1 819 résultats
xxii + 1107pp. illustrated with some plates out of text, 24cm., publisher's hardcover in cloth, copy from the collection of the Belgian musicologist prof.dr. René Lenaerts (with his siganture and ex-dono ex-libris), good condition, M94138
Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the Montpellier manuscript and Guido d'Arezzo's do-re-mi mnemonic share a common ancestor. The long-hidden St Petersburg codex is a virtual songbook with sixteen melodies reflecting secular as well as monastic traditions. These and other manuscripts provide persuasive evidence that Horace was sung for entertainment as well as teaching. While there is no provable link between early medieval performance and Horace's own practice, Lyons argues that the Horace of the Odes was a musical innovator, songwriter and entertainer, as well as a literary craftsman, and sang much of his lyric poetry to the accompaniment of his own lyre. With 50 illustrations, 12 colour plates and a comprehensive set of indexes this book will stimulate and inform both classicists and musical historians. ; 8vo - over 7¾" - 9¾" tall; 204 pages
198623429Tokyo : Japanese Committee, 1986. 207 S. ; Gr.-8° , Org.-Broschur / softcover [2 Warenabbildungen]
230x155 mm. 297 pages. Softcover. Cover scratched, slightly stained and slightly wrinkled. Cover corners rubbed. Else in good condition.
viii + 422pp. + few plates out of text, 23cm., softcover, Doctoral dissertation (A dissertation in Music presented to the Faculty of the graduate school in partial fulfillment of the requirements for the degree of Doctor of Philosophy, University of Pennsylvania], stamp at verso of title page, text is clean and bright, good condition, M109008
155x225 mm. xiv+369 pages. Softcover. Cover slightly scratched. Cover edges rubbed. Spine wrinkled. Spine edges rubbed. Sticker mark on first whitepage. Pages slightly yellowing. Else in good condition.
IN HEBREW. 24x16.5 cm. 1027+XXII pages. Softcover. Cover slightly wrinkled. Few page edges slightly wrinkled. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
215x140 mm. 32 pages. Softcover. Cover yellowing and slightly stained. Cover edge slightly torn. Pages slightly yellowing. Else in good condition.
cm. 14,5 x 20,5, iv-220 pp. International Music Council Publications - Series ?Music and Communication? Inglese 351 gr. iv-220 p.
165x245 mm. 349 pages. Softcover. Ex-library copy with usual marks. Cover slightly rubbed. Cover corners and edges wrinkled. Spine edges worn. Few pages corners slightly wrinkled. Else in good condition.
95pp., 24m., text in English, bound in hardcover, Doctoral Dissertation at the University of Lausanne, stam at verso fo title page, text is clean and bright, good condition, M109343
Scholars' name to half-title (Mark Golden). Else book is fine. ; 256 pages
Some foxing to textblock. Else minor shelfwear. ; 256 pages
240x170mm. 142 pages. Softcover. Cover slightly scratched. Sticker on cover. Cover corners bumped. Spine slightly wrinkled and stained. Spine edges slightly bumped. Stamp on whitepage. Pages slightly yellowing. Else in good condition.
24X15.5 cm. 130+17 pages. Hardcover. Cover slightly stained. Spine edges slightly bumped. Pages slightly yellowing. Else in good conditions.
Very faint creasing to DJ. ; 10.2 X 6.9 X 1.0 inches; 274 pages
(Firenze, 1901) stralcio con copertina posticcia muta, pp. 271/297 con una tavola. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
20012080202102706113Okinawa Prefectural University of Arts Faculty of Musicology Department of Musicology 2001. Soft Cover. Fine. Page size: 176 pages Size: B5 size Okinawa Prefectural University of Arts, Faculty of Musicology, Department of Musicology paperback
19001192DBLeipzig, Breitkopf & Härtel, 1900. Gr.-8°. (6) 101 S. Halbleinenband der Zeit mit mont. Orig.-Umschlagdeckel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (leicht gebräunt).
xxxvii + 251pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108980
104pp., with some music examples in text, 22cm., softcover, text in German, Doctoral dissertation (Universiteit van Amsterdam, the Netherlands), stamp at verso of title page, text is clean and bright, M109019
Hardcover grand in-8°, nombreuses illustrations en noir et en couleurs, discographie critique, reliure skivertex de l"editeur + jaquette rhodoide + étui. Bel exemplaire [NV-7] Textes de B. GAVOTY, A. GOLEA, A. KERN, G. BAUER, G. PIROUE, etc.
cm. 17 x 24, x-438 pp. Quaderni della ?Rivista Italiana di Musicologia? Approfondimento di una ricerca pluritematica sia sull'opera padovana di Mozart (la Betulia Liberata), sia negli ambiti della sua commissione, sia sugli aspetti della persistenza e della fortuna delle azioni sacre metastasiane. 870 gr. x-438 p.
In 8o.Brossura edit.illustrata con ali ripiegate.Prima edizione.Ottima copia.Pp.220
302pp., rijkelijk geïllustreerd in kleur en zw/w, groenlinnen uitgeversband, stofwikkel, in gecart. uitgeversfooedraal, 30cm., zeer goede staat, gewicht: 2.6kg., M104396
