54 résultats
187224907Leipzig: Breitkopf & Härtel PNs 7834 7835 7836 1872. Octavo. Original publisher's dark pink printed boards. No. 1: 1f. title 39 i blank pp. No. 2: 1f. title 36 pp. Title lithographed music engraved. <br/><br/>Publisher's catalogue with prices in both Reichsthaler and Neugroschen to verso of lower board.<br/><br/>Binding worn spine reinforced with old tape; lower wrapper lacking. Title browned and quite brittle edges chipped; browned throughout; some leaves frayed at edges with slight loss to corners; one leaf detached; tear to final page; small publisher's handstamp to lower right corner of both titles. Later edition a Titelauflage printed from plates of the first edition; title page differs only by the added price in Marks. Not in Hofmann McCorkle or Hoboken.<br/><br/>The publisher's catalogue lists works published up to 1865 Niels W. Gade's Seventh Symphony op. 45 and Wilhelm Taubert's overture Der Sturm op. 134. The prices in Reichsthaler only also point to a date before 1871. Apparently the catalogue was added without alterations although it was no longer current. Mark currency was introduced in 1872. Breitkopf & Härtel [PNs 7834, 7835, 7836] unknown books
24523On a slip of paper 68 x 109 mm. Dated London March 27 1909. In black ink.<br/><br/>Slightly creased; right edge slightly frayed not affecting signature.<br/><br/>Together with a three-quarter length vintage photograph of Schumann-Heink by the White Studio in New York ca. 177 x 126 mm. "Between 1897 and 1901 Schumann-Heink took part in four consecutive Covent Garden seasons and became a regular member of the Metropolitan company for a similar period 1898-1903 returning subsequently for single seasons only. By then she had begun the series of popular and profitable cross-country American concert tours that occupied much of the rest of her long career. In 1909 she returned to Dresden to sing the part of Clytemnestra in the première of Elektra. Although she could sing and very well virtually anything her English and American stage career centred on Wagner; and it was as Erda that she bade farewell to the Metropolitan in 1932 still captivating the audience as the American critic Olin Downes wrote with 'knowledge and imagination embodied in the tone and in every syllable of the text she delivered so memorably'. These words well describe the effect vividly conveyed by her Erda and Waltraute recordings made less than three years before. Although largely unrepresentative of her serious repertory her many other recordings made over a period of 25 years give a splendid impression of her powers: of her opulent and flexible tones from low D to high B the amazing fullness and evenness of her shake her artistic conviction dramatic temperament and vivid enunciation. Among them should be mentioned the brindisi from Lucrezia Borgia several versions all good the prison scene from Le prophète 'Parto parto' from La clemenza di Tito and the duet with Caruso 'Ai nostri monti' from Il trovatore." Desmond Shawe-Taylor in Grove Music Online. unknown books
200850387London: Routledge 2008. First Edition. Octavo. Original laminated boards hardcover; 300pp. Bit of dusting to upper edge of text block else a tight unmarked new-appearing copy - Fine. Routledge unknown books
198040464Newark VT: The Janus Press 1980. 4to 29.5 cm 11.625". 40 pp.; illus. <br><br>From Peter Schumann 1934 creator of political theater group Bread and Puppet Theater this limited abstract work is boldly illustrated with repetitive full-page drawings accompanied by large sections of text. Schumann both wrote and illustrated the play.<br>Â Â Â Â "3500 copies have been printed offset at Magnani and McCormick in Enfield Connecticut on Linweave Velvetsheen Bright White Satin text basis 100 with Linweave Linen Midnight Black cover basis 80 & bound at The Stinehour Press in Lunenburg Vermont. 150 copies have been casebound at the Janus Press. The text is set in Trump Mediaeval Roman Italic and Bold" colophon.<br>Â Â Â Â This is one of the 150 casebound copies. <br>Â Â Â Â <br>Â Â Â Â Fine Janus Press 197580 p. 48. Publisher's blue cloth with a black paper label printed in gray to spine and a black and gray illustration mounted to the front board. Crisp and clean. The Janus Press hardcover books
