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189627251ABZürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 27251A = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.
Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the Montpellier manuscript and Guido d'Arezzo's do-re-mi mnemonic share a common ancestor. The long-hidden St Petersburg codex is a virtual songbook with sixteen melodies reflecting secular as well as monastic traditions. These and other manuscripts provide persuasive evidence that Horace was sung for entertainment as well as teaching. While there is no provable link between early medieval performance and Horace's own practice, Lyons argues that the Horace of the Odes was a musical innovator, songwriter and entertainer, as well as a literary craftsman, and sang much of his lyric poetry to the accompaniment of his own lyre. With 50 illustrations, 12 colour plates and a comprehensive set of indexes this book will stimulate and inform both classicists and musical historians. ; 8vo - over 7¾" - 9¾" tall; 204 pages
cm. 17 x 24, viii-404 pp. con 1 fig. n.t., es. mus. e tabelle n.t. Historiae Musicae Cultores - Biblioteca Filippo di Monte (1521-1603), il compositore pi? prolifico nella storia del madrigale Cinquecentesco ? a torto poco studiato ? risulta aggiornatissimo sulle tendenze della produzione poetica e musicale italiana, nonostante viva a lungo lontano dall?Italia. L?autrice esamina qui fonti e stile della poesia nei ventidue libri di madrigali pubblicati dopo il 1580 e le relazioni tra stile poetico e stile musicale negli ultimi dieci libri a cinque voci (1580-1595). Filippo di Monte (1521-1603) was the most prolific composer of sixteenth-century Italian madrigals, yet has received little scholarly attention. Although he spent much of his life outside Italy (he was Kapellmeister at the imperial courts of Prague and Vienna), he was always up-to-date on the latest trends in Italian music and poetry. The author examines the poems in the last twenty-two books of madrigals (1580-1603) and analyzes the relation between poetic and musical style in the last ten books for Five Voices (1580-1595). 739 gr. viii-404 p.
BUONE CONDIZ., CELEBRAZIONI E COMMEMORAZIONI N 38
Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239
cm. 16,5 x 24, 282 pp. con 24 tavv. f.t. Fondazione Giorgio Cini - Studi di musica veneta 515 gr. 282 p.
1976 111 pp. SEGNI DEL TEMPO FRONTE RETRO ALLA COPERTINA, PER IL RESTO ECCELLENTI CONDIZIONI. PROBABILMENTE MAI SFOGLIATO.
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. FONDO DI MAGAZZINO PARI AL NUOVO. GRAFFIETTI/SEGNI DEL TEMPO ALLA COPERTINA, PER IL RESTO PERFETTO. Miles Davis (1926-1991) è uno dei massimi protagonisti del jazz moderno e contemporaneo, e in senso generale di tutto il Novecento sonoro. Non c'è novità stilistica che non l'abbia visto fra i principali protagonisti, se non fra gli ideatori. Davis è stato un maestro della tromba, che suonava con lirismo incomparabile, e un improvvisatore di genio assoluto; un uomo dal talento sconfinato ma anche dal carattere difficile, ambizioso ed esigentissimo; un collezionista di donne bellissime e intense, ma anche una persona profondamente legata alle sue radici afroamericane. È stato un punto di riferimento della vita jazzistica, e più in genere musicale e sociale, dal dopoguerra all'epoca della collaborazione con Gil Evans e John Coltrane, dagli anni del jazz-rock alla sua finale assunzione in una sorta di pantheon mediatico. Questo libro è lo strumento ideale per carpirne i segreti, apprezzando tutte le sfumature del suo talento e della sua straripante umanità. Miles Davis (1926-1991) is one of the greatest stars of modern jazz and contemporary, and in a general sense of the 20th century. There is no stylistic innovations that haven't seen between the main protagonists, if not among the originators. Davis was a master of the trumpet, playing with incomparable lyricism, and an improviser of absolute genius; a man of boundless talent but also difficult, ambitious