Bach j. s.

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PABST, Gustav & JG BACH, engraver J GBiblio.com

Mushroom print from Die Pilze enthaltend die Abbildung und Beschreibung der vorzüglichsten Pilze

Bach, Johann Sebastian et andere Familienmitglieder, John KeebleBiblio.com

Musikalische Kunstwerke im Strengen Style von J.S.Bach und andern Meistern nämlich Das Wohltemperirte Clavier oder Präludien und Fugen durch alle Töne 2er Theil Clementi's Selection of Practical Harmony Selectpieces for theOrgan Peformed at the Church of St. George Hanover Square

181917280Hans Georg Nägeli; Longman Clementi & Co.; Clementi Banger Collard Davis & Collard. 1819. 1st Edition . Book Hardcover. Good. Two volumes of musical scores with engraved title pages including Nägeli's German version for the preludes and fugues. The date given is from an inscription; the printing date can be no later. Landscape345x250mm. The binding is half leather and marbled boards which are very worn but sturdy and recently expertly re-attached by Sycamore Bookbinders of Eastwood re-laying the original spines. Text pages yellowed but essentailly in very good condition end-papers creased. Gilt decoratively bordered labels on the front boards: BACH & KEEBLE'S FUGUES on one volume R.Turle on the volume of Keeble's Select Pieces. On the blank leaf after the second engraved title page of the Bach fugues is inscribed James Turle 1819 giving a latest date for the printing. It seems that the two volumes which should obviously be kept together passed from him to R.Richard Turle who arranged for the binding. The second tile page of the Bach correctly describes the fugues as "2er Theil" in case this helps expert dating of this first or early printed edition. Before precise pagination a few words on the Turle family gleaned from the internet. They were in the late 18th century shopkeepers and merchants in the English Somerset town of Taunton and dedicated amateur musicians; several sons born around the turn of the century to Joseph and Elizabeth and to brother I think James became accomplished organists arrangers for organ and composers some of whose work is still played today. They include James 1802-1882 who signed the one volume or was it his father Richard 1790-1867 who will be the R.Turle of these volumes and William 1795-1834. Richard and William sought their fortunes as organists and cathedral choirmasters in London and beyond. Opportunities for professional musicians were not plentiful in England in their day. Pagination. First volume:Nägeli Title Leaf with angels doing homage for full wording see photograph second Nägeli title leaf for full wording see photograph 1 with signature "James Turle 1719" also inscribed 7"6- 2-123 scores of preludes and fugues 1 to 241 Keeble title leaf for full wording see photograph pp 35-99 scores1. Second Volume:Clementi title leaf: "Clementi's Selection of PRACTICAL HARMONY for the Organ or Piano Forte . Vol.IIIfor full lettering see photographpage headed "INDEX to VOL.III.listing five other Bach family members see photograph 2-123 musical scores1Clementi title leaf"Vol.IV"1index page "Index to Vol.IV MARTINI .Page 2 to 77 inclusively. ALBRECHSTBERGER from P.78 to the end of the Vol:"2-121 musical scores1.small worm hole in margin of last leaf. The original free endpapers are present in both volumes. Prospective purchasers can be provided with further information and photographs. Hans Georg Nägeli; Longman, Clementi & Co.; Clementi, Banger, Collard, Davis & Collard. hardcover

Scarthin Books ABA, ILAB · Royaume-Uni8 500,00 £GB≈ 9 705,30 €

BACH, Johann Sebastian 1685-1750Biblio.com

Six Grandes Sonates pour le Pianoforte et Violon obligé . Edition nouvelle soigneusement revue corrigée métronomiseé et doigtée; enrichie de notes sur l'execution et accompagnée d'une préface . Pr 4 1/2 Rthlr . Oeuvres complets. Liv. 10 Adoptées au Conservatoire de Musique de Leipzig. BWV 1014-1019. Full score and separate violin part

187040394Leipzig: Bureau de Musique de C. F. Peters PN 2766 1870. Folio. Full contemporary dark brown cloth with spine in gilt-ruled compartment with titling gilt with "E.F.C." gilt to lower outer corner of upper. 1f. recto lithographic title verso publisher's preface i table of contents 2-91 pp. Together with violin part unbound i blank 30 pp. Engraved throughout. Edited by Carl Czerny August Klengel Moritz Hauptmann and Karl Lipinsk. With "Ruth Boyden" in pencil to upper outer corner of free front endpaper and in another hand "Margaret P. Curtis Russell Feb. 21st 1881." "C.F Peters" and "C. H. Heusing" handstamps to lower blank margin of title. Binding of score quite worn rubbed bumped and shaken with minor loss; upper partially detached. Very occasional minor foxing to blank margins. Signatures of violin part separated; frayed at edges with some small tears and minor stains to blank margins; lacking title. A later issue of the score first published in 1841. Schmieder 2 p. 741. Riemenschneider Memorial Bach Library catalog p. 230. Oeuvres Complettes Livre 10. Later issues carry "Adoptées au Conservatoire de Musique de Leipzig" to foot of title. "The unusual flexibility with which Bach manipulated the conventional genres of sonata and suite is comparable to his orchestral output as regards formal and compositional aspects as much as textures. Particularly important is his emancipation of the harpsichord from its role as continuo instrument and its deployment as a true partner in the sonatas for harpsichord with violin bwv1014-19 flute 1030-33 and viola da gamba 1027-9. The cycle of six harpsichord and violin sonatas c1725-6 were the first in a series of works with obbligato keyboard and paved the way for a new musical genre. The traditional trio sonata with continuo still cast its shadow for example in the opening movements of bwv1015 and 1019 but it yielded by stages to a more integrated three-part style for example the opening movements of bwv1014 and 1018." Christoph Wolff in Grove Music Online. Bureau de Musique de C. F. Peters [PN 2766] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis173,00 $US≈ 146,38 €