Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br/><br/>"Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown books
191933828London: J. & W. Chester PN J.W.C. 050 1919. Folio. Original publisher's light brown printed wrappers; publisher's catalogue to verso of lower. i title 2-8 pp.<br /> <br /> Wrappers somewhat browned and partially split; outer corners chipped with minor loss; previous owner's name in manuscript to upper "Richard J. MacKenzie . 1937"; small price stamp to outer corner. Slightly worn; light internal browning First Edition. Schmidt FP14 p. 33. <br /> <br /> "Poulenc never questioned the supremacy of the tonal-modal system. Chromaticism in his music is never more than passing even if he used the diminished 7th more than any leading composer since Verdi. Texturally rhythmically harmonically he was not particularly inventive. For him the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had according to the most up-to-date musical maps been surveyed worked and exhausted. His definitive statement came perhaps in a letter of 1942: 'I know perfectly well that I'm not one of those composers who have made harmonic innovations like Igor Stravinsky Ravel or Debussy but I think there's room for new music which doesn't mind using other people's chords. Wasn't that the case with Mozart-Schubert'. And if Poulenc was not quite a Schubert he is among the 20th century's most eligible candidates for the succession." Roger Nichols in Grove Music Online. J. & W. Chester [PN J.W.C. 050] unknown
193680307Tours: Arrault & Cie 1936. Fine. Arrault & Cie Tours 1936 12 x 19 cm broché First edition one of 50 numbered copies on vellum the only deluxe copies. Some foxing affecting mainly the endpapers. Preface by Francis Poulenc iconography. Autograph inscription dated December 1936 and signed by Marthe de Kerrieu to a couple of friends presenting her wishes and wishing them happy holidays for the end of year enhanced with the signature of Francis Poulenc. Arrault & Cie hardcover