and extremely demanding character; a collector of beautiful women and intense, but also a person deeply tied to its African roots. It was a landmark of the jazz life, and more generally the musical and social, since the war at the time of collaboration with Gil Evans and John Coltrane, from the years of jazz-rock to its final intake in a kind of pantheon. This book is the perfect tool to learn their secrets, appreciating all the nuances of his talent and his overflowing with humanity. Descrizione bibliografica Titolo: Miles Davis. Dal bebop al jazz-rock (1945-1991) Autore: Luca Cerchiari Editore: Milano: Arnoldo Mondadori, 2001 Lunghezza: 312 pagine; 22 cm ISBN: 8804549416, 9788804549413 Collana: Volume 252 di Oscar storia Soggetti: Biografie, Musica, Storia musicale, Musicologia, Compositori, Musicisti, Band, Jazzisti, Generi musicali, Evoluzione, Grandi maestri, Capolavori, Canzoni, Melodie, Note musicali, Spartiti, Swing, Rock, Aneddoti, Elettronica, Tromba, Trombettisti, Afroamericani, Cultura nera, Neri, Cool, Dischi, Discografia, Solisti, Fusion, Modale, Kind of Blue, Carisma, Elettrico, Tendenze musicali, Versace, Cultura pop, Spettacolo, Concerti, In a Silent Way, Bitches Brew, Teo Macero, Jimi Hendrix, Capolavori, Riferimento, Consultazione, Saggistica, Hollywood Walk of Fame, Musicisti jazz, Etichette, Industria, Produzione, Grammy, Charlie Parker, Dizzy Gillespie, Juliette Gréco, Tossicodipendenza, Droga, Cultura americana, Suoni, Ritmo, Anni Cinquanta, Anni Sessanta, Anni Settanta, Anni Ottanta, Anni Novanta, Dig, Blue Haze, Bags' Groove, Sordina Harmon, 'Round Midnight, Ascensore per il patibolo, Ascenseur pour l'échafaud, Something' Else, John Coltrane, Sax tenore, Red Garland, Paul Chambers, Contrabbasso, Philly Joe Jones, Jimmy Cobb, Giant Steps, Gil Evans, Seven Steps to Heaven, My Funny Valentine, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, Circle, Filles de Kilimanjaro, Betty Mabry, Cicely Tyson, Sly & the Family Stone, The Old Thing, Steve Grossman, Keith Jarrett, Note, Principe delle tenebre, Scrittura, Orchestra, Genealogia, Bibliografia, Album, Battute, Assolo, Libri Vintage Fuori catalogo, Freepop, Biographies, Music, Musical history, Musicology, Composers, Musicians, Bands, Jazzmen, Musical genres, Evolution, Great masters, Masterpieces, Songs, Melodies, Musical notes, Scores, Anecdotes, Electronics, Trumpet, Trumpeters, African Americans, Black culture, Blacks Cool, Records, Discography, Soloists, Charisma, Electric, Music Trends, Entertainment, Concerts, Masterpieces, Reference, Consultation, Nonfiction, Musicians, Labels, Industry, Production, Drug addiction, Drug, American culture, Sounds, Rhythm, Fifties, Sixties, Seventies, Eighties, Nineties, Lift to the gallows, Double bass, Notes, Prince of darkness, Writing, Genealogy, Bibliography, Album, Jokes, Solo, Out of print books Parole e frasi comuni accordi afroamericana armonico artistica ascoltare assolo basso batteria battute bebop bianco Blue blues brani capacità Charlie chitarra elettrica Cinquanta citato colleghi Coltrane Columbia Sony Music continua contrabbasso critica davisiana dimensione disco discografica elementi elettrico espressiva europea Evans facendo fiati figura forma genere George Gil Evans gioco gruppo Hancock improvvisazioni incisioni jazz jazzistica John lascia libera linea melodica momento mondo musicale nero New York newyorkese note Parker passaggio passato periodo personalità pianista piano pianoforte presenza pubblico rapporto registrazione riferimento rispetto ritmica rock ruolo sassofonista scelta serie Shorter solisti sonora spazio stile strada strumentale strumenti struttura studio successivo suono sviluppo tecnica tema tematica tipico tromba trombettista vivo
In-8°, pp. (6), 106, (2), brossura editoriale con alette. Fioriture alla brossura. Buon esemplare. Prima edizione. Quaderni dell'Istituto Nazionale Fascista di Cultura. Serie terza, 4-5. Italiano
Estratto da "Collectanea historiae musicae", vol. II. In 8°, pp. 251-253. Bross. edit. Ottime condizioni.
