(Schumann, WMG) W M GBiblio.com
1810-1856, Schumann, Robert,Biblio.com
Gesammelte Schriften über Musik und Musiker; Volume 2
45400297like new. unknown
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59773Preciously bound in full leather gilt title gilt cut. Concerns the politics of Indonesia. See also our book nr. 30091. hardcover
45400297like new. unknown
1016045220.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
117261119X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1313433632.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
190023389London: Novello Ewer and Co 1900. Cloth. Near Fine. 2 v 162 2 ads pages. 8vo. Publisher's original pebbled cloth with copper/gilt title on front cover spine blank. Signature of Julia Houston West and her address on front pastedown. Stamp of Carl Profer on title page and note written at top "J.H.W. sang the Part of the Piri - first time given in Boston by the Parker Club at Chickering Hall". Otherwise clean internally. Binding sound. Cloth. The copy of Julia Houston West called by the The New England Magazine Volume 32 Boston's greatest oratorio singer. The Parker Club was an amateur vocalist association established by James Cutler Dunn Parker in 1864. Parker was also the organist for the Boston Handel and Haydn Society hymntime dot com. A brochure for the Handel and Haydn Society season of 1898/99 for the Paradise and the Peri laid in although not apparently Julia West's performance. Novello, Ewer and Co unknown
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found “antique†music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston’s first performance of his Requiem in 1892. It premiered Beethoven’s Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown
111785Heidelberg Carl Winteräs Universitätsbuchhandlung 1930-41. 8vo. XVI 112 pp. 5 plates; XVI 315 1; 96 120 pp. Sewn as issued uncut in worn and torn wrappers. Three volumes. A part III â€Die Trink- und Spielerlieder - Die geistlichen Dramen. Nachtrage†was also published. Band I:1. Text. Die moralisch-satirischen Dichtungen. Mit 5 Farbtafeln. Band I:2. Text. Die Liebeslieder. Band II. Kommentar. Einleitung Die Handschrift der Carmina Burana. Die moralisch-satirische Dichtungen. unknown
193963709Aussig Usti Nad Labem Czechoslovakia & Vienna: C. Wolfrum ca. 1939. Folio. 50 leaves. 1 leaf with type-written explanation of all the fashions illustrated in the catalogue. 44 hand-coloured pochoir fashion designs on translucent paper each with item number printed below 5 leaves with printed designs showing the backs of all the fashions some pencil shading and details added. Original textured beige softcovers embossed WMI Wolfrum Manufacturing on front cover metal spiral bound as issued some dustsoiling & wear to fore-edges of covers very slight bumping to couple corners still a VG copy w/ beautifully illustrated fashion designs. First edition of this exceedingly scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia for its Vienna Austria market around the time of the forced annexation of the Sudetenland by Nazi Germany in 1939. The firm was famed for its woolen & silk textiles for women’s fashions and their catalogues were very desired. This catalogue includes fashions for silk rayon & wool women’s dress suits leisure suits formal evening dresses & winter coats all evoking the fashion trends of the period. The designs in the catalogue reflect the rising influence of militaristic styles and fascism with square-edged shoulder pads the plate hats as well as the emphasis on tight waists and long skirts. There are a couple designs with distinctive chocolate brown for leisure wear reflecting the heavy Nazi-influenced fashion design of the period. In addition the slim lines were enhanced by cutting clothes across the fabric avoiding bunches of gathers at the waist for full skirts allowing material to flow. In addition the evening wear dresses emphasized low or no backs and hair was to be grown long and worn swept up. This catalogue also includes a few evening formal dress designs clearly inspired by the dresses worn by Vivien Leigh in the 1939 Gone With the Wind Movie with the puffed sleeves polk-a-dot patterns and fabrics. No copies in Worldcat. C. Wolfrum, paperback
192554342Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover
182442421Halle: Gebauerschen Buchhandlung 1824. First Edition. Octavo 21cm. Contemporary cloth-backed boards; xxii794pp. Shallow loss to cloth at crown; rubbing to boards and corners; still a straight sound copy Good or better. Text entirely in German. Meier 1796-1855 was a classical philologist and editor of the Allgemeine Litteraturzeitung as well as several other German philological journals. This prize-winning treatise on legal jurisprudence in classical Athens is his most enduring work remaining the standard study of the subject well into the 20th century see biographical entry in New International Encyclopedia 1922; also Allgemeine Deutsche Bibliographie on-line. Gebauerschen Buchhandlung unknown
188132877Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Very Good. Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Original engraved hand-colored map ca. 40.5x60cm folded into original blue-green pictorial card wrappers 16x10cm; map verso provides a complete catalog of the varnishes manufactured by Brooklyn company Moller & Schumann. Minor wear and scattered spotting to wrapper margins brief split to a couple map folds else a Very Good or better bright and sound example.<br /> <br /> Useful map to the New York City-holiday seeker with railway lines to all the surrounding resorts and hotels of the area. Issued as a sort of premium by the lacquer manufacturers in charmingly illustrated wrappers depicting a man surprised by a bulldog while pasting signs to a wooden fence--his bucket and brush are clattering to the ground as he hurdles over the fence in fright. The signs he has mounted all feature promotional text for Moller & Schumann products: baking varnishes and Japans turpentine lacquers for canned goods and tinware etc. The center sign reproduces a letter from the Department of State awarding the company a certificate from the Sydney International Exposition of 1879. Gaylord Watson / Moller & Schumann unknown
1849583030Boston: Geo. P. Reed & Co 1849. Softcover. Very Good. Unknown edition. Folio. Text in English and in German. Single bifolium making four pages. Notched and worn along the fold with several holes from once being bound within an album foxing and offsetting throughout still a very good and complete copy. For voice and piano. Plate imprint 2045. The lyrics to this song are from a poem by the German poet Robert Reineck who is not credited in the piece nor is a translator credited for the English lyrics. Unrecorded by OCLC and it appears to be equally scarce in the trade. Geo. P. Reed & Co unknown
1967621718New York: Bread and Puppet Press 1967. Softcover. Near Fine. First edition. 16mo. 32pp. Illustrated. Stapled illustrated wrappers. Adaptation of Ben A. Botkin's story "Gretchen and the White Steed" which was included in Botkin's Treasury of American Folkore. A very near fine copy. An early Bread & Puppet publication published before the theatre troupe and art collective moved to Vermont. OCLC locates two copies. Bread and Puppet Press unknown
198123201AB1981. Stuttgart Deutsche Verlags-Anstalt 1981. 25 x 23 cm. 279 Seiten. Hardcover / Gebundene Ausgabe mit Schutzumschlag. Der Schnitt minimal stockfleckig. Sonst sehr guter Zustand. Enthält unter anderem: "Ein Kranz von Musik um ein wahres Dichterhaupt schlingen"; "Hätten Gespenster und Doppelgänger Worte."; "An den reinen Virtuosen denke ich nicht"; "Daß keinen der Wahnsinn übermannt" etc. etc. hardcover
337858San Francisco: Mission Cultural Center 198-. 13x26 inch poster several edge creases upper margin somewhat toned. Mission Cultural Center unknown
1901502511.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
62206285University of Calgary Press pp. 1300 . Hardback. New. University of Calgary Press hardcover
192330212Leipzig: A. Schumann's Verlag. Near Fine in Good dust jacket. c. 1923. 1st Edition. First Printing. Hard Cover. Hald brown leather over gray cloth turtle-back portfolio containing 100 individually mounted tipped-in prints by old Dutch masters each with an individual label. . The portfolio covers are mildly worn and rubbed the individually mounted and labelled tipped-in prints are all in fine condition clean and bright. A large folio heavy portfilio ten pounds - additional shipping charges may apply. FINE/GOOD portfolio. . Tipped-in Prints. Folio 13" - 23" tall. 100 pp . A. Schumann's Verlag hardcover
1330438744.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0267797869.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
33582366-nnew. unknown
33582366like new. unknown
ria9783111117942_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2007Q-193320429XVMI Publishers 2007-02-21. Paperback. New. New. In shrink wrap. Looks like an interesting title! VMI Publishers paperback