187124058Leipzig: Breitkopf & Härtel PN 6016 1871. Folio. Unbound. 1f. title 3-20 i publisher's catalogue "Publications nouvelles pour le piano de Breitkopf & Härtel à Leipzig" pp. Title lithographed music lithographically transferred and printed within decorative green border. <br/><br/>Moderately worn soiled foxed and browned; some offsetting; outer bifolium detached; stains to final two leaves; publisher's oval handstamp to lower right corner of title. Later third or fourth edition.<br/><br/>The present lithographically transferred edition is based on the presumed second edition of ca. 1842 which was engraved. The decorative green borders are different from those of the presumed second edition. Hofmann p. 41 with pricing in Marks i.e. after 1872. McCorkle p. 69 "There are various copies with a price of 25 Ngr. variant titles with and without "Entd. Sta. Hall" blue/green frame re-engraved or not re-engraved". Not in Hoboken.<br/><br/>The catalogue on the final page lists works published up to ca. 1863. Breitkopf & Härtel [PN 6016] unknown books
187224846Leipzig: Breitkopf & Härtel PN 7834 7835 7836 1872. Octavo. Half black cloth with original publisher's green printed upper wrapper laid down to upper board. No. 1: 1f. title 39 i blank pp.; No. 2: 1f. title 36 pp.; No. 3: 1f. title 39 i blank pp. Title lithographed music engraved. <br/><br/>Binding worn; lower wrapper lacking. Slightly worn foxed creased and stained; several leaves frayed or with small tears; some leaves detached; small publisher's handstamp to lower right corner of all titles. First Edition later issue printed from plates of the first edition with new title adding price in marks. Not in Hofmann McCorkle or Hoboken. <br/><br/>The first edition of all three quartets first appeared in 1848. Breitkopf & Härtel [PN 7834, 7835, 7836] unknown books
185825018Leipzig: Edm. Stoll PN 311 1858. Folio. Disbound. 1f. lithographic title by C.G. Röder p. 3 text 4-13 pp. engraved music. Hofmann p. 129. McCorkle p. 254. Edm. Stoll [PN 311] unknown books
1979118749Koln: Wienand 1979. Hardcover. VG clean and tight but with ex-lib. marks. Grey paper with spoon motif over boards; 127 pp. of which 8 are text. Text in German. Includes all kinds of images of tableware especially the patterns of the handles. With some place-settings shown. Wienand hardcover books
1887177309Leipzig: Verl. v. Abel & Müller/ Verl. v. Carl Reißner 1887. Hardcover. VG_ overall wear to boards spine is only attached to one side inscription in ink on ffep light foxing throughout age toning to pages as expected with age of book but text and illustrations are otherwise clear. Brown boards with 3/4 black cloth black spine with gilt ruling/design and gilt lettering. Three books bound in one. First book is 69 pp with bw illustrations throughout. Second book is 96 pp with bw illustrations. throughout. Third book is 86 pp with bw illustrations throughout. Text for all three books is in German. Contains three books by Gustav Schumann bound together. The first book is illustrated by O. Carelli. The second and third are illustrated by Otto Gerlach. Verl. v. Abel & Müller/ Verl. v. Carl Reißner hardcover books
182442421Halle: Gebauerschen Buchhandlung 1824. First Edition. Octavo 21cm. Contemporary cloth-backed boards; xxii794pp. Shallow loss to cloth at crown; rubbing to boards and corners; still a straight sound copy Good or better. Text entirely in German. Meier 1796-1855 was a classical philologist and editor of the Allgemeine Litteraturzeitung as well as several other German philological journals. This prize-winning treatise on legal jurisprudence in classical Athens is his most enduring work remaining the standard study of the subject well into the 20th century see biographical entry in New International Encyclopedia 1922; also Allgemeine Deutsche Bibliographie on-line. Gebauerschen Buchhandlung unknown books
1973858231973. SCHUMANN Reinhold. AUTHORITY AND THE COMMUNE PARMA 833-1133 IMPERO E COMUNE PARMA 833-1133. Fonti e Studi - Serie Seconda - VIII. n.p. Presso la Deputazione di Storia Patria per le Province Parmensi 1973. xxi 5 397 pp. 9 charts some multi-page and some folding and 12 maps some folding and with pages of text notes the last folding map in rear pocket. 8vo. beige wrappers printed in brown and black. Several closed tears and light soil to wrappers faint crease to top front cover. Inscribed by the author on first blank recto. Ink ownership on first Contents page. Introduction in Italian text in English. Maps in b/w all in excellent condition. unknown books