175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984
22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099
cm. 17 x 24, xii-324 pp. con 12 tavv. f.t. Historiae Musicae Cultores - Biblioteca Il ruolo e la funzione della musica nella formazione etica ed intellettuale del gentiluomo ? indagato analizzando una ricca messe di fonti non musicali (trattatistica sul comportamento, novellistica, epica, lirica), in buona parte sfuggite all?attenzione degli storici della musica. L?intento ? quello di rivendicare alla disciplina musicale, nella sua duplice dimensione di teoria e di prassi, un ruolo specifico nella costruzione dell?identit? nobiliare tra Cinque e Seicento. The role and function of music in the gentleman?s ethic and intellectual formation is investigated using a rich collection of non musical sources (treatises on behaviour, novels, epic and lyric poetry) which in large part have escaped the attention of music historians. The aim is to claim for the musical discipline, in its dual dimensions of theory and practice, a specific role in constructing the nobleman?s identity throughout the 16th and 17th centuries. 657 gr. xii-324 p.
93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030
247pp., 21cm., softcover, text in German, Doctoral Dissertation (Universität Bayreuth, 2009), stamp on title page, text is clean and bright (looks unread), M111115
Book is fine. DJ has minor edgewear. ; In private and in public life, the ancient Greeks danced to express divine adoration and human festivity. They danced at feasts and choral competitions, at weddings and funerals, in observance of the cycles of both nature and human existence. Formal and informal dances marked the rhythms of life and death. In Dance and Ritual Play in Greek Religion, Steven Lonsdale looks at how the Greeks themselves regarded the act of dance, and how dance and related forms of ritual play in Greek religious festivals served a wide variety of functions in Greek society. The act of worship, he explains, often implied engaging in collective rites regulated by playful behavior, the most common forms of which were group hymns and choral dances. ; Ancient Society and History; 384 pages
vii + 101pp. with numerous music examples in text + 2 plates out of text, 3rd printing, 25cm., in the "Concord series" no.12, publisher's hardcover in green cloth with some traces of use, 2 library stamps, text in good condition, M95180
cm. 17 x 24, 282 pp. con 6 figg. n.t. Studi pichiani In questo studio si sono per la prima volta presi in esame i luoghi e le forme del teatro a Mirandola sotto il dominio dei Pico, grazie a una ricerca condotta principalmente su fonti inedite e d?archivio, raccolte in una vasta appendice documentaria. Le vicende teatrali di Mirandola si rivelano preziose per cogliere attraverso i secoli le tinte dominanti della civilt? dello spettacolo tra Umanesimo Rinascimento e Barocco. As a result of research carried out chiefly on archive and unpublished sources collected in a vast documentary appendix this is the first study that examines theatrical places and forms in Mirandola during Pico?s dominion. Over the centuries Mirandola?s theatrical events prove essential for the comprehension of the prevailing features of performing arts from the Renaissance to the Baroque period. 515 gr. 282 p.
cm. 16,5 x 24, 292 pp. con 1 tav. f.t. ed es. mus. n.t. Fondazione Giorgio Cini - Studi di musica veneta Inglese 475 gr. 292 p.
163pp., 21cm., softcover, text in German, Doctoral dissertation (Abhandlung zur Erlangung der Doktorwürde der Philosophischen Fakultät I der Universität Zürich), stamp at verso of title page, text is clean and bright, good condition, M108851
196632233ABKassel, Basel, Bärenreiter, 1966. Groß-8°. 484 Seiten, 8 Blatt. Original-Leinenband. Original-Schutzumschlag.
In 8o.Brossura edit.illustrata con ali ripiegate.Prima edizione.Ottima copia.Pp.220
SHEET MUSIC. 31x23.5mm. 46 pages. Softcover. Cover yellowing and slightly stained. Cover corners slightly worn. Stamp on title page. Pencil inscriptions on few pages. Pages yellowing. Else in good condition.