44129Leipzig: C. F. Peters. Three volumes. 4to pp. 196 215 215. Indices. Frontis portrait in Vol. I. Cream paper over boards spine labels in red and gilt. Flyleaves removed owner's name on titles or pastedown covers little worn at corners and ends of spine occasional notes o/w a VG set. C. F. Peters unknown books
187224089Leipzig: Breitkopf & Härtel PN 6397 1872. Folio. Disbound. 1f. title 3-19 i blank pp. Lithographed. <br/><br/>Inscription in brown ink to verso of title: "Herrn C. Weikert zur Erinnerung an Ida Graß."<br/><br/>Slightly soiled; edges browned; spine frayed; title partially detached; some bleed-through of inscription to upper margin of title; small oval publisher's handstamp to foot of title. Later edition. Hofmann p. 69. Hoboken 15 49. Breitkopf & Härtel [PN 6397] unknown books
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found "antique" music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston's first performance of his Requiem in 1892. It premiered Beethoven's Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown books
503610"God bless our U.S.A. Navy - Army - Aviator Boys! 'Mother' Ernestine Schumann Heink." New York November 11 1918. Oblong 12mo stiff card mounting traces on verso. Fine. Signed by Authors. F. Soft cover. paperback books
187224095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. <br/><br/>Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower.<br/><br/>With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper.<br/><br/>Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title.<br/><br/>A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. <br/><br/>The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown books
185024107Leipzig: Fr. Kistner PN 1743 1850. Folio. Unbound. Score for use as pianoforte part: 1f. title with decorative border 3-29 i blank pp. Violin: 6 pp.; Violoncello: 6 pp. Title lithographed music engraved. <br/><br/>Browned; outer bifolium reinforced at spine with some tears and loss; final leaf torn with repairs and minor loss to notation; handstamp of Novello Ewer & Co. London to foot of title. First Edition. Hofmann p. 193. McCorkle p. 389. Hoboken 15 145. Fr. Kistner [PN] 1743 unknown books
34622Zurich: Hellmut Schumann. First edition. Paper wrappers. Very good to fine copies; occasional wear: tear along spine crease to corner or sunned wrappers; most copies near fine. Various Sizes. Includes catalogue nos. 470 100: Early Travels; 472: A Rare Book Miscellany; 475: A Miscellany of German Books; 476: 100 Books from the 16th Century; 480: Americana; 481: Autographs Documents and Manuscripts; 483; Old and Modern Art; 487: Deutsche Literatur des 17. bis 19. Fahrhunderts; 491: Incunables and Textual Manuscripts of the Middle Ages; 495: Books on Art; 497: Italy; 499: A Rare Book Miscellany including the Biblia Germanica Septima; 500: Galileo Galilei illus.; 504: German and Austrian Historical Sources Books and Manuscripts; 509: Books on Art; 511: The Art of Ornament and Writing illus.; 513: 200 Books & Manuscripts & a Small Lenin Collection; 524: 160 Books and Manuscripts illus; and Occasional List 4: Scarce French Books; two advertisements. Hellmut Schumann unknown books
19322862011932. unbound. very good. Uncommon autograph note signed "Ernestine Schumann-Heink" on brown ledger page 7.75" x 5" in German in full: "Gesegnet sei der Gott der die Music.and deu fruhling erschof!" With approximate translation amounting to: "Blessed be the God who created the music.and the greeting!" which she attributes to German composer Richard Wagner. Boldly signed and in fine condition. Includes photographic postcard bearing her portrait.<br/><br/> Czech-born German-American operatic contralto known for the tonal richness and range of her voice.<br/><br/> unknown books
188024798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates.<br/><br/>The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn.<br/><br/>Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown books
185824812Winterthur: J. Rieter-Biedermann PN 35 1858. Folio. Modern quarter light tan calf with marbled boards and titling gilt to spine original publisher's decorative wrappers bound in. 1f. iv 3-61 pp. Music engraved. Elaborate pictorial title lithograph by Friedrich Krätzschmer. Text printed separately within decorative border.<br/><br/>Publisher's catalogue to verso of lower wrapper. Publisher's handstamp to foot of title.<br/><br/>Binding very slightly worn and rubbed; lower wrapper detached dampstained and slightly defective with loss to text at upper left corner. Slightly worn foxed and dampstained especially at outer margins; tears to two leaves with minor loss. First Edition later issue. The first issue was published in October of 1857. McCorkle p. 581 and 583. Hofmann p. 307. Hoboken 15 240 first issue.<br/><br/>The catalogue to the lower wrapper also lists Schumann's op. 142 published in January 1858 but not op. 143 published in February 1860 which allows the dating of the present copy. J. Rieter-Biedermann [PN 35] unknown books
184524100Leipzig: F. Whistling PN 357 1845. Folio. Disbound. 1 title within decorative border by Krätzschmer 2-19 i blank pp. Title lithographed music engraved. <br/><br/>Contemporary owner's signature "Louise Braune." in ink to lower right corner of title. <br/><br/>Slightly browned and soiled throughout; spine slightly frayed. Professional paper repair to lower outer corner of one leaf; small tear to lower edge of one leaf; a few leaves creased at upper outer corner; cross in ink to upper inner corner of title price erased two overlapping publisher's blindstamps to foot. First Edition no additional volumes published. Hofmann p. 127. McCorkle pp. 251-52. Hoboken 15 103 with printed price of 1 Thlr.<br/><br/>The collection includes six pieces. The designation "Erstes Heft" volume 1 implies that a continuation was planned but there were no further volumes. Hofmann pp. 127 and 131 suggests that the Skizzen für den Pedal-Flügel op. 58 were originally planned as the second volume of op. 56; they were however published by Breitkopf & Härtel. F. Whistling [PN] 357 unknown books
19805130Newark VT: Janus Press 1980. First edition. One of only 45 press-numbered copies out of a total edition of 85 copies printed. The recording is limited to 1000 copies. As new. 4to loose accordion-fold sheet with illustrations by Claire Van Vliet original vinyl record in paper portfolio with photographs of the performance folding cloth box. As new. Janus Press unknown books
184424913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved.<br/><br/>Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932."<br/><br/>Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. <br/><br/>The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria.<br/><br/>The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown books
186124826Leipzig: Fr. Kistner PN 1900 1861. Folio. Modern quarter black cloth with original publisher's printed upper wrapper laid down to upper board titling gilt to spine. 1f. pictorial title 1-4 text i blank 3-203 i blank pp. Title lithographed text typeset music engraved. Without price.<br/><br/>With extended title and prices to upper wrapper: "8 Thlr. 30 Ngr." full score "4 Thlr. 10 Ngr." piano-vocal score "1thlr. 10 Ngr." choral parts "8 Thlr." orchestral parts. Printer's note to foot of last page of text: "Druck von Breitkopf und Härtel in Leipzig."<br/><br/>Occasional foxing throughout heavier to some leaves; edges somewhat browned with small stain to lower outer corner; upper wrapper slightly chipped and with small stain to lower outer corner; titling to spine incorrectly lettered. First Edition later issue. The first issue of 1852 credited the lithographic illustration to Krätzschmer; did not reference the orchestral parts; and had the text printed on three pages only followed by a blank page. McCorkle p. 478. Hofmann p. 243. CPM Vol. 51 p. 226. Hirsch IV 918 this issue. <br/><br/>Composed in April and May of 1851 and first performed with piano accompaniment at Schumann's home on July 5 1851; orchestrated in November of that year and first performed publicly in Dusseldorf on February 5 1852. Fr. Kistner [PN 1900] unknown books
